“An old and excellent composer, now out of fashion, with whom I was made acquainted by Mr. Morrison, has very singular notions about all invention being at an end in music; asserting that composers only repeat themselves and each other. And that, as to modulation, it is only in the second part of songs (a da capo) [Pg 79] that it is attempted, merely to frighten the hearer back to the first. It seems, he adds, as if these second parts were made by the valet-de-chambre of the Maestro di Capella. I recommended him to Mr. Parsons, who consulted me about a master at Rome, after he had been at a conservatoriÒ at Naples, where he learned, he said, nothing. Rinaldo, an admirable as well as fanciful musician, but deemed to be passÉ, could afford to give him more time than if in full employment; and for but little money. Mr. Parsons solicited me, likewise, to prevail on Santarelli to favour him with a few lessons in singing; which, at my request, he did, without fee or reward; for he had long ceased teaching da professore, except his charming ElÉve, La Signorina Battoni.” The Doctor, it is true, could not then foresee the personal competition he was accelerating; but neither his equity nor his generosity were warped by the after discovery: all of injustice, if any there were in the nomination, hung upon the patron, not the candidate.
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