This draws me insensibly toward the beautiful gardens of the Peterskoi—a favorite place of resort for the Moskovites, and famous for its chateau built by the Empress Elizabeth, in which Napoleon sought refuge during the burning of Moscow. It is here the rank and fashion of the city may be seen to the greatest advantage of a fine summer afternoon. In these gardens all that is brilliant, beautiful, and poetical in Russian life finds a congenial atmosphere.

I spent an evening at the Peterskoi which I shall long remember as one of the most interesting I ever spent at any place of popular amusement. The weather was charming—neither too warm nor too cold, but of that peculiarly soft and dreamy temperature which predisposes one for the enjoyment of music, flowers, the prattle of children, the fascinations of female loveliness, the luxuries of idleness. In such an atmosphere no man of sentiment can rack his brain with troublesome problems. These witching hours, when the sun lingers dreamily on the horizon; when the long twilight weaves a web of purple and gold that covers the transition from night to morning; when nature, wearied of the dazzling glare of day, puts on her silver-spangled robes, and receives her worshipers with celestial smiles, are surely enough to soften the most stubborn heart. We must make love, sweet ladies, or die. There is no help for it. Resistance is an abstract impossibility. The best man in the world could not justly be censured for practicing a little with his eyes, when away from home, merely as I do, you know, to keep up the expression.

The gardens of the Peterskoi are still a dream to me. For a distance of three versts from the gate of St. Petersburg the road was thronged with carriages and droskies, and crowds of gayly-dressed citizens, all wending their way toward the scene of entertainment. The pressure for tickets at the porter’s lodge was so great that it required considerable patience and good-humor to get through at all. Officers in dashing uniforms rode on spirited chargers up and down the long rows of vehicles, and with drawn swords made way for the foot-passengers. Guards in imperial livery, glittering from head to foot with embroidery, stood at the grand portals of the gate, and with many profound and elegant bows ushered in the company. Policeman with cocked hats and shining epaulets were stationed at intervals along the leading thoroughfares to preserve order.

The scene inside the gates was wonderfully imposing. Nothing could be more fanciful. In every aspect it presented some striking combination of natural and artificial beauties, admirably calculated to fascinate the imagination. I have a vague recollection of shady and undulating walks, winding over sweeping lawns dotted with masses of flowers and copses of shrubbery, and overhung by wide-spreading trees, sometimes gradually rising over gentle acclivities or points of rock overhung with moss and fern. Rustic cottages, half hidden by the luxuriant foliage, crowned each prominent eminence, and little by-ways branched off into cool, umbrageous recesses, where caves, glittering with sea-shells and illuminated stalactites, invited the wayfarer to linger a while and rest. Far down in deep glens and grottoes were retired nooks, where lovers, hidden from the busy throng, might mingle their vows to the harmony of falling waters; where the very flowers seemed whispering love to each other, and the lights and shadows fell, by some intuitive sense of fitness, into the form of bridal wreaths. Marble statues representing the Graces, winged Mercuries and Cupids, are so cunningly displayed in relief against the green banks of foliage that they seem the natural inhabitants of the place. Snow-spirits, too, with outspread wings, hover in the air, as if to waft cooling zephyrs through the soft summer night. In the open spaces fountains dash their sparkling waters high into the moonlight, spreading a mystic spray over the sward. Through vistas of shrubbery gleam the bright waters of a lake, on the far side of which the embattled towers of a castle rise in bold relief over the intervening groups of trees.

On an elevated plateau, near the centre of the garden, stands a series of Asiatic temples and pagodas, in which the chief entertainments are held. The approaching avenues are illuminated with many-colored lights suspended from the branches of the trees, and wind under triumphal archways, festooned with flowers. The theatres present open fronts, and abound in all the tinsel of the stage, both inside and out. The grounds are crowded to their utmost capacity with the rank and fashion of the city, in all the glory of jeweled head-dresses and decorations of order. Festoons of variegated lights swing from the trees over the audience, and painted figures of dragons and genii are dimly seen in the background.

RUSSIAN THEATRE.

Attracted by sounds of applause at one of these theatres, I edged my way through the crowd, and succeeded, after many apologies, in securing a favorable position. Amid a motley gathering of Russians, Poles, Germans, and French—for here all nations and classes are represented—my ears were stunned by the clapping of hands and vociferous cries Bis! Bis! The curtain was down, but in answer to the call for a repetition of the last scene it soon rose again, and afforded me an opportunity of witnessing a characteristic performance. A wild Mujik has the impudence to make love to the maid-servant of his master, who appears to be rather a crusty old gentleman, not disposed to favor matrimonial alliances of that kind. Love gets the better of the lover’s discretion, and he is surprised in the kitchen. The bull-dog is let loose upon him; master and mistress and subordinate members of the family rush after him, armed with saucepans, tongs, shovels, and broomsticks. The affrighted Mujik runs all round the stage bellowing fearfully; the bull-dog seizes him by the nether extremities and hangs on with the tenacity of a vice. Round and round they run, Mujik roaring for help, bull-dog swinging out horizontally. The audience applauds; the master flings down his broomstick and seizes the dog by the tail; the old woman seizes master by the skirts of his coat; and all three are dragged around the stage at a terrific rate, while the younger members of the family shower down miscellaneous blows with their sticks and cudgels, which always happen to fall on the old people, to the great satisfaction of the audience. Shouts, and shrieks, and clapping of hands but faintly express the popular appreciation of the joke. Finally the faithful maid, taking advantage of the confusion, flings a bunch of fire-crackers at her oppressors and blows them up, and the Mujik, relieved of their weight, makes a brilliant dash through the door, carrying with him the tenacious bull-dog, which it is reasonable to suppose he subsequently takes to market and sells for a good price. The curtain falls, the music strikes up, and the whole performance is greeted with the most enthusiastic applause. Such are the entertainments that delight these humorous people—a little broad to be sure, but not deficient in grotesque spirit.

From the theatre I wandered to the pavilion of Zingalee gipsies, where a band of these wild sons of Hagar were creating a perfect furor by the shrillness and discord of their voices. Never was such terrific music inflicted upon mortal ears. It went through and through you, quivering and vibrating like a rapier; but the common classes of Russians delight in it above all earthly sounds. They deem it the very finest kind of music. It is only the dilettante who have visited Paris who profess to hold it in contempt.

Very soon surfeited with these piercing strains, I rambled away till I came upon a party of rope-dancers, and after seeing a dozen or so of stout fellows hang themselves by the chins, turn back somersaults in the air, and swing by one foot at a dizzy height from the ground, left them standing upon each other’s heads to the depth of six or eight, and turned aside into a grotto to enjoy a few glasses of tea. Here were German girls singing and buffoons reciting humorous stories between the pauses, and thirsty Russians pouring down whole oceans of their favorite beverage.

Again I wandered forth through the leafy mazes of the garden. The gorgeous profusion of lights and glittering ornaments, the endless variety of colors, the novel and Asiatic appearance of the temples, the tropical luxuriance of the foliage, the gleaming white statuary, the gay company, the wild strains of music, all combined to form a scene of peculiar interest. High overhead, dimly visible through the tops of the trees, the sky wears an almost supernatural aspect during these long summer nights. A soft golden glow flushes upward from the horizon, and, lying outspread over the firmament, gives a spectral effect to the gentler and more delicate sheen of the moon; the stars seem to shrink back into the dim infinity, as if unable to contend with the grosser effulgence of the great orbs that rule the day and the night. Unconscious whether the day is waning into the night, or the night into the morning, the rapt spectator gazes and dreams till lost in the strange enchantment of the scene.

At a late hour a signal was given, and the company wandered down to the lake, along the shores of which rustic seats and divans, overshadowed by shrubbery, afforded the weary an opportunity of resting. Here we were to witness the crowning entertainment of the evening—a grand display of fire-works. A miniature steam-boat, gayly decorated with flags, swept to and fro, carrying passengers to the different landing-places. Gondolas, with peaked prows and variegated canopies, lay floating upon the still water, that lovers might quench their flames in the contemplation of its crystal depths, or draw fresh inspiration from the blaze of artificial fires. Soon a wild outburst of music was heard; then from the opposite shore the whole heavens were lighted up with a flood of rockets, and the ears were stunned by their explosions. Down through the depths of ether came showers of colored balls, illuminating the waters of the lake with inverted streams of light scarcely less bright and glowing. Anon all was dark; then from out the darkness flashed whirling and seething fires, gradually assuming the grotesque forms of monsters and genii, till with a deafening explosion they were scattered to the winds. From the blackened mass of ruins stood forth illuminated statues of the imperial family, in all the paraphernalia of royalty, their crowns glittering with jewels, their robes of light resplendent with precious gems and tracery of gold. A murmur of admiration ran through the crowd. The imperial figures vanished as if by magic, and suddenly a stream of fire flashed from a mass of dark undefined objects on the opposite shore, and lo! the waters were covered with fiery swans, sailing majestically among the gondolas, their necks moving slowly as if inspired by life. Hither and thither they swept, propelled by streams of fire, till, wearied with their sport, they gradually lay motionless, yet glowing with an augmented brilliancy. While the eyes of all were fixed in amazement and admiration upon these beautiful swans, they exploded with a series of deafening reports, and were scattered in confused volumes of smoke. Out of the chaos swept innumerable hosts of whirling little monsters, whizzing and boring through the water like infernal spirits of the deep. These again burst with a rattle of explosions like an irregular fire of musketry, and shot high into the air in a perfect maze of scintillating stars of every imaginable color. When the shower of stars was over, and silence and darkness once more reigned, a magnificent barge, that might well have represented that of the Egyptian queen—its gay canopies resplendent with the glow of many-colored lamps—swept out into the middle of the lake, and

THE PETERSKOI GARDENS.

And when the rowers had ceased, and the barge lay motionless, soft strains of music arose from its curtained recesses, swelling up gradually till the air was filled with the floods of rich, wild harmony, and the senses were ravished with their sweetness.

Was it a wild Oriental dream? Could it all be real—the glittering fires, the gayly-costumed crowds, the illuminated barge, the voluptuous strains of music? Might it not be some gorgeous freak of the emperor, such as the sultan in the Arabian Nights enjoyed at the expense of the poor traveler? Surely there could be nothing real like it since the days of the califs of Bagdad!

A single night’s entertainment such as this must cost many thousand rubles. When it is considered that there are but few months in the year when such things can be enjoyed, some idea may be formed of the characteristic passion of the Russians for luxurious amusements. It is worthy of mention, too, that the decorations, the lamps, the actors and operators, the material of nearly every description, are imported from various parts of the world, and very little is contributed in any way by the native Russians, save the means by which these costly luxuries are obtained.