A quiet footstep, a grave new presence on financial sidewalks, a neat garb slightly out of date, a gently strong and kindly pensive face, a silent bow, a new sign in the Rue Toulouse, a lone figure with a cane, walking in meditation in the evening light under the willows of Canal Marigny, a long-darkened window re-lighted in the Rue Conti—these were all; a fall of dew would scarce have been more quiet than was the return of Ursin Lemaitre-Vignevielle to the precincts of his birth and early life.

But we hardly give the event its right name. It was Capitaine Lemaitre who had disappeared; it was Monsieur Vignevielle who had come back. The pleasures, the haunts, the companions, that had once held out their charms to the impetuous youth, offered no enticements to Madame Delphine's banker. There is this to be said even for the pride his grandfather had taught him, that it had always held him above low indulgences; and though he had dallied with kings, queens, and knaves through all the mazes of Faro, Rondeau, and Craps, he had done it loftily; but now he maintained a peaceful estrangement from all. Evariste and Jean, themselves, found him only by seeking.

"It is the right way," he said to PÈre Jerome, the day we saw him there. "Ursin Lemaitre is dead. I have buried him. He left a will. I am his executor."

"He is crazy," said his lawyer brother-in-law, impatiently.

"On the contr-y," replied the little priest, "'e 'as come ad hisse'f."

Evariste spoke.

"Look at his face, Jean. Men with that kind of face are the last to go crazy."

"You have not proved that," replied Jean, with an attorney's obstinacy. "You should have heard him talk the other day about that newspaper paragraph. 'I have taken Ursin Lemaitre's head; I have it with me; I claim the reward, but I desire to commute it to citizenship.' He is crazy."

Of course Jean Thompson did not believe what he said; but he said it, and, in his vexation, repeated it, on the banquettes and at the clubs; and presently it took the shape of a sly rumor, that the returned rover was a trifle snarled in his top-hamper.

This whisper was helped into circulation by many trivial eccentricities of manner, and by the unaccountable oddness of some of his transactions in business.

"My dear sir!" cried his astounded lawyer, one day, "you are not running a charitable institution!"

"How do you know?" said Monsieur Vignevielle. There the conversation ceased.

"Why do you not found hospitals and asylums at once," asked the attorney, at another time, with a vexed laugh, "and get the credit of it?"

"And make the end worse than the beginning," said the banker, with a gentle smile, turning away to a desk of books.

"Bah!" muttered Jean Thompson.

Monsieur Vignevielle betrayed one very bad symptom. Wherever he went he seemed looking for somebody. It may have been perceptible only to those who were sufficiently interested in him to study his movements; but those who saw it once saw it always. He never passed an open door or gate but he glanced in; and often, where it stood but slightly ajar, you might see him give it a gentle push with his hand or cane. It was very singular.

He walked much alone after dark. The guichinangoes (garroters, we might say), at those times the city's particular terror by night, never crossed his path. He was one of those men for whom danger appears to stand aside.

One beautiful summer night, when all nature seemed hushed in ecstasy, the last blush gone that told of the sun's parting, Monsieur Vignevielle, in the course of one of those contemplative, uncompanioned walks which it was his habit to take, came slowly along the more open portion of the Rue Royale, with a step which was soft without intention, occasionally touching the end of his stout cane gently to the ground and looking upward among his old acquaintances, the stars.

It was one of those southern nights under whose spell all the sterner energies of the mind cloak themselves and lie down in bivouac, and the fancy and the imagination, that cannot sleep, slip their fetters and escape, beckoned away from behind every flowering bush and sweet-smelling tree, and every stretch of lonely, half-lighted walk, by the genius of poetry. The air stirred softly now and then, and was still again, as if the breezes lifted their expectant pinions and lowered them once more, awaiting the rising of the moon in a silence which fell upon the fields, the roads, the gardens, the walls, and the suburban and half-suburban streets, like a pause in worship. And anon she rose.

Monsieur Vignevielle's steps were bent toward the more central part of the town, and he was presently passing along a high, close, board-fence, on the right-hand side of the way, when, just within this inclosure, and almost overhead, in the dark boughs of a large orange-tree, a mocking-bird began the first low flute-notes of his all-night song. It may have been only the nearness of the songster that attracted the passer's attention, but he paused and looked up.

And then he remarked something more,—that the air where he had stopped was filled with the overpowering sweetness of the night-jasmine. He looked around; it could only be inside the fence. There was a gate just there. Would he push it, as his wont was? The grass was growing about it in a thick turf, as though the entrance had not been used for years. An iron staple clasped the cross-bar, and was driven deep into the gate-post. But now an eye that had been in the blacksmithing business—an eye which had later received high training as an eye for fastenings—fell upon that staple, and saw at a glance that the wood had shrunk from it, and it had sprung from its hold, though without falling out. The strange habit asserted itself; he laid his large hand upon the cross-bar; the turf at the base yielded, and the tall gate was drawn partly open.

At that moment, as at the moment whenever he drew or pushed a door or gate, or looked in at a window, he was thinking of one, the image of whose face and form had never left his inner vision since the day it had met him in his life's path and turned him face about from the way of destruction.

The bird ceased. The cause of the interruption, standing within the opening, saw before him, much obscured by its own numerous shadows, a broad, ill-kept, many-flowered garden, among whose untrimmed rose-trees and tangled vines, and often, also, in its old walks of pounded shell, the coco-grass and crab-grass had spread riotously, and sturdy weeds stood up in bloom. He stepped in and drew the gate to after him. There, very near by, was the clump of jasmine, whose ravishing odor had tempted him. It stood just beyond a brightly moonlit path, which turned from him in a curve toward the residence, a little distance to the right, and escaped the view at a point where it seemed more than likely a door of the house might open upon it. While he still looked, there fell upon his ear, from around that curve, a light footstep on the broken shells,—one only, and then all was for a moment still again. Had he mistaken? No. The same soft click was repeated nearer by, a pale glimpse of robes came through the tangle, and then, plainly to view, appeared an outline—a presence—a form—a spirit—a girl!

From throat to instep she was as white as Cynthia. Something above the medium height, slender, lithe, her abundant hair rolling in dark, rich waves back from her brows and down from her crown, and falling in two heavy plaits beyond her round, broadly girt waist and full to her knees, a few escaping locks eddying lightly on her graceful neck and her temples,—her arms, half hid in a snowy mist of sleeve, let down to guide her spotless skirts free from the dewy touch of the grass,—straight down the path she came!

Will she stop? Will she turn aside? Will she espy the dark form in the deep shade of the orange, and, with one piercing scream, wheel and vanish? She draws near. She approaches the jasmine; she raises her arms, the sleeves falling like a vapor down to the shoulders; rises upon tiptoe, and plucks a spray. O Memory! Can it be? Can it be? Is this his quest, or is it lunacy? The ground seems to M. Vignevielle the unsteady sea, and he to stand once more on a deck. And she? As she is now, if she but turn toward the orange, the whole glory of the moon will shine upon her face. His heart stands still; he is waiting for her to do that. She reaches up again; this time a bunch for her mother. That neck and throat! Now she fastens a spray in her hair. The mocking-bird cannot withhold; he breaks into song—she turns—she turns her face—it is she, it is she! Madame Delphine's daughter is the girl he met on the ship.