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[Illustration: "Margaret"]

THE

EAGLE'S SHADOW

By

JAMES BRANCH CABELL


Illustrated by Will GrafÉ
Decorated by Bianthe Ostortag

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1904

Published, October, 1904
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To

Martha Louise Branch

In trust that the enterprise may be judged
less by the merits of its factor than
by those of its patron





image010.jpgCONTENTSimage012.jpg

CHAPTER

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.




THE CHARACTERS

Colonel Thomas Hugonin, formerly in the service of Her Majesty the
Empress of India, Margaret Hugonin's father.

Frederick R. Woods, the founder of Selwoode, Margaret's uncle by
marriage.

Billy Woods, his nephew, Margaret's quondam fiancÉ.

Hugh Van Orden, a rather young young man, Margaret's adorer.

Martin Jeal, M.D., of Fairhaven, Margaret's family physician.

Cock-Eye Flinks, a gentleman of leisure, Margaret's chance
acquaintance.

Petheridge Jukesbury, president of the Society for the Suppression of
Nicotine and the Nude, Margaret's almoner in furthering the cause of
education and temperance.

Felix Kennaston, a minor poet, Margaret's almoner in furthering the
cause of literature and art.

Sarah Ellen Haggage, Madame President of the Ladies' League for the
Edification of the Impecunious, Margaret's almoner in furthering the
cause of charity and philanthropy. Kathleen Eppes Saumarez, a lecturer
before women's clubs, Margaret's almoner in furthering the cause of
theosophy, nature study, and rational dress.

AdÈle Haggage, Mrs. Haggage's daughter, Margaret's rival with Hugh Van
Orden.

And Margaret Hugonin.

The other participants in the story are Wilkins, CÉlestine, The Spring
Moon and The Eagle.




LIST OF ILLUSTRATIONS

"Margaret"

"'Altogether,' says Colonel Hugonin, 'they strike me as being the
most ungodly menagerie ever gotten together under one roof since Noah
landed on Ararat'"

"Then, for no apparent reason, Margaret flushed, and Billy ... thought
it vastly becoming"

"Billy Woods"

"Billy unfolded it slowly, with a puzzled look growing in his
countenance"

"'My lady,' he asked, very softly, 'haven't you any good news for me
on this wonderful morning?'"

"Miss Hugonin pouted. 'You needn't, be such a grandfather,' she
suggested helpfully."

"Regarded them with alert eyes"




THE EAGLE'S SHADOW


I

This is the story of Margaret Hugonin and of the Eagle. And with your
permission, we will for the present defer all consideration of the
bird, and devote our unqualified attention to Margaret.

I have always esteemed Margaret the obvious, sensible, most
appropriate name that can be bestowed upon a girl-child, for it is a
name that fits a woman--any woman--as neatly as her proper size in
gloves.

Yes, the first point I wish to make is that a woman-child, once
baptised Margaret, is thereby insured of a suitable name. Be she grave
or gay in after-life, wanton or pious or sullen, comely or otherwise,
there will be no possible chance of incongruity; whether she develop a
taste for winter-gardens or the higher mathematics, whether she take
to golf or clinging organdies, the event is provided for. One has only
to consider for a moment, and if among a choice of Madge, Marjorie,
Meta, Maggie, Margherita, Peggy, and Gretchen, and countless
others--if among all these he cannot find a name that suits her to a
T--why, then, the case is indeed desperate and he may permissibly
fall back upon Madam or--if the cat jump propitiously, and at his own
peril--on Darling or Sweetheart.

The second proof that this name must be the best of all possible names
is that Margaret Hugonin bore it. And so the murder is out. You may
suspect what you choose. I warn you in advance that I have no part
whatever in her story; and if my admiration for her given name appear
somewhat excessive, I can only protest that in this dissentient world
every one has a right to his own taste. I knew Margaret. I admired
her. And if in some unguarded moment I may have carried my admiration
to the point of indiscretion, her husband most assuredly knows all
about it, by this, and he and I are still the best of friends. So you
perceive that if I ever did so far forget myself it could scarcely
have amounted to a hanging matter.

I am doubly sure that Margaret Hugonin was beautiful, for the reason
that I have never found a woman under forty-five who shared my
opinion. If you clap a Testament into my hand, I cannot affirm that
women are eager to recognise beauty in one another; at the utmost they
concede that this or that particular feature is well enough. But when
a woman is clean-eyed and straight-limbed, and has a cheery heart,
she really cannot help being beautiful; and when Nature accords her
a sufficiency of dimples and an infectious laugh, I protest she is
well-nigh irresistible. And all these Margaret Hugonin had.

And surely that is enough.

I shall not endeavour, then, to picture her features to you in any
nicely picked words. Her chief charm was that she was Margaret.

And besides that, mere carnal vanities are trivial things; a gray
eye or so is not in the least to the purpose. Yet since it is the
immemorial custom of writer-folk to inventory such possessions of
their heroines, here you have a catalogue of her personal attractions.
Launce's method will serve our turn.

Imprimis, there was not very much of her--five feet three, at the
most; and hers was the well-groomed modern type that implies a
grandfather or two and is in every respect the antithesis of that
hulking Venus of the Louvre whom people pretend to admire. Item, she
had blue eyes; and when she talked with you, her head drooped forward
a little. The frank, intent gaze of these eyes was very flattering
and, in its ultimate effect, perilous, since it led you fatuously to
believe that she had forgotten there were any other trousered beings
extant. Later on you found this a decided error. Item, she had a quite
incredible amount of yellow hair, that was not in the least like gold
or copper or bronze--I scorn the hackneyed similes of metallurgical
poets--but a straightforward yellow, darkening at the roots; and she
wore it low down on her neck in great coils that were held in place
by a multitude of little golden hair-pins and divers corpulent
tortoise-shell ones. Item, her nose was a tiny miracle of perfection;
and this was noteworthy, for you will observe that Nature, who is an
adept at eyes and hair and mouths, very rarely achieves a creditable
nose. Item, she had a mouth; and if you are a Gradgrindian with a
taste for hairsplitting, I cannot swear that it was a particularly
small mouth. The lips were rather full than otherwise; one saw in them
potentialities of heroic passion, and tenderness, and generosity, and,
if you will, temper. No, her mouth was not in the least like the pink
shoe-button of romance and sugared portraiture; it was manifestly
designed less for simpering out of a gilt frame or the dribbling of
stock phrases over three hundred pages than for gibes and laughter
and cheery gossip and honest, unromantic eating, as well as another
purpose, which, as a highly dangerous topic, I decline even to
mention.

There you have the best description of Margaret Hugonin that I am
capable of giving you. No one realises its glaring inadequacy more
acutely than I.

Furthermore, I stipulate that if in the progress of our comedy she
appear to act with an utter lack of reason or even common-sense--as
every woman worth the winning must do once or twice in a
lifetime--that I be permitted to record the fact, to set it down in
all its ugliness, nay, even to exaggerate it a little--all to the end
that I may eventually exasperate you and goad you into crying out,
"Come, come, you are not treating the girl with common justice!"

For, if such a thing were possible, I should desire you to rival even
me in a liking for Margaret Hugonin. And speaking for myself, I can
assure you that I have come long ago to regard her faults with the
same leniency that I accord my own.



II

We begin on a fine May morning in Colonel Hugonin's rooms at Selwoode,
which is, as you may or may not know, the Hugonins' country-place.
And there we discover the Colonel dawdling over his breakfast, in an
intermediate stage of that careful toilet which enables him later in
the day to pass casual inspection as turning forty-nine.

At present the old gentleman is discussing the members of his
daughter's house-party. We will omit, by your leave, a number of
picturesque descriptive passages--for the Colonel is, on occasion, a
man of unfettered speech--and come hastily to the conclusion, to the
summing-up of the whole matter.

"Altogether," says Colonel Hugonin, "they strike me as being the most
ungodly menagerie ever gotten together under one roof since Noah
landed on Ararat."

Now, I am sorry that veracity compels me to present the Colonel
in this particular state of mind, for ordinarily he was as
pleasant-spoken a gentleman as you will be apt to meet on the
longest summer day.

image014.jpg
[Illustration: "'Altogether,' says Colonel Hugonin, 'they strike me as
being the most ungodly menagerie ever gotten together under one roof
since Noah landed on Ararat.'"]

You must make allowances for the fact that, on this especial morning,
he was still suffering from a recent twinge of the gout, and that his
toast was somewhat dryer than he liked it; and, most potent of all,
that the foreign mail, just in, had caused him to rebel anew against
the proprieties and his daughter's inclinations, which chained him to
Selwoode, in the height of the full London season, to preside over a
house-party every member of which he cordially disliked. Therefore,
the Colonel having glanced through the well-known names of those at
Lady Pevensey's last cotillion, groaned and glared at his daughter,
who sat opposite him, and reviled his daughter's friends with point
and fluency, and characterised them as above, for the reason that he
was hungered at heart for the shady side of Pall Mall, and that their
presence at Selwoode prevented his attaining this Elysium. For, I am
sorry to say that the Colonel loathed all things American, saving his
daughter, whom he worshipped.

And, I think, no one who could have seen her preparing his second cup
of tea would have disputed that in making this exception he acted with
a show of reason. For Margaret Hugonin--but, as you know, she is
our heroine, and, as I fear you have already learned, words are very
paltry makeshifts when it comes to describing her. Let us simply say,
then, that Margaret, his daughter, began to make him a cup of tea, and
add that she laughed.

Not unkindly; no, for at bottom she adored her father--a comely
Englishman of some sixty-odd, who had run through his wife's fortune
and his own, in the most gallant fashion--and she accorded his
opinions a conscientious, but at times, a sorely taxed, tolerance.
That very month she had reached twenty-three, the age of omniscience,
when the fallacies and general obtuseness of older people become
dishearteningly apparent.

"It's nonsense," pursued the old gentleman, "utter, bedlamite
nonsense, filling Selwoode up with writing people! Never heard of such
a thing. Gad, I do remember, as a young man, meeting Thackeray at a
garden-party at Orleans House--gentlemanly fellow with a broken nose--
and Browning went about a bit, too, now I think of it. People had 'em
one at a time to lend flavour to a dinner--like an olive; we didn't
dine on olives, though. You have 'em for breakfast, luncheon, dinner,
and everything! I'm sick of olives, I tell you, Margaret!" Margaret
pouted.

"They ain't even good olives. I looked into one of that fellow
Charteris's books the other day--that chap you had here last week.
It was bally rot--proverbs standing on their heads and grinning
like dwarfs in a condemned street-fair! Who wants to be told that
impropriety is the spice of life and that a roving eye gathers
remorse? You may call that sort of thing cleverness, if you like; I
call it damn' foolishness." And the emphasis with which he said this
left no doubt that the Colonel spoke his honest opinion.

"Attractive," said his daughter patiently, "Mr. Charteris is very,
very clever. Mr. Kennaston says literature suffered a considerable
loss when he began to write for the magazines."

And now that Margaret has spoken, permit me to call your attention to
her voice. Mellow and suave and of astonishing volume was Margaret's
voice; it came not from the back of her throat, as most of our women's
voices do, but from her chest; and I protest it had the timbre of a
violin. Men, hearing her voice for the first time, were wont to stare
at her a little and afterward to close their hands slowly, for always
its modulations had the tonic sadness of distant music, and it
thrilled you to much the same magnanimity and yearning, cloudily
conceived; and yet you could not but smile in spite of yourself at the
quaint emphasis fluttering through her speech and pouncing for the
most part on the unlikeliest word in the whole sentence.

But I fancy the Colonel must have been tone-deaf. "Don't you make
phrases for me!" he snorted; "you keep 'em for your menagerie Think!
By gad, the world never thinks. I believe the world deliberately
reads the six bestselling books in order to incapacitate itself for
thinking." Then, his wrath gathering emphasis as he went on: "The
longer I live the plainer I see Shakespeare was right--what
fools these mortals be, and all that. There's that Haggage
woman--speech-making through the country like a hiatused politician.
It may be philanthropic, but it ain't ladylike--no, begad! What has
she got to do with Juvenile Courts and child-labour in the South, I'd
like to know? Why ain't she at home attending to that crippled boy
of hers--poor little beggar!--instead of flaunting through America
meddling with other folk's children?"

Miss Hugonin put another lump of sugar into his cup and deigned no
reply.

"By gad," cried the Colonel fervently, "if you're so anxious to spend
that money of yours in charity, why don't you found a Day Nursery for
the Children of Philanthropists--a place where advanced men and women
can leave their offspring in capable hands when they're busied with
Mothers' Meetings and Educational Conferences? It would do a thousand
times more good, I can tell you, than that fresh kindergarten scheme
of yours for teaching the children of the labouring classes to make a
new sort of mud-pie."

"You don't understand these things, attractive," Margaret gently
pointed out. "You aren't in harmony with the trend of modern thought."

"No, thank God!" said the Colonel, heartily.

Ensued a silence during which he chipped at his egg-shell in an
absent-minded fashion.

"That fellow Kennaston said anything to you yet?" he presently
queried.

"I--I don't understand," she protested--oh, perfectly unconvincingly.
The tea-making, too, engrossed her at this point to an utterly
improbable extent.

Thus it shortly befell that the Colonel, still regarding her under
intent brows, cleared his throat and made bold to question her
generosity in the matter of sugar; five lumps being, as he suggested,
a rather unusual allowance for one cup.

Then, "Mr. Kennaston and I are very good friends," said she, with
dignity. And having spoiled the first cup in the making, she began on
another.

"Glad to hear it," growled the old gentleman. "I hope you value his
friendship sufficiently not to marry him. The man's a fraud--a flimsy,
sickening fraud, like his poetry, begad, and that's made up of botany
and wide margins and indecency in about equal proportions. It ain't
fit for a woman to read--in fact, a woman ought not to read anything;
a comprehension of the Decalogue and the cookery-book is enough
learning for the best of 'em. Your mother never--never--"

Colonel Hugonin paused and stared at the open window for a little. He
seemed to be interested in something a great way off.

"We used to read Ouida's books together," he said, somewhat wistfully.
"Lord, Lord, how she revelled in Chandos and Bertie Cecil and those
dashing Life Guardsmen! And she used to toss that little head of hers
and say I was a finer figure of a man than any of 'em--thirty
years ago, good Lord! And I was then, but I ain't now. I'm only a
broken-down, cantankerous old fool," declared the Colonel, blowing
his nose violently, "and that's why I'm quarrelling with the dearest,
foolishest daughter man ever had. Ah, my dear, don't mind me--run your
menagerie as you like, and I'll stand it."

Margaret adopted her usual tactics; she perched herself on the arm
of his chair and began to stroke his cheek very gently. She
often wondered as to what dear sort of a woman that tender-eyed,
pink-cheeked mother of the old miniature had been--the mother who had
died when she was two years old. She loved the idea of her, vague as
it was. And, just now, somehow, the notion of two grown people reading
Ouida did not strike her as being especially ridiculous.

"Was she very beautiful?" she asked, softly.

"My dear," said her father, "you are the picture of her."

"You dangerous old man!" said she, laughing and rubbing her cheek
against his in a manner that must have been highly agreeable. "Dear,
do you know that is the nicest little compliment I've had for a long
time?"

Thereupon the Colonel chuckled. "Pay me for it, then," said he, "by
driving the dog-cart over to meet Billy's train to-day. Eh?"

"I--I can't," said Miss Hugonin, promptly.

"Why?" demanded her father.

"Because----" said Miss Hugonin; and after giving this really
excellent reason, reflected for a moment and strengthened it by
adding, "Because----"

"See here," her father questioned, "what did you two quarrel about,
anyway?"

"I--I really don't remember," said she, reflectively; then continued,
with hauteur and some inconsistency, "I am not aware that Mr. Woods
and I have ever quarrelled."

"By gad, then," said the Colonel, "you may as well prepare to, for
I intend to marry you to Billy some day. Dear, dear, child," he
interpolated, with malice aforethought, "have you a fever?--your
cheek's like a coal. Billy's a man, I tell you--worth a dozen of your
Kennastons and Charterises. I like Billy. And besides, it's only right
he should have Selwoode--wasn't he brought up to expect it? It
ain't right he should lose it simply because he had a quarrel with
Frederick, for, by gad--not to speak unkindly of the dead, my
dear--Frederick quarrelled with every one he ever knew, from the woman
who nursed him to the doctor who gave him his last pill. He may have
gotten his genius for money-making from Heaven, but he certainly
got his temper from the devil. I really believe," said the Colonel,
reflectively, "it was worse than mine. Yes, not a doubt of it--I'm a
lamb in comparison. But he had his way, after all; and even now poor
Billy can't get Selwoode without taking you with it," and he caught
his daughter's face between his hands and turned it toward his for a
moment. "I wonder now," said he, in meditative wise, "if Billy will
consider that a drawback?"

It seemed very improbable. Any number of marriageable males would have
sworn it was unthinkable.

However, "Of course," Margaret began, in a crisp voice, "if you advise
Mr. Woods to marry me as a good speculation--"

But her father caught her up, with a whistle. "Eh?" said he. "Love in
a cottage?--is it thus the poet turns his lay? That's damn' nonsense!
I tell you, even in a cottage the plumber's bill has to be paid, and
the grocer's little account settled every month. Yes, by gad, and
even if you elect to live on bread and cheese and kisses, you'll find
Camembert a bit more to your taste than Sweitzer."

"But I don't want to marry anybody, you ridiculous old dear," said
Margaret.

"Oh, very well," said the old gentleman; "don't. Be an old maid, and
lecture before the Mothers' Club, if you like. I don't care. Anyhow,
you meet Billy to-day at twelve-forty-five. You will?--that's a good
child. Now run along and tell the menagerie I'll be down-stairs as
soon as I've finished dressing."

And the Colonel rang for his man and proceeded to finish his toilet.
He seemed a thought absent-minded this morning.

"I say, Wilkins," he questioned, after a little. "Ever read any of
Ouida's books?"

"Ho, yes, sir," said Wilkins; "Miss 'Enderson--Mrs. 'Aggage's maid,
that his, sir--was reading haloud hout hof 'Hunder Two Flags' honly
last hevening, sir."

"H'm--Wilkins--if you can run across one of them in the servants'
quarters--you might leave it--by my bed--to-night."

"Yes, sir."

"And--h'm, Wilkins--you can put it under that book of Herbert
Spencer's my daughter gave me yesterday. Under it, Wilkins--and,
h'm, Wilkins--you needn't mention it to anybody. Ouida ain't cultured,
Wilkins, but she's damn' good reading. I suppose that's why she ain't
cultured, Wilkins."



III

And now let us go back a little. In a word, let us utilise the next
twenty minutes--during which Miss Hugonin drives to the neighbouring
railway station, in, if you press me, not the most pleasant state of
mind conceivable--by explaining a thought more fully the posture of
affairs at Selwoode on the May morning that starts our story.

And to do this I must commence with the nature of the man who founded
Selwoode.

It was when the nineteenth century was still a hearty octogenarian
that Frederick R. Woods caused Selwoode to be builded. I give you the
name by which he was known on "the Street." A mythology has grown
about the name since, and strange legends of its owner are still
narrated where brokers congregate. But with the lambs he sheared, and
the bulls he dragged to earth, and the bears he gored to financial
death, we have nothing to do; suffice it, that he performed these
operations with almost uniform success and in an unimpeachably
respectable manner.

And if, in his time, he added materially to the lists of inmates in
various asylums and almshouses, it must be acknowledged that he bore
his victims no malice, and that on every Sunday morning he confessed
himself to be a miserable sinner, in a voice that was perfectly
audible three pews off. At bottom, I think he considered his relations
with Heaven on a purely business basis; he kept a species of running
account with Providence; and if on occasions he overdrew it somewhat,
he saw no incongruity in evening matters with a cheque for the church
fund.

So that at his death it was said of him that he had, in his day, sent
more men into bankruptcy and more missionaries into Africa than any
other man in the country.

In his sixty-fifth year, he caught Alfred Van Orden short in Lard,
erected a memorial window to his wife and became a country gentleman.
He never set foot in Wall Street again. He builded Selwoode--a
handsome Tudor manor which stands some seven miles from the village of
Fairhaven--where he dwelt in state, by turns affable and domineering
to the neighbouring farmers, and evincing a grave interest in the
condition of their crops. He no longer turned to the financial reports
in the papers; and the pedigree of the Woodses hung in the living-hall
for all men to see, beginning gloriously with Woden, the Scandinavian
god, and attaining a respectable culmination in the names of Frederick
R. Woods and of William, his brother.

It is not to be supposed that he omitted to supply himself with a
coat-of-arms. Frederick R. Woods evinced an almost childlike pride in
his heraldic blazonings.

"The Woods arms," he would inform you, with a relishing gusto, "are
vert, an eagle displayed, barry argent and gules. And the crest is
out of a ducal coronet, or, a demi-eagle proper. We have no motto,
sir--none of your ancient coats have mottoes."

The Woods Eagle he gloried in. The bird was perched in every available
nook at Selwoode; it was carved in the woodwork, was set in the
mosaics, was chased in the tableware, was woven in the napery, was
glazed in the very china. Turn where you would, an eagle or two
confronted you; and Hunston Wyke, who is accounted something of a
wit, swore that Frederick R. Woods at Selwoode reminded him of "a
sore-headed bear who had taken up permanent quarters in an aviary."

There was one, however, who found the bear no very untractable
monster. This was the son of his brother, dead now, who dwelt at
Selwoode as heir presumptive. Frederick R. Woods's wife had died long
ago, leaving him childless. His brother's boy was an orphan; and so,
for a time, he and the grim old man lived together peaceably enough.
Indeed, Billy Woods was in those days as fine a lad as you would wish
to see, with the eyes of an inquisitive cherub and a big tow-head,
which Frederick R. Woods fell into the habit of cuffing heartily, in
order to conceal the fact that he would have burned Selwoode to the
ground rather than allow any one else to injure a hair of it.

In the consummation of time, Billy, having attained the ripe age of
eighteen, announced to his uncle that he intended to become a famous
painter. Frederick R. Woods exhorted him not to be a fool, and packed
him off to college.

Billy Woods returned on his first vacation with a fragmentary mustache
and any quantity of paint-tubes, canvases, palettes, mahl-sticks, and
such-like paraphernalia. Frederick R. Woods passed over the mustache,
and had the painters' trappings burned by the second footman. Billy
promptly purchased another lot. His uncle came upon them one morning,
rubbed his chin meditatively for a moment, and laughed for the first
time, so far as known, in his lifetime; then he tiptoed to his own
apartments, lest Billy--the lazy young rascal was still abed in the
next room--should awaken and discover his knowledge of this act of
flat rebellion.

I dare say the old gentleman was so completely accustomed to having
his own way that this unlooked-for opposition tickled him by its
novelty; or perhaps he recognised in Billy an obstinacy

alluring, coaxing, even entreating her to make a fool of him. We like
it. And I think they like it, too.

So Mr. Woods lost his heart on a fine spring morning and was
unreasonably elated over the fact.

And Margaret? Margaret was content.



V

They talked for a matter of a half-hour in the fashion aforetime
recorded--not very wise nor witty talk, if you will, but very pleasant
to make. There were many pauses. There was much laughter over nothing
in particular. There were any number of sentences ambitiously begun
that ended nowhere. Altogether, it was just the sort of talk for a man
and a maid.

Yet some twenty minutes later, Mr. Woods, preparing for luncheon in
the privacy of his chamber, gave a sudden exclamation. Then he sat
down and rumpled his hair thoroughly.

"Good Lord!" he groaned; "I'd forgotten all about that damned money!
Oh, you ass!--you abject ass! Why, she's one of the richest women in
America, and you're only a fifth-rate painter with a paltry thousand
or so a year! You marry her!--why, I dare say she's refused a
hundred better men than you! She'd think you were mad! Why, she'd
think you were after her money! She--oh, she'd only think you a
precious cheeky ass, she would, and she'd be quite right. You are an
ass, Billy Woods! You ought to be locked up in some nice quiet stable,
where your heehawing wouldn't disturb people. You need a keeper, you
do!"

He sat for some ten minutes, aghast. Afterward he rose and threw back
his shoulders and drew a deep breath.

"No, we aren't an ass," he addressed his reflection in the mirror, as
he carefully knotted his tie. "We're only a poor chuckle-headed moth
who's been looking at a star too long. It's a bright star, Billy, but
it isn't for you. So we're going to be sensible now. We're going to
get a telegram to-morrow that will call us away from Selwoode. We
aren't coming back any more, either. We're simply going to continue
painting fifth-rate pictures, and hoping that some day she'll find the
right man and be very, very happy."

Nevertheless, he decided that a blue tie would look better, and was
very particular in arranging it.

At the same moment Margaret stood before her mirror and tidied her
hair for luncheon and assured her image in the glass that she was a
weak-minded fool. She pointed out to herself the undeniable fact that
Billy, having formerly refused to marry her--oh, ignominy!--seemed
pleasant-spoken enough, now that she had become an heiress. His
refusal to accept part of her fortune was a very flimsy device; it
simply meant he hoped to get all of it. Oh, he did, did he!

Margaret powdered her nose viciously.

She saw through him! His honest bearing she very plainly perceived
to be the result of consummate hypocrisy. In his laughter her keen ear
detected a hollow ring; and his courteous manner she found, at bottom,
mere servility. And finally she demonstrated--to her own satisfaction,
at least--that his charm of manner was of exactly the, same sort that
had been possessed by many other eminently distinguished criminals.

How did she do this? My dear sir, you had best inquire of your mother
or your sister or your wife, or any other lady that your fancy
dictates. They know. I am sure I don't.

And after it all--

"Oh, dear, dear!" said Margaret; "I do wish he didn't have such nice
eyes!"



VI

On the way to luncheon Mr. Woods came upon AdÈle Haggage and Hugh Van
Orden, both of whom he knew, very much engrossed in one another, in a
nook under the stairway. To Billy it seemed just now quite proper that
every one should be in love; wasn't it--after all--the most pleasant
condition in the world? So he greeted them with a semi-paternal smile
that caused AdÈle to flush a little.

For she was--let us say, interested--in Mr. Van Orden. That was
tolerably well known. In fact, Margaret--prompted by Mrs. Haggage,
it must be confessed--had invited him to Selwoode for the especial
purpose of entertaining Miss AdÈle Haggage; for he was a good match,
and Mrs. Haggage, as an experienced chaperon, knew the value of
country houses. Very unexpectedly, however, the boy had developed a
disconcerting tendency to fall in love with Margaret, who snubbed him
promptly and unmercifully. He had accordingly fallen back on AdÈle,
and Mrs. Haggage had regained both her trust in Providence and her
temper.

In the breakfast-room, where luncheon was laid out, the Colonel
greeted Mr. Woods with the enthusiasm a sailor shipwrecked on a desert
island might conceivably display toward the boat-crew come to rescue
him. The Colonel liked Billy; and furthermore, the poor Colonel's
position at Selwoode just now was not utterly unlike that of the
suppositious mariner; were I minded to venture into metaphor, I should
picture him as clinging desperately to the rock of an old fogeyism
and surrounded by weltering seas of advanced thought. Colonel Hugonin
himself was not advanced in his ideas. Also, he had forceful opinions
as to the ultimate destination of those who were.

Then Billy was presented to the men of the party--Mr. Felix Kennaston
and Mr. Petheridge Jukesbury. Mrs. Haggage he knew slightly; and
Kathleen Saumarez he had known very well indeed, some six years
previously, before she had ever heard of Miguel Saumarez, and when
Billy was still an undergraduate. She was a widow now, and not
well-to-do; and Mr. Woods's first thought on seeing her was that a man
was a fool to write verses, and that she looked like just the sort of
woman to preserve them.

His second was that he had verged on imbecility when he fancied he
admired that slender, dark-haired type. A woman's hair ought to be an
enormous coronal of sunlight; a woman ought to have very large, candid
eyes of a colour between that of sapphires and that of the spring
heavens, only infinitely more beautiful than either; and all
petticoated persons differing from this description were manifestly
quite unworthy of any serious consideration.

So his eyes turned to Margaret, who had no eyes for him. She had
forgotten his existence, with an utterness that verged on ostentation;
and if it had been any one else Billy would have surmised she was in a
temper. But that angel in a temper!--nonsense! And, oh, what eyes she
had! and what lashes! and what hair!--and altogether, how adorable she
was, and what a wonder the admiring gods hadn't snatched her up to
Olympus long ago!

Thus far Mr. Woods.

But if Miss Hugonin was somewhat taciturn, her counsellors in divers
schemes for benefiting the universe were in opulent vein. Billy heard
them silently.

"I have spent the entire morning by the lake," Mr. Kennaston informed
the party at large, "in company with a mocking-bird who was practising
a new aria. It was a wonderful place; the trees were lisping verses to
themselves, and the sky overhead was like a robin's egg in colour,
and a faint wind was making tucks and ruches and pleats all over
the water, quite as if the breezes had set up in business as
mantua-makers. I fancy they thought they were working on a great sheet
of blue silk, for it was very like that. And every once in a while a
fish would leap and leave a splurge of bubble and foam behind that you
would have sworn was an inserted lace medallion."

Mr. Kennaston, as you are doubtless aware, is the author of "The
King's Quest" and other volumes of verse. He is a full-bodied young
man, with hair of no particular shade; and if his green eyes are a
little aged, his manner is very youthful. His voice in speaking is
wonderfully pleasing, and he has a habit of cocking his head on one
side, in a bird-like fashion.

"Indeed," Mr. Petheridge Jukesbury observed, "it is very true that God
made the country and man made the town. A little more wine, please."

Mr. Jukesbury is a prominent worker in the cause of philanthropy
and temperance. He is ponderous and bland; and for the rest, he is
president of the Society for the Suppression of Nicotine and the
Nude, vice-president of the Anti-Inebriation League, secretary of the
Incorporated Brotherhood of Benevolence, and the bearer of divers
similar honours.

"I am never really happy in the country," Mrs. Saumarez dissented; "it
reminds me so constantly of our rural drama. I am always afraid the
quartette may come on and sing something."

Kathleen Eppes Saumarez, as I hope you do not need to be told, is
the well-known lecturer before women's clubs, and the author of many
sympathetic stories of Nature and animal life of the kind that have
had such a vogue of late. There was always an indefinable air of
pathos about her; as Hunston Wyke put it, one felt, somehow, that her
mother had been of a domineering disposition, and that she took after
her father.

"Ah, dear lady," Mr. Kennaston cried, playfully, "you, like many of
us, have become an alien to Nature in your quest of a mere Earthly
Paradox. Epigrams are all very well, but I fancy there is more
happiness to be derived from a single impulse from a vernal wood than
from a whole problem-play of smart sayings. So few of us are
natural," Mr. Kennaston complained, with a dulcet sigh; "we are too
sophisticated. Our very speech lacks the tang of outdoor life.
Why should we not love Nature--the great mother, who is, I grant you,
the necessity of various useful inventions, in her angry moods, but
who, in her kindly moments--" He paused, with a wry face. "I beg your
pardon," said he, "but I believe I've caught rheumatism lying by that
confounded pond."

Mrs. Saumarez rallied the poet, with a pale smile. "That comes of
communing with Nature," she reminded him; "and it serves you rightly,
for natural communications corrupt good epigrams. I prefer Nature
with wide margins and uncut leaves," she spoke, in her best platform
manner. "Art should be an expurgated edition of Nature, with all
the unpleasant parts left out. And I am sure," Mrs. Saumarez added,
handsomely, and clinching her argument, "that Mr. Kennaston gives us
much better sunsets in his poems than I have ever seen in the west."

He acknowledged this with a bow.

"Not sherry--claret, if you please," said Mr. Jukesbury. "Art should
be an expurgated edition of Nature," he repeated, with a suave
chuckle. "Do you know, I consider that admirably put, Mrs.
Saumarez--admirably, upon my word. Ah, if our latter-day writers would
only take that saying to heart! We do not need to be told of the vice
and corruption prevalent, I am sorry to say, among the very best
people; what we really need is continually to be reminded of the fact
that pure hearts and homes and happy faces are to be found to-day
alike in the palatial residences of the wealthy and in the humbler
homes of those less abundantly favoured by Fortune, and yet dwelling
together in harmony and Christian resignation and--er--comparatively
moderate circumstances."

"Surely," Mrs. Saumarez protested, "art has nothing to do with
morality. Art is a process. You see a thing in a certain way; you make
your reader see it in the same way--or try to. If you succeed, the
result is art. If you fail, it may be the book of the year."

"Enduring immortality and--ah--the patronage of the reading public,"
Mr. Jukesbury placidly insisted, "will be awarded, in the end, only
to those who dwell upon the true, the beautiful, and the--er
--respectable. Art must cheer; it must be optimistic and
edifying and--ah--suitable for young persons; it must have an uplift,
a leaven of righteousness, a--er--a sort of moral baking-powder. It
must utterly eschew the--ah--unpleasant and repugnant details of life.
It is, if I may so express myself, not at home in the mÉnage À trois
or--er--the representation of the nude. Yes, another glass of claret,
if you please."

"I quite agree with you," said Mrs. Haggage, in her deep voice. Sarah
Ellen Haggage is, of course, the well-known author of "Child-Labour in
the South," and "The Down-Trodden Afro-American," and other notable
contributions to literature. She is, also, the "Madame President" both
of the Society for the Betterment of Civic Government and Sewerage,
and of the Ladies' League for the Edification of the Impecunious.

"And I am glad to see," Mrs. Haggage presently went on, "that the
literature of the day is so largely beginning to chronicle the sayings
and doings of the labouring classes. The virtues of the humble must be
admitted in spite of their dissolute and unhygienic tendencies. Yes,"
Mrs. Haggage added, meditatively, "our literature is undoubtedly
acquiring a more elevated tone; at last we are shaking off the
scintillant and unwholesome influence of the French."

"Ah, the French!" sighed Mr. Kennaston; "a people who think depravity
the soul of wit! Their art is mere artfulness. They care nothing for
Nature."

"No," Mrs. Haggage assented; "they prefer nastiness. All French
books are immoral. I ran across one the other day that was simply
hideously indecent--unfit for a modest woman to read. And I can assure
you that none of its author's other books are any better. I purchased
the entire set at once and read them carefully, in order to make sure
that I was perfectly justified in warning my working-girls' classes
against them. I wish to misjudge no man--not even a member of a nation
notoriously devoted to absinthe and illicit relations."

She breathed heavily, and looked at Mr. Woods as if, somehow, he
was responsible. Then she gave the name of the book to Petheridge
Jukesbury. He wished to have it placed on the Index Expurgatorius of
the Brotherhood of Benevolence, he said.

"Dear, dear," Felix Kennaston sighed, as Mr. Jukesbury made a note of
it; "you are all so practical. You perceive an evil and proceed at
once, in your common-sense way, to crush it, to stamp it out. Now,
I can merely lament certain unfortunate tendencies of the age; I am
quite unable to contend against them. Do you know," Mr. Kenneston
continued gaily, as he trifled with a bunch of grapes, "I feel
horribly out-of-place among you? Here is Mrs. Saumarez creating an
epidemic of useful and improving knowledge throughout the country, by
means of her charming lectures. Here is Mrs. Haggage, the mainspring,
if I may say so, of any number of educational and philanthropic
alarm clocks which will some day rouse the sleeping public from its
lethargy. And here is my friend Jukesbury, whose eloquent pleas for a
higher life have turned so many workmen from gin and improvidence, and
which in a printed form are disseminated even in such remote regions
as Africa, where I am told they have produced the most satisfactory
results upon the unsophisticated but polygamous monarchs of that
continent. And here, above all, is Miss Hugonin, utilising the vast
power of money--which I am credibly informed is a very good thing to
have, though I cannot pretend to speak from experience--and casting
whole bakeryfuls of bread upon the waters of charity. And here am
I, the idle singer of an empty day--a mere drone in this hive of
philanthropic bees! Dear, dear," said Mr. Kennaston, enviously, "what
a thing it is to be practical!" And he laughed toward Margaret, in his
whimsical way.

Miss Hugonin had been strangely silent; but she returned Mr.
Kennaston's smile, and began to take part in the conversation.

"You're only an ignorant child," she rebuked him, "and a very naughty
child, too, to make fun of us in this fashion."

"Yes," Mr. Kennaston assented, "I am wilfully ignorant. The world
adores ignorance; and where ignorance is kissed it is folly to be
wise. To-morrow I shall read you a chapter from my 'Defense of
Ignorance,' which my confiding publisher is going to bring out in the
autumn."

So the table-talk went on, and now Margaret bore a part therein.

      *       *       *       *       *

However, I do not think we need record it further.

Mr. Woods listened in a sort of a daze. AdÈle Haggage and Hugh Van
Orden were conversing in low tones at one end of the table; the
Colonel was eating his luncheon, silently and with a certain air of
resignation; and so Billy Woods was left alone to attend and marvel.

The ideas they advanced seemed to him, for the most part, sensible.
What puzzled him was the uniform gravity which they accorded
equally--as it appeared to him--to the discussion of the most pompous
platitudes and of the most arrant nonsense. They were always serious;
and the general tone of infallibility, Billy thought, could be
warranted only by a vast fund of inexperience.

But, in the main, they advocated theories he had always
held--excellent theories, he considered. And he was seized with an
unreasonable desire to repudiate every one of them.

For it seemed to him that every one of them was aimed at Margaret's
approval. It did not matter to whom a remark was ostensibly
addressed--always at its conclusion the speaker glanced more or
less openly toward Miss Hugonin. She was the audience to which they
zealously played, thought Billy; and he wondered.

I think I have said that, owing to the smallness of the house-party,
luncheon was served in the breakfast-room. The dining-room at Selwoode
is very rarely used, because Margaret declares its size makes a meal
there equivalent to eating out-of-doors.

And I must confess that the breakfast-room is far cosier. The room, in
the first place, is of reasonable dimensions; it is hung with Flemish
tapestries from designs by Van Eyck representing the Four Seasons, but
the walls and ceiling are panelled in oak, and over the mantel carved
in bas-relief the inevitable Eagle is displayed.

The mantel stood behind Margaret's chair; and over her golden head,
half-protectingly, half-threateningly, with his wings outstretched to
the uttermost, the Eagle brooded as he had once brooded over Frederick
R. Woods. The old man sat contentedly beneath that symbol of what
he had achieved in life. He had started (as the phrase runs) from
nothing; he had made himself a power. To him, the Eagle meant that
crude, incalculable power of wealth he gloried in. And to Billy Woods,
the Eagle meant identically the same thing, and--I am sorry to say--he
began to suspect that the Eagle was really the audience to whom Miss
Hugonin's friends so zealously played.

Perhaps the misanthropy of Mr. Woods was not wholly unconnected with
the fact that Margaret never looked at him. She'd show him!--the
fortune-hunter!

So her eyes never strayed toward him; and her attention never left
him. At the end of luncheon she could have enumerated for you every
morsel he had eaten, every glare he had directed toward Kennaston,
every beseeching look he had turned to her. Of course, he had taken
sherry--dry sherry. Hadn't he told her four years ago--it was the
first day she had ever worn the white organdie dotted with purple
sprigs, and they sat by the lake so late that afternoon that Frederick
R. Woods finally sent for them to come to dinner--hadn't he told her
then that only women and children cared for sweet wines? Of course he
had--the villain!

image018.jpg
[Illustration: "Billy Woods"]

Billy, too, had his emotions. To hear that paragon, that queen among
women, descant of work done in the slums and of the mysteries of
sweat-shops; to hear her state off-hand that there were seventeen
hundred and fifty thousand children between the ages of ten and
fifteen years employed in the mines and factories of the United
States; to hear her discourse of foreign missions as glibly as though
she had been born and nurtured in Zambesi Land: all these things
filled him with an odd sense of alienation. He wasn't worthy of her,
and that was a fact. He was only a dumb idiot, and half the words that
were falling thick and fast from philanthropic lips about him might as
well have been hailstones, for all the benefit he was deriving from
them. He couldn't understand half she said.

In consequence, he very cordially detested the people who
could--especially that grimacing ass, Kennaston.

Altogether, neither Mr. Woods nor Miss Hugonin got much comfort from
their luncheon.



VII

After luncheon Billy had a quiet half-hour with the Colonel in the
smoking-room.

Said Billy, between puffs of a cigar:

"Peggy's changed a bit."

The Colonel grunted. Perhaps he dared not trust to words.

"Seems to have made some new friends."

A more vigorous grunt.

"Cultured lot, they seem?" said Mr. Woods. "Anxious to do good in the
world, too--philanthropic set, eh?"

A snort this time.

"Eh?" said Mr. Woods. There was dawning suspicion in his tone.

The Colonel looked about him. "My boy," said he, "you thank your stars
you didn't get that money; and, depend upon it, there never was a
gold-ship yet that wasn't followed."

"Pirates?" Billy Woods suggested, helpfully.

"Pirates are human beings," said Colonel Hugonin, with dignity.
"Sharks, my boy; sharks!"




VIII
That evening, after proper deliberation, "CÉlestine," Miss Hugonin
commanded, "get out that little yellow dress with the little red
bandanna handkerchiefs on it; and for heaven's sake, stop pulling
my hair out by the roots, unless you want a raving maniac on your
hands, CÉlestine!"

Whereby she had landed me in a quandary. For how, pray, is it possible
for me, a simple-minded male, fittingly to depict for you the clothes
of Margaret?--the innumerable vanities, the quaint devices, the
pleasing conceits with which she delighted to enhance her comeliness?
The thing is beyond me. Let us keep discreetly out of her wardrobe,
you and I.

Otherwise, I should have to prattle of an infinity of mysteries--of
her scarfs, feathers, laces, gloves, girdles, knots, hats, shoes,
fans, and slippers--of her embroideries, rings, pins, pendants,
ribbons, spangles, bracelets, and chains--in fine, there would be no
end to the list of gewgaws that went to make Margaret Hugonin even
more adorable than Nature had fashioned her. For when you come to
think of it, it takes the craft and skill and life-work of a thousand
men to dress one girl properly; and in Margaret's case, I protest that
every one of them, could he have beheld the result of their united
labours, would have so gloried in his own part therein that there
would have been no putting up with any of the lot.

Yet when I think of the tiny shoes she affected--patent-leather ones
mostly, with a seam running straight up the middle (and you may guess
the exact date of our comedy by knowing in what year these shoes were
modish); the string of fat pearls she so often wore about her round,
full throat; the white frock, say, with arabesques of blue all over
it, that Felix Kennaston said reminded him of Ruskin's tombstone; or
that other white-and-blue one--dÉcolletÉ, that was--which I swear
seraphic mantua-makers had woven out of mists and the skies of June:
when I remember these things, I repeat, almost am I tempted to become
a boot-maker and a lapidary and a milliner and, in fine, an adept
in all the other arts and trades and sciences that go to make a
well-groomed American girl what she is--the incredible fruit
of grafted centuries, the period after the list of Time's
achievements--just that I might describe Margaret to you properly.

But the thing is beyond me. I leave such considerations, then, to
CÉlestine, and resolve for the future rigorously to eschew all such
gauds. Meanwhile, if an untutored masculine description will content
you--

Margaret, I have on reliable feminine authority, was one of the very
few blondes whose complexions can carry off reds and yellows.
This particular gown--I remember it perfectly--was of a dim, dull
yellow--flounciful (if I may coin a word), diaphanous, expansive. I
have not the least notion what fabric composed it; but scattered about
it, in unexpected places, were diamond-shaped red things that I am
credibly informed are called medallions. The general effect of it may
be briefly characterised as grateful to the eye and dangerous to the
heart, and to a rational train of thought quite fatal.

For it was cut low in the neck; and Margaret's neck and shoulders
would have drawn madrigals from a bench of bishops.

And in consequence, Billy Woods ate absolutely no dinner that evening.



IX

It was an hour or two later when the moon, drifting tardily up from
the south, found Miss Hugonin and Mr. Kennaston chatting amicably
together in the court at Selwoode. They were discussing the deplorable
tendencies of the modern drama.

The court at Selwoode lies in the angle of the building, the ground
plan of which is L-shaped. Its two outer sides are formed by covered
cloisters leading to the palm-garden, and by moonlight--the night
bland and sweet with the odour of growing things, vocal with plashing
fountains, spangled with fire-flies that flicker indolently among a
glimmering concourse of nymphs and fauns eternally postured in flight
or in pursuit--by moonlight, I say, the court at Selwoode is perhaps
as satisfactory a spot for a tÊte-À-tÊte as this transitory world
affords.

Mr. Kennaston was in vein to-night; he scintillated; he was also a
little nervous. This was probably owing to the fact that Margaret,
leaning against the back of the stone bench on which they both sat,
her chin propped by her hand, was gazing at him in that peculiar,
intent fashion of hers which--as I think I have mentioned--caused you
fatuously to believe she had forgotten there were any other trousered
beings extant.

Mr. Kennaston, however, stuck to apt phrases and nice distinctions.
The moon found it edifying, but rather dull.

After a little Mr. Kennaston paused in his boyish, ebullient speech,
and they sat in silence. The lisping of the fountains was very
audible. In the heavens, the moon climbed a little further and
registered a manifestly impossible hour on the sun-dial. It also
brightened.

It was a companionable sort of a moon. It invited talk of a
confidential nature.

"Bless my soul," it was signalling to any number of gentlemen at that
moment, "there's only you and I and the girl here. Speak out, man!
She'll have you now, if she ever will. You'll never have a chance like
this again, I can tell you. Come, now, my dear boy, I'm shining full
in your face, and you've no idea how becoming it is. I'm not like that
garish, blundering sun, who doesn't know any better than to let her
see how red and fidgetty you get when you're excited; I'm an old hand
at such matters. I've presided over these little affairs since Babylon
was a paltry village. I'll never tell. And--and if anything should
happen, I'm always ready to go behind a cloud, you know. So, speak
out!--speak out, man, if you've the heart of a mouse!"

Thus far the conscienceless spring moon.

Mr. Kennaston sighed. The moon took this as a promising sign and
brightened over it perceptibly, and thereby afforded him an excellent
gambit.

"Yes?" said Margaret. "What is it, beautiful?"

That, in privacy, was her fantastic name for him.

The poet laughed a little. "Beautiful child," said he--and that, under
similar circumstances, was his perfectly reasonable name for
her--"I have been discourteous. To be frank, I have been sulking as
irrationally as a baby who clamours for the moon yonder."

"You aren't really anything but a baby, you know." Indeed, Margaret
almost thought of him as such. He was so delightfully naÏf.

He bent toward her. A faint tremor woke in his speech. "And so," said
he, softly, "I cry for the moon--the unattainable, exquisite moon. It
is very ridiculous, is it not?"

But he did not look at the moon. He looked toward Margaret--past
Margaret, toward the gleaming windows of Selwoode, where the Eagle
brooded:

"Oh, I really can't say," Margaret cried, in haste. "She was kind to
Endymion, you know. We will hope for the best. I think we'd better go
into the house now."

"You bid me hope?" said he.

"Beautiful, if you really want the moon, I don't see the least
objection to your continuing to hope. They make so many little
airships and things nowadays, you know, and you'll probably find it
only green cheese, after all. What is green cheese, I wonder?--it
sounds horribly indigestible and unattractive, doesn't it?" Miss
Hugonin babbled, in a tumult of fear and disappointment. He was about
to spoil their friendship now; men were so utterly inconsiderate. "I'm
a little cold," said she, mendaciously, "I really must go in."

He detained her. "Surely," he breathed, "you must know what I have so
long wanted to tell you--"

"I haven't the least idea," she protested, promptly. "You can tell
me all about it in the morning. I have some accounts to cast up
to-night. Besides, I'm not a good person to tell secrets to.
You--you'd much better not tell me. Oh, really, Mr. Kennaston," she
cried, earnestly, "you'd much better not tell me!"

"Ah, Margaret, Margaret," he pleaded, "I am not adamant. I am only a
man, with a man's heart that hungers for you, cries for you, clamours
for you day by day! I love you, beautiful child--love you with a
poet's love that is alien to these sordid days, with a love that is
half worship. I love you as Leander loved his Hero, as Pyramus loved
Thisbe. Ah, child, child, how beautiful you are! You are fairest of
created women, child--fair as those long-dead queens for whose smiles
old cities burned and kingdoms were lightly lost. I am mad for love of
you! Ah, have pity upon me, Margaret, for I love you very tenderly!"

He delivered these observations with appropriate fervour.

"Mr. Kennaston," said she, "I am sorry. We got along so nicely before,
and I was so proud of your friendship. We've had such good times
together, you and I, and I've liked your verses so, and I've liked
you--Oh, please, please, let's keep

She would have given the world to retract what she had said, and
accordingly she resolved to brazen it out.

"You needn't look at me as if I were a convicted criminal," she said,
sharply. "I won't marry you, and there's an end of it."

"It isn't that I'm thinking of," said Mr. Woods, with a grave smile.
"You see, it takes me a little time to realise your honest opinion
of me. I believe I understand now. You think me a very hopeless
cad--that's about your real opinion, isn't it, Peggy? I didn't know
that, you see. I thought you knew me better than that. You did once,
Peggy--once, a long time ago, and--and I hoped you hadn't quite
forgotten that time."

The allusion was ill chosen.

"Oh, oh, oh!" she cried, gasping. "You to remind me of that
time!--you of all men. Haven't you a vestige of shame? Haven't you
a rag of honour left? Oh, I didn't know there were such men in the
world! And to think--to think--" Margaret's glorious voice broke, and
she wrung her hands helplessly.

Then, after a little, she raised her eyes to his, and spoke without
a trace of emotion. "To think," she said, and her voice was toneless
now, "to think that I loved you! It's that that hurts, you know. For I
loved you very dearly, Billy Woods--yes, I think I loved you quite as
much as any woman can ever love a man. You were the first, you see,
and girls--girls are very foolish about such things. I thought you
were brave, and strong, and clean, and honest, and beautiful, and
dear--oh, quite the best and dearest man in the world, I thought you,
Billy Woods! That--that was queer, wasn't it?" she asked, with a
listless little shiver. "Yes, it was very queer. You didn't think of
me in quite that way, did you? No, you--you thought I was well enough
to amuse you for a while. I was well enough for a summer flirtation,
wasn't I, Billy? But marriage--ah, no, you never thought of marriage
then. You ran away when Uncle Fred suggested that. You refused
point-blank--refused in this very room--didn't you, Billy? Ah,
that--that hurt," Margaret ended, with a faint smile. "Yes, it--hurt."

Billy Woods raised a protesting hand, as though to speak, but
afterward he drew a deep, tremulous breath and bit his lip and was
silent.

She had spoken very quietly, very simply, very like a tired child;
now her voice lifted. "But you've hurt me more to-night," she said,
equably--"to-night, when you've come cringing back to me--to me, whom
you'd have none of when I was poor. I'm rich now, though. That makes
a difference, doesn't it, Billy? You're willing to whistle back the
girl's love you flung away once--yes, quite willing. But can't you
understand how much it must hurt me to think I ever loved you?"
Margaret asked, very gently.

She wanted him to understand. She wanted him to be ashamed. She prayed
God that he might be just a little, little bit ashamed, so that she
might be able to forgive him.

But he stood silent, bending puzzled brows toward her.

"Can't you understand, Billy?" she pleaded, softly. "I can't help
seeing what a cur you are. I must hate you, Billy--of course, I must,"
she insisted, very gently, as though arguing the matter with herself;
then suddenly she sobbed and wrung her hands in anguish. "Oh, I can't,
I can't!" she wailed. "God help me, I can't hate you, even though I
know you for what you are!"

His arms lifted a little; and in a flash Margaret knew that what she
most wanted in all the world was to have them close about her, and
then to lay her head upon his shoulder and cry contentedly.

Oh, she did want to forgive him! If he had lost all sense of shame,
why could he not lie to her? Surely, he could at least lie? And,
oh, how gladly she would believe!--only the tiniest, the flimsiest
fiction, her eyes craved of him.

But he merely said "I see--I see," very slowly, and then smiled.
"We'll put the money aside just now," he said. "Perhaps, after a
little, we--we'll came back to that. I think you've forgotten, though,
that when--when Uncle Fred and I had our difference you had just
thrown me over--had just ordered me never to speak to you again?
I couldn't very well ask you to marry me, could I, under those
circumstances?"

"I spoke in a moment of irritation," a very dignified Margaret pointed
out; "you would have paid no attention whatever to it if you had
really--cared."

Billy laughed, rather sadly. "Oh, I cared right enough," he said. "I
still care. The question is--do you?"

"No," said Margaret, with decision, "I don't--not in the least."

"Peggy," Mr. Woods commanded, "look at me!"

"You have had your answer, I think," Miss Hugonin indifferently
observed.

Billy caught her chin in his hand and turned her face to his. "Peggy,
do you--care?" he asked, softly.

And Margaret looked into his honest-seeming eyes and, in a panic, knew
that her traitor lips were forming "yes."

"That would be rather unfortunate, wouldn't it?" she asked, with a
smile. "You see, it was only an hour ago I promised to marry Mr.
Kennaston."

"Kennaston!" Billy gasped. "You--you don't mean that you care for
him, Peggy?"

"I really can't see why it should concern you," said Margaret,
sweetly, "but since you ask--I do. You couldn't expect me to remain
inconsolable forever, you know."

Then the room blurred before her eyes. She stood rigid, defiant.
She was dimly aware that Billy was speaking, speaking from a great
distance, it seemed, and then after a century or two his face came
back to her out of the whirl of things. And, though she did not know
it, they were smiling bravely at one another.

"--and so," Mr. Woods was stating, "I've been an even greater ass than
usual, and I hope you'll be very, very happy."

image020.jpg
[Illustration: "Billy unfolded it slowly, with a puzzled look growing
in his countenance."]

"Thank you," she returned, mechanically, "I--I hope so."

After an interval, "Good-night, Peggy," said Mr. Woods.

"Oh--? Good-night," said she, with a start.

He turned to go. Then, "By Jove!" said he, grimly, "I've been so busy
making an ass of myself I'd forgotten all about more--more important
things."

Mr. Woods picked up the keys and, going to the desk, unlocked the
centre compartment with a jerk. Afterward he gave a sharp exclamation.
He had found a paper in the secret drawer at the back which appeared
to startle him.

Billy unfolded it slowly, with a puzzled look growing in his
countenance. Then for a moment Margaret's golden head drew close to
his yellow curls and they read it through together. And in the most
melodramatic and improbable fashion in the world they found it to be
the last will and testament of Frederick R. Woods.

"But--but I don't understand," was Miss Hugonin's awed comment. "It's
exactly like the other will, only--why, it's dated the seventeenth
of June, the day before he died! And it's witnessed by Hodges and
Burton--the butler and the first footman, you know--and they've never
said anything about such a paper. And, then, why should he have made
another will just like the first?"

Billy pondered.

By and bye, "I think I can explain that," he said, in a rather
peculiar voice. "You see, Hodges and Burton witnessed all his papers,
half the time without knowing what they were about. They would hardly
have thought of this particular one after his death. And it isn't
quite the same will as the other; it leaves you practically
everything, but it doesn't appoint any trustees, as the other did,
because this will was drawn up after you were of age. Moreover, it
contains these four bequests to colleges, to establish a Woods chair
of ethnology, which the other will didn't provide for. Of course, it
would have been simpler merely to add a codicil to the first will,
but Uncle Fred was always very methodical. I--I think he was probably
going through the desk the night he died, destroying various papers.
He must have taken the other will out to destroy it just--just before
he died. Perhaps--perhaps--" Billy paused for a little and then
laughed, unmirthfully. "It scarcely matters," said he. "Here is the
will. It is undoubtedly genuine and undoubtedly the last he made.
You'll have to have it probated, Peggy, and settle with the colleges.
It--it won't make much of a hole in the Woods millions."

There was a half-humorous bitterness in his voice that Margaret noted
silently. So (she thought) he had hoped for a moment that at the last
Frederick R. Woods had relented toward him. It grieved her, in a dull
fashion, to see him so mercenary. It grieved her--though she would
have denied it emphatically--to see him so disappointed. Since he
wanted the money so much, she would have liked for him to have had it,
worthless as he was, for the sake of the boy he had been.

"Thank you," she said, coldly, as she took the paper; "I will give it
to my father. He will do what is necessary. Good-night, Mr. Woods."

Then she locked up the desk in a businesslike fashion and turned to
him, and held out her hand.

"Good-night, Billy," said this perfectly inconsistent young woman.
"For a moment I thought Uncle Fred had altered his will in your
favour. I almost wish he had."

Billy smiled a little.

"That would never have done," he said, gravely, as he shook
hands; "you forget what a sordid, and heartless, and generally
good-for-nothing chap I am, Peggy. It's much better as it is."

Only the tiniest, the flimsiest fiction, her eyes craved of him. Even
now, at the eleventh hour, lie to me, Billy Woods, and, oh, how gladly
I will believe!

But he merely said "Good-night, Peggy," and went out of the room. His
broad shoulders had a pathetic droop, a listlessness.

Margaret was glad. Of course, she was glad. At last, she had told him
exactly what she thought of him. Why shouldn't she be glad? She was
delighted.

So, by way of expressing this delight, she sat down at the desk and
began to cry very softly.



XIII

Having duly considered the emptiness of existence, the unworthiness of
men, the dreary future that awaited her--though this did not trouble
her greatly, as she confidently expected to die soon--and many other
such dolorous topics, Miss Hugonin decided to retire for the night.
She rose, filled with speculations as to the paltriness of life and
the probability of her eyes being red in the morning.

"It will be all his fault if they are," she consoled herself.
"Doubtless he'll be very much pleased. After robbing me of all faith
in humanity, I dare say the one thing needed to complete his happiness
is to make me look like a fright. I hate him! After making me
miserable, now, I suppose he'll go off and make some other woman
miserable. Oh, of course, he'll make love to the first woman he meets
who has any money. I'm sure she's welcome to him. I only pity any
woman who has to put up with him. No, I don't," Margaret decided,
after reflection; "I hate her, too!"

Miss Hugonin went to the door leading to the hallway and paused.
Then--I grieve to relate it--she shook a little pink-tipped fist in
the air.

"I detest you!" she commented, between her teeth; "oh, how dare you
make me feel so ashamed of the way I've treated you!"

The query--as possibly you may have divined--was addressed to Mr.
Woods. He was standing by the fireplace in the hallway, and his tall
figure was outlined sharply against the flame of the gas-logs that
burned there. His shoulders had a pathetic droop, a listlessness.

Billy was reading a paper of some kind by the firelight, and the black
outline of his face smiled grimly over it. Then he laughed and threw
it into the fire.

"Billy!" a voice observed--a voice that was honey and gold and velvet
and all that is most sweet and rich and soft in the world.

Mr. Woods was aware of a light step, a swishing, sibilant, delightful
rustling--the caress of sound is the rustling of a well-groomed
woman's skirts--and of an afterthought of violets, of a mere
reminiscence of orris, all of which came toward him through the
dimness of the hall. He started, noticeably.

"Billy," Miss Hugonin stated, "I'm sorry for what I said to you. I'm
not sure it isn't true, you know, but I'm sorry I said it."

"Bless your heart!" said Billy; "don't you worry over that, Peggy.
That's all right. Incidentally, the things you've said to me and about
me aren't true, of course, but we won't discuss that just now. I--I
fancy we're both feeling a bit fagged. Go to bed, Peggy! We'll both
go to bed, and the night will bring counsel, and we'll sleep off all
unkindliness. Go to bed, little sister!--get all the beauty-sleep you
aren't in the least in need of, and dream of how happy you're going to
be with the man you love. And--and in the morning I may have something
to say to you. Good-night, dear."

And this time he really went. And when he had come to the bend in the
stairs his eyes turned back to hers, slowly and irresistibly, drawn
toward them, as it seemed, just as the sunflower is drawn toward the
sun, or the needle toward the pole, or, in fine, as the eyes of young
gentlemen ordinarily are drawn toward the eyes of the one woman in the
world. Then he disappeared.

The mummery of it vexed Margaret. There was no excuse for his looking
at her in that way. It irritated her. She was almost as angry with him
for doing it as she would have been for not doing it.

Therefore, she bent an angry face toward the fire, her mouth pouting
in a rather inviting fashion. Then it rounded slowly into a sanguine
O, which of itself suggested osculation, but in reality stood for
"observe!" For the paper Billy had thrown into the fire had fallen
under the gas-logs, and she remembered his guilty start.

"After all," said Margaret, "it's none of my business."

So she eyed it wistfully.

"It may be important," she considerately remembered. "It ought not to
be left there."

So she fished it out with a big paper-cutter.

"But it can't be very important," she dissented afterward, "or he
wouldn't have thrown it away."

So she looked at the superscripture on the back of it.

Then she gave a little gasp and tore it open and read it by the
firelight.

Miss Hugonin subsequently took credit to herself for not going into
hysterics. And I think she had some reason to; for she found the paper
a duplicate of the one Billy had taken out of the secret drawer, with
his name set in the place of hers. At the last Frederick R. Woods had
relented toward his nephew.

Margaret laughed a little; then she cried a little; then she did both
together. Afterward she sat in the firelight, very puzzled and very
excited and very penitent and very beautiful, and was happier than she
had ever been in her life.

"He had it in his pocket," her dear voice quavered; "he had it in his
pocket, my brave, strong, beautiful Billy did, when he asked me to
marry him. It was King Cophetua wooing the beggar-maid--and the beggar
was an impudent, ungrateful, idiotic little piece!" Margaret hissed,
in her most shrewish manner. "She ought to be spanked. She ought to go
down on her knees to him in sackcloth, and tears, and ashes, and all
sorts of penitential things. She will, too. Oh, it's such a beautiful
world--such a beautiful world! Billy loves me--really! Billy's a
millionaire, and I'm a pauper. Oh, I'm glad, glad, glad!"

She caressed the paper that had rendered the world such a goodly place
to live in--caressed it tenderly and rubbed her check against it. That
was Margaret's way of showing affection, you know; and I protest it
must have been very pleasant for the paper. The only wonder was that
the ink it was written in didn't turn red with delight.

Then she read it through again, for sheer enjoyment of those
beautiful, incomprehensible words that disinherited her. How lovely
of Uncle Fred! she thought. Of course, he'd forgiven Billy; who
wouldn't? What beautiful language Uncle Fred used! quite prayer-booky,
she termed it. Then she gasped.

The will in Billy's favour was dated a week earlier than the one they
had found in the secret drawer. It was worthless, mere waste paper. At
the last Frederick R. Woods's pride had conquered his love.

"Oh, the horrid old man!" Margaret wailed; "he's left me everything he
had! How dare he disinherit Billy! I call it rank impertinence in
him. Oh, boy dear, dear, dear boy!" Miss Hugonin crooned, in an
ecstacy of tenderness and woe. "He found this first will in one of the
other drawers, and thought he was the rich one, and came in a great
whirl of joy to ask me to marry him, and I was horrid to him! Oh, what
a mess I've made of it! I've called him a fortune-hunter, and I've
told him I love another man, and he'll never, never ask me to marry
him now. And I love him, I worship him, I adore him! And if only
I were poor--"

Ensued a silence. Margaret lifted the two wills, scrutinised them
closely, and then looked at the fire, interrogatively.

"It's penal servitude for quite a number of years," she said. "But,
then, he really couldn't tell any one, you know. No gentleman would
allow a lady to be locked up in jail. And if he knew--if he knew I
didn't and couldn't consider him a fortune-hunter, I really believe he
would--"

Whatever she believed he would do, the probability of his doing it
seemed highly agreeable to Miss Hugonin. She smiled at the fire in the
most friendly fashion, and held out one of the folded papers to it.

"Yes," said Margaret, "I'm quite sure he will."

There I think we may leave her. For I have dredged the dictionary,
and I confess I have found no fitting words wherewith to picture this
inconsistent, impulsive, adorable young woman, dreaming brave dreams
in the firelight of her lover and of their united future. I should
only bungle it. You must imagine it for yourself.

It is a pretty picture, is it not?--with its laughable side, perhaps;
under the circumstances, whimsical, if you will; but very, very
sacred. For she loved him with a clean heart, loved him infinitely.

Let us smile at it--tenderly--and pass on.

But upon my word, when I think of how unreasonably, how outrageously
Margaret had behaved during the entire evening, I am tempted to
depose her as our heroine. I begin to regret I had not selected AdÈle
Haggage.

She would have done admirably. For, depend upon it, she, too, had
her trepidations, her white nights, her occult battles over Hugh Van
Orden. Also, she was a pretty girl--if you care for brunettes--and
accomplished. She was versed in I forget how many foreign languages,
both Continental and dead, and could discourse sensibly in any one of
them. She was perfectly reasonable, perfectly consistent, perfectly
unimpulsive, and never expressed an opinion that was not countenanced
by at least two competent authorities. I don't know a man living,
prepared to dispute that Miss Haggage excelled Miss Hugonin in all
these desirable qualities.

Yet with pleasing unanimity they went mad for Margaret and had the
greatest possible respect for AdÈle.

And, my dear Mrs. Grundy, I grant you cheerfully that this was all
wrong. A sensible man, as you very justly observe, will seek in a
woman something more enduring than mere personal attractions; he will
value her for some sensible reason--say, for her wit, or her learning,
or her skill in cookery, or her proficiency in Greek. A sensible man
will look for a sensible woman; he will not concern his sensible head
over such trumperies as a pair of bright eyes, or a red lip or so, or
a satisfactory suit of hair. These are fleeting vanities.

However--

You have doubtless heard ere this, my dear madam, that had Cleopatra's
nose been an inch shorter the destiny of the world would have been
changed; had she been the woman you describe--perfectly reasonable,
perfectly consistent, perfectly sensible in all she said and
did--confess, dear lady, wouldn't Antony have taken to his heels and
have fled from such a monster?



XIV

I regret to admit that Mr. Woods did not toss feverishly about his bed
all through the silent watches of the night. He was very miserable,
but he was also twenty-six. That is an age when the blind bow-god
deals no fatal wounds. It is an age to suffer poignantly, if you will;
an age wherein to aspire to the dearest woman on earth, to write her
halting verses, to lose her, to affect the clichÉs of cynicism, to
hear the chimes at midnight--and after it all, to sleep like a top.

So Billy slept. And kind Hypnos loosed a dream through the gates of
ivory that lifted him to a delectable land where Peggy was nineteen,
and had never heard of Kennaston, and was unbelievably sweet and dear
and beautiful. But presently they and the Colonel put forth to sea--on
a great carved writing-desk--fishing for sharks, which the Colonel
said were very plentiful in those waters; and Frederick R. Woods
climbed up out of the sea, and said Billy was a fool and must go to
college; and Peggy said that was impossible, as seventeen hundred and
fifty thousand children had to be given an education apiece, and they
couldn't spare one for Billy; and a missionary from Zambesi Land came
out of one of the secret drawers and said Billy must give him both
of his feet as he needed them for his working-girls' classes; and
thereupon the sharks poked their heads out of the water and began, in
a deafening chorus, to cry, "Feet, feet, feet!" And Billy then woke
with a start, and found it was only the birds chattering in the dawn
outside.

Then he was miserable.

He tossed, and groaned, and dozed, and smoked cigarettes until he
could stand it no longer. He got up and dressed, in sheer desperation,
and went for a walk in the gardens.

The day was clear as a new-minted coin. It was not yet wholly aired,
not wholly free from the damp savour of night, but low in the east the
sun was taking heart. A mile-long shadow footed it with Billy Woods
in his pacings through the amber-chequered gardens. Actaeon-like, he
surprised the world at its toilet, and its fleeting grace somewhat
fortified his spirits.

But his thoughts pestered him like gnats. The things he said to the
roses it is not necessary to set down.



XV

After a vituperative half-hour or so Mr. Woods was hungry. He came
back toward Selwoode; and upon the terrace in front of the house he
found Kathleen Saumarez.

During the warm weather, one corner of the terrace had been converted,
by means of gay red-and-white awnings, into a sort of living-room.
There were chairs, tables, sofa-cushions, bowls of roses, and any
number of bright-coloured rugs. Altogether, it was a cosy place,
and the glowing hues of its furnishings were very becoming to Mrs.
Saumarez, who sat there writing industriously.

It was a thought embarrassing. They had avoided one another
yesterday--rather obviously--both striving to put off a necessarily
awkward meeting. Now it had come. And now, somehow, their eyes met for
a moment, and they laughed frankly, and the awkwardness was gone.

"Kathleen," said Mr. Woods, with conviction, "you're a dear."

"You broke my heart," said she, demurely, "but I'm going to forgive
you."

Mrs. Saumarez was not striving to be clever now. And, heavens (thought
Billy), how much nicer she was like this! It wasn't the same woman:
her thin cheeks flushed arbutus-like, and her rather metallic voice
was grown low and gentle. Billy brought memories with him, you see;
and for the moment, she was Kathleen Eppes again--Kathleen Eppes in
the first flush of youth, eager, trustful, and joyous-hearted, as he
had known her long ago. Since then, the poor woman had eaten of the
bread of dependence and had found it salt enough; she had paid for it
daily, enduring a thousand petty slights, a thousand petty insults,
and smiling under them as only women can. But she had forgotten now
that shrewd Kathleen Saumarez who must earn her livelihood as best she
might. She smiled frankly--a purely unprofessional smile.

"I was sorry when I heard you were coming," she said, irrelevantly,
"but I'm glad now."

Mr. Woods--I grieve to relate--was still holding her hand in his.
There stirred in his pulses the thrill Kathleen Eppes had always
wakened--a thrill of memory now, a mere wraith of emotion. He was
thinking of a certain pink-cheeked girl with crinkly black-brown
hair and eyes that he had likened to chrysoberyls--and he wondered
whimsically what had become of her. This was not she. This was
assuredly not Kathleen, for this woman had a large mouth--a humorous
and kindly mouth it was true, but undeniably a large one--whereas,
Kathleen's mouth had been quite perfect and rather diminutive than
otherwise. Hadn't he rhymed of it often enough to know?

They stood gazing at one another for a long time; and in the back of
Billy's brain lines of his old verses sang themselves to a sad little
tune--the verses that reproved the idiocy of all other poets, who had
very foolishly written their sonnets to other women: and yet, as the
jingle pointed out,

 Had these poets ever strayed
 In thy path, they had not made
 Random rhymes of Arabella,
 Songs of Dolly, hymns of Stella,
 Lays of Lalage or Chloris--
 Not of Daphne nor of Doris,
 Florimel nor Amaryllis,
 Nor of Phyllida nor Phyllis,
 Were their wanton melodies:
 But all of these--
 All their melodies had been
 Of thee, Kathleen.

Would they have been? Billy thought it improbable. The verses were
very silly; and, recalling the big, blundering boy who had written
them, Billy began to wonder--somewhat forlornly--whither he, too,
had vanished. He and the girl he had gone mad for both seemed rather
mythical--legendary as King Pepin.

"Yes," said Mrs. Saumarez--and oh, she startled him; "I fancy they're
both quite dead by now. Billy," she cried, earnestly, "don't laugh
at them!--don't laugh at those dear, foolish children! I--somehow, I
couldn't bear that, Billy."

"Kathleen," said Mr. Woods, in admiration, "you're a witch. I wasn't
laughing, though, my dear. I was developing quite a twilight mood over
them--a plaintive, old-lettery sort of mood, you know."

She sighed a little. "Yes--I know." Then her eyelids flickered in a
parody of Kathleen's glance that Billy noted with a queer tenderness.
"Come and talk to me, Billy," she commanded. "I'm an early bird this
morning, and entitled to the very biggest and best-looking worm I can
find. You're only a worm, you know--we're all worms. Mr. Jukesbury
told me so last night, making an exception in my favour, for it
appears I'm an angel. He was amorously inclined last night, the tipsy
old fraud! It's shameless, Billy, the amount of money he gets out of
Miss Hugonin--for the deserving poor. Do you know, I rather fancy he
classes himself under that head? And I grant you he's poor enough--but
deserving!" Mrs. Saumarez snapped her fingers eloquently.

"Eh? Shark, eh?" queried Mr. Woods, in some discomfort.

She nodded. "He is as bad as Sarah Haggage," she informed him, "and
everybody knows what a bloodsucker she is. The Haggage is a disease,
Billy, that all rich women are exposed to--'more easily caught than
the pestilence, and the taker runs presently mad.' Depend upon it,
Billy, those two will have every penny they can get out of your
uncle's money."

"Peggy's so generous," he pleaded. "She wants to make everybody
happy--bring about a general millenium, you know."

"She pays dearly enough for her fancies," said Mrs. Saumarez, in a
hard voice. Then, after a little, she cried, suddenly: "Oh, Billy,
Billy, it shames me to think of how we lie to her, and toady to her,
and lead her on from one mad scheme to another!--all for the sake of
the money we can pilfer incidentally! We're all arrant hypocrites, you
know; I'm no better than the others, Billy--not a bit better. But
my husband left me so poor, and I had always been accustomed to the
pretty things of life, and I couldn't--I couldn't give them up, Billy.
I love them too dearly. So I lie, and toady, and write drivelling
talks about things I don't understand, for drivelling women to
listen to, and I still have the creature comforts of life. I pawn my
self-respect for them--that's all. Such a little price to pay, isn't
it, Billy?"

She spoke in a sort of frenzy. I dare say that at the outset she
wanted Mr. Woods to know the worst of her, knowing he could not fail
to discover it in time. Billy brought memories with him, you see; and
this shrewd, hard woman wanted, somehow, more than anything else in
the world, that he should think well of her. So she babbled out the
whole pitiful story, waiting in a kind of terror to see contempt and
disgust awaken in his eyes.

But he merely said "I see--I see," very slowly, and his eyes were
kindly. He couldn't be angry with her, somehow; that pink-cheeked,
crinkly haired girl stood between them and shielded her. He was only
very, very sorry.

"And Kennaston?" he asked, after a little.

Mrs. Saumarez flushed. "Mr. Kennaston is a man of great genius," she
said, quickly. "Of course, Miss Hugonin is glad to assist him in
publishing his books--it's an honour to her that he permits it. They
have to be published privately, you know, as the general public isn't
capable of appreciating such dainty little masterpieces. Oh, don't
make any mistake, Billy--Mr. Kennaston is a very wonderful and very
admirable man."

"H'm, yes; he struck me as being an unusually nice chap," said Mr.
Woods, untruthfully. "I dare say they'll be very happy."

"Who?" Mrs. Saumarez demanded.

"Why--er--I don't suppose they'll make any secret of it," Billy
stammered, in tardy repentance of his hasty speaking. "Peggy told me
last night she had accepted him."

Mrs. Saumarez turned to rearrange a bowl of roses. She seemed to have
some difficulty over it.

"Billy,

The others, by this, had disappeared in various directions, puzzled
and exceedingly uncertain what to do. Indeed, to congratulate Billy
in the Colonel's presence would have been tactless; and, on the other
hand, to condole with the Colonel without seeming to affront the
wealthy Mr. Woods was almost impossible. So they temporised and
fled--all save Mrs. Haggage.

She, alone, remained to view Mr. Woods with newly opened eyes; for
as he paused impatiently--the sculptured Eagle above his head--she
perceived that he was a remarkably handsome and intelligent young man.
Her motherly heart opened toward this lonely, wealthy orphan.

"My dear Billy," she cooed, with asthmatic gentleness, "as an old,
old friend of your mother's, aren't you going to let me tell you how
rejoiced AdÈle and I are over your good fortune? It isn't polite, you
naughty boy, for you to run away from your friends as soon as they've
heard this wonderful news. Ah, such news it was--such a manifest
intervention of Providence! My heart has been fluttering, fluttering
like a little bird, Billy, ever since I heard it."

In testimony to this fact, Mrs. Haggage clasped a stodgy hand to an
exceedingly capacious bosom, and exhibited the whites of her eyes
freely. Her smile, however, remained unchanged and ample.

"Er--ah--oh, yes! Very kind of you, I'm sure!" said Mr. Woods.

"I never in my life saw AdÈle so deeply affected by anything," Mrs.
Haggage continued, with a certain large archness. "The sweet child
was always so fond of you, you know, Billy. Ah, I remember distinctly
hearing her speak of you many and many a time when you were in that
dear, delightful, wicked Paris, and wonder when you would come back
to your friends--not very grand and influential friends, Billy, but
sincere, I trust, for all that."

Mr. Woods said he had no doubt of it.

"So many people," she informed him, confidentially, "will pursue you
with adulation now that you are wealthy. Oh, yes, you will find that
wealth makes a great difference, Billy. But not with AdÈle and
me--no, dear boy, despise us if you will, but my child and I are not
mercenary. Money makes no difference with us; we shall be the same to
you that we always were--sincerely interested in your true welfare,
overjoyed at your present good fortune, prayerful as to your brilliant
future, and delighted to have you drop in any evening to dinner. We do
not consider money the chief blessing of life; no, don't tell me that
most people are different, Billy, for I know it very well, and many is
the tear that thought has cost me. We live in a very mercenary world,
my dear boy; but our thoughts, at least, are set on higher things,
and I trust we can afford to despise the merely temporal blessings of
life, and I entreat you to remember that our humble dwelling is always
open to the son of my old, old friend, and that there is always a jug
of good whiskey in the cupboard."

Thus in the shadow of the Eagle babbled the woman whom--for all her
absurdities--Margaret had loved as a mother.

Billy thanked her with an angry heart.

"And this"--I give you the gist of his meditations--"this is Peggy's
dearest friend! Oh, Philanthropy, are thy protestations, then, all
void and empty, and are thy noblest sentiments--every one of 'em--so
full of sound and rhetoric, so specious, so delectable--are these,
then, but dicers' oaths!"

Aloud, "I'm rather surprised, you know," he said, slowly, "that you
take it just this way, Mrs. Haggage. I should have thought you'd have
been sorry on--on Miss Hugonin's account. It's awfully jolly of you,
of course--oh, awfully jolly, and I appreciate it at its true worth, I
assure you. But it's a bit awkward, isn't it, that the poor girl will
be practically penniless? I really don't know whom she'll turn to
now."

Then Billy, the diplomatist, received a surprise.

"She'll come with me, of course," said Mrs. Haggage.

Mr. Woods made an--unfortunately--inaudible observation.

"I beg your pardon?" she queried. Then, obtaining no response, she
continued, with perfect simplicity: "Margaret's quite like a daughter
to me, you know. Of course, she and the Colonel will come with us--at
least, until affairs are a bit more settled. Even afterward--well, we
have a large house, Billy, and I don't see that they'd be any better
off anywhere else."

Billy's emotions were complex.

"You big-hearted old parasite," his own heart was singing. "If you
could only keep that ring of truth that's in your voice for your
platform utterances--why, in less than no time you could afford to
feed your Afro-Americans on nightingales' tongues and clothe every
working-girl in the land in cloth of gold! You've been pilfering from
Peggy for years--pilfering right and left with both hands! But you've
loved her all the time, God bless you; and now the moment she's in
trouble you're ready to take both her and the Colonel--whom, by the
way, you must very cordially detest--and share your pitiful, pilfered
little crusts with 'em and--having two more mouths to feed--probably
pilfer a little more outrageously in the future! You're a
sanctimonious old hypocrite, you are, and a pious fraud, and a
delusion, and a snare, and you and AdÈle have nefarious designs on me
at this very moment, but I think I'd like to kiss you!"

Indeed, I believe Mr. Woods came very near doing so. She loved Peggy,
you see; and he loved every one who loved her.

But he compromised by shaking hands energetically, for a matter of
five minutes, and entreating to be allowed to subscribe to some of her
deserving charitable enterprises--any one she might mention--and so
left the old lady a little bewildered, but very much pleased.

She decided that for the future AdÈle must not see so much of Mr.
Van Orden. She began to fear that gentleman's views of life were not
sufficiently serious.



XIX

Billy went into the gardens in pursuit of Margaret. He was almost
happy now and felt vaguely ashamed of himself. Then he came upon
Kathleen Saumarez, who, indeed, was waiting for him there; and his
heart went down into his boots.

He realised on a sudden that he was one of the richest men in America.
It was a staggering thought. Also, Mr. Woods's views, at this moment,
as to the advantages of wealth, might have been interesting.

Kathleen stood silent for an instant, eyes downcast, face flushed. She
was trembling.

Then, "Billy," she asked, almost inaudibly, "do--do you still
want--your answer?"

The birds sang about them. Spring triumphed in the gardens. She looked
very womanly and very pretty.

To all appearances, it might easily have been a lover and his lass met
in the springtide, shamefaced after last night's kissing. But Billy,
somehow, lacked much of the elation and the perfect content and the
disposition to burst into melody that is currently supposed to seize
upon rustic swains at such moments. He merely wanted to know if at
any time in the remote future his heart would be likely to resume the
discharge of its proper functions. It was standing still now.

However, "Can you ask--dear?" His words, at least, lied gallantly.

The poor woman looked up into Billy's face. After years of battling
with the world, here for the asking was peace and luxury and wealth
incalculable, and--as Kathleen thought--a love that had endured since
they were boy and girl together. Yet she shrunk from him a little and
clinched her hands before she spoke.

"Yes," Kathleen faltered, and afterward she shuddered.

And here, if for the moment I may prefigure the Eagle as a sentient
being, I can imagine his chuckle.

"Please God," thought poor Billy, "I will make her happy. Yes, please
God, I can at least do that, since she cares for me."

Then he kissed her.

"My dear," said he, aloud, "I'll try to make you happy. And--and you
don't mind, do you, if I leave you now?" queried this ardent lover.
"You see, it's absolutely necessary I should see--see Miss Hugonin
about this will business. You don't mind very much, do you--darling?"
Mr. Woods inquired of her, the last word being rather obviously an
afterthought.

"No," said she. "Not if you must--dear."

Billy went away, lugging a heart of lead in his breast.

Kathleen stared after him and gave a hard, wringing motion of her
hands. She had done what many women do daily; the thing is common and
sensible and universally commended; but in her own eyes, the draggled
trollop of the pavements was neither better nor worse than she.

At the entrance of the next walkway Billy encountered Felix
Kennaston--alone and in the most ebulliently mirthful of humours.



XX

But we had left Mr. Kennaston, I think, in company with Miss Hugonin,
at the precise moment she inquired of him whether it were not the
strangest thing in the world--referring thereby to the sudden manner
in which she had been disinherited.

The poet laughed and assented. Afterward, turning north from the front
court, they descended past the shield-bearing griffins--and you may
depend upon it that each shield is adorned with a bas-relief of the
Eagle--that guard the broad stairway leading to the formal gardens
of Selwoode. The gardens stretch northward to the confines of Peter
Blagden's estate of Gridlington; and for my part--unless it were that
primitive garden that Adam lost--I can imagine no goodlier place.

On this particular forenoon, however, neither Miss Hugonin nor Felix
Kennaston had eyes for its comeliness; silently they braved the
griffins, and in silence they skirted the fish-pond--silver-crinkling
in the May morning--and passed through cloistral ilex-shadowed walks,
and amphitheatres of green velvet, and terraces ample and mellow
in the sunlight, silently. The trees pelted them with blossoms;
pedestaled in leafy recesses, Satyrs grinned at them apishly, and the
arrows of divers pot-bellied Cupids threatened them, and Fauns piped
for them ditties of no tone; the birds were about shrill avocations
overhead, and everywhere the heatless, odourful air was a caress; but
for all this, Miss Hugonin and Mr. Kennaston were silent and very
fidgetty.

Margaret was hatless--and the glory of the eminently sensible spring
sun appeared to centre in her hair--and violet-clad; and the gown,
like most of her gowns, was all tiny tucks and frills and flounces,
diapered with semi-transparencies--unsubstantial, foam-like, mere
violet froth. As she came starry-eyed through the gardens, the
impudent wind trifling with her hair, I protest she might have been
some lady of Oberon's court stolen out of Elfland to bedevil us poor
mortals, with only a moonbeam for the changeable heart of her, and
for raiment a violet shadow spirited from the under side of some big,
fleecy cloud.

They came presently through a trim, yew-hedged walkway to a
summer-house covered with vines, into which Margaret peeped and
declined to enter, on the ground that it was entirely too chilly
and gloomy and exactly like a mausoleum; but nearby they found a
semi-circular marble bench about which a group of elm-trees made a
pleasant shadow splashed at just the proper intervals with sunlight.

On this Margaret seated herself; and then pensively moved to the other
end of the bench, because a slanting sunbeam fell there. Since it
was absolutely necessary to blast Mr. Kennaston's dearest hopes,
she thoughtfully endeavoured to distract his attention from his own
miseries--as far as might be possible--by showing him how exactly like
an aureole her hair was in the sunlight. Margaret always had a kind
heart.

Kennaston stood before her, smiling a little. He was the sort of man
to appreciate the manoeuver.

"My lady," he asked, very softly, "haven't you any good news for me on
this wonderful morning?"

"Excellent news," Margaret assented, with a cheerfulness that was
not utterly free from trepidation. "I've decided not to marry you,
beautiful, and I trust you're properly grateful. You see, you're very
nice, of course, but I'm going to marry somebody else, and bigamy is
a  crime, you know; and, anyhow, I'm only a pauper, and you'd never be
able to put up with my temper--now, beautiful, I'm quite sure you
couldn't, so there's not a bit of use in arguing it. Some day you'd
end by strangling me, which would be horribly disagreeable for me, and
then they'd hang you for it, you know, and that would be equally
disagreeable for you. Fancy, though, what a good advertisement it would
be for your poems!"

image022.jpg
[Illustration: "'My lady,' he asked, very softly, 'haven't you any
good news for me on this wonderful morning?'"]

She was not looking at him now--oh, no, Margaret was far too busily
employed getting the will (which she had carried all this time) into
an absurd little silver chain-bag hanging at her waist. She had no
time to look at Felix Kennaston. There was such scant room in the bag;
her purse took up so much space there was scarcely any left for the
folded paper; the affair really required her closest, undivided
attention. Besides, she had not the least desire to look at Kennaston
just now.

"Beautiful child," he pleaded, "look at me!"

But she didn't.

She felt that at that moment she could have looked at a gorgon, say,
or a cockatrice, or any other trifle of that nature with infinitely
greater composure. The pause that followed Margaret accordingly
devoted to a scrutiny of his shoes and sincere regret that their owner
was not a mercenary man who would be glad to be rid of her.

"Beautiful child," spoke the poet's voice, sadly, "you aren't--surely,
you aren't saying this in mistaken kindness to me? Surely, you aren't
saying this because of what has happened in regard to your money
affairs? Believe me, my dear, that makes no difference to me. It
is you I love--you, the woman of my heart--and not a certain, and
doubtless desirable, amount of metal disks and dirty paper."

"Now I suppose you're going to be very noble and very nasty about it,"
observed Miss Hugonin, resentfully. "That's my main objection to
you, you know, that you haven't any faults I can recognise and feel
familiar and friendly with."

"My dear," he protested, "I assure you I am not intentionally
disagreeable."

At that, she raised velvet eyes to his--with a visible effort,
though--and smiled.

"I know you far too well to think that," she said, wistfully. "I
know I'm not worthy of you. I'm tremendously fond of you, beautiful,
but--but, you see, I love somebody else," Margaret concluded, with
admirable candour.

"Ah!" said he, in a rather curious voice. "The painter chap, eh?"

Then Margaret's face flamed in a wonderful glow of shame and happiness
and pride that must have made the surrounding roses very hopelessly
jealous. A quaint mothering look, sacred, divine, Madonna-like,
woke in her great eyes as she thought--remorsefully--of
how unhappy Billy must be at that very moment and of how big he was
and of his general niceness; and she desired, very heartily, that this
fleshy young man would make his scene and have done with it. Who was
he, forsooth, to keep her from Billy? She wished she had never heard
of Felix Kennaston.

Souvent femme varie, my brothers.

However, "Yes," said Margaret..

"You are a dear," said Mr. Kennaston, with conviction in his voice.

I dare say Margaret was surprised.

But the poet had taken her hand and had kissed it reverently, and then
sat down beside her, twisting one foot under him in a fashion he had.
He was frankly grateful to her for refusing him; and, the mask of
affectation slipped, she saw in him another man.

"I am an out-and-out fraud," he confessed, with the gayest of smiles.
"I am not in love with you, and I am inexpressibly glad that you are
not in love with me. Oh, Margaret, Margaret--you don't mind if I call
you that, do you? I shall have to, in any event, because I like you so
tremendously now that we are not going to be married--you have no idea
what a night I spent."

"I consider it most peculiar and unsympathetic of my hair not to have
turned gray. I thought you were going to have me, you see."

Margaret was far to much astonished to be angry.

"But last night!" she presently echoed, in candid surprise. "Why, last
night you didn't know I was poor!"

He wagged a protesting forefinger. "That made no earthly difference,"
he assured her. "Of course, it was the money--and in some degree the
moon--that induced me to make love to you. I acted on the impulse of
the moment; just for an instant, the novelty of doing a perfectly
sensible thing--and marrying money is universally conceded to come
under that head--appealed to me. So I did it. But all the time I was
in love with Kathleen Saumarez. Why, the moment I left you, I began to
realise that not even you--and you are quite the most fascinating and
generally adorable woman I ever knew, Margaret--I began to realise, I
say, that not even you could ever make me forget that fact. And I
was very properly miserable. It is extremely queer," Mr. Kennaston
continued, after an interval of meditation, "but falling in love
appears to be the one utterly inexplicable, utterly reasonless thing
one ever does in one's life. You can usually think of some more or
less plausible palliation for embezzlement, say, or for robbing a
cathedral or even for committing suicide--but no man can ever explain
how he happened to fall in love. He simply did it."

Margaret nodded sagely. She knew.

"Now you," Mr. Kennaston was pleased to say, "are infinitely more
beautiful, younger, more clever, and in every way more attractive than
Kathleen. I recognise these things clearly, but it does not appear,
somehow, to alter the fact that I am in love with her. I think I have
been in love with her all my life. We were boy and girl together,
Margaret, and--and I give you my word," Kennaston cried, with his
boyish flush, "I worship her! I simply cannot explain the perfectly
unreasonable way in which I worship her!"

He was sincere. He loved Kathleen Saumarez as much as he was capable
of loving any one--almost as much as he loved to dilate on his own
peculiarities and emotions.

Margaret's gaze was intent upon him. "Yet," she marvelled, "you made
love to me very tropically."

With unconcealed pride, Mr. Kennaston assented. "Didn't I?" he said.
"I was in rather good form last night, I thought."

"And you were actually prepared to marry me?" she asked--"even after
you knew I was poor?"

"I couldn't very well back out," he submitted, and then cocked
his head on one side. "You see," he added, whimsically, "I was
sufficiently a conceited ass to fancy you cared a little for me. So,
of course, I was going to marry you and try to make you happy. But how
dear--oh, how unutterably dear it was of you, Margaret, to decline
to be made happy in any such fashion!" And Mr. Kennaston paused to
chuckle and to regard her with genuine esteem and affection.

But still her candid eyes weighed him, and transparently found him
wanting.

"You are thinking, perhaps, what an unutterable cad I have been?" he
suggested.

"Yes--you are rather by way of being a cad, beautiful. But I can't
help liking you, somehow. I dare say it's because you're honest
with me. Nobody--nobody," Miss Hugonin lamented, a forlorn little
quiver in her voice, "ever seemed to be honest with me except you,
and now I know you weren't. Oh, beautiful, aren't I ever to have any
real friends?" she pleaded, wistfully.

Kennaston had meant a deal to her, you see; he had been the one
man she trusted. She had gloried in his fustian rhetoric, his glib
artlessness, his airy scorn of money; and now all this proved mere
pinchbeck. On a sudden, too, there woke in some bycorner of her heart
a queasy realisation of how near she had come to loving Kennaston. The
thought nauseated her.

"My dear," he answered, kindly, "you will have any number of friends
now that you are poor. It was merely your money that kept you from
having any. You see," Mr. Kennaston went on, with somewhat the air of
one climbing upon his favourite hobby, "money is the only thing
that counts nowadays. In America, the rich are necessarily our only
aristocracy. It is quite natural. One cannot hope for an aristocracy
of intellect, if only for the reason that not one person in a thousand
has any; and birth does not count for much. Of course, it is quite
true that all of our remote ancestors came over with William the
Conqueror--I have sometimes thought that the number of steerage
passengers his ships would accommodate must have been little short of
marvellous--but it is equally true that the grandfathers of most of
our leisure class were either deserving or dishonest persons--who
either started life on a farm, and studied Euclid by the firelight and
did all the other priggish things they thought would look well in a
biography, or else met with marked success in embezzlement. So money,
after all, is our only standard; and when a woman is as rich as you
were yesterday she cannot hope for friends any more than the Queen
of England can. You could have plenty of flatterers, toadies,
sycophants--anything, in fine, but friends."

"I don't believe it," said Margaret, half angrily--"not a word of it.
There must be some honest people in the world who don't consider
that money is everything. You know there must be, beautiful!"

The poet laughed. "That," said he, affably, "is poppycock. You are
repeating the sort of thing I said to you yesterday. I am honest now.
The best of us, Margaret, cannot help being impressed by the power of
money. It is the greatest power in the world, and we cannot--cannot
possibly--look upon rich people as being quite like us. We must
toady to them a bit, Margaret, whether we want to or not. The Eagle
intimidates us all."

"I hate him!" Miss Hugonin announced, with vehemence.

Kennaston searched his pockets. After a moment he produced a dollar
bill and showed her the Eagle on it.

"There," he said, gravely, "is the original of the Woods Eagle--the
Eagle that intimidates us all. Do you remember what Shakespeare--one
always harks back to Shakespeare to clinch an argument, because not
even our foremost actors have been able to conceal the fact that he
was, as somebody in Dickens acutely points out, 'a dayvilish clever
fellow'--do you remember. I say, what Shakespeare observes as to this
very Eagle?"

Miss Hugonin shook her little head till it glittered in the sunlight
like a topaz. She cared no more for Shakespeare than the average woman
does, and she was never quite comfortable when he was alluded to.

 "He says," Mr. Kennaston quoted, solemnly:
 "The Eagle suffers little birds to sing,
 And is not careful what they mean thereby,
 Knowing that with the shadow of his wing
 He can at pleasure still their melody."

"That's nonsense," said Margaret, calmly. "I haven't the least idea
what you're talking about, and I don't believe you have either."

He waved the dollar bill with a heroical gesture. "Here," he asserted,
"is the Eagle. And by the little birds, I have not a doubt he meant
charity and independence and kindliness and truth and the rest of the
standard virtues. That is quite as plausible as the interpretation of
the average commentator. The presence of money chills these little
birds--ah, it is lamentable, no doubt, but it is true."

"I don't believe it," said Margaret--quite as if that settled the
question.

But now his hobby, rowelled by opposition, was spurred to loftier
flights.

"Ah, the power of these great fortunes America has bred is monstrous,"
he suddenly cried. "And always they work for evil. If I were ever to
write a melodrama, Margaret, I could wish for no more thorough-paced
villain than a large fortune." Kennaston paused and laughed grimly.
"We cringe to the Eagle!" said he. "Eh, well, why not? The Eagle is
very powerful and very cruel. In the South yonder, the Eagle has
penned over a million children in his factories, where day by day he
drains the youth and health and very life out of their tired bodies;
in sweat-shops, men and women are toiling for the Eagle, giving their
lives for the pittance that he grudges them; in countless mines and
mills, the Eagle is trading human lives for coal and flour; in
Wall Street yonder, the Eagle is juggling as he will with life's
necessities--thieving from the farmer, thieving from the consumer,
thieving from the poor fools who try to play the Eagle's game, and
driving them at will to despair and ruin and death: look whither you
may, men die that the Eagle may grow fat. So the Eagle thrives, and
daily the rich grow richer and the poor grow poorer, and the end----"
Kennaston paused, staring into vacancy. "Eh, well," said he, with a
smile and a snap of his fingers, "the end rests upon the knees of
the gods. But there must need be an end some day. And meanwhile, you
cannot blame us if we cringe to the Eagle that is master of the world.
It is human nature to cringe to its master; and while human nature
is not always an admirable thing, it is, I believe, rather widely
distributed."

Margaret did not return the smile. Like any sensible woman, she never
tolerated opinions that differed from her own.

So she waved his preachment aside. "You're trying to be eloquent," was
her observation, "and you've only succeeded in being very silly and
tiresome. Go away, beautiful. You make me awfully tired, and I don't
care for you in the least. Go and talk to Kathleen. I shall be
here--on this very spot," Margaret added, with commendable precision
and an unaccountable increase of colour, "if--if any one should happen
to ask."

Then Kennaston rose and laughed merrily.

"You are quite delicious," he commented. "It will always be a
grief and a puzzle to me that I am not mad for love of you. It is
unreasonable of me," he complained, sadly, and shook his head, "but I
prefer Kathleen. And I am quite certain that somebody will ask where
you are. I shall describe to him the exact spot--"

Mr. Kennaston paused, with a slight air of apology.

"If I were you," he suggested, pleasantly, "I would move a
little--just a little--to the left. That will enable you to obtain to
a fuller extent the benefit of the sunbeam which is falling--quite
by accident, of course--upon your hair. You are perfectly right,
Margaret, in selecting that hedge as a background. Its sombre green
sets you off to perfection."

He went away chuckling. He felt that Margaret must think him a devil
of a fellow.

She didn't, though.

"The idea of his suspecting me of such unconscionable vanity!" she
said, properly offended. Then, "Anyhow, a man has no business to know
about such things," she continued, with rising indignation. "I believe
Felix Kennaston is as good a judge of chiffons as any woman. That's
effeminate, I think, and catty and absurd. I don't believe I ever
liked him--not really, that is. Now, what would Billy care about
sunbeams and backgrounds, I'd like to know! He'd never even notice
them. Billy is a man. Why, that's just what father said yesterday!"
Margaret cried, and afterward laughed happily. "I suppose old people
are right sometimes--but, dear, dear, they're terribly unreasonable at
others!"

Having thus uttered the ancient, undying plaint of youth, Miss Hugonin
moved a matter of two inches to the left, and smiled, and waited
contentedly. It was barely possible some one might come that way; and
it is always a comfort to know that one is not exactly repulsive in
appearance.

Also, there was the spring about her; and, chief of all, there was a
queer fluttering in her heart that was yet not unpleasant. In fine,
she was unreasonably happy for no reason at all.

I believe the foolish poets call this feeling love and swear it
is divine; however, they will say anything for the sake of an
ear-tickling jingle. And while it is true that scientists have any
number of plausible and interesting explanations for this same
feeling, I am sorry to say I have forgotten them.

I am compelled, then, to fall back upon those same unreliable,
irresponsible rhymesters, and to insist with them that a maid waiting
in the springtide for the man she loves is necessarily happy and very
rarely puzzles her head over the scientific reason for it.



XXI

But ten minutes later she saw Mr. Woods in the distance striding
across the sunlit terraces, and was seized with a conviction that
their interview was likely to prove a stormy one. There was an ominous
stiffness in his gait.

"Oh, dear, dear!" Miss Hugonin wailed; "he's in a temper now, and
he'll probably be just as disagreeable as it's possible for any one
to be. I do wish men weren't so unreasonable! He looks exactly like a
big, blue-eyed thunder-cloud just now--just now, when I'm sure he has
every cause in the world to be very much pleased--after all
I've done for him. He makes me awfully tired. I think he's very
ungrateful. I--I think I'm rather afraid."

In fact, she was. Now that the meeting she had anticipated these
twelve hours past was actually at hand, there woke in her breast an
unreasoning panic. Miss Hugonin considered, and caught up her skirts,
and whisked into the summer-house, and there sat down in the darkest
corner and devoutly wished Mr. Woods in Crim Tartary, or Jericho, or,
in a word, any region other than the gardens of Selwoode.

Billy came presently to the opening in the hedge and stared at the
deserted bench. He was undeniably in a temper. But, then, how becoming
it was! thought someone.

"Miss Hugonin!" he said, coldly.

Evidently (thought someone) he intends to be just as nasty as
possible.

"Peggy!" said Mr. Woods, after a little.

Perhaps (thought someone) he won't be very nasty.

"Dear Peggy!" said Mr. Woods, in his most conciliatory tone.

reason you should suffer for it! Ah, don't, Peggy! In God's name,
don't! I can't bear it, dear," he pleaded with her, helplessly.

Billy was suffering, too. But her sorrow was the chief of his, and
what stung him now to impotent anger was that she must suffer and he
be unable to help her--for, ah, how willingly, how gladly, he would
have borne all poor Peggy's woes upon his own broad shoulders.

But none the less, he had lost an invaluable opportunity to hold his
tongue.

"Suffer! I suffer!" she mocked him, languidly; and then, like a
banjo-string, the tension snapped, and she gave a long, angry gasp,
and her wrath flamed.

"Upon my word, you're the most conceited man I ever knew in my life!
You think I'm in love with you! With you! Billy Woods, I wouldn't wipe
my feet on you if you were the last man left on earth! I hate you, I
loathe you, I detest you, I despise you! Do you hear me?--I hate you.
What do I care if you are a snob, and a cad, and a fortune-hunter,
and a forger, and--well, I don't care! Perhaps you haven't ever
forged anything yet, but I'm quite sure you would if you ever got an
opportunity. You'd be delighted to do it. Yes, you would--you're just
the sort of man who revels in crime. I love you! Why, that's the
best joke I've heard for a long time. I'm only sorry for you, Billy
Woods--sorry because Kathleen has thrown you over--sorry, do you
understand? Yes, since you're so fond of skinny women, I think it's a
great pity she wouldn't have you. Don't talk to me!--she is skinny.
I guess I know. She's as skinny as a beanpole. She's skinnier than I
ever imagined it possible for anybody--anybody--to be. And she
pads and rouges till I think it's disgusting, and not half--not
one-half--of her hair belongs to her, and that half is dyed. But,
of course, if you like that sort of thing, there's no accounting for
tastes, and I'm sure I'm very sorry for you, even though personally I
don't care for skinny women. I hate 'em! And I hate you, too, Billy
Woods!"

She stamped her foot, did Margaret. You must bear with her, for her
heart is breaking now, and if she has become a termagant it is because
her shamed pride has driven her mad. Bear with her, then, a little
longer.

Billy tried to bear with her, for in part he understood.

"Peggy," said he, very gently, "you're wrong."

"Yes, I dare say!" she snapped at him.

"We won't discuss Kathleen, if you please. But you're wrong about the
will. I've told you the whole truth about that, but I don't blame you
for not believing me, Peggy--ah, no, not I. There seems to be a curse
upon Uncle Fred's money. It brings out the worst of all of us. It has
changed even you, Peggy--and not for the better, Peggy. You've become
distrustful. You--ah, well, we won't discuss that now. Give me the
will, my dear, and I'll burn it before your eyes. That ought to show
you, Peggy, that you're wrong." Billy was very white-lipped as he
ended, for the Woods temper is a short one.

But she had an arrow left for him. "Give it to you! And do you think
I'd trust you with it, Billy Woods?"

"Peggy!--ah, Peggy, I hadn't deserved that. Be just, at least, to me,"
poor Billy begged of her.

Which was an absurd thing to ask of an angry woman.

"Yes, I do know what you'd do with it! You'd take it right off and
have it probated or executed or whatever it is they do to wills, and
turn me straight out in the gutter. That's just what you're longing
to do this very moment. Oh, I know, Billy Woods--I know what a temper
you've got, and I know you're keeping quiet now simply because you
know that's the most exasperating thing you can possibly do. I
wouldn't have such a disposition as you've got for the world. You've
absolutely no control over your temper--not a bit of it. You're
vile, Billy Woods! Oh, I hate you! Yes, you've made me cry, and I
suppose you're very proud of yourself. Aren't you proud? Don't stand
staring at me like a stuck pig, but answer me when I talk to you!
Aren't you proud of making me cry? Aren't you? Ah, don't talk to
me--don't talk to me, I tell you! I don't wish to hear a word you've
got to say. I hate you. And you shan't have the money, that's flat."

"I don't want it," said Billy. "I've been trying to tell you for the
last, half-hour I don't want it. In God's name, why can't you talk
like a sensible woman, Peggy?" I am afraid that Mr. Woods, too, was
beginning to lose his temper.

"That's right--swear at me! It only needed that. You do want the
money, and when you say you don't you're lying--lying--lying, do you
understand? You all want my money. Oh, dear, dear!" Margaret wailed,
and her great voice was shaken to its depths and its sobbing was the
long, hopeless sobbing of a violin, as she flung back her tear-stained
face, and clenched her little hands tight at her sides; "why can't
you let me alone? You're all after my money--you, and Mr. Kennaston,
and Mr. Jukesbury, and all of you! Why can't you let me alone? Ever
since I've had it you've hunted me as if I'd been a wild beast. God
help me, I haven't had a moment's peace, a moment's rest, a, moment's
quiet, since Uncle Fred died. They all want my money--everybody wants
my money! Oh, Billy, Billy, why can't they let me alone?"

"Peggy----" said he.

But she interrupted him. "Don't talk to me, Billy Woods! Don't you
dare talk to me. I told you I didn't wish to hear a word you had to
say, didn't I? Yes, you all want my money. And you shan't have it.
It's mine. Uncle Fred left it to me. It's mine, I tell you. I've got
the greatest thing in the world--money! And I'll keep it. Ah, I hate
you all--every one of you--but I'll make you cringe to me. I'll make
you all cringe, do you hear, because I've got the money you're ready
to sell your paltry souls for! Oh, I'll make you cringe most of all,
Billy Woods! I'm rich, do you hear?--rich--rich! Wouldn't you be
glad to marry the rich Margaret Hugonin, Billy? Ah, haven't you
schemed hard for that? You'd be glad to do it, wouldn't you? You'd
give your dirty little soul for that, wouldn't you, Billy? Ah, what a
cur you are! Well, some day perhaps I'll buy you just as I would any
other cur. Wouldn't you be glad if I did, Billy? Beg for it, Billy!
Beg, sir! Beg!" And Margaret flung back her head again, and laughed
shrilly, and held up her hand before him as one holds a lump of sugar
before a pug-dog.

In Selwoode I can fancy how the Eagle screamed his triumph.

But Billy's face was ashen.

"Before God!" he said, between his teeth, "loving you as I do, I
wouldn't marry you now for all the wealth in the world! The money has
ruined you--ruined you, Peggy."

For a little she stared at him. By and bye, "I dare say it has," she
said, in a strangely sober tone. "I've been scolding like a fishwife.
I beg your pardon, Mr. Woods--not for what I've said, because I meant
every word of it, but I beg your pardon for saying it. Don't come
with me, please."

Blindly she turned from him. Her shoulders had the droop of an old
woman's. Margaret was wearied now, weary with the weariness of death.

For a while Mr. Woods stared after the tired little figure that
trudged straight onward in the sunlight, stumbling as she went. Then a
pleached walk swallowed her, and Mr. Woods groaned.

"Oh, Peggy, Peggy!" he said, in bottomless compassion; "oh, my poor
little Peggy! How changed you are!"

Afterward Mr. Woods sank down upon the bench and buried his face in
his hands. He sat there for a long time. I don't believe he thought
of anything very clearly. His mind was a turgid chaos of misery; and
about him the birds shrilled and quavered and carolled till the air
was vibrant with their trilling. One might have thought they choired
in honour of the Eagle's triumph, in mockery of poor Billy.

Then Mr. Woods raised his head with a queer, alert look. Surely he had
heard a voice--the dearest of all voices.

"Billy!" it wailed; "oh, Billy, Billy!"



XXV

For at the height of this particularly mischancy posture of affairs
the meddlesome Fates had elected to dispatch Cock-eye Flinks to serve
as our deus ex machina. And just as in the comedy the police turn
up in the nick of time to fetch Tartuffe to prison, or in the tragedy
Friar John manages to be detained on his journey to Mantua and thus
bring about that lamentable business in the tomb of the Capulets, so
Mr. Flinks now happens inopportunely to arrive upon our lesser stage.

Faithfully to narrate how Cock-eye Flinks chanced to be at Selwoode
were a task of magnitude. That gentleman travelled very quietly; and
for the most part, he journeyed incognito under a variety of aliases
suggested partly by a fertile imagination and in part by prudential
motives. For his notions of proprietary rights were deplorably vague,
and his acquaintance with the police, in consequence, extensive. And
finally, that he was now at Selwoode was not in the least his fault,
but all the doing of an N. and O. brakesman, who had in uncultured
argument, reinforced by a coupling-pin, persuaded Mr. Flinks to
disembark from the northern freight on the night previous.

Mr. Flinks, then, sat leaning against a tree in the gardens of
Selwoode, some thirty feet from the wall that stands between Selwoode
and Gridlington, and nursed his pride and foot, both injured in that
high debate of last evening, and with a jackknife rounded off the top
of a substantial staff designed to alleviate his present lameness.
Meanwhile, he tempered his solitude with music, whistling melodiously
the air of a song that pertained to the sacredness of home and of a
white-haired mother.

Subsequently to Cock-eye Flinks (as the playbill has it), enter a
vision in violet ruffles.

Wide-eyed, she came upon him in her misery, steadily trudging toward
an unknown goal. I think he startled her a bit. Indeed, it must be
admitted that Mr. Flinks, while a man of undoubted talent in his
particular line of business, was, like many of your great geniuses, in
outward aspect unprepossessing and misleading; for whereas he looked
like a very shiftless and very dirty tramp, he was as a matter of fact
as vile a rascal as ever pawned a swinish soul for whiskey.

"What are you doing here?" said Margaret, sharply. "Don't you know
this is private property?"

To his feet rose Cock-eye Flinks. "Lady," said he, with humbleness,
"you wouldn't be hard on a poor workingman, would you? It ain't my
fault I'm here, lady--at least, it ain't rightly my fault. I just
climbed over the wall to rest a minute--just a minute, lady, in the
shade of these beautiful trees. I ain't a-hurting nobody by that,
lady, I hope."

"Well, you had no business to do it," Miss Hugonin pointed out, "and
you can just climb right back." Then she regarded him more intently,
and her face softened somewhat. "What's the matter with your foot?"
she demanded.

"Brakesman," said Mr. Flinks, briefly. "Threw me off a train. He
struck me cruel hard, he did, and me a poor workingman trying to make
my way to New York, lady, where my poor old mother's dying, lady, and
me out of a job. Ah, it's a hard, hard world, lady--and me her only
son--and he struck me cruel, cruel hard, he did, but I forgive him for
it, lady. Ah, lady, you're so beautiful I know you're got a kind, good
heart, lady. Can't you do something for a poor workingman, lady, with
a poor dying mother--and a poor, sick wife," Mr. Flinks added as a
dolorous afterthought; and drew nearer to her and held out one hand
appealingly.

Petheridge Jukesbury had at divers times pointed out to her the evils
of promiscuous charity, and these dicta Margaret parroted glibly
enough, to do her justice, so long as there was no immediate question
of dispensing alms. But for all that the next whining beggar would
move her tender heart, his glib inventions playing upon it like a
fiddle, and she would give as recklessly as though there were no
such things in the whole wide world as soup-kitchens and organised
charities and common-sense. "Because, you know," she would afterward
salve her conscience, "I couldn't be sure he didn't need it, whereas
I was quite sure I didn't."

Now she wavered for a moment. "You didn't say you had a wife before,"
she suggested.

"An invalid," sighed Mr. Flinks--"a helpless invalid, lady. And six
small children probably crying for bread at this very moment. Ah,
lady, think what my feelings must be to hear 'em cry in vain--think
what I must suffer to know that I summoned them cherubs out of Heaven
into this here hard, hard world, lady, and now can't do by 'em
properly!" And Cock-eye Flinks brushed away a tear which I, for one,
am inclined to regard as a particularly ambitious flight of his
imagination.

Promptly Margaret opened the bag at her waist and took out her purse.
"Don't!" she pleaded. "Please don't! I--I'm upset already. Take this,
and please--oh, please, don't spend it in getting drunk or gambling
or anything horrid," Miss Hugonin implored him. "You all do, and it's
so selfish of you and so discouraging."

Mr. Flinks eyed the purse hungrily. Such a fat purse! thought Cock-eye
Plinks. And there ain't nobody within a mile of here, neither. You are
not to imagine that Mr. Flinks was totally abandoned; his vices were
parochial, restrained for the most part by a lively apprehension of
the law. But now the spell of the Eagle was strong upon him.

"Lady," said Mr. Flinks, twisting in his grimy hand the bill she had
given him--and there, too, the Eagle flaunted in his vigour and
heartened him, "lady, that ain't much for you to give. Can't you do a
little better than that by a poor workingman, lady?"

A very unpleasant-looking person, Mr. Cock-eye Flinks. Oh, a
peculiarly unpleasant-looking person to be a model son and a loving
husband and a tender father. Margaret was filled with a vague alarm.

But she was brave, was Margaret. "No," said she, very decidedly, "I
shan't give you another cent. So you climb right over that wall and go
straight back where you belong."

The methods of Mr. Flinks, I regret to say, were somewhat more crude
than those of Mesdames Haggage and Saumarez and Messieurs Kennaston
and Jukesbury.

"Cheese it!" said Mr. Flinks, and flung away his staff and drew very
near to her. "Gimme that money, do you hear!"

"Don't you dare touch me!" she panted; "ah, don't you dare!"

"Aw, hell!" said Mr. Flinks, disgustedly, and his dirty hands were
upon her, and his foul breath reeked in her face.

In her hour of need Margaret's heart spoke.

"Billy!" she wailed; "oh, Billy, Billy!"

      *       *       *       *       *

He came to her--just as he would have scaled Heaven to come to her,
just as he would have come to her in the nethermost pit of Hell if she
had called. Ah, yes, Billy Woods came to her now in her peril, and
I don't think that Mr. Flinks particularly relished the look upon
Billy's face as he ran through the gardens, for Billy was furiously
moved.

Cock-eye Flinks glanced back at the wall behind him. Ten feet high,
and the fellow ain't far off. Cock-eye Flinks caught up his staff, and
as Billy closed upon him, struck him full on the head. Again and again
he struck him. It was a sickening business.

Billy had stopped short. For an instant he stood swaying on his feet,
a puzzled face showing under the trickling blood. Then he flung out
his hands a little, and they flapped loosely at the wrists, like
wet clothes hung in the wind to dry, and Billy seemed to crumple up
suddenly, and slid down upon the grass in an untidy heap.

"Ah-h-h!" said Mr. Flinks. He drew back and stared stupidly at that
sprawling flesh which just now had been a man, and was seized with
uncontrollable shuddering. "Ah-h-h!" said Mr. Flinks, very quietly.

And Margaret went mad. The earth and the sky dissolved in many
floating specks and then went red--red like that heap yonder. The
veneer of civilisation peeled, fell from her like snow from a shaken
garment. The primal beast woke and flicked aside the centuries' work.
She was the Cave-woman who had seen the death of her mate--the brute
who had been robbed of her mate.

"Damn you! Damn you!" she screamed, her voice high, flat, quite
unhuman; "ah, God in Heaven damn you!" With inarticulate bestial cries
she fell upon the man who had killed Billy, and her violet fripperies
fluttered, her impotent little hands beat at him, tore at him. She was
fearless, shameless, insane. She only knew that Billy was dead.

With an oath the man flung her from him and turned on his heel. She
fell to coaxing the heap in the grass to tell her that he forgave
her--to open his eyes--to stop bloodying her dress--to come to
luncheon...

A fly settled on Billy's face and came in his zig-zag course to the
red stream trickling from his nostrils, and stopped short. She brushed
the carrion thing away, but it crawled back drunkenly. She touched it
with her finger, and the fly would not move. On a sudden, every nerve
in her body began to shake and jerk like a flag snapping in the wind.



XXVI

Some ten minutes afterward, as the members of the house-party sat
chatting on the terrace before Selwoode, there came among them a mad
woman in violet trappings that were splotched with blood.

"Did you know that Billy was dead?" she queried, smilingly. "Oh, yes,
a man killed Billy just now. Wasn't it too bad? Billy was such a nice
boy, you know. I--I think it's very sad. I think it's the saddest
thing I ever knew of in my life."

Kathleen Saumarez was the first to reach her. But she drew back
quickly.

"No, ah, no!" she said, with a little shudder. "You didn't love Billy.
He loved you, and you didn't love him. Oh, Kathleen, Kathleen, how
could you help loving Billy? He was such a nice boy. I--I'm rather
sorry he's dead."

Then she stood silent, picking at her dress thoughtfully and still
smiling. Afterward, for the first and only time in history, Miss
Hugonin fainted--fainted with an anxious smile.

Petheridge Jukesbury caught her as she fell, and began to blubber like
a whipped schoolboy as he stood there holding her in his arms.



XXVII

But Billy was not dead. There was still a feeble, jerky fluttering in
his big chest when Colonel Hugonin found him. His heart still moved,
but under the Colonel's hand its stirrings were vague and aimless as
those of a captive butterfly.

The Colonel had seen dead men and dying men before this; and as he
bent over the boy he loved he gave a convulsive sob, and afterward
buried his face in his hands.

Then--of all unlikely persons in the world--it was Petheridge
Jukesbury who rose to meet the occasion.

His suavity and blandness forgotten in the presence of death, he
mounted with confident alacrity to heights of greatness. Masterfully,
he overrode them all. He poured brandy between Billy's teeth. Then he
ordered the ladies off to bed, and recommended to Mr. Kennaston--when
that gentleman spoke of a clergyman--a far more startling destination.

For, "It is far from my intention," said Mr.

Jukesbury, "to appear lacking in respect to the cloth, but--er--just
at present I am inclined to think we are in somewhat greater need of a
mattress and a doctor and--ah--the exercise of a little common-sense.
The gentleman is--er--let us hope, in no immediate danger."

"How dare you suggest such a thing, sir?" thundered Petheridge
Jukesbury. "Didn't you see that poor girl's face? I tell you I'll be
damned if he dies, sir!"

And I fancy the recording angel heard him, and against a list of wordy
cheats registered that oath to his credit.

It was Petheridge Jukesbury, then, who stalked into Mrs. Haggage's
apartments and appropriated her mattress as the first at hand, and
afterward waddled through the gardens bearing it on his fat shoulders,
and still later lifted Billy upon it as gently as a woman could have.
But it was the hatless Colonel on his favourite Black Bess ("Damn your
motor-cars!" the Colonel was wont to say; "I consider my appearance
sufficiently unprepossessing already, sir, without my arriving in
Heaven in fragments and stinking of gasoline!") who in Fairhaven town,
some quarter of an hour afterward, leaped Dr. Jeal's garden fence, and
subsequently bundled the doctor into his gig; and again yet later it
was the Colonel who stood fuming upon the terrace with Dr. Jeal on his
way to Selwoode indeed, but still some four miles from the mansion
toward which he was urging his staid horse at its liveliest gait.

Kennaston tried to soothe him. But the Colonel clamoured to the
heavens. Kennaston he qualified in various ways. And as for Dr. Jeal,
he would hold him responsible--"personally, sir"--for the consequences
of his dawdling in this fashion--"Damme, sir, like a damn' snail with
a wooden leg!"

"I am afraid," said Kennaston, gravely, "that the doctor will be of
very little use when he does arrive."

There was that in his face which made the Colonel pause in his
objurgations.

"Sir," said the Colonel, "what--do--you--mean?" He found articulation
somewhat difficult.

"In your absence," Kennaston answered, "Mr. Jukesbury, who it
appears knows something of medicine, has subjected Mr. Woods to an
examination. It--it would be unkind to deceive you----"

"Come to the point, sir," the Colonel interrupted him. "What--do
you--mean?"

"I mean," said Felix Kennaston, sadly, "that--he is afraid--Mr. Woods
will never recover consciousness."

Colonel Hugonin stared at him. The skin of his flabby, wrinkled old
throat was working convulsively.

Then, "You're wrong, sir," the Colonel said. "Billy shan't die. Damn
Jukesbury! Damn all doctors, too, sir! I put my trust in my God, sir,
and not in a box of damn' sugar-pills, sir. And I tell you, sir, that
boy is not going to die."

Afterward he turned and went into Selwoode defiantly.



XXVIII

In the living-hall the Colonel found Margaret, white as paper, with
purple lips that timidly smiled at him.

"Why ain't you in bed?" the old gentleman demanded, with as great an
affectation of sternness as he could muster. To say the truth, it was
not much; for Colonel Hugonin, for all his blustering optimism, was
sadly shaken now.

"Attractive," said Margaret, "I was, but I couldn't stay there. My--my
brain won't stop working, you see," she complained, wearily. "There's
a thin little whisper in the back of it that keeps telling me about
Billy, and what a liar he is, and what nice eyes he has, and how
poor Billy is dead. It keeps telling me that, over and over again,
attractive. It's such a tiresome, silly little whisper. But he is
dead, isn't he? Didn't Mr. Kennaston tell me just now that he was
dead?--or was it the whisper, attractive?"

The Colonel coughed. "Kennaston--er--Kennaston's a fool," he declared,
helplessly. "Always said he was a fool. We'll have Jeal in presently."

"No--I remember now--Mr. Kennaston said Billy would die very soon. You
don't like people to disagree with you, do you, attractive? Of course,
he will die, for the man hit him very, very hard. I'm sorry Billy is
going to die, though, even if he is such a liar!"

"Don't!" said the Colonel, hoarsely; "don't, daughter! I don't know
what there is between you and Billy, but you're wrong. Oh, you're very
hopelessly wrong! Billy's the finest boy I know."

Margaret shook her head in dissent.

"No, he's a very contemptible liar," she said, disinterestedly, "and
that is what makes it so queer that I should care for him more than I
do for anything else in the world. Yes, it's very queer."

Then Margaret went into the room opening into the living-hall, where
Billy Woods lay unconscious, pallid, breathing stertorously. And the
Colonel stared after her.

"Oh, my God, my God!" groaned the poor Colonel; "why couldn't it have
been I? Why couldn't it have been I that ain't wanted any longer?
She'd never have grieved like that for me!"

And indeed, I don't think she would have.

For to Margaret there had come, as, God willing, there comes to every
clean-souled woman, the time to put away all childish things, and all
childish memories, and all childish ties, if need be, to follow one
man only, and cleave to him, and know his life and hers to be knit up
together, past severance, in a love that death itself may not affright
nor slay.



XXIX

She sat silent in one corner of the darkened room. It was the bedroom
that Frederick R. Woods formerly occupied--on the ground floor of
Selwoode, opening into the living-hall--to which they had carried
Billy.

Jukesbury had done what he could. In the bed lay Billy Woods, swathed
in hot blankets, with bottles of hot water set to his feet. Jukesbury
had washed his face clean of that awful red, and had wrapped bandages
of cracked ice about his head and propped it high with pillows. It
was little short of marvellous to see the pursy old hypocrite going
cat-footed about the room on his stealthy ministrations, replenishing
the bandages, forcing spirits of ammonia between Billy's teeth,
fighting deftly and confidently with death.

Billy still breathed.

The Colonel came and went uneasily. The clock on the mantel ticked.
Margaret brooded in a silence that was only accentuated by that
horrible wheezing, gurgling, tremulous breathing in the bed yonder.
Would the doctor never come!

She was curiously conscious of her absolute lack of emotion.

But always the interminable thin whispering in the back of her head
went on and on. "Oh, if he had only died four years ago! Oh, if he had
only died the dear, clean-minded, honest boy I used to know! When that
noise stops he will be dead. And then, perhaps, I shall be able to
cry. Oh, if he had only died four years ago!"

And then da capo. On and on ran the interminable thin whispering as
Margaret waited for death to come to Billy. Billy looked so old now,
under his many bandages. Surely he must be very, very near death.

Suddenly, as Jukesbury wrapped new bandages about his forehead, Billy
opened his eyes and, without further movement, smiled placidly up at
him.

"Hello, Jukesbury," said Billy Woods, "where's my armour?"

Jukesbury, too, smiled. "The man is bringing it downstairs now," he
answered, quietly.

"Because," Billy went on, fretfully, "I don't propose to miss the
Trojan war. The princes orgulous with high blood chafed, you know, are
all going to be there, and I don't propose to miss it."

Behind his fat back, Petheridge Jukesbury waved a cautioning hand at
Margaret, who had risen from her chair.

"But it is very absurd," Billy murmured, in the mere ghost of a voice,
"because men don't propose by mistake except in farces. Somebody told
me that, but I can't remember who, because I am a misogynist. That is
a Greek word, and I would explain it to Peggy, if she would only give
me a chance, but she can't because she has those seventeen hundred
and fifty thousand children to look after. There must be some way to
explain to her, though, because where there's a will there is always
a way, and there were three wills. Uncle Fred should not have left so
many wills--who would have thought the old man had so much ink in him?
But I will be a very great painter, Uncle Fred, and make her sorry for
the way she has treated me, and then Kathleen will understand I was
talking about Peggy."

His voice died away, and Margaret sat with wide eyes listening for it
again. Would the doctor never come!

Billy was smiling and picking at the sheets.

"But Peggy is so rich," the faint voice presently complained--"so
beastly rich! There is gold in her hair, and if you will look very
closely you will see that her lashes were pure gold until she dipped
them in the ink-pot. Besides, she expects me to sit up and beg for
lumps of sugar, and I never take sugar in my coffee. And Peggy
doesn't drink coffee at all, so I think it is very unfair, especially
as Teddy Anstruther drinks like a fish and she is going to marry him.
Peggy, why won't you marry me? You know I've always loved you, Peggy,
and now I can tell you so because Uncle Fred has left me all his
money. You think a great deal about money, Peggy. You said it was the
greatest thing in the world. And it must be, because it is the only
thing--the only thing, Peggy--that has been strong enough to keep
us apart. A part is never greater than the whole, Peggy, but I will
explain about that when you open that desk. There are sharks in it.
Aren't there, Peggy?--aren't there?"

His voice had risen to a querulous tone. Gently the fat old man
restrained him.

"Yes," said Petheridge Jukesbury; "dear me, yes. Why, dear me, of
course."

But his warning hand held Margaret back--Margaret, who stood with big
tears trickling down her cheeks.

"Dearer than life itself," Billy assented, wearily, "but before God,
loving you as I do, I wouldn't marry you now for all the wealth in the
world. I forget why, but all the world is a stage, you know, and they
don't use stages now, but only railroads. Is that why you rail at me
so, Peggy? That is a joke. You ought to laugh at my jokes, because I
love you, but I can't ever, ever tell you so because you are rich. A
rich man cannot pass through a needle's eye. Oh, Peggy, Peggy, I love
your eyes, but they're so big, Peggy!"

So Billy Woods lay still and babbled ceaselessly. But through all his
irrelevant talk, as you may see a tributary stream pulse unsullied
in a muddied river, ran the thought of Peggy--of Peggy, and of her
cruelty, and of her beauty, and of the money that stood between them.

And Margaret, who could never have

very unhappy."

Margaret began to laugh softly. "I've given him my word that I'll
do nothing further in the matter till he gets well. And I won't.
But----"

Miss Hugonin rose from the divan with a gesture of sweeping back her
hair. And then--oh, treachery of tortoise-shell! oh, the villainy of
those little gold hair-pins!--the fat twisted coils tumbled loose
and slowly unravelled themselves, and her pink-and-white face,
half-eclipsed, showed a delectable wedge between big, odourful,
crinkly, ponderous masses of hair. It clung about her, a heavy cloak,
all shimmering gold like the path of sunset over the June sea. And
Margaret, looking at herself in the mirror, laughed, and appeared
perfectly content with what she saw there.

"But," said she, "if the Fates are kind to me--and I sometimes think
I have a pull with the gods--I'll make you happy, Billy Woods, in
spite of yourself."

The mirror flashed back a smile. Margaret was strangely interested in
the mirror.

"She has ringlets in her hair," sang Margaret happily--a low,
half-hushed little song. She held up a strand of it to demonstrate
this fact.

"There's a dimple in her chin"--and, indeed, there was. And a dimple
in either cheek, too.

For a long time afterward she continued to smile at the mirror. I am
afraid Kathleen Saumarez was right. She was a vain little cat, was
Margaret.

But, barring a rearrangement of the cosmic scheme, I dare say maids
will continue to delight in their own comeliness so long as mirrors
speak truth. Let us, then, leave Miss Hugonin to this innocent
diversion. The staidest of us are conscious of a brisk elation at
sight of a pretty face; and surely no considerate person will deny its
owner a portion of the pleasure that daily she accords the beggar at
the street-corner.



XXXIII

We are credibly informed that Time travels in divers paces with divers
persons--the statement being made by a lady who may be considered to
speak with some authority, having triumphantly withstood the ravages
of Chronos for a matter of three centuries. But I doubt if even the
insolent sweet wit of Rosalind could have devised a fitting simile for
Time's gait at Selwoode those five days that Billy lay abed. Margaret
could not but marvel at the flourishing proportion attained by the
hours in those sunlit spring days; and at dinner, say, her thoughts
harking back to luncheon, recalled it by a vigorous effort as an
affair of the dim yester-years--a mere blurred memory, faint and vague
as a Druidical tenet or a Merovingian squabble.

But the time passed for all that; and eventually--it was just before
dusk--she came, with Martin Jeal's permission, into the room where
Billy was. And beside the big open fireplace, where a wood fire
chattered companionably, sat a very pallid Billy, a rather thin Billy,
with a great many bandages about his head.

You may depend upon it, Margaret was not looking her worst that
afternoon. By actual count, CÉlestine had done her hair six times
before reaching an acceptable result.

And, "Yes, CÉlestine, you may get out that pale yellow dress. No,
beautiful, the one with the black satin stripes on the bodice--because
I don't want my hair cast completely in the shade, do I? Now, let me
see--black feather, gloves, large pompadour, and a sweet smile. No,
I don't want a fan--that's a Lydia Languish trade-mark. And two silk
skirts rustling like the deadest leaves imaginable. Yes, I think that
will do. And if you can't hook up my dress without pecking and pecking
at me like that, I'll probably go stark, staring crazy, CÉlestine,
and then you'll be sorry. No, it isn't a bit tight--are you perfectly
certain there's no powder behind my ears, CÉlestine? Now, please try
to fasten the collar without pulling all my hair down. Ye-es, I think
that will do, CÉlestine. Well, it's very nice of you to say so, but I
don't believe I much fancy myself in yellow, after all."

Equipped and armed for conquest, then, she came into the room with a
very tolerable affectation of unconcern. Altogether, it was a quite
effective entrance.

"I've been for a little drive, Billy," she mendaciously informed him.
"That's how you happen to have the opportunity of seeing me in all my
nice new store-clothes. Aren't you pleased, Billy? No, don't you dare
get up!" Margaret stood across the room, peeling off her gloves and
regarding him on the whole with disapproval. "They've been starving
you," she pensively reflected. "As soon as that Jeal person goes away,
I shall have six little beefsteaks cooked and see to it personally
that you eat every one of them. And I'll cook a cherry pie--quick as
a cat can wink her eye--won't I, Billy? That Jeal person is a decided
nuisance," said Miss Hugonin, as she stabbed her hat rather viciously
with two hat-pins and then laid it aside on a table.

Billy Woods was looking up at her forlornly. It hurt her to see the
love and sorrow in his face. But oh, how avidly his soul drank in the
modulations of that longed-for voice--a voice that was honey and gold
and velvet and all that is most sweet and rich and soft in the world.

"Peggy," said he, plunging at the heart of things, "where's that
will?"

Miss Hugonin kicked forward a little foot-stool to the other side of
the fire, and sat down and complacently smoothed out her skirts.

"I knew it!" said she. "I never saw such a one-idea'd person in my
life. I knew that would be the very first thing you would ask for,
Billy Woods, because you're such an obstinate, stiffnecked donkey.
Very well!"--and Margaret tossed her head--"here's Uncle Fred's will,
then, and you can do exactly as you like with it, and now I hope
you're satisfied!" And Margaret handed him the long envelope which lay
in her lap.

Mr. Woods promptly opened it.

"That," Miss Hugonin commented, "is what I term very unladylike
behaviour on your part."

"You evidently don't trust me, Billy Woods. Very well! I don't care!
Read it carefully--very carefully, and make quite sure I haven't been
dabbling in forgery of late--besides, it's so good for your eyes, you
know, after being hit over the head," Margaret suggested, cheerfully.

Billy chuckled. "That's true," said he, "but I know Uncle Fred's fist
well enough without having to read it all. Candidly, Peggy, I had to
look at it, because I--well, I didn't quite trust you, Peggy. And
now we're going to burn this interesting paper, you and I." "Wait!"
Margaret cried. "Ah, wait, just a moment, Billy!"

He glanced up at her in surprise, the paper still poised in his hand.

She sat with head drooped forward, her masculine little chin thrust
out eagerly, her candid eyes transparently appraising him.

"Why are you going to burn it, Billy?"

"Why?" Mr. Woods, repeated, thoughtfully. "Well, for a variety of
reasons. First is, that Uncle Fred really did leave his money to you,
and burning this is the only way of making sure you get it. Why, I
thought you wanted me to burn it! Last time I saw you--"

"I was in a temper," said Margaret, haughtily. "You ought to have seen
that."

"Yes, I--er--noticed it," Mr. Woods admitted, with some dryness; "but
it wasn't only temper. You've grown accustomed to the money. You'd
miss it now--miss the pleasure it gives you, miss the power it gives
you. You'd never be content to go back to the old life now. Why,
Peggy, you yourself told me you thought money the greatest thing in
the world! It has changed you, Peggy, this--ah, well!" said Billy, "we
won't talk about that. I'm going to burn it because that's the only
honourable thing to do. Ready, Peggy?"

"It may be honourable, but it's extremely silly," Margaret
temporised, "and for my part, I'm very, very glad God had run out of a
sense of honour when He created the woman."

"Phrases don't alter matters. Ready, Peggy?"

"Ah, no, phrases don't alter matters!" she assented, with a quick lift
of speech. "You're going to destroy that will, Billy Woods, simply
because you think I'm a horrid, mercenary, selfish pig. You think I
couldn't give up the money--you think I couldn't be happy without it.
Well, you have every right to think so, after the way I've behaved.
But why not tell me that is the real reason?"

Billy raised his hand in protest. "I--I think you might miss it," he
conceded. "Yes, I think you would miss it."

"Listen!" said Margaret, quickly. "The money is yours now--by my act.
You say you--care for me. If I am the sort of woman you think me--I
don't say I am, and I don't say I'm not--but thinking me that sort of
woman, don't you think I'd--I'd marry you for the asking if you kept
the money? Don't you think you're losing every chance of me by burning
that will? Oh, I'm not standing on conventionalities now! Don't you
think that, Billy?"

She was tempting him to the uttermost; and her heart was sick with
fear lest he might yield. This was the Eagle's last battle; and
recreant Love fought with the Eagle against poor Billy, who had only
his honour to help him.

Margaret's face was pale as she bent toward him, her lips parted a
little, her eyes glinting eerily in the firelight. The room was dark
now save in the small radius of its amber glow; beyond that was
darkness where panels and brasses blinked.

"Yes," said Billy, gravely--"forgive me if I'm wrong, dear, but--I
do think that. But you see you don't care for me, Peggy. In the
summer-house I thought for a moment--ah, well, you've shown in a
hundred ways that you don't care--and I wouldn't have you come to me,
not caring. So I'm going to burn the paper, dear."

Margaret bowed her head. Had she ever known happiness before?

"It is not very flattering to me," she said, "but it shows that
you--care--a great deal. You care enough to--let me go. Ah--yes. You
may burn it now, Billy."

And promptly he tossed it into the flames. For a moment it lay
unharmed; then the edges caught and crackled and blazed, and their
heads drew near together as they watched it burn.

There (thought Billy) is the end! Ah, ropes, daggers, and poisons!
there is the end! Oh, Peggy. Peggy, if you could only have loved me!
if only this accursed money hadn't spoiled you so utterly! Billy was
quite properly miserable over it.

But he raised his head with a smile. "And now," said he--and not
without a little, little bitterness; "if I have any right to advise
you, Peggy, I--I think I'd be more careful in the future as to how I
used the money. You've tried to do good with it, I know. But every
good cause has its parasites. Don't trust entirely to the Haggages and
Jukesburys, Peggy, and--and don't desert the good ship Philanthropy
because there are a few barnacles on it, dear."

"You make me awfully tired," Miss Hugonin observed, as she rose to her
feet. "How do you suppose I'm going to do anything for Philanthropy or
any other cause when I haven't a penny in the world? You see, you've
just burned the last will Uncle Fred ever made--the one that left
everything to me. The one in your favour was probated or proved or
whatever they call it a week ago." I think Billy was surprised.

She stood over him, sharply outlined against the darkness, clasping
her hands tightly just under her chin, ludicrously suggestive of a
pre-Raphaelitish saint. In the firelight her hair was an aureole; and
her gown, yellow with multitudinous tiny arabesques of black velvet,
echoed the glow of her hair to a shade. The dancing flames made of her
a flickering little yellow wraith. And oh, the quaint tenderness of
her eyes!--oh, the hint of faint, nameless perfume she diffused! thus
ran the meditations of Billy's dizzied brain.

"Listen! I told you I burned the other will. I started to burn it. But
I was afraid to, because I didn't know what they could do to me if I
did. So I put it away in my little handkerchief-box--and if you'd had
a grain of sense you'd have noticed the orris on it. And you made me
promise not to take any steps in the matter till you got well. I knew
you would. So I had already sent that second will--sent it before I
promised you--to Hunston Wyke--he's my lawyer now, you know--and I've
heard from him, and he has probated it."

Billy was making various irrelevant sounds.

"And I brought that other will to you, and if you didn't choose to
examine it more carefully I'm sure it wasn't my fault. I kept my word
like a perfect gentleman and took no step whatever in the matter.
I didn't say a word when before my eyes you stripped me of my entire
worldly possessions--you know I didn't. You burned it up yourself,
Billy Woods--of your own free will and accord--and now Selwoode and
all that detestable money belongs to you, and I'm sure I'd like to
know what you are going to do about it. So there!"

Margaret faced him defiantly. Billy was in a state of considerable
perturbation.

"Why have you done this?" he asked, slowly. But a lucent
something--half fear, half gladness--was wakening in Billy's eyes.

And her eyes answered him. But her tongue was far less veracious.

"Because you thought I was a pig! Because you couldn't make
allowances for a girl who for four years has seen nothing but money
and money-worshippers and the power of money! Because I wanted
your--your respect, Billy. And you thought I couldn't give it up! Very
well!" Miss Hugonin waved her hand airily toward the hearth. "Now I
hope you know better. Don't you dare get up, Billy Woods!"

But I think nothing short of brute force could have kept Mr. Woods
from her.

"Peggy," he babbled--"ah, forgive me if I'm a presumptuous ass--but
was it because you knew I couldn't ask you to marry me so long as you
had the money?"

She dallied with her bliss. Margaret was on the other side of the
table.

"Why--why, of course it wasn't!" she panted. "What nonsense!"

"Look at me, Peggy!"

"I don't want to! You look like a fright with your head all tied up."

"Peggy ... this exercise is bad for an invalid."

"I--oh, please sit down! Please, Billy! It is bad for you."

"Not until you tell me----"

"But I don't!... Oh, you make me awfully tired."

"Peggy, don't you dare stamp your foot at me!... Peggy!"

"Please sit down! Now ... well, there's my hand, stupid, if you
will be silly. Now sit down here--so, with your head leaned back on
this nice little cushion because it's good for your poor head--and
I'll sit on this nice little footstool and be quite, quite honest. No,
you must lean back--I don't care if you can't see me, I'd much rather
you couldn't. Well, the truth is--no, you must lean back--the truth
is--I've loved you all my life, Billy Woods, and--no, not yet,
Billy--and if you hadn't been the stupidest beautiful in the universe
you'd have seen it long ago. You--you needn't--lean back--any longer,
Billy ... Oh, Billy, why didn't you shave?"

"She is skinny, isn't she, Billy?"

"Now, Peggy, you mustn't abuse Kathleen. She's a friend of mine."

"Well, I know she's a friend of yours, but that doesn't prevent her
being skinny, does it?"

"Now, Peggy--"

"Please, Billy! Please say she's skinny!"

"Er--well, she's a bit thin, perhaps."

"You angel!"

"And you're quite sure you've forgiven me for doubting you?"

"And you've forgiven me?"

"Bless you, Peggy, I never doubted you! I've been too busy loving
you."

"It seems to me as if it had been--always."

"Why, didn't we love one another in Carthage, Peggy?"

"I think it was in Babylon, Billy."

"And will love one another----?"

"Forever and ever, dear. You've been to seek a wife, Billy boy."

"And oh, the dimple in her chin..."

      *       *       *       *       *

Ah, well! There was a deal of foolish prattle there in the
firelight--delectable prattle, irresponsible as the chattering of
birds after a storm. And I fancy that the Eagle's shadow is lifted
from Selwoode, now that Love has taken up his abode there.

THE END