This was a town in the Thebais, nearly under the tropic of Cancer; greatly celebrated for the first attempt to ascertain the measure of the circumference of the earth by Eratosthenes, who, about the year 276 A. C., was invited from Athens to Alexandria, by Ptolemy Evergetes.

Juvenal, the poet, was banished there, on the pretence of commanding a cohort, stationed in the neighbourhood.

Its principal antiquities are a small temple, supposed to be the remains of Eratosthenes’ observatory, the remains of a Roman bridge, and the ruins of the Saracen town. The latter includes the city wall, built of unburnt bricks, and defended by square towers, and several mosques with lofty minarets, and many large houses in a state of wonderful preservation, still entire, though resting on very frail foundations.

“Syene, which, under so many different masters,” says a celebrated French geographer, “has been the southern frontier of Egypt, presents in a greater degree than any other spot on the surface of the globe, that confused mixture of monuments, which, even in the destinies of the most potent monarchs, reminds us of human instability. Here the Pharaohs, and the Ptolemies, raised the temple, and the palaces which are found half buried under the drifting sand. Here are forts and villas built by the Romans and Arabians; and on the remains of all these buildings French inscriptions are found, attesting that the warriors, and the learned men of modern Europe, pitched their tents, and erected their observatories on this spot. But the eternal power of nature presents a still more magnificent spectacle. Here are the terraces of reddish granite, of a particular character, hence called syenite,—a term applied to those rocks, which differ from granite in containing particles of hornblende. These mighty terraces, are shaped into peaks, across the bed of the Nile, and over them the river rolls majestically its impetuous foaming waves. Here are the quarries from which the obelisks and colossal statues of the Egyptian temples were dug. An obelisk, partially formed and still remaining attached to the native rock, bears testimony to the labours and patient efforts of human art. On the polished surfaces of these rocks, hieroglyphic sculptures represent the Egyptian deities, together with the sacrifices and offerings of this nation; which, more than any other, has identified itself with the country which it inhabited, and has, in the most literal sense, engraved the records of its glory on the terrestrial globe”258.