Daphne Jane was one of Leggettstown's few social successes. She was neither comely nor guileless, but she was tremendously smart. Her pious parents had sent her for two or three terms to the "Preparatory Department" of Suez University, where she had learned to read, write, and add—she had been born with a proficiency in subtraction. But she had proved flirtatious, and her father and mother had spent their later school outlays on her younger brothers and sisters. Daphne Jane had since then found sufficient and glad employ trying to pomatum the frizzles out of her hair, and lounging whole hours on her window-sill to show the result to her rivals and monopolize and cheer the passing toiler with the clatter of her perky wit and the perfumes of bergamot and cinnamon. Cornelius Leggett had easily discovered this dark planet, but her parents were honestly, however crudely, trying to make their children better than their betters expected them to be, and they forbade him the house and her the lonely stroll. The daughter, from the first moment, professed to look with loathing upon the much-married and probably equally widowed Cornelius, but her mother did not trust her chaste shudderings. When John March came looking for a domestic, she eagerly arranged to put her out to service in a house where, Leviticus assured her, Cornelius dared not bring his foot. John March, however, was not taken into this confidence. The maid's quick wit was her strong card, and even Leviticus did not think it just to her to inform a master or mistress that it was the only strong card she held. So, thanks to Leviticus, the only man in Leggettstown who would stop at no pains to "suckumvent wickedness in high places," here she was, half-way to Widewood, and thus far safe against any unguessed machinations of the enemy or herself. In Suez, too, all went well. Before Mrs. March Jane seemed made of angelic "yass'ms," and agreed, with a strange, sweet readiness to go to Widewood and assume her duties in her mistress's absence, which would be for a few days only. "And you'll go"—"yass'm"—"with my son"—"yass'm"—"in the buggy"—"yass'm"—"and begin work"—"yass'm"—"just as though"—"yass'm"—"I were there"—"yass'm." Mrs. March added, half to herself, half to her son, "I find Suez"—"yass'm"—"more lonely than"—"yass'm"—"our forest home." "Yass'm"—said the black damsel. John was delighted with such undaunted and unselfish alacrity. He was only sorry not to take her home at once, but really this business with Garnet and Gamble was paramount. It kept him late, and the next morning was well grown when he sought his mother to say that he could now take Jane to Widewood. "My son, you cannot. It's too late." "Why, what's the matter?" "Nothing, my dear John." "Where's the girl?" "On the way to her field of labor." "How is she getting there?" "In our buggy." "You haven't let her drive out alone?" "My son, why should you charge me with both cruelty and folly?" "Who took her out?" "One, my dear boy, who I little thought would ever be more attentive to the widow's needs than her own son: Cornelius Leggett." Mrs. March never smiled her triumphs. Her lips only writhed under a pleasant pain. "Well, I'll be——" "Oh!" "Why, what, mother? I was only going to say I'll be more than pleased if he doesn't steal the horse and buggy. I'll bet five dollars——" "Oh!" "O, I only mean I don't doubt he's half ruined both by now, and all to save a paltry hour." "My son, it is not mine to squander. Ah! John, the hours are not ours!" "Why, what are they? O! I see. Well, I wish whoever they belong to would come take 'em away!" Cornelius was at that moment rejoicing that this one was peculiarly his. As he drove along the quiet Widewood road he was remarking to his charge: "I arrove fum Pussy on the six o'clock train. One o' the fus news I get win' of is that you in town. Well! y'ought to see me!" But his hearer refused to be flattered. "Wha'd you do—run jump in de riveh?" "Jump in—I reckon not! I flew. Y'ought to see me fly to'a'ds you, sweet lady!" The maiden laughed. "Law! Mr. Leggett, what a shoo-fly that mus' 'a' been! Was de conducto' ayfteh you?" Mr. Leggett smiled undaunted. "My mos' num'ous thanks to yo' serenity, but I enjoys fum my frien' President Gamble the propriety of a free paass ove' his road." "Oh? does you indeed! Is dat so! Why you makes me proud o' myse'ff. You hole a free paass on de raailroad, an' yit you countercend to fly to me!" The manner changed to one of sweet curiosity. "Does you fly jess with yo' two feet, aw does you comp'ise de assistance o' yo' ears?" "Why, eh—why, I declah 'pon my soul, you—you es peart es popcawn! You trebbles me to respond to you with sufficient talk-up-titude." "Does I? Laws-a-me! I ax yo' pahdon, Mr. Leggett. But I uz bawn sassy. I ought to be jess ashame' o' myseff, talkin' dat familious to a gen'leman o' yo' powehs an' 'quaintances. Why you evm knows Mr. Mahch, don't you?" "Who, me? Me know Johnnie Mahch? Why, my dea'—escuse my smile o' disdaain—why Johnnie Mahch—why—why, I ra-aise' Johnnie!" "Why, dee Lawdy! Does you call him Johnnie to his face?" "Well, eh—not offm—ve'y seldom. 'Caze ef I do that, you know, then, here, fus' thing, he be a-callin' me C'nelius." "I think C'nelius sounds sweet'n—" The speaker clapped a hand to her mouth. "Escuse me! O, Mr. Leggett, kin you escuse me?" "Escuse you?"—his sidelong glance was ravishing—"yo' beauty mo'n escuse you." The maiden dropped her lashes and drew her feet out of her protector's way. "An' you an' Mr. Mahch is frien's! How nice dat is!" "Yass, it nice faw him. An' it useful faw me. We in cahoots in dis-yeh lan' boom. O, yass, me an' him an' Gyarnit an' Gamble, all togetheh like fo' brethers. I plays the fife, Johnnie beats the drum, Gyarnit wear the big hat an' flerrish the stick, an' Gamble, he tote the ice-wateh!" The two laughed so heartily as to swing against each other. "Escuse me!" said Mr. Leggett, with great fondness of tone. "You ve'y escusable," coyly replied the damsel. "Mr. Leggett, in what similitude does you means you plays de fife?" "Why in the s'militude o' legislation, you know. But Law'! Johnnie wouldn't neveh had the sense to 'range it that-a way if it hadn't been faw my dea' ole-time frien' an' felleh sodjer, Gyarnit." "Is dat so? Well, well! Maajo' Gyarnit! You used to cook faw him in camp di'n' you? How much good sense he got, tubbe sho'!" A mixture of roguishness spoiled the pretence of wonder. "Good sense? Law'! 'twant good sense in Gyarnit nuther. It was jess my pow' ove' him! my stra-ange, masmaric poweh! You know, the arrangements is jess this! Gyarnit got th'ee hund'ed sheers, I got fawty; yit I the poweh behime the th'one. Johnnie, he on'y sec'ta'y an' 'ithout a salary as yit, though him an' his maw got—oh! I dunno—but enough so he kin sell it faw all his daddy could 'a' sole the whole track faw—that is, perwidin' he kin fine a buyeh. Champion, Shotwell, the Graveses—all that crowd, they jess on'y the flies 'roun' the jug; bymeby they find theyse'ves onto the fly-papeh." The pair laughed again, and—— "Oh! escuse me!" "My accident, seh. Mr. Leggett, hoccum you got all dat poweh?" "Ah!" said the smiling gallant, "you wants to know the secret o' my poweh, do you? Well, that interjuce the ezacly question I'm jess a-honin' to ass you. You ass me the secret o' my poweh. Don't you know thass the ve'y thing what Delijah ass Saampson?" "Yass, seh. I knows. Dass in de Bible, ain't it?" "It is. It in the sacred scripters, which I hope that, like myseff, fum a chile thou hass known them, ain't you? Yass, well, thass right. I loves to see a young lady pious. I'm pious myseff. Ef I wan't a legislater I'd be a preacher. Now, you ass me the same riddle what Delijah ass Saampson. An' you know how he anseh her? He assed a riddle to her. An' likewise this my sweet riddle to you: Is I the Saampson o' yo' hope an' dream an' will you be my Deli——Aw! now, don't whisk away like that an' gag yo'seff with yo' handkercher! I's a lawful widoweh, dearess." The maiden quenched her mirth and put on great dignity. "Mr. Leggett, will you please to teck yo' ahm fum roun' my wais'?" She glanced back with much whiteness of eyes. "Teck it off, seh; I ain't aansw'ed you yit." The arm fell away, but his whispering lips came close. "Ain't I yo' Saampson, dearess o' the dear? Ain't you the Delijah o' my haht? Answeh me, my julepina, an' O, I'll reply you the secret o' my poweh aw any otheh question in the wide, wide worl'!" "Mr. Leggett, ef you crowds me any wuss on dis-yeh buggy seat I—I'll give you—I'll give you a unfavo'able answeh! Mr. Leggett"—she sniggered—"you don't gimme no chaynce to think o' no objections even ef I had any! Will you please to keep yo' foot where yo' foot belong, seh? Mr. Leggett——" "What is it, my sweet spirit o' nightshade?" "Mr. Leggett"—the eyes sparkled with banter—"I'll tell you ef you'll fus' aansweh me a riddle; will you? 'Caze ef you don't I won't tell you. Will you?" "Lawd! I'll try! On'y ass it quick befo' my haht bus' wide opm. Ass it quick!" "Well, you know, I cayn't ass it so scan'lous quick, else I run de dangeh o' gettin' it wrong. Now, dis is it: When is—hol' on, lemme see—yass, dass it. When is two—aw! pshaw! you make me laaugh so I can't ax it at all! When is two raace hawses less'n one?" "Aw, sheh! I kin ans' that in five minutes! I kin ans' it in one minute! I kin ans' it now! Two hosses is—" "Hol' on! I said raace hawses! Two raace hawses, I said, seh!" "Well, dass all right, race hosses! Two race hosses less'n one when they reti-ud into the omlibus business." "No, seh! no seh!" The maiden cackled till the forest answered back. "No, seh! two raace hawses less'n one when each one on'y jess abreas' o' the otheh!" —"'Breas' o'—aw pshaw! you tuck the words right out'n my mouth! I seed the answeh to it fum the fus; I made a wrong espunction the fus time on'y jess faw a joke! Now, you ans' my question, dearess." But the dearest had become grave and stately. "Mr. Leggett, befo' I comes to dat finality, I owes it to myseff an' likewise to my pa'ents to git yo' respondence to, anyhow, one question, an' ef you de man o' poweh you say you is, y' ought to be highly fitt'n' to give de correc' reply." "Espoun' your question, miss! Espoun' yo' question!" "Well, seh, de question is dis: Why is de—? No, dat ain't it. Lemme see. O yass, whass de diff'ence 'twix' de busy blacksmiff an' de loss calf? Ans' me dat, seh! Folks say C'nelius Leggett a pow'ful smaht maan! How I gwine to know he a smaht maan ef he cayn't evm ans' a riddle-diddle-dee?" "I kin ans' it! I's ans'ed bushels an' ba'ls o' riddles! Now that riddle is estremely simple, an' dis is de inte'p'etation thereof! The diff'ence betwix' a busy blacksmiff an' a loss ca-alf—thass what you said, ain't it?—Yass, well, it's because—O thass too easy! I dislikes to occupy my facilities with sich a trifle! It's jess simply because they both git so hawngry they cross-eyed! Thass why they alike!" "No, seh! no, seh! miss it ag'in! O fie, fo' shaame! a man o' sich mind-powehs like you! Didn't you neveh know de blacksmiff fill de air full o' bellows whilce de loss calf—aw shucks! you done made me fo'git it! Now, jess hesh up, you smaht yalleh niggeh! try in' to meek out like you done guess it! Dis is it; de blacksmiff he fill de caalf full o' bellows, whilce——" They both broke into happy laughter and he toyed innocently with one of her pinchbeck ear-rings. "O! my sweet familiarity! you knows I knows it! But yo' sof' eyes is shot me th'oo to that estent that I don't know what I does know! I jess sets here in the emba'ssment o' my complacency a won'de'n' what you takes me faw!" "How does you know I's tuck you at all yit; is I said so, Mr. Saampson?—Don't you tetch me, seh! right here in full sight o' de house! You's too late, seh! too late! Come roun' here, C'nelius Leggett, an' he'p me out'n dis-yeh buggy, else I dis'p'int you yit wid my aansweh.—No, seh! you please to take jess de tips o' my fingehs. Now, gimme my bundle o' duds!" the voice rose and fell in coquettish undulations—"now git back into de buggy—yass, seh; dass right. Thaank yo ve'y much, seh. Good-by. Come ag'in." "Miss Daphne, y' ain't ans' my interrogutive yit." "Yass, I is. Dass my answeh—come ag'in." "Is dat all de respondence my Delijah got faw her Saampson?" "Mr. Leggett, I ain't yo' Delijah! Thass fix! I ain't read the scripters in relations to dat young lady faw nuthin! Whetheh you my Saampson remain"—the smile and tone grew bewitching—"faw me to know an faw you to fine out." "Shell I come soon?" murmured Mr. Leggett, for the old field hand and his wife were in sight; and the girl answered in full voice, but winsomely: "As to dat, seh, I leaves you to de freedom o' yo' own compulsions." He moved slowly away, half teased, half elated. At the last moment he cast a final look backward, and Daphne Jane, lagging behind the old couple, tossed him a kiss. Quite satisfied to be idle, but not to be alone, the maiden so early contrived with her Leggettstown vivacity to offend the old field hands, that the night found her with only herself and her cogitations for company. However, the house was still new to her, if not in its pantry, at least in its bureaus and wardrobes, and when she had spent the first evening hour counterfeiting the softly whimpered quavers of a little screech-owl that snivelled its woes from a tree in the back-yard, the happy thought came to her innocent young mind to try on the best she could find of her mistress's gowns and millinery. By hook and by crook, combined with a blithe assiduity, she managed to open doors and drawers, and if mimicry is the heaven of aspiring laziness, the maid presently stood unchallenged on the highest plateau of a sluggard's bliss. She minced before the mirror, she sank into chairs, she sighed and whined, took the attitudes given or implied by the other Daphne's portrait down-stairs, and said weary things in a faint, high key. And then—whether the contagion was in the clothing she had put on, or whether her make-up and her acting were so good as to deceive Calliope herself—inspiration came; the lonely reveler was moved to write. Poetry? No! "Miss it ag'n!" She began a letter intended to inform "Mr. S. Cunnelius Leggett," that while alike by her parents and by Mrs. March she was forbidden to see "genlmun frens," an unannounced evening visitor's risks of being shot by Mr. March first, and the question of his kinship to the late Enos settled afterward, were probably—in the popular mind—exaggerated. The same pastime enlivened the next evening and the next. She even went farther and ventured into verse. Always as she wrote she endeavored to impersonate in numerous subtleties of carriage the sweet songstress whose gowns she had contrived—albeit whose shoes she still failed—to get into. And so, with a conscience void of offence, she was preparing herself to find out, what so many of us already know, that playing even with the muse's fire is playing with fire, all the same. |