PÈre Jerome, pausing on a street-corner in the last hour of sunlight, had wiped his brow and taken his cane down from under his arm to start again, when somebody, coming noiselessly from he knew not where, asked, so suddenly as to startle him:

"MichÉ, commin yÉ 'pellÉ la rie ici?—how do they call this street here?"

It was by the bonnet and dress, disordered though they were, rather than by the haggard face which looked distractedly around, that he recognized the woman to whom he replied in her own patois:

"It is the Rue Burgundy. Where are you going, Madame Delphine?"

She almost leaped from the ground.

"Oh, PÈre Jerome! mo pas connÉ,—I dunno. You know w'ere's dad 'ouse of MichÈ Jean Tomkin? Mo courri 'ci, mo courri lÀ,—mo pas capale li trouvÉ. I go (run) here—there—I cannot find it," she gesticulated.

"I am going there myself," said he; "but why do you want to see Jean Thompson, Madame Delphine?"

"I 'blige' to see 'im!" she replied, jerking herself half around away, one foot planted forward with an air of excited preoccupation; "I god some' to tell 'im wad I 'blige' to tell 'im!"

"Madame Delphine——"

"Oh! PÈre Jerome, fo' de love of de good God, show me dad way to de 'ouse of Jean Tomkin!"

Her distressed smile implored pardon for her rudeness.

"What are you going to tell him?" asked the priest.

"Oh, PÈre Jerome,"—in the Creole patois again,—"I am going to put an end to all this trouble—only I pray you do not ask me about it now; every minute is precious!"

He could not withstand her look of entreaty.

"Come," he said, and they went.

Jean Thompson and Doctor Varrillat lived opposite each other on the Bayou road, a little way beyond the town limits as then prescribed. Each had his large, white-columned, four-sided house among the magnolias,—his huge live-oak overshadowing either corner of the darkly shaded garden, his broad, brick walk leading down to the tall, brick-pillared gate, his square of bright, red pavement on the turf-covered sidewalk, and his railed platform spanning the draining-ditch, with a pair of green benches, one on each edge, facing each other crosswise of the gutter. There, any sunset hour, you were sure to find the householder sitting beside his cool-robed matron, two or three slave nurses in white turbans standing at hand, and an excited throng of fair children, nearly all of a size.

Sometimes, at a beckon or call, the parents on one side of the way would join those on the other, and the children and nurses of both families would be given the liberty of the opposite platform and an ice-cream fund! Generally the parents chose the Thompson platform, its outlook being more toward the sunset.

Such happened to be the arrangement this afternoon. The two husbands sat on one bench and their wives on the other, both pairs very quiet, waiting respectfully for the day to die, and exchanging only occasional comments on matters of light moment as they passed through the memory. During one term of silence Madame Varrillat, a pale, thin-faced, but cheerful-looking lady, touched Madame Thompson, a person of two and a half times her weight, on her extensive and snowy bare elbow, directing her attention obliquely up and across the road.

About a hundred yards distant, in the direction of the river, was a long, pleasantly shaded green strip of turf, destined in time for a sidewalk. It had a deep ditch on the nearer side, and a fence of rough cypress palisades on the farther, and these were overhung, on the one hand, by a row of bitter orange-trees inside the inclosure, and, on the other, by a line of slanting china-trees along the outer edge of the ditch. Down this cool avenue two figures were approaching side by side. They had first attracted Madame Varrillat's notice by the bright play of sunbeams which, as they walked, fell upon them in soft, golden flashes through the chinks between the palisades.

Madame Thompson elevated a pair of glasses which were no detraction from her very good looks, and remarked, with the serenity of a reconnoitering general:

"PÈre Jerome et cette milatraise."

All eyes were bent toward them.

"She walks like a man," said Madame Varrillat, in the language with which the conversation had opened.

"No," said the physician, "like a woman in a state of high nervous excitement."

Jean Thompson kept his eyes on the woman, and said:

"She must not forget to walk like a woman in the State of Louisiana,"—as near as the pun can be translated. The company laughed. Jean Thompson looked at his wife, whose applause he prized, and she answered by an asseverative toss of the head, leaning back and contriving, with some effort, to get her arms folded. Her laugh was musical and low, but enough to make the folded arms shake gently up and down.

"PÈre Jerome is talking to her," said one. The priest was at that moment endeavoring, in the interest of peace, to say a good word for the four people who sat watching his approach. It was in the old strain:

"Blame them one part, Madame Delphine, and their fathers, mothers, brothers, and fellow-citizens the other ninety-nine."

But to everything she had the one amiable answer which PÈre Jerome ignored:

"I am going to arrange it to satisfy everybody, all together. Tout À fait."

"They are coming here," said Madame Varrillat, half articulately.

"Well, of course," murmured another; and the four rose up, smiling courteously, the doctor and attorney advancing and shaking hands with the priest.

No—PÈre Jerome thanked them—he could not sit down.

"This, I believe you know, Jean, is Madame Delphine——"

The quadroone curtsied.

"A friend of mine," he added, smiling kindly upon her, and turning, with something imperative in his eye, to the group. "She says she has an important private matter to communicate."

"To me?" asked Jean Thompson.

"To all of you; so I will—— Good-evening." He responded nothing to the expressions of regret, but turned to Madame Delphine. She murmured something.

"Ah! yes, certainly." He addressed the company: "She wishes me to speak for her veracity; it is unimpeachable. "Well, good-evening." He shook hands and departed.

The four resumed their seats, and turned their eyes upon the standing figure.

"Have you something to say to us?" asked Jean Thompson, frowning at her law-defying bonnet.

"Oui," replied the woman, shrinking to one side, and laying hold of one of the benches, "mo oulÉ di' tou' Ç'ose"—I want to tell everything. "MichÉ Vignevielle la plis bon homme di moune"—the best man in the world; "mo pas capabe li fÉ tracas"—I cannot give him trouble. "Mo pas capabe, non; m'olÉ di' tous Ç'ose." She attempted to fan herself, her face turned away from the attorney, and her eyes rested on the ground.

"Take a seat," said Doctor Varrillat, with some suddenness, starting from his place and gently guiding her sinking form into the corner of the bench. The ladies rose up; somebody had to stand; the two races could not both sit down at once—at least not in that public manner.

"Your salts," said the physician to his wife. She handed the vial. Madame Delphine stood up again.

"We will all go inside," said Madame Thompson, and they passed through the gate and up the walk, mounted the steps, and entered the deep, cool drawing-room.

Madame Thompson herself bade the quadroone be seated.

"Well?" said Jean Thompson, as the rest took chairs.

"C'est drole"—it's funny—said Madame Delphine, with a piteous effort to smile, "that nobody thought of it. It is so plain. You have only to look and see. I mean about Olive." She loosed a button in the front of her dress and passed her hand into her bosom. "And yet, Olive herself never thought of it. She does not know a word."

The hand came out holding a miniature. Madame Varrillat passed it to Jean Thompson.

"Ouala so popa" said Madame Delphine. "That is her father."

It went from one to another, exciting admiration and murmured praise.

"She is the image of him," said Madame Thompson, in an austere under-tone, returning it to her husband.

Doctor Varrillat was watching Madame Delphine. She was very pale. She had passed a trembling hand into a pocket of her skirt, and now drew out another picture, in a case the counterpart of the first. He reached out for it, and she handed it to him. He looked at it a moment, when his eyes suddenly lighted up and he passed it to the attorney.

"Et lÀ"—Madame Delphine's utterance failed—"et lÀ, ouala sa moman." (That is her mother.)

The three others instantly gathered around Jean Thompson's chair. They were much impressed.

"It is true beyond a doubt!" muttered Madame Thompson.

Madame Varrillat looked at her with astonishment.

"The proof is right there in the faces," said Madame Thompson.

"Yes! yes!" said Madame Delphine, excitedly; "the proof is there! You do not want any better! I am willing to swear to it! But you want no better proof! That is all anybody could want! My God! you cannot help but see it!"

Her manner was wild.

Jean Thompson looked at her sternly.

"Nevertheless you say you are willing to take your solemn oath to this."

"Certainly——"

"You will have to do it."

"Certainly, MichÉ Thompson, of course I shall; you will make out the paper and I will swear before God that it is true! Only"—turning to the ladies—"do not tell Olive; she will never believe it. It will break her heart! It——"

A servant came and spoke privately to Madame Thompson, who rose quickly and went to the hall. Madame Delphine continued, rising unconsciously:

"You see, I have had her with me from a baby. She knows no better. He brought her to me only two months old. Her mother had died in the ship, coming out here. He did not come straight from home here. His people never knew he was married!"

The speaker looked around suddenly with a startled glance. There was a noise of excited speaking in the hall.

"It is not true, Madame Thompson!" cried a girl's voice.

Madame Delphine's look became one of wildest distress and alarm, and she opened her lips in a vain attempt to utter some request, when Olive appeared a moment in the door, and then flew into her arms.

"My mother! my mother! my mother!"

Madame Thompson, with tears in her eyes, tenderly drew them apart and let Madame Delphine down into her chair, while Olive threw herself upon her knees, continuing to cry:

"Oh, my mother! Say you are my mother!"

Madame Delphine looked an instant into the upturned face, and then turned her own away, with a long, low cry of pain, looked again, and laying both hands upon the suppliant's head, said:

"Oh, chÈre piti À moin, to pa' ma fie!" (Oh, my darling little one, you are not my daughter!) Her eyes closed, and her head sank back; the two gentlemen sprang to her assistance, and laid her upon a sofa unconscious.

When they brought her to herself, Olive was kneeling at her head silently weeping.

"Maman, chÈre maman!" said the girl softly, kissing her lips.

"Ma courri c'ez moin" (I will go home), said the mother, drearily.

"You will go home with me," said Madame Varrillat, with great kindness of manner—"just across the street here; I will take care of you till you feel better. And Olive will stay here with Madame Thompson. You will be only the width of the street apart."

But Madame Delphine would go nowhere but to her home. Olive she would not allow to go with her. Then they wanted to send a servant or two to sleep in the house with her for aid and protection; but all she would accept was the transient service of a messenger to invite two of her kinspeople—man and wife—to come and make their dwelling with her.

In course of time these two—a poor, timid, helpless, pair—fell heir to the premises. Their children had it after them; but, whether in those hands or these, the house had its habits and continued in them; and to this day the neighbors, as has already been said, rightly explain its close-sealed, uninhabited look by the all-sufficient statement that the inmates "is quadroons."