Capua, once the chief city of Campania, was founded by Capys, who is described as having been the father, or rather the companion, of Anchises. It was at one time so opulent, that it was called "the other Rome."

Perhaps our readers will have no objection to have their memories refreshed by an allusion to the mistake, committed at this place by Hannibal. The details of it will give some variety to our page. It is thus related by Rollin, from the luminous page of Livy:—"The battle of CannÆ subjected the most powerful nations of Italy to Hannibal, drew over to his interest GrÆcia Magna; also wrested from the Romans their most ancient allies, amongst whom the Capuans held the first rank. This city, by the fertility of its soil, its advantageous situation, and the blessings of a long peace, had risen to great wealth and power. Luxury, and a flow of pleasures, the usual attendants on wealth, had corrupted the minds of all the citizens, who, from their natural inclination, were but too much addicted to voluptuousness and all excesses. Hannibal made choice of this city for his winter-quarters. There it was that his soldiers, who had sustained the most grievous toils, and braved the most formidable dangers, were overthrown by delights and a profusion of all things, into which they plunged with the greater eagerness as they, till then, had been entire strangers to them. Their courage was so enervated in this bewitching retirement, that all their after-efforts were owing rather to the fame and splendour of their former victories than to their present strength. When Hannibal marched his forces out of the city, one would have taken them for other men, and the reverse of those who had so lately marched into it. Accustomed, during the winter season, to commodious lodgings, to ease and plenty, they were no longer able to bear hunger, thirst, long marches, watchings, and the other toils of war; not to mention that all obedience, all discipline, were laid aside."

Livy thinks that Hannibal's stay at Capua is a reproach to his conduct; and pretends that he there was guilty of an infinitely greater error than when he neglected to march directly to Rome after the battle of CannÆ:—"For this delay," says Livy, "might seem only to have retarded his victory; whereas this last misconduct rendered him absolutely incapable of ever defeating the enemy. In a word, as Marcellus observed judiciously afterwards, Capua was to the Carthaginians and their general, what CannÆ had been to the Romans. There their martial genius, their love of discipline, were lost; there their former fame, and their almost certain hopes of future glory, vanished at once, and, indeed, from thenceforth, the affairs of Hannibal advanced to their decline by swift steps; fortune declared in favour of prudence, and victory seemed now reconciled to the Romans." It is doubted, however, whether Livy has reason to impute all these fatal consequences to the agreeable abode at Capua. It might, indeed, have been one cause, but this would be a very inconsiderable one; and the bravery with which the forces of Hannibal afterwards defeated the armies of consuls and prÆtors; the towns they took even in sight of the Romans; their maintaining their conquests so vigorously, and staying fourteen years after this in Italy in spite of the Romans; all these circumstances may induce us to believe that Livy lays too much stress on the delights of Capua. In fact, the chief cause of the decay of Hannibal's affairs was his want of necessary supplies and succours from Carthage.

The revolt of Capua to the Carthaginians proved its ruin; for when taken by the consuls Fulvius and Claudius, it was punished for its perfidy. Genseric, the Vandal, however, was more cruel than the Romans had been; for he massacred the inhabitants and burned the town to the ground. Narses rebuilt it; but in 841 it was totally destroyed by an army of Saracens, and the inhabitants driven to the mountains[170]. Some time after the retreat of these savage invaders, the Lombards ventured down again into the plain; but not deeming their force adequate to the defence of so great a circuit as the large city, they built themselves a smaller one on the river, and called it Capua.

In 1501 this new city was taken by storm by the French, who, according to Guicciardini and Giannone, committed the most flagitious acts of rapine, lust, and enormity.

"The amphitheatre of Old Capua," says Mr. Forsyth, "recals to us the sublime image of Spartacus. It resembles the Coliseum in its form and in its fate. Both were raised on magnificent designs—negligently executed. Both have suffered from barbarians and from modern builders; but the solitude of the Campanian ruin has exposed it to greater dilapidation than the Roman has yet undergone. Part of its materials has emigrated to modern Capua; a part is buried in its own arena. The first order of columns is half interred; the second has none entire."

Though much defaced by the loss of its marble[171], this structure offers many ornaments peculiar to itself. It is considerably smaller than the Flavian amphitheatre at Rome; but worthy of the first among the second cities of the empire: the monuments still to be seen on the spot are certainly of a date long posterior to Capua's independence, and even to that of Roman liberty. The lower order of the amphitheatre is Tuscan; the second Doric. What the upper ones were cannot be ascertained: on the keystone of each arcade was the bust of a deity of a colossal size and coarse execution, much too massive for the rest of the work. It had four entrances, and was built of brick, faced with stone or marble. The little value set upon brick has preserved it; while the other materials have been torn down to mend roads and build cottages.

"From Caserta," says Mr. Forsyth, "it is but half an hour's ride to the remains of ancient Capua[172]. Some tombs on the road, though ruined and encumbered with bushes, display a variety of sepulchral forms, unknown during the Roman republic. Most of the Campanian tombs, anterior to CÆsar, had been demolished by his soldiers, while searching for painted vases; for Capua, though late in learning the ceramic art, was more productive than the rest of Campania." Vases have lately been discovered here in great variety, and antiquaries find out purposes for them all; either in the form, or the size, or the painting, or their own imagination[173].