John Sherman, Zach. S. Chandler and Oliver P. Morton in the Lime Light. Washington, March 12, 1870. In order to see the light of the sun eclipsed, or completely thrown in the shade, it is necessary to visit the Senate in night session. In prosy daytime one’s senses are ravished by the bewildering beauty of the decorative art in this “chamber;” but thus seen only a magic hall pictured in the “Arabian Nights’ Entertainment” will compare with the fairy-like beauty of the scene. Whence come the beams that steep everything in a sea of liquid amber? No jetty flame is visible anywhere. The exquisite roof of stained glass gleams with a deeper, richer light than was ever borrowed from old Sol’s rays. In order to be disenchanted one must be told that innumerable little gas jets cover the interior roof of the chamber, but the stained glass hides the ingenious contrivance from view. Who shall describe the sea of splendor that wraps and beautifies everything caught in its embrace? Under its influence grave Senators relax that stern gravity and austerity so becoming in a man upon whom half the dignity of a sovereign State depends. During last evening’s session, Senator Ramsey deliberately placed his hands behind him, apparently without malice aforethought, marched across the floor, and patted Senator Drake on the head. But the most astonishing thing connected with the performance consists in the fact that Senator Drake never quacked or even called the attention of the Senate to this strange proceeding. If in the course of legislation a Senator’s head must be patted, by what authority has a man the right to do so? Considering the irascibility If there is a chestnut burr in the American Senate, it is found in the person of Senator Drake, of Missouri. He bristles with sharp points, like a porcupine. He is ever on the alert for his foes, and when found he hurls shaft after shaft, unmindful where he hits; yet there is something so upright and true in the man that one forgets, as in the case of pricked fingers when a hoard of satin-backed chestnuts are brought into view. But the shimmering rays of the evening light up a unique picture. In the outer circle of Senatorial chairs may be seen the one occupied by the colored man from Mississippi. As yet it cannot be said that a negro or black man has broken into Congress. Senator Revels has the head of a bronze statue, and his hands are Anglo-Saxon. But the cruel weight of slavery has left its mark upon him. He brings to bear upon the tufted Wilton of the Senate chamber the plantation’s walk. Slave idiom clings to his mellow, flute-like speech. He looks so lonely and forlorn in his seat, the first in the edge of the charmed circle, just as if he had been washed there by some great tidal wave, which had retired, never more to return. Senator Revels is a good man, but not great, after the manner of Frederick Douglass; or keen as a Damascus blade, like Sella Martin, the editor of the colored man’s national organ. And yet, in legislative attainments, he compares favorably with the majority of the new Senators from the reconstructed States. The Senators are talking about the “funding bill.” In the colloquy the clear-cut face of John Sherman, of Ohio, comes to the surface. He has put his shoulder to the mountain of finance, and how manfully he tugs. Oh, the wear and tear to the understanding in the attempt to comprehend the money situation! A masculine biped whispers to his next door neighbor, “Do you understand why Senatorial abandon takes possession of the hour. A Western Senator perambulates the floor, smoking a cigar, but there are very few ladies in the gallery, and the cigar is daintily fragrant, considering its obnoxious origin. In the door of an adjoining cloak-room may be seen the broad, open face of Zachariah Chandler, and from its moon-like disc may be noticed small volumes of smoke escaping; but whether this fiery exhibition is the result of the destruction of tobacco, or a mild volcanic eruption in a very delicate region, there is no means of ascertaining. During the impatient conflict Charles Sumner is seen in his seat, solemnly solemn as the sphinx. A woman whispers: “Did you ever see Charles Sumner smile? I did once, you ought to have seen it.” “Why?” asked her companion. “Because he looked so handsome. The smile transfigured his countenance. I have liked his face ever since.” “May I never see him smile,” said the other woman. “I prefer to contemplate this man in the Senate as I do the mountain in a picture, or as I would an Arctic landscape in a gloomy, sullen sea.” Apparently weary of wielding the Vice-President’s sceptre, Schuyler Colfax has slipped out of the honored chair to a lower seat, and a Senator occupies his place. If a public man wants to be buried alive he can accomplish it by getting himself elected heir-apparent to the Executive. The Vice-President of the United States never has a chance to read his name in the newspapers, and by the time his four years are up the dear public have In the person of Senator Harlan, of Iowa, may be seen the presiding officer of the hour. How admirably he becomes the sombre, dignified place. Nature has cast this man in a noble mould. Broad forehead, clear gray eyes, and features as handsomely chiseled as if fresh from the hands of a first-class sculptor. Few men in the Senate have the simple tastes of Senator Harlan. His personal presence would be superb if it were not for the general appearance of threatened disruption which marks his The funding bill still agitates the waters of legislation, and Senator Morton, of Indiana, arises slowly, leaning upon his cane. What subtle influence brings to the mind’s eye the picture of a tiger chained to a broken cage? Surely that powerful organization was made to last three-score years and ten. What a glorious casket! Away with the cane! The pallor of his countenance is a part of the uncanny mockery of the night. There is no better speaker on the floor of the Senate. His thoughts flow fresh, clear, sparkling, like water from a hill-side spring. It is true, Indiana is a benighted State, morally defective, as seen by her divorces; her territory swampy, with fever and ague a yearly crop. But which is the best harvest a State can yield? Why men, to be sure, and when this fact is considered Indiana need not feel ashamed of herself. At this hour of the evening the floor is thickly strewn with all sizes of fragments of paper. It rustles under the feet of the nimble pages. Senator Wilson is opening his evening mail. He snaps the letter envelopes and hauls out the insides as gracefully as a bear scrapes honey out of a hollow tree. He is so earnest, and there is so much to do, and the sun will not stand still even for Massachusetts. He takes the time to read the name only of his correspondents; the reading through these letters must be done by a private secretary. What a huge pile of papers menace him! Public opinion says he is a man of “practical talent.” Is not this the best gift bestowed upon man? Blessed, thrice blessed, is the State that has a man in the Senate connected by an electric cord to the least of her people! Senator Cameron is walking up the broad aisle, erect Senators Conkling and Stewart may be seen in their respective seats, and these two men may properly be called the “blondes” of the Senate. If these Senators were women they would have the whole masculine world at their feet. It would seem as if the forces of nature conspired to keep them at a red heat, these men are steeped in liquid sunshine; their beards, at a distance, are the best kind of imitation of spun gold. Once a watery veined Senator was actually seen warming his hands only a short distance from Senator Conkling’s head; but notwithstanding this fact a handsomer man is seldom seen on the floor of the Senate. There is evidence of strong-coming impatience. Senators pace the floor as lions stride their dens. When will the interminable talk cease? No one heeds it. Senator Sprague is seen in a leaning attitude against the wall. The golden background helps to make a fitting picture of the young millionaire. His face has a marble pallor which the rosy light of the chamber cannot dispel. Very few people are in the galleries. A few dusky faces may be seen at the right of the reporters’ seats. The diplomatic space is unoccupied. In the ladies’ gallery is the intellectual countenance of Mrs. Secretary Cox. She is followed by a suite of pretty, youthful faces. Mrs. Sprague is also present, superbly graceful as ever. This elegant woman is not only ornamental, but useful to the world. When she is traveling amongst foreign nations her manners reflect honor on the country that gave her birth. But the gavel has sounded, and the night session ends. Olivia. |