CONTENTS

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CHAPTER PAGE
I. AMATEUR THEATRICALS 11
II. MYSTERIES OF MAKE-UP 26
III. THE QUICK-CHANGE ARTIST 34
IV. CHARACTER IMPERSONATIONS 41
V. THE UNIVERSAL HAT 50
VI. NIGGER MINSTRELSY 56
VII. SOME SUGGESTIONS IN BLACK 62
VIII. TABLEAUX VIVANTS 68
IX. CHARADES 76
X. THE POSSIBILITIES OF THE MUSICAL SKETCH 86
XI. VAMPING SIMPLIFIED 92
XII. AN EVENING AT THE PHONOGRAPH 97
XIII. MUSICAL GLASSES 101
XIV. HAND-BELL RINGING 105
XV. THE ART OF DRAWING-ROOM SINGING 111
XVI. DRAWING-ROOM RECITALS 116
XVII. THE ART OF WHISTLING 123
XVIII. BUNKUM ENTERTAINMENTS 127
XIX. VENTRILOQUISM IN A MONTH 140
XX. CONJURING FOR ALL 158
XXI. SOME KNOTTY POINTS 169
XXII. BLACK STAGE MYSTERIES 174
XXIII. CONCERNING GHOSTS 183
XXIV. SOME STAGE ILLUSIONS 189
XXV. THE ROOM OF MYSTERY 201
XXVI. MECHANICAL SECOND-SIGHT 211
XXVII. PAPERGRAPHY 220
XXVIII. JUGGLING 225
XXIX. PLATE-SPINNING AND WALTZING 233
XXX. THE TIGHT-ROPE 240
XXXI. CLOG DANCING 244
XXXII. SHADOW SHOWS 250
XXXIII. LIGHTNING CARTOONS AND “FAKE” SKETCHING 263
XXXIV. FRICTIONAL FUN 272
XXXV. SOME ELECTRICAL EFFECTS 285
XXXVI. SAFE SCIENTIFIC EXPERIMENTS 297
XXXVII. SAFE CHEMICAL EXPERIMENTS 312
XXXVIII. ODD EXPERIMENTS 320
XXXIX. MORE EXPERIMENTS

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