A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T, U, V, W, Y.

A
Abraham Receiving the Angels [Bol], 154
Actor’s instinct in art, 75
Adoration of the Shepherds [Rembrandt], 103, 159
Aertz, Pieter, 19;
studied at Amsterdam, 43
Albert, Archduke, 45
Altman, Mr. B., owner of The Sleeping Girl [Vermeer], 136
Alva, Duke of, 22, 23, 46
Amsterdam, school of painting, 38, 43;
artists born there:
Aertz, 107;
Eeckhout, 158;
De Keyser, 165;
Koninck, 172;
Adriaen van de Velde, 184;
school of:
Scovel, 16;
Rembrandt, 73;
Maes, 115;
Metsu, 117;
Fabritius, 157;
Eeckhout, 158;
De Gelder, 160;
De Keyser, 165;
Koninck, 170;
Hobbema, 190;
residence of:
Rembrandt, 76;
Aertz, 107;
Van Ostade, 109;
Lairesse, 125;
De Keyser, 165;
Seghers, 170;
Koninck, 170;
Van der Neer, 176;
Potter, 179;
Van de Velde, Willem, Elder and Younger, 186;
Van de Velde, Adriaen, 184;
Berchem, 184;
Hobbema, 190;
Ruisdael, Jacob, 194
Angel and the Shepherds [Flinck], 152
Antwerp, glory of, 7;
“Image-Breaking” at, 22;
school of painting, 22;
birthplace of Hals, 50
Antwerp Museum, Day of Judgment [Van Orley], 15
Art:
the need of the people, 4;
French at time of Revolution, 5;
imitation death of national art, 6;
decline of Dutch in eighteenth century, 6;
affected by imperialism, influenced by Church, 11;
by Renaissance, 12;
condition at abdication of Charles V, 14;
realism of Dutch, 27;
moral and scientific character of, 28;
commencement of great period of, 29;
still-life, 31;
portraiture, 49;
beauty of inanimate things, 59;
democratic ideal of Dutch, 72;
Rembrandt’s compared to Greek, 72;
actor’s instinct shown by painters, 75;
abstract in, 94;
decorative, 94;
Barbizon, 171
Art-History Museum, Vienna. See Vienna
Artist in his Studio [Vermeer], 140
Asking a Blessing [Maes], 114
Asselyn, Jan, 44;
Enraged Swan, The, 44
Avenue of Middelharnis [Hobbema], 191
B
Bakhuysen, Ludolf, 44
Balckeneijnde, Adriana, wife of Paul Potter, 179
Bank of a Canal [Van Goyen], 188
Banquet of the Civic Guard [Van der Helst], 164
Banquet of the Officers of the Archers of St. Andrew [Hals], 66
Banquet of the Officers of the Archers of St. George [Hals], 64
Banquet of the Officers of the Archers of St. George [Hals], 65
Barbizon artists, 171
Bartholdi’s Statue of Liberty, 87
Beach, The [Jacob van Ruisdael], 198
Bear Hunt, The [Potter], 180
Bega, Cornelis, 110
“Beggars, The,” 21
“Beggars of the Sea,” 23
Berchem, Nicolaes, 30, 39, 43, 174, 178, 184, 195
Berlaymont, 21
Berlin:
pictures in gallery:
St. Jerome in a Cave, Rembrandt, 76;
Portrait of Himself, Rembrandt, 78;
Portrait of Hendrickje Stoffels, Rembrandt, 89;
Old Woman Peeling Apples, Maes, 115;
Portrait of Old Woman, Metsu, 118;
Family Geelvink, Metsu, 120;
The Mother, De Hooch, 121;
The Concert, Terborch, 130;
Diana with her Nymphs, Vermeer, 135;
Lady with a Pearl Necklace, Vermeer, 138;
The Christening Party, Steen, 146;
Portrait of a Young Woman, Flinck, 153;
A Man Praying, Fabritius, 158;
Raising of Jairus’s Daughter, Presentation of Christ in the Temple, Mercury and Argus, Eeckhout, 159;
Old Lady and her Daughters, Old Man and his Sons, De Keyser, 166;
Landscape and Cattle, Koninck, 173;
Boar Hunt, Potter, 180;
View of Arnheim, View of Nimwegen, Van Goyen, 188;
View of Haarlem from the Dunes, Jacob van Ruisdael, 197
Biblical pictures, 74, 103-105, 150;
by Steen, 148;
Flinck, 151;
Fabritius, 156;
Bol, 163;
Eeckhout, 158;
De Gelder, 160;
Van de Velde, 183
Big Wood, The [Jacob van Ruisdael], 199
Blacksmith, The [Metsu], 117
Boar Hunt, The [Potter], 180
Bode, W., quoted, 54, 114, 117, 134, 176-195
Bol, Ferdinand, 30;
school, 43;
appreciation, 153;
Jacob Presented to Pharaoh, Rest of the Holy Family, Abraham Receiving the Angels, Salome Dancing before Herod, 154;
Portrait of a Girl, Portraits in the Pinakothek, 155
Boston Museum, pictures in:
An Interior, De Hooch, 122
Both, Johannes, 30
Boucher, 5
Bray, Jan de, 19
Bray, Salomon de, 39, 167
Brederode, feast at, 21
Bredius, Dr., 136;
estimate of Steen, 142
Brueghel, Pieter the Elder, 107
Brunswick Gallery, pictures in:
The Coquette, Vermeer, 140;
Portrait, Eeckhout, 160;
Oak Wood, Jacob van Ruisdael, 199
Brussels, scene of abdication of Charles V, 7;
ancient grandeur of, 7;
treaty of 1577 signed at, 23
Budapest, Fine Arts Museum, pictures in:
Portrait of a Man, Maes, 116;
Portrait of a Lady, Vermeer, 141;
Esther and Mordecai, De Gelder, 161;
Portrait of a Woman, De Keyser, 166;
Portrait of a Young Lady, Moreelse, 168;
Landscape, Cuyp, 183
Burial, The [Rembrandt], 103
C
Cassel Gallery, picture in: Twelfth Night, Steen, 146
Castle Bentheim [Jacob van Ruisdael], 195
Cattle and Bathers [Potter], 186
Cavalier in a Shop [Van Mieris], 124
Charles V, abdication, 3-8;
birth and education, 7;
rule in the Netherlands, 7
Chiaroscuro, Rembrandt’s, 79
Christ with the Doctors [Eeckhout], 159
Christening Party, The [Steen], 146
Church, influence of, on art, 11;
attempt to fasten Catholic on Holland, 20;
schism in Protestant, 37
Codde, Pieter, 126
Concert, The [Terborch], 136
Cook, The [Vermeer], 137
Coquette, The [Vermeer], 139
Count of Orange, William, 8
Cradle, The [Maes], 115
Craftsmanship, Dutch love of, 32
Cuyp, Aelbert, 30, 178;
appreciation, 182
Czernin Gallery, Vienna, pictures in:
The Artist in his Studio, Vermeer, 140;
The Company of Captain Cloeck, De Keyser, 166
D
David Handing the Letter to Uriah [Flinck], 151
Day of Judgment [Van Orley], 15
Decapitation of St. John the Baptist [Fabritius], 157
Delft, School of, 38, 41;
born in: Vermeer, 132;
studied at: Vermeer, 132;
residence in: Vermeer, 132;
Steen, 144;
Fabritius, 156
Descent from the Cross [Rembrandt], 103
Diana and her Nymphs [Vermeer], 135
Diana at her Toilet [Vermeer], 134
Disciples at Emmaus [Steen], 148
Doctor Visiting a Young Woman [Steen], 147
Doctor’s Visit, The [Steen], 147
Dordrecht, School of, 38, 43;
De Gelder, 160;
Cuyp, 182;
residence of Cuyp, Hoogstraten, 43;
of De Gelder, Potter, 179
Dort, assembly of Estates, 23
Dou, Gerard, 30;
school, 40;
life, 111;
appreciation, 111;
The Young Mother, 103;
Old Woman Saying Grace, 103;
The Dropsical Woman, 112;
Lady at her Toilet, 112;
Old Woman who has Lost her Thread, 112;
Young Man and Girl in a Cellar, 113;
Night School, 113
Dresden Gallery:
Old Woman who has Lost her Thread, Dou, 112;
Young Man and Girl in a Cellar, Still-life, Portrait of Himself, Dou, 113;
Man and Woman Selling Poultry, Lovers at Breakfast, Metsu, 118;
A Lady at her Clavichord, Netscher, 125;
Officer Writing a Letter, Lady Washing her Hands, Terborch, 130;
The Proposal, Vermeer, 134;
The Marriage at Cana, The Expulsion of Hagar, Steen, 148;
David Handing the Letter to Uriah, Flinck, 151;
Jacob Presented to Pharaoh, Bol, 153;
Rest of the Holy Family, Bol, 154;
Presentation of Christ in the Temple, An Important Document, Portrait of a Halberdier, DeGelder, 160;
Dutch Landscape, Koninck, 173;
Castle Bentheim, Jacob van Ruisdael, 195;
Village in the Wood, Jacob van Ruisdael, 196;
Jewish Cemetery, Jacob van Ruisdael, 200
Dropsical Woman, The [Dou], 112
Dunes, Valley of the Rhine near Arnheim [Koninck], 173
DÜrer, Albrecht, 15
Dusart, Cornelis, 110
Dutch, pioneers of modern era, 3;
independence of, declared, 24;
defeated Spain by sea, 26;
love of genre, 30, 31;
advance in commerce, science, agriculture, and the crafts, 36;
political and religious dissensions, 37;
art one of portraiture, 49;
character of genre, 107-109;
change of conditions of society, 124;
society pictures, 126;
landscape, 170;
with cattle, 177;
occasional tediousness of landscapes, 192
Dutch Courtyard [De Hooch], 122
Dutch Housewife [Maes], 115< tenberg@html@files@59473@59473-h@59473-h-2.htm.html#page_69" class="pginternal">69
Hague:
Dutch independence declared, 24;
school, 38, 42;
Ravesteyn, 167;
Mierevelt, 167;
residence of De Hooch, 121;
Steen, 144;
Seghers, 170;
Potter, 179;
Van Goyen, 187
Hague Royal Museum, 37;
Portrait of a Young Man, St. Simeon in the Temple, The Lesson in Anatomy, Rembrandt, 76;
The Young Mother, Dou, 103;
Peasants’ Holiday, Peasants at an Inn, Marriage Proposal, The Fiddler, Van Ostade, 110;
Diana at her Toilet, New Testament, Head of a Girl, Vermeer, 135;

View of Delft, Vermeer, 136;
While the Old Ones Sing, etc., Steen, 146;
Doctor Visiting a Sick Woman, Steen, 147;
Judah and Thamar, De Gelder, 161;
The Young Bull, Potter, 179;
Cattle and Bathers, Potter, 180;
View of Dordrecht, Van Goyen, 188;
View of Haarlem from the Dunes, Jacob van Ruisdael, 197;
The Beach, Jacob van Ruisdael, 198
Hals, Dirck, 5;
place in art, 126
Hals, Frans, 19;
birth, 29;
life, 50;
Guild of St. Luke, 51;
death and burial, 51;
personal character, 52;
technique, 52;
humor, 53;
point of view, 54;
still-life, 57;
compared with Van der Helst, 57;
an Impressionist, 59;
use of values, 63;
light, 63;
brushwork, 64;
color, 64;
simplicity of gesture, 67;
decline of power, 69;
Hals and Rembrandt, 96;
modern influence, 97;
overestimated, 97;
pupils, 99;
Banquet of the Officers of the Archers of St. George, 64;
Banquet of the Officers of the Archers of St. George, 65;
Banquet of the Officers of the Archers of St. Andrew, 66;
Reunion of the Officers of the Archers of St. Andrew, 67;
Officers of the Archers of St. George, 68;
Regents of the Hospital for the Poor, 52;
Regents of the Hospital of St. Elizabeth, 69
Hals, Harmen, 58
Happy Family, A [Steen], 145
Harmen van Rijn, father of Rembrandt, 73
Head and Bust of Oriental [Rembrandt], 104
Head of a Girl [Vermeer], 135
Helst, Bartholomeus van der, 43;
compared with Hals, 57;
appreciation, 164;
Banquet of the Civic Guard, 57, 164;
Portrait of Paul Potter, 163, 178
Hendrickje, 78;
Portrait of, 89
Hermanszoon, Anneke, 50
Heyden, Jan van der, 31
Hobbema, Meindert, 31, 39, 43;
life, 190;
appreciation, 192;
The Water Mill, 191, 192;
Avenue of Middelharnis, Wooded Landscape, Water-Mill (Louvre), Wooded Road, 191
Holland, growth of, 3;
pioneer of modern era, 3;
misrule of Philip, 19;
independence of, 24;
birthplace of new art, 26;
Duchess Isabella, 45;
consolidated, 45;
Stadtholdership hereditary, 46;
family of Orange entangled with Stuarts, 47
Holy Family [Rembrandt], 102
Homely Scene, A [Steen], 145
Hondecoeter, Melchior d’, 31;
school, 38;
in Amsterdam, 43
Hooch, Pieter de, 31;
school, 41;
in Amsterdam, 43;
life, 120;
influence of other painters, 138;
The Mother, Interior, The Pantry, A Dutch Courtyard, Family Group, 122;
The Visit, 138
Hoogstraten, Samuel van, 43
Horn, Count van, 22, 46
Horses at the Door of a Cottage [Potter], 180
Houbraken, historian-painter, 52, 120, 144
Huntington, Mrs. Collis P., owner of Lady with a Lute, Vermeer, 139
I
Important Document, An [De Gelder], 160
Impressionism, 59, 60;
of Rembrandt, 86, 92, 93
Interior [De Hooch], 122
Isaac Blessing Jacob [Flinck], 151
Isabella, Duchess, 45
Israels, Josef, 106
J
Jacob Presented to Pharaoh by Joseph [Bol], 154
Jerome in a Cave, St. [Rembrandt], 76
Jesus Disputing with the Doctors [Rembrandt], 75
Jewish Cemetery [Jacob van Ruisdael], 200
Johnson, Mr. John G., collector of Philadelphia, 114
Judah and Thamar [De Gelder], 160
Judith with the Head of Holofernes [Mantegna], 157
K
Kalf, Willem, 31
Keyser, Thomas de, 43;
appreciation, 165;
Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, Old Lady and her Three Daughters, Old Man and his Two Sons, Portrait of a Woman, 166
Koninck, Philips, 30;
in Amsterdam, 43, 174;
appreciation, 172;
The Dunes, Valley of the Rhine near Arnheim, Dutch Landscape, Landscape with Cattle (Berlin), Landscape with Cattle (Rijks), Four Portraits of Joost van den Vondel, 173
L
Lace-Maker, The [Vermeer], 139
Lady and her Doctor [Van Mieris], 124
Lady at a Spinet [Vermeer], 140
Lady at her Toilet [Dou], 112
Lady at the Clavichord [Netscher], 125
Lady Washing her Hands [Terborch], 136
Lady with a Lute [Vermeer], 139
Lady with the Pearl Necklace [Vermeer], 138
Lady Writing [Vermeer], 139
Lairesse, Gerard de, 125
Landscape, 169;
painters of:
Seghers, 169;
Rembrandt, 173;
Jacob van Ruisdael, 173, 193;
Salomon van Ruisdael, 174;
Molyn, 173;
Berchem, 174;
Wouwerman, 174, 180;
Wynants, 175;
Van der Neer, 176;
Van de Velde, 183;
with cattle, Potter, 179
Landscape with Cattle [Koninck], 173
Landscape with Cattle [Potter], 180
Landscape with Fence [Jacob van Ruisdael], 199
Landscape with Waterfall [Jacob van Ruisdael], 194
Last Judgment [Van Leyden], 74
Lastman, Pieter, 73
League of Nobles, 21
Lesson in Anatomy [Rembrandt], 76
Letter, The [Vermeer], 138
Leyden, founding of university, 35;
School of, 38, 40;
Dou, 111;
Steen, 144;
birthplace of Rembrandt, 73;
Dou, 111;
Metsu, 117;
Mieris, 122;
Steen, 144;
Willem van de Velde, Elder and Younger, 186;
Van Goyen, 187;
residence of Rembrandt, 74;
Dou, 111;
Steen, 144
Liberty, Statue of, 87
Liechtenstein Gallery, Vienna:
Portrait of a Girl, Bol, 155
Louvre:
The Supper at Emmaus, The Good Samaritan, Rembrandt, 82;
The Dropsical Woman, Dou, 112;
Vegetable Market, Metsu, 118;
The Gallant Soldier, Terborch, 129;
Angel and the Shepherds, Flinck, 152;
Portrait of a Little Girl, Flinck, 153;
Portrait of a Mathematician, Bol, 154;
Horses at the Door of a Cottage, Potter, 180;
The River, Banks of a Canal, Van Goyen, 189;
Water Mill, Hobbema, 191
Lovers at Breakfast [Metsu], 118
Lucas van Leyden, 15, 74;
The Last Judgment, 74
Luminarist, 80
M
Maas, River, 182
Maes, Nicolaes, 31, 144;
school, 43;
influenced by Rembrandt, 105;
life, 114;
appreciation, 115;
A Reverie, Asking a Blessing, Nurse and Children, 114;
The Young Card-Players, 114, 116;
Old Woman Peeling Apples, The Cradle, Dutch Housewife, 115;
Old Woman Spinning, 115, 116;
Portrait of a Man, 116
Man and Woman Selling Poultry [Metsu], 118
Manet, Edouard, 60
Mantegna, Judith with the Head of Holofernes, 157
Marine-painters, 44;
Vlieger, 44, 185;
Bakhuysen, 44;
Verschuier, 185;
Willem van de Velde, Elder and Younger, 44,
Vroom, 185
Marriage at Cana [Steen], 148
Marriage Proposal, The [Van Ostade], 110
Matisse, French artist, 93
Maurice, Stadtholder, 37, 45
Mercury and Argus [Eeckhout], 159
Metropolitan Museum, New York, 88, 90;
A Music Party, Metsu, 119;
Girl with Water-Jug, Vermeer, 135
Metsu, Gabriel, 31;
school, 40;
in Amsterdam, 43;
pupil of Hals, 99;
influenced by Dou, 111;
life, 117;
appreciation, 117-119;
The Blacksmith, 117;
Old Woman in Meditation, Man and Woman Selling Poultry, Lovers at Breakfast, 118;
A Music Party, Visit to the Nursery, 119;
Family Geelvink, 120
Meyer, Baron A., photographs of, 58
Mierevelt, Michiel Jansz van, 19, 41, 167
Mieris, Frans van, the Elder, 40;
influenced by Dou, 111;
life, 122;
appreciation, 123;
The Sick Woman, The Oyster Breakfast, 123;
The Girl before a Mirror, A Lady and her Doctor, Cavalier in a Shop, 124
Mill near Wyk-by-Duurstede [Jacob van Ruisdael], 199
Models, Rembrandt’s use of, 104, 150
Monet, Claude, 60
Moral character of Dutch painting, 27
Moreelse, Paulus, 167
Morgan, Mr. J. Pierpont, owner of Visit to the Nursery, Metsu, 119;
Lady Writing, The Lace-Maker, Vermeer, 139;
The Water Mill, Hobbema, 184, 191;
Wooded Landscape, Hobbema, 191
Moro, Antonio, 16
Mother, The [De Hooch], 122
Munich Pinakothek. See Pinakothek
Music Lesson, The [Vermeer], 140
N
National Gallery, London:
Peace of MÜnster, Terborch, 39, 127;
The Young Card-Players, Maes, 114, 116;
The Cradle, Dutch Housewife, Maes, bankruptcy, 78;
Fromentin’s criticism, 79, 85;
chiaroscuro, 80;
abstract idea, 88;
color, 91;
symbolism, 92;
Impressionist, 93;
compared with Hals, 96;
influence on genre, 102;
use of the arch, 104;
St. Paul, St. Jerome in a Cave, St. Simeon in the Temple, 76;
The Lesson in Anatomy, 76, 85;
Sortie of the Frans Banning Cock Company (The Night Watch), 77, 79, 81, 84;

The Syndics of the Cloth Guild, 78;
Portrait of Himself, 78;
Supper at Emmaus, 82, 148;
Good Samaritan, 82;
Portrait of Elizabeth Bas, 89;
Holy Family, 102;
Descent from the Cross, 103;
Elevation of the Cross, 103, 104;
Burial, Resurrection, Adoration of the Shepherds, Oriental Figure, Head and Bust of an Oriental, 104;
Tobit and the Angel, 172
Renaissance art, 72
Rest of the Holy Family [Bol], 154
Resurrection, The [Rembrandt], 104
Reunion of the Officers of the Archers of St. Andrew [Hals], 66, 67
Reverie [Maes], 114
Reyniers, Lysbeth, 51
Rijks Museum, Amsterdam, 44, 59;
The Enraged Swan, Asselyn, 44;
Fishers for Souls, Van de Venne, 44;
Syndics of the Cloth Guild, Rembrandt, 78;
Sortie of the Frans Banning Cock Company, Rembrandt, 78, 79, 81, 84;
Portrait of Elizabeth Bas, Rembrandt, 89;
The Egg Dance, Aertz, 107;
The Night School, Dou, 113;
A Reverie, Metsu, 114;
Asking a Blessing, Old Woman Spinning, Metsu, 115, 116;
The Blacksmith, Metsu, 117;
Old Woman in Meditation, Metsu, 118;
The Interior, The Pantry, De Hooch, 122;
The Cook, Vermeer, 137;
Young Woman Reading a Letter, Vermeer, 138;
A Homely Scene, The Happy Family, The Feast of St. Nicholas, Steen, 145;
The Prince’s Birthday, The Sick Lady, Steen, 146;
The Disciples at Emmaus, Steen, 148;
Isaac Blessing Jacob, Flinck, 151;
Portrait of M. Johannes Wittenbogaert, FÊte of the Civic Guard, MÜnster, 1648, Flinck, 153;
Abraham Receiving the Angels, Salome Dancing before Herod, Bol, 154;
Six Governors of the Huiszittenhuis, Four Governors of the Leper House, Roelof Meulenaar, Maria Rey, Artus Quellinus, Bol, 156;
Portrait of Abraham de Notte, Decapitation of St. John the Baptist, Fabritius, 157;
Woman Taken in Adultery, Eeckhout, 158;
Three Portraits, De Gelder, 161;
Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, Santvoort, 161;
Banquet of the Civic Guard, Van der Helst, 57, 164;
Portrait of Paul Potter, Van der Helst, 163;
Company of Captain Cloeck, Family Meebeeck Cruywaghen, Portrait of Pieter Schout, De Keyser, 166;
Maria van Utrecht, The Little Princess, Moreelse, 167;
Four Portraits of Joost van den Vondel, Two Landscapes with Cattle, Koninck, 173;
Landscape, Everdingen, 175;
The Bear Hunt, Potter, 180;
Portrait of the Van de Velde Family, Van de Velde, 183;
Charles II Entering Rotterdam, 24 May, 1660, Verschuier, 186;
Landscape, Van Goyen, 188;
View of Haarlem from the Dunes, Jacob van Ruisdael, 197;
Mill near Wyk-by-Duurstede, Jacob van Ruisdael, 199
River [Van Goyen], 188
Rotterdam, birthplace of De Hooch, 120;
Vlieger, 185;
Verschuier, 185
Rubens, Peter Paul, 18
Ruisdael, Jacob van, compared to Goyen, 189;
appreciation, 193;
life, 194;
increase of power, 196;
compared to Rembrandt, 200;
Landscape with Waterfall, 194;
Castle Bentheim, 195;
Village in the Wood, 196;
View of Haarlem from the Hill of Overveen, 197;
The Beach, Shore at Scheveningen, 198;
The Mill near Wyk-by-Duurstede, The Swamp in the Wood, The Oak Wood, The Big Wood, Landscape with Fence, 199;
Jewish Cemetery, 200
Ruisdael, Salomon van, 174
S
St. Simeon in the Temple [Rembrandt], 76
Salome Dancing before Herod [Bol], 151
Santvoort, Dirck Dircksz, 151;
appreciation, 161;
Portrait of Dirck Bas Jacobsz Family, Four Ladies of the Spinhuis, 161;
Four Governors of the Serge Hall, Frederick Dircksz Alewyn, Agatha Geelvinck, Martinus Alewyn, Clara Alewyn, 162
Saskia van Uylenborch, 77
Schalcken, Godfried, 42;
influenced by Dou, 111;
appreciation, 125
Schatter, Captain Johan, 66
Scovel, Jan van, life, 16;
appreciation, 17;
portrait group of twelve Knights Templars, 17
Seghers, Hercules, 19;
born at Amsterdam, 43;
appreciation, 169;
influenced Koninck, 173, 174;
Holland Landscape with the Hamlet of Rhenen, Landscape, 169
Shore at Scheveningen [Jacob van Ruisdael], 198
Sick Woman, The [Van Mieris], 123
Sidney, Sir Philip, 25
Sleeping Girl [Vermeer], 136
Slingeland, Pieter Cornelisz van, influenced by Dou, 111, 126
Sortie of the Frans Banning Cock Company [Rembrandt], 77, 79
Spain, downfall of, 26
Spanish Fury, 22
Steen, Jan, 31;
school, 39, 40;
appreciation, 141;
humor, 143;
life, 144;
stories of reckless life, 145;
A Homely Scene, Feast of St. Nicholas, Happy Family, 145;
The Christening Party, While the Old Ones Sing the Young Ones Pipe, Twelfth Night, The Prince’s Birthday, The Sick Lady, 146;
Doctor Visiting a Sick Young Woman, A Doctor’s Visit, 147;
The Marriage at Cana, Expulsion of Hagar, Disciples at Emmaus, 148
Still-life, Dutch interest in, 31;
Van Heem, Weenix, Kalf, Hondecoeter, 31, 38
Stoffels, Hendrickje, 78
Supper at Emmaus [Rembrandt], 82, 148
Swamp in the Wood [Jacob van Ruisdael], 199
Swanenburch, Jacob van, 41;
teacher of Rembrandt, 73
Symbolism, 95, 197, 200
Syndics of the Cloth Guild [Rembrandt], 56
T
Technique, as a motive, 28
Terborch, Gerard, 30;
school, 39;
pupil of Hals, 99;
appreciation, 127;
life, 128;
influence of Hals, Rembrandt, and Velasquez, 128;
portraits, 128;
color, 131;
The Peace of MÜnster, 127;
The Gallant Soldier, 129;
The Concert, Officer Writing a Letter, Lady Washing her Hands, Old Woman Peeling Apples, 130
Tintoretto, 14
Titian, 14
Tobit and the Angel [Rembrandt], 172
Tulp, Dr., 76
Twelfth Night [Steen], 146
U
Uffizi Gallery, Florence, Landscape, Seghers, 169
Union of Utrecht, 23
Utrecht, school of painting:
Scovel, 16;
birthplace of Moreelse, 167;
residence of Scovel, 16;
Moreelse, 167;
Seghers, 170
Uylenborch, Saskia van, 77

V
Valckenborch, Lucas van, 107;
appreciation, 126
Values, 134
Vanderbilt, W. K., collector, 104
Vegetable Market, The [Metsu], 118
Velasquez, 60;
influenced Rembrandt, 93;
Hals, 97
Velde, Adriaen van de, 31, 43, 178;
appreciation, 183, 196;
Family of Van de Velde, 183
Velde, Esaias van de, 39, 187
Velde, Willem van de, the Elder, 30, 184;
appreciation, 186
Velde, Willem van de, the Younger, 44;
appreciation, 186
Venne, Adriaen van de, 44
Vermeer, Johannes, 31;
school, 41;
life, 132;
appreciation, 132;
comparison with Rembrandt, 133;
plein-air, 170;
The Proposal, 134;
Girl with Water-Jug, 135, 139;
Diana at her Toilet, New Testament, Head of a Girl, Diana and her Nymphs, 135;
Sleeping Girl, View of Delft, 136;
The Cook, 137;
The Letter, Young Woman Reading a Letter, Lady with Pearl Necklace, 138;
Lady with a Lute, Lady Writing, The Lace-Maker, 139;
The Coquette, Lady at a Spinet, The Music Lesson, The Artist in his Studio, 140;
Portrait of a Lady, 141
Veronese, Paolo, 14
Verschuier, Lieve, 185;
Charles II Entering Rotterdam, 186
Veth, Jan, 182
Vienna Art-History Museum, 107;
A Lady and her Doctor, Cavalier in a Shop, Mieris, 124;
Old Woman Peeling Apples, Terborch, 130;
Gray-Bearded Man, Flinck, 152;
The Big Wood, Ruisdael, 199
Vienna Imperial Art Museum:
Moonlight and Winter Landscapes, Van der Neer, 177;
Landscape with Fence, Jacob van Ruisdael, 199
View of Arnheim [Van Goyen], 188
View of Delft [Vermeer], 137
View of Dordrecht [Van Goyen], 188
View of Nimwegen [Van Goyen], 188
Visit, The [De Hooch], 138
Visit to the Nursery [Metsu], 119
Vlieger, Simon de, 34, 44;
appreciation, 185
Vondel, Joost van den, Portrait of [Koninck], 173
Vroom, Hendrick Cornelisz, 185
W
Wagner, quotation on art, 4
Wallace Collection:
Winter Scene, Van der Neer, 177;
Landscape with Cattle, Cuyp, 182
Water Mill [Hobbema], 191
Water Mill (Louvre) [Hobbema], 191
Watteau, 5
Weenix, Jan, 31;
school, 38, 43
Westphalia, Treaty of, 46
When the Old Ones Sing the Young Ones Pipe [Steen], 146
Whistler, 95
William, Prince of Orange, 8;
resists Spain, 21;
price put on his head, 23;
offered the crown, 24;
death, 25
William III of England, 47
Wine Contract, The [Eeckhout], 160
Witt, Johan de, 46
Woman Taken in Adultery [Eeckhout], 158
Wooded Landscape [Hobbema], 191
Wooded Road [Hobbema], 191
Wouwerman, Philips, 30, 174;
school, 39;
pupil of Hals, 99, 178;
appreciation, 180, 184, FOOTNOTES: