MENU-BETTING.

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Gentlemen who bet on every event in life—who cut cards to decide whether they shall go into the City by cab or by underground train, and toss up to see whether they had better dine at home or at the Club, may be interested to know of a new game of chance which can be played at dinnertime, and in which ladies not only may but must take part. "Betting on the menu" it is called; and it is done in this way. You ask the lady next to you on the right—the one you have taken in to dinner—permission to speculate as to what dishes she will choose from among those inscribed on the menu; and you back your selection in a series of bets either with the lady herself, or—if she happens not to be what the French call "sportive"—with any gentleman who may be willing to do business with you. Suppose the lady takes you? You make a pencil-mark against each dish which, it seems to you, she will fancy; and if you are right more often than you are wrong, you win—and the lady does not pay you. In the contrary case you lose—and you pay the lady. It need scarcely be said that you annotate your own copy of the menu, and that the lady does not see it until the dinner is at an end. The same principle is observed in betting with a gentleman in reference to a lady's probable selection; but in this latter case neither of the parties interested is at liberty to express any opinion, directly or indirectly, as to the merits or demerits of the different dishes from which the lady has to choose. Any member of the unfair sex may make sure of winning from her antagonist—who will naturally have marked a certain number of dishes—by simply abstaining from food throughout the dinner; though the lady of the house might think this impolite. Menu-betting is in any case an agreeable pastime for both sexes. It promotes digestion; and any woman of moderate ability may make money by it.


"More Light!"—The British Museum is, it appears, presently to be opened at night, its (Elgin) marble halls and others being illuminated with the electric light. Concurrently with this happy event Mr. Louis Fagan, of the Departments of Prints and Drawings, announces a course of three popular lectures on the Treasures of the Museum, to be delivered next month at the Steinway Hall. No one knows more about the Museum than Mr. Fagan, and, with the assistance of 170 photographic reproductions, exhibited by oxyhydrogen light, he will teach the public a thing or two about its foundation, progress, and present contents.



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