It may be remembered that Lichfield had asked long ago, "But who, pray, are the Stapyltons?" It was characteristic of Colonel Musgrave that he went about answering the question without delay. The Stapletons—for "Stapylton" was a happy innovation of Roger Stapylton's dead wife—the colonel knew to have been farmers in Brummell County, and Brummell Courthouse is within an hour's ride, by rail, of Lichfield.

So he set about his labor of love.

And in it he excelled himself. The records of Brummell date back to 1750 and are voluminous; but Rudolph Musgrave did not overlook an item in any Will Book, or in any Orders of the Court, that pertained, however remotely, to the Stapletons. Then he renewed his labors at the courthouse of the older county from which Brummell was formed in 1750, and through many fragmentary, evil-odored and unindexed volumes indefatigably pursued the family's fortune back to the immigration of its American progenitor in 1619,—and, by the happiest fatality, upon the same Bona Nova which enabled the first American Musgrave to grace the Colony of Virginia with his presence. It could no longer be said that the wife of a Musgrave of Matocton lacked an authentic and tolerably ancient pedigree.

The colonel made a book of his Stapyltonian researches which he vaingloriously proclaimed to be the stupidest reading within the ample field of uninteresting printed English. Patricia was allowed to see no word of it until the first ten copies had come from the printer's, very splendid in green "art-vellum" and stamped with the Stapylton coat-of-arms in gold.

She read the book. "It is perfectly superb," was her verdict. "It is as dear as remembered kisses after death and as sweet as a plaintiff in a breach-of-promise suit. Only I would have preferred it served with a few kings and dukes for parsley. The Stapletons don't seem to have been anything but perfectly respectable mediocrities."

The colonel smiled. At the bottom of his heart he shared Patricia's regret that the Stapylton pedigree was unadorned by a potentate, because nobody can stay unimpressed by a popular superstition, however crass the thing may be. But for all this, an appraisal of himself and his own achievements profusely showed high lineage is not invariably a guarantee of excellence; and so he smiled and said:

"There are two ends to every stick. It was the Stapletons and others of their sort, rather than any soft-handed Musgraves, who converted a wilderness, a little by a little, into the America of to-day. The task was tediously achieved, and without ostentation; and always the ship had its resplendent figure-head, as always it had its hidden, nay! grimy, engines, which propelled the ship. And, however direfully America may differ from Utopia, to have assisted in the making of America is no mean distinction. We Musgraves and our peers, I sometimes think, may possibly have been just gaudy autumn leaves which happened to lie in the path of a high wind. And to cut a gallant figure in such circumstances does not necessarily prove the performer to be a rara avis, even though he rides the whirlwind quite as splendidly as any bird existent."

Patricia fluttered, and as lightly and irresponsibly as a wren might have done, perched on his knee.

"No! there is really something in heredity, after all. Now, you are a Musgrave in every vein of you. It always seems like a sort of flippancy for you to appear in public without a stock and a tarnished gilt frame with most of the gilt knocked off and a catalogue-number tucked in the corner." Patricia spoke without any regard for punctuation. "And I am so unlike you. I am only a Stapylton. I do hope you don't mind my being merely a Stapylton, Olaf, because if only I wasn't too modest to even think of alluding to the circumstance, I would try to tell you about the tiniest fraction of how much a certain ravishingly beautiful half-strainer loves you, Olaf, and the consequences would be deplorable."

"My dear——" he began.

"Ouch!" said Patricia; "you are tickling me. You don't shave half as often as you used to, do you? No, nowadays you think you have me safe and don't have to bother about being attractive. If I had a music-box I could put your face into it and play all sorts of tunes, only I prefer to look at it. You are a slattern and a jay-bird and a joy forever. And besides, the first Stapleton seems to have blundered somehow into the House of Burgesses, so that entitles me to be a Colonial Dame on my father's side, too, doesn't it, Olaf?"

The colonel laughed. "Madam Vanity!" said he, "I repeat that to be descended of a line of czars or from a house of emperors is, at the worst, an empty braggartism, or, at best—upon the plea of heredity—a handy palliation for iniquity; and to be descended of sturdy and honest and clean-blooded folk is beyond doubt preferable, since upon quite similar grounds it entitles one to hope that even now, 'when their generation is gone, when their play is over, when their panorama is withdrawn in tatters from the stage of the world,' there may yet survive of them 'some few actions worth remembering, and a few children who have retained some happy stamp from the disposition of their parents.'"

Patricia—with eyes widened in admiration at his rhetoric,—had turned an enticing shade of pink.

"I am glad of that," she said.

She snuggled so close he could not see her face now. She was to all appearances attempting to twist the top-button from his coat.

"I am very glad that it entitles one to hope—about the children—Because—"

The colonel lifted her a little from him. He did not say anything. But he was regarding her half in wonder and one-half in worship.

She, too, was silent. Presently she nodded.

He kissed her as one does a very holy relic.

It was a moment to look back upon always. There was no period in Rudolph Musgrave's life when he could not look back upon this instant and exult because it had been his.

* * * * *

Only, Patricia found out afterward, with an inexplicable disappointment, that her husband had not been talking extempore, but was freely quoting his "Compiler's Foreword" just as it figured in the printed book.

One judges this posturing, so inevitable of detection, to have been as significant of much in Rudolph Musgrave as was the fact of its belated discovery characteristic of Patricia.

Yet she had read this book about her family from purely normal motives: first, to make certain how old her various cousins were; secondly, to gloat over any traces of distinction such as her ancestry afforded; thirdly, to note with what exaggerated importance the text seemed to accredit those relatives she did not esteem, and mentally to annotate each page with unprintable events "which everybody knew about"; and fourthly, to reflect, as with a gush of steadily augmenting love, how dear and how unpractical it was of Olaf to have concocted these date-bristling pages—so staunch and blind in his misguided gratitude toward those otherwise uninteresting people who had rendered possible the existence of a Patricia.