Life in St. Martin’s Street—Increase of Fame and Friends—Garrick’s First Call—Confusion—The Hairdresser—‘Tag-rag and Bobtail’—The History of Histories—Imitation of Dr. Johnson—The Great Roscius—Mr. Crisp’s Gout—Correspondence between him and Fanny—Dr. Burney’s Concerts—Abyssinian Bruce—Supper in St. Martin’s Street—Italian Singers—A Musical Evening—Visit of Count Orloff—His Stature and Jewels—Condescension—A Matrimonial Duet—The Empress’s Miniature—Jemmy Twitcher—Present State of St. Martin’s Street—Mr. and Mrs. Thrale—Dr. Johnson—Visit of the Thrales and Johnson—Appearance of Dr. Johnson—His Conversation—His Contempt for Music—Meeting of Dr. Johnson and Mr. Greville—Mrs. Thrale Defiant—Signor Piozzi.

Frances Burney’s Memoirs of her father, her letters to Daddy Crisp, and her Diary, together, give us a pretty distinct idea of her life in the little street south of Leicester Square. From the time when Dr. Burney became established in that quarter, the circle of his friends and his reputation steadily widened. In no long time he made acquaintance with his neighbours, Sir Joshua Reynolds, Miss Reynolds, and their nieces, the Misses Palmer; with another neighbour, the sculptor Nollekens; with the painter Barry, Harris of Salisbury,^[15] Mrs. Ord, Sir Joseph Banks, and Abyssinian Bruce, then just returned from his travels. All these and others were, from time to time, to be found in the Doctor’s modest drawing-room, together with many old friends, such as the Stranges, Garrick, Colman, Mason, the Hooles, father and son, Twining, and Baretti.

We have, in the ‘Memoirs,’ an account of David Garrick’s first call at the house in St. Martin’s Street, which, though written in the author’s later style, was no doubt derived from contemporary notes or journals:—It was early morning, and the doorsteps were being washed by a new housemaid, who, not recognising the actor, demurred to his entering unannounced. He brushed past her, ran upstairs, and burst into the Doctor’s study. Here he found the master of the house under the hands of his hairdresser; while Susanna was reading a newspaper to him, Charlotte making his tea, and Fanny arranging his books. There was a litter of papers everywhere. Burney would have cleared a chair, but the visitor plumped down into one that was well cushioned with pamphlets, crying: ‘Ay, do now, Doctor, be in a little confusion! Whisk your matters all out of their places, and don’t know where to find a thing that you want for the rest of the day, and that will make us all comfortable.’ The Doctor then, laughing, returned to his place on the stool, that his wig—or, as Madame d’Arblay calls it, the furniture of his head—might go through its proper repairs. David, assuming a solemn air of profound attention, fastened his eyes upon the hairdresser, as if wonderstruck at his amazing skill. The man, highly gratified by such notice from the celebrated Garrick, briskly worked on, frizzing, curling, powdering, and pasting, after the mode of the day, with the utmost importance and self-complacency. Garrick himself had on what he called his scratch wig, which was so uncommonly ill-arranged and frightful that the whole family agreed no one else could have appeared in such a state in the public streets without risk of being hooted at.at. He dropped now all talk with the Doctor, not even answering what he said, and seemed wholly absorbed in watching what was going on; putting on, by degrees, with a power like transformation, a little mean face of envy and sadness, such as he wore in representing Abel Drugger, till at length, in the eyes of the spectators, he passed out of himself altogether, and, with his mouth hanging stupidly open, and his features vacant of all expression, he became the likeness of some daubed wooden block in a barber’s shop window. The friseur, who at the beginning had felt flattered on seeing his operations so curiously observed, was put out of countenance by this incomprehensible change, became presently so embarrassed that he hardly knew what he was about, and at last fell into utter consternation. Scared and confounded, he hastily rolled up the last two curls, and prepared to make his retreat; but before he could escape, Garrick, lifting his own miserable scratch from his head, and holding it out on his finger and thumb, squeaked out in a whining voice, ‘Pray now, sir, do you think, sir, you could touch me up this here old bob a little bit, sir?’

The hairdresser dismissed, the actor, who could not help acting, proceeded to give further proofs of his versatility. ‘And so, Doctor,’ he began, ‘you, with your tag-rag and bobtail there——’ Here he pointed to some shelves of shabby books and tracts, which he started up to examine; the next moment, becoming an auctioneer, he offered for sale these valuable works, each worth a hundred pounds, and proclaimed that they were ‘going, going, going, at a penny apiece.’ Then, quietly reseating himself: ‘And so, Doctor,’ he continued, ‘you, and tag-rag and bobtail there, shut yourselves up in this snug little bookstall, with all your bright elves around you, to rest your understanding!’ There were loud cries of mock indignation from the young people at the idea of papa resting his understanding. Garrick apologized in his best stage manner, and after some further talk, inquired, ‘But when, Doctor, shall we have out the History of Histories? Do let me know in time, that I may prepare to blow the trumpet of fame.’ Of course, this was a prelude to his appearing in the character of a cheap-jack, advertising ‘the only true History.’ Invited to the parlour to breakfast, he excused himself on the plea of being engaged at home to Twiss^[16] and Boswell, whom immediately he took off to the life. Encouraged by the laughter of his audience, this most reprehensible person, who set no bounds to his levity, proceeded to offer an imitation of Dr. Johnson himself. He sincerely honoured and loved Dr. Johnson, he said, but that great man had eccentricities which his most attached admirers were irresistibly impelled to mimic. Arranging, therefore, his dress so as to enlarge his person, in some strange way, several inches beyond its natural size, assuming the voice and authoritative port of the lexicographer, and giving a thundering stamp on the carpet, the devout worshipper of Dr. Johnson delivered, with sundry extraordinary attitudes and gestures, a short dialogue that had passed between them during the preceding week:

“David! Will you lend me your ‘Petrarca’?”

“Y—e—s, sir!”

“David, you sigh?”

“Sir, you shall have it, certainly.”

“Accordingly,” Garrick continued, “the book—stupendously bound—I sent to him that very evening. But scarcely had he taken the noble quarto in his hands, when, as Boswell tells me, he poured forth a Greek ejaculation, and a couplet or two from Horace; and then, in one of those fits of enthusiasm which always seem to require that he should spread his arms aloft in the air, his haste was so great to debarrass them for that purpose, that he suddenly pounces my poor ‘Petrarca’ over his head upon the floor—Russia leather, gold border, and all! And then, standing for several minutes erect, lost in abstraction, he forgot, probably, that he had ever seen it, and left my poor dislocated Beauty to the mercy of the housemaid’s morning mop!”

This concluded the performance, and the performer presently took his leave. After he had said good-bye, and left the room, he hastily came back, whimsically laughing, and said: ‘Here’s one of your maids downstairs that I love prodigiously to talk to, because she is so cross! She was washing, and rubbing, and scrubbing, and whitening and brightening your steps this morning, and would hardly let me pass. Egad, sir, she did not know the great Roscius! But I frightened her a little just now: “Child,” says I, “you don’t guess whom you have the happiness to see! Do you know that I am one of the first geniuses of the age? You would faint away upon the spot if you could only imagine who I am!”’

One familiar face was no longer seen at Burney’s house. Mr. Crisp had become subject to such frequent fits of gout that his visits to London were almost given up, and he rarely slept even a single night away from Chesington. But his interest in musical and literary news, and in all that concerned the Burney family, continued unabated. What he could no more take part in himself was duly communicated to him by letter.

How early the correspondence between Frances and the family friend began we are not informed. But it must have commenced long before she was old enough to be admitted to parties such as she had now to describe to her ‘daddy.’ In a passage written at seventy-two, she has set down “a charge delivered to me by our dear vehement Mr. Crisp at the opening of my juvenile correspondence with him: ‘Harkee, you little monkey! dash away whatever comes uppermost; if you stop to consider either what you say, or what may be said of you, I would not give one fig for your letters.’” So rough a speech could not have been addressed, even by a professed cynic, to any young lady very far advanced in her teens. In the letters from which we are about to quote, Miss Fanny prattles to the old man with perfect ease and confidence, showing that she felt herself on terms of established familiarity, and was quite free from the shyness and embarrassment that would attend a timid girl’s first efforts to entertain him.

For many years Dr. Burney had given informal evening concerts at his house. These entertainments, to which he had been prompted by Crisp, began in Poland Street, were continued in Queen Square, and attained their highest distinction in St. Martin’s Street. There was no band, no hired singer, no programme, no admission by ticket. A word from the courteous host was the only invitation needed or expected. But the company, as well as the music, was attractive even to guests accustomed to fashionable society. Before his writings made him famous, Burney’s extensive acquaintance brought him visitors whom the curious were anxious to meet. Some came to see Sir Constantine Phipps, afterwards Lord Mulgrave, on his return from his Arctic voyage. Others came for a view of Omai, whom Captain Cook had imported from the South Seas. On one occasion the gentle savage obliged the musical audience with a Tahitian love-song, which proved to be a mere confused rumbling of uncouth sounds. Whatever the incident of the evening, Crisp looked for a full report of it from ‘his Fannikin.’

The sense of humour which we may still see brimming over in her portrait was greatly provoked by Bruce, the particular lion of that day. The explorer was reported to have brought home with him drawings of a Theban harp at least three thousand years old, and of an Abyssinian lyre in present use, about which Fanny was evidently more sceptical than her father, who was always ready to welcome materials for his ‘History.’ ‘The Abyssinians have lyres, have they?’ said George Selwyn; ‘well, they have one less since he left their country.’ Bruce was a personage of stupendous height and breadth, whose pompous manners were proportioned to his size and fame. ‘He is the tallest man you ever saw in your life—at least gratis,’ wrote the observer. Nevertheless ‘the man-mountain’ condescended to the Burneys. In the season of his greatest glory, he figured several times at the Doctor’s concerts, of which visits faithful accounts were duly despatched to Chesington. On one of these evenings Mr. Bruce even consented to stay supper, “which, you know,” says Fanny, “with us is nothing but a permission to sit over a table for chat, and roast potatoes or apples. But now,” she continues, “to perfect your acquaintance with this towering Ethiopian, where do you think he will take you during supper? To the source, or sources, you cry, of the Nile? to Thebes? to its temple? to an arietta on the Theban harp? or perhaps to banqueting on hot raw beef in Abyssinia? No such thing, my dear Mr. Crisp—no such thing. Travellers who mean to write their travels are fit for nothing but to represent the gap at your whist-table at Chesington, when you have only three players; for they are dummies. Mr. Bruce left all his exploits, his wanderings, his vanishings, his reappearances, his harps so celestial, and his bullocks so terrestrial, to plant all our entertainment within a hundred yards of our own coterie; namely, at the masquerades at the Haymarket.” Then follows a story of a practical jest not worth copying. “To have looked at Mr. Bruce in his glee at this buffoonery, you must really have been amused; though methinks I see, supposing you had been with us, the picturesque rising of your brow, and all the dignity of your Roman nose, while you would have stared at such familiar delight in an active joke as to transport into so merry an espiÈgle the seven-footed loftiness of the haughty and impetuous tourist from the sands of Ethiopia, and the waters of Abyssinia; whom, nevertheless, I have now the honour to portray in his robe de chambre, that is, in private society, to my dear Chesington daddy.”

But far greater things were to follow this stalking of the African lion. The Continental reputation which Dr. Burney acquired by his tours, and which was extended by the first instalment of his ‘History,’ ‘attracted to his house,’ as Macaulay points out, ‘the most eminent musical performers of that age. The greatest Italian singers who visited England regarded him as the dispenser of fame in their art, and exerted themselves to obtain his suffrage. Pacchierotti^[17] became his intimate friend. The rapacious Agujari,^[18] who sang for nobody else under fifty pounds an air, sang her best for Dr. Burney without a fee; and in the company of Dr. Burney even the haughty and eccentric Gabrielli^[19] constrained herself to behave with civility. It was thus in his power to give, with scarcely any expense, concerts equal to those of the aristocracy. On such occasions the quiet street in which he lived was blocked up by coroneted chariots, and his little drawing-room was crowded with peers, peeresses, ministers, and ambassadors.’

The following extract from one of Fanny’s letters contains a full description of the most memorable of these musical evenings, though it was one on which no foreign artist performed:

On another musical evening, of which Fanny wrote an account, there were present: the French Ambassador, the Count de Guignes, at whose request the concert was given; the Danish Ambassador, Baron Deiden, and his wife; the Groom of the Stole, Lord Ashburnham, ‘with his gold key dangling from his pocket;’ Lord Barrington from the War Office, and Lord Sandwich, First Lord of the Admiralty. Of this last, the boon-companion and denouncer^[25] of Wilkes, Miss Fanny naÏvely asks, “I want to know why he is called Jemmy Twitcher in the newspapers? Do pray tell me that.”

Very seldom, in these latter days, does any private carriage, with or without a coronet on its panels, turn into the decayed thoroughfare running down from the bottom of Leicester Square. ‘Vulgarly-peopled,’ according to Madame d’Arblay, even in her father’s time, St. Martin’s Street has since fallen many degrees lower yet. The house to which the fashionable world was drawn by the charms of Burney’s music stands on the east side, immediately above the chapel at the corner of Orange Street. The glass observatory which Dr. Burney repaired, and which he subsequently rebuilt when it was blown away by a gale of wind, has long since disappeared. It was replaced by a wooden^[26] erection, or what Macaulay calls ‘a square turret,’ which, when the essayist wrote, distinguished the house from all the surrounding buildings. This erection also has been removed, but the house itself cannot be mistaken by any passer-by who cares to see it. A tablet on the front bears the inscription: ‘Sir Isaac Newton, philosopher, lived here.’ The house is at present the quarters of the United Service Warrant Officers’ Club. No great effort is required to imagine the plain, silent Newton passing in and out of that slender doorway. The movements of the man qui genus humanum ingenio superavit were without noise and ostentation. We may let half a century go by in thought, and with equal ease picture to ourselves David Garrick tripping up the steps before breakfast; Samuel Johnson rolling up them for a call, on his way to dine with Mrs. Montagu; pleasant Dr. Burney briskly setting out on his daily round of lessons; and demure Miss Fanny sallying forth to seek an interview incognita with her publisher. But how call up the scene, when the lacqueys of Count Orloff—Orloff the Big, Walpole calls him—thundered at the knocker, or when officers of the Household, displaying the ensigns of their rank, peers with stars and orders, and great ladies arrayed in brocaded silks and immense head-dresses, followed one another up a confined staircase^[27] into a couple of small and crowded reception-rooms? Standing opposite to the club where our gallant petty officers of to-day congregate, and noticing that to the left of it, on the other side of Long’s Court, there is now a cheap lodging-house for working men, and that a little further to the left, at the entrance from the Square, the roadway narrows, as we learn from the “Memoirs” that it did in Burney’s time, till there is barely room for a single vehicle of moderate size to pass, we recognise the limitations of the human fancy. It is difficult to conceive of a great aristocratic crowd assembling in such a place. We can understand the pride with which Fanny set down the prolonged rat-tat-tat-tat-too that announced the arrival of each titled and decorated visitor. We may observe the pains she took to draw and colour for her country correspondent groups of dazzling figures such as had never been seen in the more spacious area of Queen Square. But they are gone, and in presence of the dirt and squalor which have made St. Martin’s Street little better than an East-End slum, their shadows will not revisit the glimpses of the moon. Sic transit gloria mundi.

Somewhat later, Dr. Burney formed a new connection which had an important influence on the life of his second daughter. He was invited to Streatham by Mr. and Mrs. Thrale to give lessons in music to their eldest daughter, familiarly called Queeny, who afterwards became Viscountess Keith. There, besides winning the regard of the Thrales, he renewed his acquaintance with Dr. Johnson, to whom he had made himself known by letter twenty-two years before. Johnson, who had no ear, despised music, and was wont to speak slightingly of its professors, but he conceived a strong liking for Burney. In bringing out the ‘Tour to the Hebrides,’ the author confessed that he had kept his friend’s Musical Tours in view. At this time, Richard, the youngest son of Dr. Burney, born of his second marriage, was preparing for Winchester School, whither his father proposed conveying him in person. Johnson, who was a friend of Dr. Warton, the headmaster, volunteered to accompany them, and introduce the new pupil. This joint expedition of Johnson and Burney was followed by a similar one to Oxford, and their intercourse became so cordial that Mrs. Thrale and Johnson arranged to meet in St. Martin’s Street, there to make acquaintance with Burney’s family, to look over his library, and to see Newton’s house. Fanny, who had just come up from Chesington, wrote an account of this visit to her daddy:

Not long after the morning call described in our last extract, Johnson spent an evening in St. Martin’s Street, for the purpose of being introduced to Mr. and Mrs. Greville. The Doctor came with Mr. and Mrs. Thrale. Signor Piozzi was there, invited to amuse the company by his musical skill. But the account of the second visit reads much less pleasantly than that of the first. This is due in great part to the different behaviour of the principal guests. Burney’s old patron, Greville, had for years been going steadily down hill, through indulgence in play and other extravagances. The loss of his fortune, perhaps, inclined him to assert more stiffly the claims of his rank. At any rate, in presence of the Thrales and Johnson, he thought it necessary to appear superior to the brewer’s wealth and the author’s fame. Johnson seems to have only half perceived his disdain; but the Doctor was not in a mood for talking, and Greville made no attempt to draw him out. Nor are the actors only changed on this subsequent occasion; the narrator is changed also. Instead of a letter by Fanny Burney, dashed off in the hey-day of youth and spirits, we have a formal account by her later self, Madame d’Arblay, composed in the peculiar style which makes a great part of the ‘Memoirs’ such difficult reading. However, as this account records Mrs. Thrale’s first meeting with the man who was destined to exercise a fatal influence on her after-life, we give a portion of it here:

“Mrs. Thrale, of the whole coterie, was alone at her ease. She feared not Dr. Johnson; for fear made no part of her composition; and with Mrs. Greville, as a fair rival genius, she would have been glad, from curiosity, to have had the honour of a little tilt, in full carelessness of its event; for though triumphant when victorious, she had spirits so volatile, and such utter exemption from envy or spleen, that she was gaily free from mortification when vanquished. But she knew the meeting to have been fabricated for Dr. Johnson, and, therefore, though not without difficulty, constrained herself to be passive.

“When, however, she observed the sardonic disposition of Mr. Greville to stare around him at the whole company in curious silence, she felt a defiance against his aristocracy beat in every pulse; for, however grandly he might look back to the long ancestry of the Brookes and the Grevilles, she had a glowing consciousness that her own blood, rapid and fluent, flowed in her veins from Adam of Saltsburg;^[30] and, at length, provoked by the dulness of a taciturnity that, in the midst of such renowned interlocutors, produced as narcotic a torpor as could have been caused by a dearth the most barren of human faculties, she grew tired of the music, and yet more tired of remaining, what as little suited her inclinations as her abilities, a mere cipher in the company; and, holding such a position, and all its concomitants, to be ridiculous, her spirits rose rebelliously above her control, and, in a fit of utter recklessness of what might be thought of her by her fine new acquaintance, she suddenly but softly arose, and stealing on tip-toe behind Signor Piozzi, who was accompanying himself on the pianoforte to an animated aria parlante, with his back to the company, and his face to the wall, she ludicrously began imitating him by squaring her elbows, elevating them with ecstatic shrugs of the shoulders, and casting up her eyes, while languishingly reclining her head, as if she were not less enthusiastically, though somewhat more suddenly, struck with the transports of harmony than himself.

“This grotesque ebullition of ungovernable gaiety was not perceived by Dr. Johnson, who faced the fire, with his back to the performer and the instrument. But the amusement which such an unlooked-for exhibition caused to the party was momentary; for Dr. Burney, shocked lest the poor Signor should observe, and be hurt by this mimicry, glided gently round to Mrs. Thrale, and, with something between pleasantry and severity, whispered to her, ‘Because, madam, you have no ear yourself for music, will you destroy the attention of all who, in that one point, are otherwise gifted?’

“It was now that shone the brightest attribute of Mrs. Thrale, sweetness of temper. She took this rebuke with a candour, and a sense of its justice the most amiable; she nodded her approbation of the admonition; and, returning to her chair, quietly sat down, as she afterwards said, like a pretty little miss, for the remainder of one of the most humdrum evenings that she had ever passed.

“Strange, indeed, strange and most strange, the event considered, was this opening intercourse between Mrs. Thrale and Signor Piozzi. Little could she imagine that the person she was thus called away from holding up to ridicule, would become, but a few years afterwards, the idol of her fancy, and the lord of her destiny! And little did the company present imagine, that this burlesque scene was but the first of a drama the most extraordinary of real life, of which these two persons were to be the hero and heroine; though, when the catastrophe was known, this incident, witnessed by so many, was recollected and repeated from coterie to coterie throughout London, with comments and sarcasms of endless variety.”