INDEX

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A, B, C, D, E, F, G, H, I, J, L, M, N, O, P, R, S, T, U, V, W, X, Z

A
Abd-er-Rahman, 9
Abencerrages, tribe of, 11
Adoration of the Kings, The [Velasquez], 88, 104, 107
Adoration of the Shepherds, The [Velasquez], 104, 107
Æsopus [Velasquez], 115
Agnes, S. [Cano], 164, 165
Alba, Duchess of, 183
Alcade de los Hijosdalgos, 131
AlcalÁ, Duke of, 161
AlcalÁ de Henares, University of, 13
AlcaÑices, Marquis of, 187
AlcÁntara, bridge of, 73
AlcÁzar, 73, 111
AlcÁzar, Don Melchior de, 151
Alcudia, Duke of. See Godoy
Alexander VI, Pope, 13
Alfonso I, 10
Alfonso IV, 10
Alhambra, 11, 30, 34;
impressions of, 35-37;
motive of decoration, 38
Almohades, sect of, 10.
Almoravides, tribe of, 10
Alva, Duke of, 17
Andalusia, 41;
school of, study of Raphael, 46;
influence of Pedro CampaÑa, 47;
school of Murillo, 54;
in the seventeenth century, 64, 65;
return to naturalism, 102;
Ribera, 136;
Murillo, 148, 154, 157
Annunciation, The [Cano], 164
Annunciation, The [El Greco], 88
Antigua, Capella de la, 42
Antolinez, JosÉ, 62, 132;
The Assumption, 62;
Glorification of the Virgin, 62;
Ecstasy of the Magdalen, 62
Antony Visiting S. Paul, S. [Velasquez], 105, 126
Apocalypse, The [El Greco], 89
Apotheosis of S. Thomas Aquinas [ZurbarÁn], 166
Apparition of the Virgin to a Community of Bernardine Monks During a Ceremony of Exorcism [Pedro Berruguete?], 44
AragÓn, kingdom and province of, 3, 40, 41, 173
Argensola, BartolomÉ, 18
Arian controversy, 8
Arpino, Cavaliero d’, 140
Assumption, The [Antolinez], 62
Assumption, The [Cano], 164
Assumption of the Magdalen [Ribera], 144
Assumption of the Virgin [Cerezo], 62
Assumption of the Virgin [El Greco], 69
Asturias, kingdom of, 9, 10, 131
Auto-da-fÉ, depicted by Francisco Rizi, 62
B
Badajoz, 48
Balearic Isles, 23
Baltasar Carlos, Prince, 162
Baltasar Carlos, Equestrian Portrait [Velasquez], 105, 108
Baltasar Carlos, Portrait of [Mazo], 124
Baltasar Carlos, Portrait of [Velasquez], 98, 178, 182, 186
Baltasar Carlos, Sportsman Portrait [Velasquez], 105
Baptism of Christ, The [El Greco], 85
Barbara, Santa. See Tapestry works
Bartholomew, S. [El Greco], 79
Bavaria, Elector of, 21
Bayeu, Francisco, 174
Bayeu, Portrait of [Goya], 180
Benedict Celebrating Mass, S. [Rizi], 61
Berlin, Kaiser Friedrich Museum, 134, 164
Bermudez, Cean, “Dictionary of Painters,” 23
Berruguete, Pedro, 44;
Apparition of the Virgin to a Community of Bernardine Monks During a Ceremony of Exorcism, 44
Beruete y Moret, critic, 106, 108, 122, 123, 134
BeulÉ, C. E., French critic, 160
Boabdil, Caliph, 11
Bonaparte, Joseph, 23, 172, 186
Bonaparte, Napoleon. See Napoleon
BorbÓn, Portrait of DoÑa Isabel de [Juan Pantoja de la Cruz], 55
Bordeaux, Goya retires to, 187
Borgia family, 136
BorgoÑa, Juan de, 44
Borrachos, Los [Velasquez], 104, 107
Bosch, Hieronymus, 43
Boucher tapestries, 174
Bourbon, Constable of, 16
Bourbon family, 21, 171
Bouts, Dierick, 42
Brueghel, Pieter, 43
Buddhistic art, 85, 91
Buen Retiro, 19;
presented to the king by Count Olivares, 105;
paintings in, 60, 61, 105, 161
Burgos, city of, 10
Burning Bush [Collantes], 60
Byzantine art, 85, 91
C
Cadiz, 151
Calderon, dramatist, 18
Calle de la Reina de Aranjuez [Mazo], 128, 129
Calvert, Albert F., 70
CampaÑa, Pedro, 47;
Descent from the Cross, 47, 160
Canaletto, 127
Cano, Alonzo, 65;
chapter on, 161;
early years, 161;
death of his wife, 163;
dispute with chapter of cathedral, 163;
death, 164;
Annunciation, Conception, Nativity, Presentation, Assumption, 164;
Mother and Child, 164;
S. Agnes, 164
Cantabria, province of, 10
Capella Mayor, decorations of the, 28
Caprichos [Goya], 184
Caracci, Annibale, 140
Caracci, the, 63, 137, 139
Caracciolo, Giambattista, 140
Caravaggio, Michelangelo, 137, 138, 139, 165
Caravaggio, the Spanish, 165
Card Players, The [Caravaggio], 140
Carducho, Bartolomeo, 52, 55, 61
Carducho, Vicente, 55, 59
Caridad, Hospital de la, 155, 157
CarreÑo, Juan, 57, 62;
chapter on, 131;
portraits of the royal family, 132;
fresco paintings, 132;
Portrait of Charles II, 20, 134;
Portrait of Queen Mariana, 133;
The Conception, 132;
Magdalen in the Desert, 133;
San Sebastian, 133
Casa de Pilatos, 161
Casanova y Estorach, Antonio, 192
Cassel Gallery, the, 62
Castile, province of, 3, 10, 40, 41, 42, 74
Castile, school of, 41-43, 50;
Moro’s influence, 53;
review of seventeenth century, 54-63
Castillo, Juan de, 151, 161
Castillon de la Plana, 63
Castro, Archbishop de, 151
Catalonia, province of, 41
Catholic sovereigns, 3, 8, 11, 14, 16, 18, 31
Catholic Sovereigns at Prayer with their Families before the Virgin, 43
CaxÉs, Eugenio, 55
CaxÉs, Patricio, 52, 55
Celtiberians, 6
Cerezo, Mateo, 62;
Penitent Magdalen, 62;
S. John the Baptist, 62;
Assumption of the Virgin, 62
Cervantes, novelist, 17, 75
CÉzanne, Paul, 90
Charles I of Spain, V of Germany, 15, 19, 31, 52, 167
Charles II, reign of, 20, 131
Charles II, Portrait of [CarreÑo], 20
Charles II, Portrait of [Claudio Coello], 19
Charles III, reign of, 22, 23, 174;
portrait of, 176
Charles IV, reign of, 23, 24, 172, 176
Charles IV, Equestrian Portrait of [Goya], 182
Charles IV and Family, Portrait of [Goya], 176
Chicago Art Institute, 78
Christ at the Pillar [Velasquez], 105
Church in Spain, the, 25, 30, 73, 125, 150, 153, 154, 171
Churrigueresque, 28
Classicism, 139
Clinic of Dr. Tulp [Rembrandt], 156
Clovio, Julio, 69
Coello, Alonso SÁnchez, 53, 54
Coello, Claudio, 19, 63;
La Santa Forma, 63
Collantes, Francisco, 58, 59;
Vision of Ezekiel, 59
Colonial possessions, 13, 15, 18
Columbus, 3
Comedies of Cape and Sword, 18
Coming of the Holy Ghost, The [El Greco], 89
Conception, The [Cano], 164
Conception, The [CarreÑo], 132
Conceptions [Murillo], 154
Cordova, University of, 9
Coro, decorations of the, 28, 148
Coronation of the Virgin [unknown], 43
Coronation of the Virgin [El Greco], 87, 90
Corot, 128
Corpus Christi, Church of, 63
Correggio, 137, 139
Correnzio, Belisario, 140
Cortes, the first, 10
Cota, dramatist, 13
Counter-Reformation, 80
Court of the Lions, 37
Crucifixion, The [El Greco], 76, 85, 87
Cruz, Church of Santa, 47, 160
Cuevas, Pedro de las, 131
Cuyp, 125
D
“Darklings,” 140
Death of LaocoÖn and his Sons, 87
Delacroix, 187
Descent from the Cross [CampaÑa], 47, 160
Diego de Deza, Archbishop, 167
Doblado’s letters, 172
Dolci, Carlo, 85, 91;
The Assumption of the Virgin, 69, 78, 81;
El Expolio, 70;
San Mauricio and his Theban Legion, 71, 81, 87;
San Martin, 71, 89;
Vista of Toledo, 71, 73;
Funeral of Count Orgaz, 71, 82;
Self-Portrait of the Artist, 71;
S. Jerome, 75;
S. Paul, 75;
The Crucifixion, 76, 85, 87;
S. Bartholomew, 79;
Baptism of Christ, 85;
The Resurrection, 85, 86;


Dream of Philip II, 86;
Virgin and Saints, 87;
Coronation of the Virgin, 87;
Annunciations, Holy Family, 88;
Nativity, 88;
Coming of the Holy Ghost, 89;
Death of LaocoÖn and his Sons, 89;
Apocalypse, 89;
Sacred and Profane Love, 89;
Don Fernando Nino de Guevara, 90
Gregory Saying Mass [unknown], 45
Guadarrama, Sierra, 31
Guercino, 139
Guevara, Velez de, 18
Guido. See Reni
H
Hague, Gallery of the, 62, 126
Hall of the Kings, Buen Retiro, 60
Hals, 94, 99
Hapsburg family, 15, 19, 21, 134, 171
Hartley, E. Gasquoine, 70
Hermit Saint [Ribera], 142
Herrera, Francisco, 64, 102
Hilanderas, Las [Velasquez], 105-116
Hispanic Museum, New York, 44, 50, 88, 132
Hobbema, 125
Holbein, 95, 99, 100, 101
Holland, art of, 26, 54, 125;
rivalry with, 15, 17, 18, 122
Holy Family [El Greco], 88
Holy Family (Pajarito) [Murillo], 157
Hospital de la Caridad, 155
Hugo, Miracle of S. [ZurbarÁn], 169
Humanistic movement, 145, 154
I
Iberians, 6
Ildefonso, picture in Church of San, 42
Illustration, 152
Immaculate Conception, dogma proclaimed, 150
Immaculate Conception [Ribera], 144
Impressionism, 100, 114, 128, 171, 187, 188
Innocent X, Portrait of [Velasquez], 90, 93, 105, 123
Inquisition, the, 14, 16, 173
Interrio, El [El Greco], See Funeral of Count Orgaz
Isaac Blessing Jacob [Ribera], 145
Isabel Corbo de Porcel, Portrait of DoÑa [Goya], 180
Isabella, Queen, 3, 11, 13, 15, 40
Italy, art of, 42, 44, 45, 47, 52, 63, 125, 138, 140, 156
J
Jacob’s Ladder [Ribera], 146
Januarius, Chapel of S., 140
Jativa, 136
Jean Arnolfini and Wife [Van Eyck], 95
Jerome, S. [El Greco], 75
Jerome, S. [Pereda], 59
Jews, expelled, 14
Joanna of Austria, 15
John the Baptist [Cerezo], 62
John the Baptist [Da Vinci, Ribera], 145
John the Baptist in the Desert [Ribera], 145
JosÉ, Church of San, Toledo, 86
Joseph Bonaparte. See Bonaparte
Joseph’s Coat [Velasquez], 103
Juan of Austria, Don, 20
Juan de Austria, Don [Velasquez], 105, 114
Juan de Juanes, 46, 63;
S. Stephen Conducted to Martyrdom, 46
Juan II of Castile, 42
Julius CÆsar, 6
Juste, Monastery of San, 16
Justi, Carl, 44
L
Lady with the Fan [Velasquez], 164
Lanfranco, 141
LeÓn, province of, 3, 10, 42
Leonardo, JosÉ, 58, 60;
The Surrender of Breda, 60, 131;
Taking of Acqui, 60
Leopold, Emperor of Germany, 21
Llano y ValdÉs, 161
Lope de Vega, dramatist, 17, 18
Lorenzo, picture in Church of San, 42
Lorrain, Claude, 129, 130
Louis XIV of France, 21, 106
Louvre, the: pictures by Collantes, 60;
El Greco, 76, 87;
Mazo, 122;
Da Vinci, 145
Lucena, battle of, 11
M
Mabuse, 42
Madrazo, Raimundo, 192
Madrid, 41, 48, 49, 57, 60, 61, 62, 102, 106, 121, 133, 151, 162, 169, 171, 173
Madrid, school of, 41, 131
Magdalen in the Desert [CarreÑo], 133
Maia, The, Clothed, The Maia Nude [Goya], 179
Manet, 120
“Mannerists,” 138, 139
Margarita Maria, Portrait of [Velasquez], 105
Margarita of Austria, DoÑa [GonzÁles], 55
Maria Luisa, Queen, 23
Maria Luisa, Equestrian Portrait of [Goya], 182
Maria Teresa, 21, 106
Maria Teresa, Portrait of [Velasquez], 105, 114
Mariana, Portrait of Queen [Velasquez], 105
Mariana de Austria, 105, 131, 134, 135
Mariana de Austria, Portrait of DoÑa [Mazo], 123;
[CarreÑo], 134;
[Velasquez], 103
Martin, San [El Greco], 71
Martinez, Guiseppe, “Practical Letters on the Art of Painting,” 72
Martyrdom of S. Bartholomew [Ribera], 138
Mauretania, 9
Mauricio and his Theban Legion, San [El Greco], 71, 87
Maximilian, Emperor of Germany, 15
Mayno, Fray Juan Bautista, 56, 61;
Pacification of the States of Flanders, 56
Mazarin, Cardinal, 106
Mazo, Juan Bautista del, 55, 57, 61, 102, 106;
chapter on, 121;
life, 121;
copies of Velasquez’s works, 122;
original works, 123;
landscapes, 125;
technique, 128
Memlinc, 42, 43
Mengs, Raphael, 23, 65, 174
MeniÑas, Las [Velasquez], 95, 105, 108, 116-119
Metropolitan Museum, New York:
El Greco, 88;
Velasquez, 98, 115;
ZurbarÁn, 191
Michael the Archangel [ZurbarÁn], 169
Michelangelo, 45, 48, 91, 103, 108, 138, 139
Miracle of S. Hugo [ZurbarÁn], 169
Miracle of the Loaves and Fishes [Murillo], 155
Modena, 137
Moenippus [Velasquez], 95, 106, 115
Mohammed, 18
Mona Lisa [Da Vinci], 99
MontaÑÉs, Martinez, 161
MontaÑÉs, Portrait of the Sculptor [Velasquez], 105
Monte Cassino, 140
Moorish dominion, 3, 8, 74
Mor, or Moro, Antony, 52
Morales, Luis de, 48, 51;
PietÁ, 49;
Virgin Caressing the Infant Jesus, 94
Raphael, 45, 46, 62, 137, 138, 139, 152, 157, 164, 174
Realism, 80, 92, 189
Reccared, King, 8
Reformation, Protestant, 80
Rembrandt, 94, 121, 156, 157, 178, 190
Reni, Guido, 139
Resurrection, The [El Greco], 85
Ribalta, Francisco, 63, 136;
Last Supper, 63;
S. Francis d’Assisi, 64
Ribera, JosÉ (Lo Spagnoletto), 54, 59, 63, 64, 65, 151, 165;
chapter on, 136;

life, 136, 137;
Italian influence, 139;
S. Januarius scandal, 140;
stories associated with, 142;
point of view, 143;
Hermits and Ascetics, 142;
Martyrdom of S. Bartholomew, 138, 144;
Martyrdom of S. Januarius, 141;
Hermit Saint, 142;
Immaculate Conception, 144;
Assumption of the Magdalen, 144;
Holy Trinity, 144;
S. John the Baptist in the Desert, 145;
Penitent Magdalen, 145;
Isaac Blessing Jacob, 145;
S. Simon, 146;
S. Bartholomew, 146;
Jacob’s Ladder, 146
Ribera, Luis, 136
Rincon, 13
Rizi, Antonio, 60
Rizi, Francisco, 61;
auto-da-fÉ depicted, 62
Rizi, Fray Juan, 61;
Portrait of Don Tiburcio de Redin, 61;
S. Benedict Celebrating Mass, 61
Roelas, Juan de las, 64, 165, 169
Roman, BartolomÉ, 131
Romanticists, 187
Rome, 6, 173
Rome, influence of school of, 47, 51, 66, 137, 151
“Room of the Two Sisters,” 36
Rubens, 56, 103, 121, 151
Ruisdael, 125
Ryks Museum, 62
S
Salamanca, 13
Sanguineto, Don Rafael, 162
Santa Forma, La [Coello], 63
Santiago [El Greco], 88
Santos Cruz, 44
Sardinia, 41
Sassoferrato, 139
Scene of May 3, 1808 [Goya], 185
“School of Madrid,” 106, 123, 134
Scipio the Younger, 6
Sebastian, S. [CarreÑo], 133
Self-Portrait [Murillo], 160
Seven Joys of Mary, The [Cano], 164
Seville, 42, 47, 62, 65, 89, 102, 150, 151, 152, 162, 164, 165, 169
Sicily, 22, 41
Siguenza, Father, 71
Silva, Juan Rodriguez de, father of Velasquez, 102
Simon, S. [Ribera], 146
Solis, Antonio de, poet, historian, dramatist, 18
Sorolla (Joaquin Sorolla y Bastida), 65, 192
Soult, Marshal, 23
Spagnoletto, Lo. See Ribera
Spain, historical sketch of, 3-24;
decline of, 171, 184;
character of art of, 4, 8, 25, 38, 39, 125, 133, 137, 145, 165, 171, 190;
source of, 41, 46;
geographical description of, 4, 5, 41, 129
“Spaniard of Jativa,” 136
Spanish character, 5, 11, 14, 27, 30, 47, 66, 87;
demoralization of, 171, 191
Spanish Succession, War of the, 22
Spinola, Marquis of, 103, 112
Stephen Conducted to Martyrdom, S. [Juanes], 46
Stevenson, R. A. M., 110
Stirling-Maxwell, Sir John, 71
Suetonius, 6
Surrender of Breda [Leonardo], 60
Surrender of Breda [Velasquez], 56, 103, 111, 126
T
Tagus, the, 73
Taking of Acqui [Leonardo], 60
Tapestry works, royal, 174
Taureaux de Bordeaux [Goya], 187
Telmo, San, 89
Temptation of Adam and Eve [Titian], 56
Temptation of S. Antony [unknown], 43
Teniers, 174
Theotocopuli, Domenico. See Greco
Theotocopuli, George Manuel, 71, 87, 89
Thomas, Apotheosis of S. [ZurbarÁn], 166
Thomas, S., Church of, 167
Tibaldi, Pelegrino, 52
Tiburcio de Redin, Portrait of [Rizi], 61
Tiepolo, 23, 65
Tintoretto, 66, 71, 103, 108, 111, 138
Titian, 19, 52, 53, 56, 66, 67, 78, 89, 111, 121, 126, 139, 151;
Gloria, 16;
Portraits of Charles I, 19;
Philip II, 19, 20
Toledo, 10, 13, 42, 51, 56, 61, 66, 69, 70, 71, 74, 86, 87
TomÉ, Church of San, 82
Trinity, Holy [Ribera], 144
Tristan, Luis, 89
“Truth not painting,” 95, 101, 108, 120
Truth of appearances, 67, 119
Truth of representation, 92
Turner, 130
U
Ursula, S., 43
Utrecht, treaty of, 22
V
Valencia, province of, 10, 41;
school of, 41, 46, 54, 63, 64, 136, 162
Valladolid, 58
Van Dyke, 62, 151
Van Eyck, Jan, 94, 99
Van Goyen, 125
Van Loo, 22
Velasquez, Don Diego Rodriguez de Silva y, 19, 54, 55, 56, 57, 60, 61, 65, 67, 143, 148, 151, 157, 161, 165, 171, 178, 187, 189;
chapter on, 92-120;
point of view, 93;
“truth not painting,” 95;
artist’s vision, 96;
color, 97, 98;
impressionism, 100;
study of light, 100;
early life, 101, 102;
friendship with king, 103;
first visit to Italy, 103;
first period, 103, 104;
Aposentador Mayor, 104;
second period, 105;
second visit to Italy, 105;
Marshal of the Palace, 105;
third period, 105, 106;
death, 106;
alteration of canvases, 110;
neglect of, 120, 121;
pictures copied by Mazo, 122;
interest in landscape, 126;
compared with Goya, 181;
pictures by—first period:
Surrender of Breda, 103, 104, 111;
Forge of Vulcan, 103, 108;
Joseph’s Coat, 103;
Villa Medici, 103;
Adoration of the Shepherds, 107;
Adoration of the Kings, 107;
Lady with the Fan, 107;
Los Borrachos, 107;
Expulsion of the Morescoes, 111;
DoÑa Maria, 103;
Philip IV, Young, 107. Second period:
Christ at the Pillar, 105;
Sculptor MontaÑÉs, 105;
Don Juan de Austria, 105;
Don Baltasar Carlos, 98;
Equestrian Portraits of Philip IV, 105, 109;
Don Baltasar Carlos, 105, 109;
Count Olivares, 105, 108, 109;
Sportsman Portraits of Philip IV, 105, 113, 122;
Don Baltasar Carlos, 105, 113;
Don Fernando de Austria, 105, 113.
Third Period:
S. Antony Visiting S. Paul, 105;
Las Hilanderas, 105, 116;
Venus, 116;
Æsopus, 106;
Moenippus, 106;
The God Mars, 106;
The Dwarf Antonio El Inglese, 106;
Las MeniÑas, 95,


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