The most ancient kingdom of Greece was that of Sicyon, the beginning of which is placed by Eusebius 1313 years before the first Olympiad. Its duration is believed to have been about a thousand years; during which period it is said to have had a succession of kings, whose reigns were so equitable that nothing of importance is recorded of them. It sent, however, 3000 troops to the battle of Platea, and fifteen ships to that of Salamis. It is now only a village.

Of these monarchs the most remarkable was Sicyon, who is supposed to have built, though some say he only enlarged, the metropolis of his kingdom, and to have called it by his own name.

It became very powerful in the time of the Achaian league, which it joined, at the persuasion of Aratus, A. C. 251. It was destroyed by Demetrius, son of Antigonus, who afterwards rebuilt it, and endeavoured to impose upon it the name of Demetrius; but it soon sunk under its ancient and more memorable appellation.

Sicyon was in great reputation for the arts, and painting in particular; the true taste for which was preserved there in all its ancient purity. It is even said, that Apelles, who was then admired by all the world, had been at Sicyon, where he frequented the schools of two painters, to whom he gave a talent; not for acquiring a perfection of the art from them, but in order to obtain a share in their great reputation. When Aratus had reinstated his city in its former liberties, he destroyed all the pictures of the tyrants; but when he came to that of Aristratus, who reigned in the time of Philip, and whom the painter had represented in the attitude of standing in a triumphant chariot, he hesitated a long time whether he should deface it or not; for all the capital disciples of Melanthus had contributed to the completion of that piece; and it had even been touched by the pencil of Apelles. This work was so inimitable in its kind, that Aratus was enchanted with its beauties; but his aversion to tyrants prevailed over his admiration of the picture, and he accordingly ordered it to be destroyed.

In the time of Pausanias, Sicyon was destroyed by an earthquake. It was, nevertheless, not long after, not only one of the noblest cities of Greece, on account of its magnificent edifices, many of which were built of marble, and ingenious workmen, but it was a distinguished place when the Venetians were masters of the Morea. The period, however, when it fell from that eminence is unknown.

Sicyon220 was the school of the most celebrated artists of antiquity, and was sumptuously decorated with temples and statues. Pausanias enumerates seventeen temples, a stadium, a theatre, two gymnasia, an agora, a senate-house, and a temenos for the Roman emperors, with many altars, monuments, and numerous statues of ivory and gold, of marble, of bronze, and of wood.

Its present condition, in respect to population, may be, in a great measure, attributed to its having, about twenty years before Sir George Wheler visited it, been afflicted by the plague. “This final destruction,” said one of the inhabitants, “is a judgment of God upon the Turks for turning one of the Christian churches into a mosque. The Vaywode fell down dead upon the place, the first time he caused the Koran to be read in it. This was followed by a plague, which, in a short time, utterly destroyed the whole town; and it could never afterwards be repeopled.”

So little is known221 concerning this ancient seat of Grecian power, that it is not possible to ascertain in what period it dwindled from its pre-eminence to become, what it is now, one of the most wretched villages of the Peloponnesus. The remains of its former magnificence are, however, still considerable, and in some instances they exist in such a state of preservation, that it is evident the buildings of the city either survived the earthquakes said to have overwhelmed them, or they must have been constructed at some later period.

“The ruins of Sicyon,” says Mr. Dodwell, “still retain some vestiges of ancient magnificence. Among these a fine theatre, situate at the north-east foot of the Acropolis; having seats in a perfect state. Near it are some large masses of Roman brick walls, and the remains of the gymnasium, supported by strong walls of polygonal construction. There are several dilapidated churches which, composed of ancient fragments, are supposed to occupy the site of the temples. Several fragments of the Doric order are observable among them; also several inscriptions.”

“In respect to the temple of Bacchus,” says Dr. Clarke, “we can be at no loss for its name, although nothing but the ground-plot now remains. It is distinctly stated by Pausanias to have been the temple of Bacchus, which was placed beyond the theatre to a person coming from the citadel, and to this temple were made those annual processions which took place at night, and by the light of the torches, when the Sicyonians brought hither the mystic images, called Bacchus and Lysius, chanting their ancient hymns.”

The theatre is almost in its entire state; and although the notes were made upon the spot, did not enable Dr. Clarke to afford a description of its form and dimensions equally copious with that already given of the famous theatre of Polycletus in Eidausia; yet this of Sicyon may be considered as surpassing every other in Greece, in the harmony of its proportions, the costliness of the workmanship, the grandeur of the coilon, and the stupendous nature of the prospect presented to all those who were seated upon its benches. If it were cleared of the rubbish about it, and laid open to view, it would afford an astonishing idea of the magnificence of a city, whose treasures were so great, that its inhabitants ranked amongst the most voluptuous and effeminate people of all Greece. The stone-work is entirely of that massive kind, which denotes a very high degree of antiquity.

The stadium222 is on the right hand of a person facing the theatre, and it is undoubtedly the oldest work remaining of all that belonged to the ancient city. The walls exactly resemble those of MycenÆ and Tiryns; we may, therefore, class it among the examples of the Cyclopean masonry. It is, in other respects, the most remarkable structure of the kind existing; combining at once a natural and artificial character. The persons by whom it was formed, finding that the mountain whereon the coilon of the theatre has been constructed, would not allow a sufficient space for another oblong cavea of the length requisite to complete a stadium, built upon an artificial rampart reaching out into the plain, from the mountain toward the sea; so that this front-work resembles half a stadium thrust into the semi-circular cavity of a theatre; the entrance to the area, included between both, being formed with great taste and effect at the two sides or extremities of the semicircle. The ancient masonry appears in the front-work so placed. The length of the whole area equals two hundred and sixty-seven paces; the width of the advanced bastion thirty-six paces; and its height twenty-two feet six inches.

Besides these there are some few other antiquities, but of too minute a kind to merit description.

Even her ruins223 speak less emphatically of the melancholy fate of Greece than her extensive solitudes. Oppression has degraded her children, and broken her spirit. Hence those prodigious plains, which God hath given for their good, are neglected; hence, too, the beauteous seas are without a sail; the lands of ancient Sicyon so thinly peopled!