When Hugh Ritson stepped out into the road, the night was dark. Fresh from the yellow light of the inn, his eyes could barely descry the footpath or see the dim black line of the hedge. The atmosphere was damp. The moisture in the air gathered in great beads on his eyebrows and beard, stiffening them with frost. It was bitterly cold. The mist that rose from the river spread itself over the cold, open wastes of marshy ground that lay to the right and to the left. The gloomy road was thick with half-frozen mud. Hugh Ritson buttoned his coat yet closer and started at a brisk pace. "No time to lose," he thought, "if I've to be at the station when the north train goes through. Would have dearly liked to keep an eye on my gentleman. Should have done it, but for the girl. 'Summat on,' eh? What is it, I wonder? It might be useful to know." With a cutting wind at his back he walked faster as his eyes grew familiar with the darkness. He was thinking that Bonnithorne's telegram might be an error. Perhaps it had even been tampered with. It was barely conceivable that Paul and Greta had ever so much as heard of the Hawk and Heron. And what possible inducement could they have to sleep in Hendon when they would be so near to London? His mind went back to Mercy Fisher. At that moment she was dreaming beautiful dreams of how happy she was very soon to make him. He was thinking, with vexation, that the girl was a connecting link with the people in Cumberland. Yes—and the only link, too. Could it be that Mercy—No; the idea of Mercy's disloyalty to him was really too ridiculous. If he could get to the station before the train from the north was due to stop there, he would see for himself whether Paul and Greta alighted. If they did not, as they must be in that train, he would get into it also, and go on with them to London. Bonnithorne might have blundered. The journey was long, and the roads were heavy for walking. It seemed a far greater distance than he had thought. At the angle of a gate and a thick brier hedge he struck a match and read the time by his watch. Eleven o'clock. Too late, if the watch were not more than a minute slow. At that moment he heard the whistle of a train, and between the whirs of the wind he heard the tinkle of the signal bell. Too late, indeed. He was still a quarter of a mile from the station. Still he held on his way, without hope for his purpose, yet quickening his pace to a sharp run. He had come within three hundred yards of the station when he heard an unearthly scream, followed in an instant by a great clamor and tumult of human voices. Shrieks, shouts, groans, sobs, wails—all were mingled together in one agonized cry that rent the thick night air asunder. Hugh Ritson ran faster. Then he saw haggard men and women appearing and disappearing before him in the light of a fire that panted on the ground like an overthrown horse. The north train had been wrecked. Within a dozen yards from the station the engine and three of the front carriages had broken from their couplings and plunged on to the bank. The last four carriages, free of the fatal chain, had kept the rails and were standing unharmed above. Women who had been dragged through the tops of the overturned carriages fled away with white faces into the darkness of the fields. Men, too, with panic-stricken eyes, sat down on the grass, helpless and useless. Some resolute souls, roused to activity, were pulling at the carriages to set them right. Men from the station came with lanterns, and rescued the injured, and put them to lie out of harm's way. The scene was harrowing, and only two of its incidents are material to this history. Over all the rest, the clamor, the tumult, the agony, the abject fear, and the noble courage, let a veil be drawn. Fate had brought together, in that hour of disaster, three men whose lives, hitherto apart, were henceforth to be bound up as one life for good or ill. Hugh Ritson rushed here and there like a man distraught. He peered into every face. He caught up a lantern that some one had set down, and ran to and fro in the darkness, stooping to let the light fall on those on the ground, holding up the red glare to the windows of the uninjured carriages. At that moment all his frozen soul seemed to melt. Face to face with the pitiless work of destiny, his own heartless schemes disappeared. At last he saw the face he looked for. Then he dropped the lantern to his side, and turned the glass of it from him. "Stay here, Greta," said a voice he knew. "I shall be back with you presently. Let me lend them a hand over yonder." The man went by him in the darkness. Hark! Hugh Ritson heard a cry from the field beyond the bank. It was there that they had placed the injured. "Help! help! I am robbed—- help!" came out of the darkness. "Where are you?" asked another voice. "Here! Help! help!" Hugh Ritson ran toward the place whence the first voice came, and saw the figure of a man stooping over something that lay on the ground. At the same moment another man rushed up and laid strong hold of the stooping figure. There was a short, sharp struggle. The two men were of one stature, one strength. There was a sound as of cloth ripped asunder. At the next moment one of the men went by like the wind and was lost in the blackness of the fields. But Hugh Ritson had held up the lantern as the man passed, and caught one swift glimpse of his face. He knew him. A group had gathered about the injured person on the ground and about the other man who had struggled to defend him. "Could you not hold the scoundrel?" said one. "I held him till his coat came to pieces in my hand. See here," said the other. Hugh Ritson knew the voice. "A piece of Irish frieze, I should say" (feeling it). "You must have gripped him by the lappel of his ulster. Let me keep this. I am a police sergeant. What is your name, sir?" "Paul Ritson." "And your address?" "I was on my way to Morley's Hotel, Trafalgar Square. What place is this?" "Hendon." "Could one get accommodation here for the night? A lady is with me." "Best go up by the twelve-thirty, sir." "The lady is too much worn and excited. Any hotel, inn, lodging-house?" A porter came up. "The Hawk and Heron's handiest. A mile, sir. Drayton—it's him as keeps it—he's here somewhere. Drayton!" (calling). "Can you get me a fly, my good fellow?" "Yes, sir." The police sergeant moved off. "Then I may look for you at the Hawk and Heron?" he said. Hugh Ritson heard all. He kept the lantern down. In the darkness not a face of that group was seen of any man. A quarter of an hour later, Hugh Ritson, panting for breath, was knocking at the door of the inn. The landlady within fumbled with the iron bar behind it. "Come, quick!" said Hugh. The door opened, and he stepped in sharply, bathed in perspiration. "Is your son back?" he said, catching his breath. "Back, sir? No, sir; it's a mercy if he gets home afore morning, sir; he's noways—" "Stop your clatter. The girl is in her room. Go and turn the key on her!" It was at that moment that Mercy, having stood an instant at the bottom of the stairs, had ventured nervously into the bar. Turning about, Hugh Ritson came face to face with her. At the sight of her his crimsoning cheeks became white with wrath. "Didn't I tell you to be in bed?" he muttered, in a low, hoarse whisper. "I've only come for ... I came down for ... Hugh, don't be angry with me." "Come, get back, then; don't stand there. Quick—and mind you lock your door." "Yes, I'm going. You wouldn't be angry with me, would you?" "Well, no, perhaps not; only get off—and quick! Do you hear? Why don't you go?" "I only came down for ... I only came...." "God! what foolery is this? The girl's fainting. Never mind. Here, landlady, bring a light! Lead the way. She's not too heavy to carry. Upstairs with you. What a snail you are, old woman! Which room?" Another knock at the outer door. Another and another in rapid succession. "I'm a-coming, I'm a-coming!" cried the landlady from the floor above. She bustled down the stairs as fast as her stiff joints would let her, but the knock came again. "Mercy me, mercy me! and whoever is it?" "Damme, move your bones, and let me in!" The door flew open with pressure from without. Ghastly white, yet dripping with perspiration, his breath coming in short, thick gusts, his neck bare, his shirt-collar torn aside, the lappel of the frieze ulster gone, and the rent of the red flannel lining exposed, Paul Drayton entered. He was sober now. "Where is he?" with an oath. "I'm here," said Hugh Ritson, walking through the bar and into the bar-room to the right, and candle in hand. Drayton followed him, trying to laugh. "Am I in time?" "Of course you are," with a hard smile. "Fearing I might be late." "Of course you were." "Ran all the way." "Of course you did." "What are you sniggering and mocking at?" with another oath. Hugh Ritson dropped his banter, and pointed without a word to the torn ulster and the disordered shirt-collar. Drayton glanced down at his dress in the light of the candle. "Crossed the fields for shortness, and caught in a bramble-bush," he said, muttering. "Drop it," said Hugh. "There's no time for it. Look here, Drayton, I'm a downright man. Don't try it on with me. As you say, it won't pass. Shall I tell you where the collar of that coat is now? It's at the police-station." Drayton made an uneasy movement and glanced up furtively. There was no mistaking what he saw in Hugh Ritson's face. "I've my own suspicions as to what caused that accident," said Hugh. Drayton shuddered and shrunk back. "No, damme! That shows what you are, though. Show me the man as allus suspects others of lying, and I'll show you a liar. Show me the man as allus suspects others of stealing, and I'll show you a thief. You suspect me of that, d'ye? I know you now!" "No matter," said Hugh, impatiently; "your sense of the distinction between crimes is a shade too nice. One crime I do not suspect you of—I saw you commit it. Is that enough?" Drayton was silent. "You'll go to the station with the lady. The gentleman will go to London with me. They are to come here, after all, though my first advice was a blunder." "I'll take the twenty," Drayton mumbled. "Will you now? We'll discuss that matter afterward." Drayton seemed stupefied for a moment. Then he lifted his haggard face and grinned. Hugh Ritson understood him in an instant. "No tricks, I tell you. If you don't put the lady in the train—the right train—and be back here at half past one to-morrow, you shall improve your acquaintance with the Old Bailey." Drayton carried his eyes slowly up to Hugh Ritson's face, then dropped them suddenly. "If I'm lagged, it will be a lifer!" he muttered. He fumbled his torn ulster. "I must change my coat," he said. "No." "She'll see the rent." "So much the better." "But the people at the junction will see it." "What matter?—you will be there as Paul Ritson, not Paul Drayton." Drayton began to laugh, to chuckle, to crow. "Hush!" The sound of carriage-wheels came from the road. "They're here," said Hugh Ritson. "Keep you out of sight, as you value your liberty. Do you hear? Take care that he doesn't see you, and that she doesn't see you until he is gone." Drayton was tramping about the floor in the intensity of his energy. "Here's the bar-slide. I'll just lift it an inch." "Not half an inch," said Hugh, and he blew out the candle. Then he took the key out of the inside of the lock, and put it on the outside. "What! am I to be a prisoner in my own house?" said Drayton. "I'll put the key on the bar-slide," whispered Hugh. "When you hear the door close after us, let yourself out—not a moment sooner." The carriage-wheels stopped outside. There was a sound as of the driver jumping from the box. Then there came a knock. Hugh Ritson stepped back to Drayton and whispered: "This is the very man who tried to hold you—keep you close." |