When the latter occurrences had shaken down in Aurora’s mind, Gerald’s letter, which she from time to time re-read, impressed her as a most gentle and reasonable production of his pen, while her own letter, preserved in the original scribble, appeared to her horrid, cutting, and uncalled for. But there was now nothing to do about it. The state of mind created in her by the whole episode prepared her to welcome with open arms any diversion, any event which would restore to her self-conceit a little vitality or lay on her heart a little balm; and so when, at the psychological moment, Doctor Thomas Bewick surprisingly turned up in Florence,–it may be remembered that he was Estelle’s choice for Nell,–Nell fell on his neck quite literally, and gave him a full, sonorous kiss. “Tom! Tom!” she cried in delight, “how good it is to see you!” This happened in her formal drawing-room, whither she had gone on the servant’s announcement that a gentleman from America, who had given no card or name, asked to see her. Their greeting over, she ran out into the hall, screaming joyfully: “Hat! Hat! Come down this minute! Hurry up! You’ll never guess who’s here!” “If it isn’t Doctor Bewick!” she exclaimed, without giving herself away by one false inflection. “Why, Doctor Bewick, this is simply too awfully nice! What are you doing over here? Who would have expected to see you?” “Tom,” said Aurora, “I was never in my life so glad to see any one. I didn’t know how much I’d missed you till I saw you. You good old thing! You nice old boy! Aren’t you a brick to have come! My soul, my soul! I didn’t know till this minute how tired I am of foreigners and half-foreigners and quarter-foreigners and all their ways. I was hungry for home-folks and didn’t know it. Now, please God, we’ll have some talk where we know that when we use the same words we mean the same thing, and aren’t wondering all the time what’s really in the other’s mind!” The man to whom this was said absorbed it with a face fixed in smiles of pleasure. He was a big blond man, disposed to corpulence, and looking somewhat like a fresh-faced, gigantic boy until his eye met yours and gave the note of a fine, mature intelligence, open on every side, and unobtrusively gathering in what it had no strong impulse afterward to give out again in any open form of self-expression. Tolerant, not from any vagueness of judgment; easy to get on with, but not to drive or to deceive, he looked strikingly the good fellow, yet kept you in respect. An air of capability, a consciousness of definite achievements, went coupled in him with the humor that would prevent bumptiousness however great the matter for pride. A quiet carelessness of other people’s opinions formed part of his He looked at Aurora with smiling scrutiny, and facially expressed a vast appreciation. She looked back at him with eyes of laughing tenderness. Avoiding to speak directly to her the compliments rising in his mind, he turned to Estelle. “Hasn’t she blossomed out!” “Isn’t she wonderful?” chimed in that friend, enthusiastically. Aurora, with a comedy of pride, threw up her chin, lifted her arms, and turned as if on a pivot, to show herself off in her elegance. She had on the wine-colored street-dress bordered with black fox; over its white satin waistcoat embroidered with gold hung in a splendid loop her pink corals. The restraining Paris corset gave to her luxuriant form a charming modish correctness of line. “Oh, Tom,”–she sank happily on the sofa beside him,–“we’re having the time of our lives! Just wait till you see me in company, and hear me put on my good English, when, instead of calling things lovely or horrid, I call them amusing or beastly or impossible. But your turn first. Give us the Denver news.” After dinner that evening, in the midst of Italo’s brilliant performance, a caller came,–a thin, oldish, English-speaking Aurora had met her at Mrs. Satterlee’s during a meeting appointed to raise funds for the Protestant orphanage. When this philanthropist, after a little talk of other things, mentioned the relict of a mason, left with five young children, Estelle and Dr. Bewick took it as a hint to withdraw beyond earshot. The two ladies were left talking in undertones; after a minute they found themselves alone in the room. Estelle preceded Dr. Bewick across the hall to the dining-room, deserted and orderly, where the drop-light rained its direct brightness only on the rich and variegated tapestry cover of the table beneath it. From the sideboard–whence the marble fruit had for some time been missing–she brought a bottle of aËrated water and a glass to set before him; she found him an ash-tray, and seated herself beside the table near him in such a way as to get, through the parted half-doors, a glimpse of the visitor when she should leave. Before speaking, she exchanged with the doctor a look of intelligence. “You see what I mean?” she asked little above a whisper. Dr. Bewick looked all around the room with leisurely appraising eyes, then nodded understanding. There was no intimation that he was not ready to listen, but he did not seem quite ready to talk. His white shirt-bosom was remarkably broad as he leaned back in his chair in the slightly lolling fashion of large, good-humored men. For all the nonchalance of his attitude, he looked, from evening tie to thin-soled dress-boots, beautifully spruce, as Aurora had remarked, and made an appropriate pendant to her in her Parisian finery. “You see what I mean?” she asked, and, not expecting a regular answer, did not wait for it. “Now that woman won’t leave until she has secured support for the mason’s five children, and she’ll do this without the smallest difficulty. In a day or two some one else will come, with the sad case of a poor father out of work who is going to have to sell his blind daughter’s canary unless Nell steps in to relieve their wants. And Nell will step in. Word has been passed, just as they say a tramp at home marks a house where he’s been given a meal, and every case of want in this town, it seems to me, is hopefully brought to Nell. And she listens every time; she doesn’t get sick of it. And you know, Doctor, that her circumstances don’t warrant it.” Bewick, as Estelle stopped for some comment on his side, made a slight motion of chin and eyelids that partly or deprecatingly agreed with her. He took the cigar out of his mouth, but having knocked the ash off, replaced it, to listen further and not for the moment speak. “It’s positively funny, the things Nell has been doing with her money,” Estelle went on, in a tone that did not Tom Bewick laughed, nodding to himself with an effect of relish. He murmured, “Aurora the Magnificent!” “Aurora the Magnificent–Aurora the Magnificent is all very well,” Estelle took up again with animation, “but she’s already spending her capital.” Bewick did not allow himself to appear startled or troubled; still, he was made pensive by this. His look at Estelle invited her to go on and tell him the rest, just how bad it was. She was leaning forward, with her elbows on “You know what her income is. It would have provided for all this,”–she took in the luxury around them by a gesture of the head,–“but no income can suffice to set up in housekeeping all the picturesque paupers in Florence. That’s why I was so anxious for you to come, and wrote you as I did. You can curb her; I can’t. I have no influence with her in that way, and I simply can’t sit still and see her throw away all this good money that was intended to provide her with comforts for the rest of her life. Unless somebody looks after it, she won’t have a penny left. You must talk to her, Doctor Bewick. Don’t let her know, though, that I put you up to it. You can ask a plain question, as it’s right and natural for you to do, then when she answers you can lecture her. She’ll take it from you.” Bewick, with his sensible face, looked as if he saw justice and reason in all Miss Madison had said to him; yet he did not go on with the subject. It might be that he felt delicate, in a masculine way, about uttering to a lady’s best friend any criticism of that lady’s mode of doing or being–criticism which he might feel no difficulty perhaps in voicing to herself. Estelle took this into consideration and, his reticence notwithstanding, relied on him to do his duty. A diversion occurred in the shape of a knock at the door–the door leading to the kitchen-stairs. It was but the scratch of one fingernail on the wood. Tiny as the sound was, it did not have to be repeated before Estelle ran to open. A small four-footed person entered, the bigness of Busteretto was reaching dog’s estate, his shape had taken on a degree of subtlety, his hair was growing long and straight and like leaves of the weeping willow. Estelle lifted the white fringe depending from his brow, and exposed to the light two great limpid brown eyes, incredibly sweet and intelligent. It was as wonderful, in its way, as if a blind beggar, insignificant and easy to pass by as he stood at the street-corner, should take off black goggles suddenly, and you should perceive that he was a masking angel come to test the hearts of men. “Did you ever see such a little sweetheart?” gasped Estelle. “A pretty little fellow,” spoke the doctor commendingly. With the instinct to relieve discomfort he raised the veil of hair again as soon as Estelle had let it drop, and looking further into the beautiful eyes, that with the neat nose made a triangle of dark spots effective as mouches on Columbine’s cheek,–“Why don’t you tie up his hair like this to keep it out of the way?” he asked. “We mustn’t! Mr. Fane, who gave him to Nell, says it would be bad for him, he might go blind. They’re that kind of eyes and need the shield from the light. Mr. Fane knows all about this Maltese breed of dogs.” “Is he the same one who painted her portrait?” Dr. Tom deviated from the subject of the dog, over whose eyes the curtain was allowed to drop again. “And the same one she nursed through an illness?” asked Dr. Tom after a moment, with the mere amount of interest apparently of one asking for a topographical detail, so that he may get his bearings. “Yes. You’d know, wouldn’t you, that she’d have to, if she thought he wasn’t getting the right care and didn’t see any other way of providing it.” “Well, Skip,” Dr. Tom returned his attention to the dog, “you’re a fine little fellow. Yes, sir.” He held out a large pink hand and received in it immediately a wee gentlemanly hand of fur and horn, rather smaller than any of his fingers. “Good dog,” he said, and regarded their friendship as sealed. But next minute, because Estelle had whispered to him, “Make believe to strike me,” he lifted his fist menacingly against her, and on the instant, with the courage of a David, there dashed against him a little wild white flurry, not to bite–the skin of man is sacred–but by a show of pearly teeth and the growlings of a lion to frighten the giant off. “Good dog!” cheered Tom and leaned back laughing, “Well done!” Because it was very late when Dr. Bewick left the ladies to return to his hotel they immediately repaired to their respective rooms; but before Estelle had got to bed, Aurora, half undressed, came strolling into her maidenly bower of temperate green and white. A vague depression of spirits had overtaken Aurora, reaction, perhaps, from the excitements of the day, and she sought her friend with the instinct to make herself feel better by talking it off. “Isn’t he the nicest fellow!” began Estelle, setting the keynote for joyous confidences. “Isn’t he just!” replied Aurora. “I want him to have the best time in the three weeks he’s going to spend here. We’ve got to show him all the beauties of Florence, and then I want him to know all our friends. We must have some tea-parties and some dinners. I want it to be just as gay. Who is there I ought to lay myself out for, if not Tom Bewick?” “I quite agree with you. Let’s plan.” “No, to-morrow’ll do. It’s too late. I’m tired.” The motions of Aurora’s fingers were suspended among the strands of her hair. She fell into a muse. “Seeing Tom”–she came out of it again, and went on braiding–“has brought back, along with some things I never want to forget, such a lot of things I don’t want to think of!” “I suppose it would.” “His sisters, for instance. He doesn’t look a bit like them, really–nasty bugs, godless, gutless pigs–but yet he brings them up before me. Idell rather more than Cora, and Idell was the meanest of the two, and her husband the miserablest, sneakingest cuss. Oh, how I hate the bunch of them! And I oughtn’t, you know. You oughtn’t to go on hating your enemies after you’ve got the better of them. But the moment I think of that trio, Cora Bewick–sour-bellied old maid!–and Idell Friebus, and her rotten little pea-green husband–pin-headed insect! flap-eared fool!–I get mad. If you could really know, Hat, the cold-heartedness and wicked-mindedness of those people! How they ever happened in Tom’s family Goodness only knows. “I know, I know; you’ve told me,” said Hattie, soothingly and deterringly. “The things those people did to me, and the things they said about me,”–Nell, not to be deterred, repeated intensely,–“if I’d ever wanted to give up my share, those things they did and said would have made me hold on like grim death just to spite them. Oh,”–she broke off, and flung her finished braids back over her shoulders,–“why do I let myself think of them? I grow so hot! It’s the sight of Tom that has started me back to thinking of all that excitement and disgustingness. Dear good Tom, who stood by me like a trump! I do wish, Hat, I didn’t hate so hard when I hate. We’ve taken pride in my family, I’m afraid, in being good haters, as if it were part of the same trait that makes you loyal and true to your friends. But perhaps it’s a mistake. I know that Gerald said once”–she yielded to the obscure desire to hear the air vibrate, as it had not done for some time, with the syllables of his name–“Gerald said once, when we were talking of things, ‘We must forgive everything,’ he said; ‘we must forgive happenings the same as we must people.’ And Gerald, “Talking about Gerald,” Estelle came in quickly, glad of a change from the other subject, “did Livvy tell you that our cook met Giovanna at the market, and Giovanna told her that her master was doing finely; that he hadn’t yet been out of doors, but that he sat at the open window in the sunshine? I’d been meaning to ask you.” “Oh.” Aurora quietly took it, and thought it over a minute. “No, she hadn’t told me. I suppose those long stairs would keep him from going out till he was good and strong. Did she say anything else?” “Only that Giovanna was buying a chicken, and the abbÉ, she said, was still staying with them.” The ladies of the Hermitage did the honors of Florence with modest pride and a certain glibness. Before the early old masters, Aurora said to Tom: “At first I couldn’t stand them. I guffawed at the idea of there being anything to admire in them. Even now I can’t pretend I like them; but I keep still and pray for light. Isn’t that the beginning of polish?” Tom was taken to make calls. Aurora took upon herself to explain Florentine society to him. “There are little stories about most everybody,” she said, “so you have to be pretty careful. If a certain General is present, for instance, whom I may have a chance to point out to you, you don’t want to talk of horses, because his fiery steed bolted with him during an engagement once and his enemies caricatured him running away. Then if a certain viscount is present, whom I may have a chance to introduce to you, you don’t want to talk of ermine, because The most splendid dinner that could be planned in council with Clotilde and the cook was prepared to honor the friend from home. To this were bidden the Fosses, Aurora’s best friends; the Hunts, her next best; Manlio, whom she wished Tom to see as a truly beautiful specimen of Italian; and Landini, because she was curious to know what Tom thought of him. Aurora had not seen the latter since the night of the veglione. Finding that he had not called during the interval, she had been glad to hope that his suspected mysterious project for making her his own had been dropped. That being the case, she was not at all averse to seeing him. On the contrary. Charlie Hunt she had not seen since the variety-show. Learning that he also had not once come during her absence, she thought that this admitted of some simple explanation which he would give on the night of the dinner. Charlie, receiving the invitation, pondered a while before accepting. He considered himself to have been insulted, rather, by Mrs. Hawthorne. Still, he could not be absolutely sure. If, anyhow, she did not know that he knew the black crow to have been none other than herself there would be nothing in his going to her dinner-party which laid him open to scorn. And he felt more disposed to go than not. The dinner would be festive, costly, succulent. Then he desired before breaking with her–if breach there must be, The dinner was superlative, but it was written he should leave the house finally in a bad humor. The feasted guest was a big Western American, of the immensely rich and not very interesting type, whom he had seen once or twice at the bank. Aurora’s fond esteem for this man was open and shameless. Whether he were a “has been,” an “is,” or a “to be,” Charlie could not determine, but only in the character of suitor could he see him in the picture. The dark face of Landini, his Chief, across the dinner table, when his eyes sought it was indecipherable to him; but, shut as it was, he was reminded by it, not to the improvement of his spirits, of a little personal hope, a just and rational hope, which might have to be relinquished. After dinner he got his hostess into a quiet corner for a chat. “Where’s Gerald?” pure curiosity made him ask, with that impertinence which his friends were accustomed to and took lightly, because curiosity and impertinence were “Gerald isn’t well enough yet to be out,” Aurora answered him, with imperfect candor. “You didn’t know he’d been ill? Why, how funny! He’s been having what you call here a ‘fluxion of the chest.’” This ignorance of Charlie’s comforted her by proving that the news of her nursing Gerald had not spread over the town like wildfire, as she had been warned it would. Florence was not so bad or nimble a gossip as she had feared. “I was as nice to Charlie Hunt that last evening as ever in my life,” she afterward declared, “and I thought he seemed all right.” When he spoke of the precious porcelain jars, however, she did cut short his appetizing description with: “Don’t speak of it. I daresn’t, Charlie. I’ve been lectured so much for extravagance, I daresn’t buy a toothpick. If these jars you speak of cost nine francs instead of nine hundred, I couldn’t, I tell you. I guess Florence has got all she’s going to out of me. I’ve turned over a new leaf.” Aurora had all evening been so entirely her kind and jolly self that Charlie had almost forgotten the black crow. At this check, and the barren prospect opening out beyond, he remembered it, and felt a vicious little desire to pay her back for the pin she had stuck into him under, as she idiotically supposed, an impenetrable disguise. He went away, as has been said, in a bad humor. |