The Modes and Methods of a Typical Society Function.

Washington, January 15, 1868.

A gradual change is coming over the face of events in Washington. The old monarchy’s dying. Andrew Johnson is passing away. If it were summer, grass would be growing between the stones of the pavement that leads to the stately porch of the Executive Mansion, but the motion of the political and social wheel of life is not in the least retarded. In many respects it would seem as if time were taking us backward in its flight and that we were living over again the last luxurious days of Louis XV. If Madame Pompadour is not here in the flesh, she has bequeathed to this brilliant Republican court her unique taste in the shape of paint-pots, rouge, patches, pointed heels, and frilled petticoats; the dress made with an immense train at the back, but so short in front that it discloses a wealth of airy, fantastic, white muslin; the square-necked waist, so becoming to a queenly neck; the open sleeve so bewitching for a lovely arm. This is the “style” which the fair belles of the capital have adopted. Our letters are meant to embody both political and social themes; but, if the truth must be told, the business of the people of the United States is suffering for want of being transacted. Our great men are too busy with the tangled skein of the next administration. Although half the present session has slipped away, scarcely anything has been accomplished. The real hard work is represented by the lobby, which is as ceaselessly and noiselessly at work as the coral builders in the depths of the sea.

General Butler is trying to enlighten the nation upon the knotty subject of finance. He seems to have taken the dilemma by the horns. It is not decided which will get the best of it, but the people can rest assured that General Butler will make a good fight. Like Andrew Johnson, he has only to point to his past record. It will be remembered that the gallant General paid his respects to the step-father of his country on New Year’s day. An eye witness of this historical event pronounced the “scene” extremely “touching” and one long to be remembered by the fortunate beholders. A sensational writer is engaged upon a new drama founded upon this theme. It will soon be brought out upon the boards at the National Theater under the high-sounding title of “Burying the Hatchet.” The writer of the drama is at a loss whether to call this production comedy or tragedy. It would be extremely comic, only the closing scene ends with Andy’s plumping the hatchet into the grave from sheer exhaustion, and the moment afterward he glides away into obscurity like a graceful Ophidian, or Hamlet’s ghost. The wily warrior is left master of the situation; not at all shut up like a fly in a bottle, but still able to be of use not only to his constituents but to the masses of his admiring countrymen.

But why talk politics when the social strata is so much more interesting? It is the social star which is in the ascendent to-day. The new Cabinet is discussed in shy little nods and whispers, between sips of champagne and creamy ices, in magnificent drawing rooms at the fashionable West End. Aye, why not give our dear Chicago friends a description of the most brilliant party of the season, which took place at the handsome residence of a merchant prince and member of Congress, the Honorable D. McCarthy, of Syracuse, N. Y. As the guests were brought together by card invitations, it follows that only the cream of Washington society was represented. To be sure there was a crowd; but then, it is not so very uncomfortable to be pressed to death by the awful enginery of a foreign minister, a major-general and a Vice-President elect, or to find yourself buried alive by drifts of snowy muslin or costly silk or satin, and your own little feet inextricably lost by being entangled in somebody’s train, and yourself sustained in the trying position by being held true to the perpendicular by the close proximity of your next neighbor. This can be borne by the most sensitive, owing to the delicate nature of the martyrdom.

Between the hours of 9 and 10, and many hours afterwards, carriage after carriage rolled up to the stately mansion, lately occupied by our present minister to England. Two savage policemen guarded the gate, and the coming guests slipped through their fingers as easily as if they had been attaches of the whisky ring. Once out of the carriage you found yourself standing upon the dainty new matting, from which your feet never departed until they pressed the Persian carpet of the inner hall. All wrapped and hooded and veiled, you ascended the broad staircase to find at the first landing an American citizen, of bronze complexion and crispy hair, who led you to the ladies’ dressing-room. Handmaidens of the African type instantly seized you and divested you of your outward shell or covering. A dainty French lady’s maid stood ready to give the last finish to your toilet or to coax into place any stubborn, mulish curl, and to repair, if it was necessary, any little damage or flaw to your otherwise faultless complexion. When you were “all right,” you found your attendant cavalier awaiting you at the door to conduct you, as well as himself, to the presence of the sun and moon of the evening, around whom all this growing planetary system revolved. A cryer at the door calls out the name of the cavalier and lady, in a stentorian voice. You shudder. This is the first plunge into fashionable life; but you come to the surface and find that you are face to face with the duke and duchess, in the republican sense of the word. Your hand is first taken by Mr. McCarthy, who is a tall and elegant person, whom you also know to be one of the “solid men” in Congress, as he certainly is without. You next touch the finger tips of “my lady,” a noble matron in purple velvet, old point lace, and flashing diamonds. At her right hand stand her two pretty daughters, with real roses in their cheeks, and real complexions, delicate enough to have been stolen from milky pearls. No jewels but their bright eyes. No color in their faultless white muslin dress, except little flecks of green that underlie the rich Valenciennes. You leave them, and smuggle yourself in the enclosures of a deep, old-fashioned window. The curtain half hides you while you gaze upon a shifting, glittering panorama, more gorgeous than a midsummer night’s dream. The air is laden with the perfume of rare exotics and the fragrance of the countless handkerchiefs of cob-web lace. Just beyond you at the right stands the servant of Her Majesty, Victoria of England. There is nothing to denote his rank or position in his plain citizen’s dress. A modest order, worn on his left breast, tells you that he is the successor of Sir Frederick Bruce; but in personal appearance Sir Edward Thornton bears no resemblance to his illustrious predecessor. He seems to be enjoying an animated conversation with a lady of rank belonging to his own legation. Monsieur the French Minister, exquisite, dandified, polished as a steel rapier, is talking to the host of the evening. Count Raasloff, the Danish minister, is exchanging compliments with Major-General Hunter. Though all the grand entertainments in Washington are graced by many of the diplomats resident here, they seem to get through the evening as if it were a part of their official duty. They cling together like any other colony surrounded by “outside barbarians.” The marble face of a petite French countess never relaxed a line from its icy frigidity until she found herself stranded in the dressing room up stairs, safely in the hands of the foreign waiting-maid. Then such chattering—the artificial singing birds in the supper room were entirely eclipsed. But let us leave at once these cold, haughty dames, who have nothing to boast of but the so-called blue blood in their veins. The world would never know they existed, unless some pen-artist sketched their portraits. We have had no dazzling foreign star in society here since the departure of Lady Napier. Oh! spirit of a fairy godmother, guide our pen while we touch our own American belles, the fairest sisterhood under the sun. “Who is the belle of the ball room to-night?” every one asks. You must not be told her name, reader, but you shall know everything else. Just imagine Madame Pompadour in the palmiest days of her regal beauty, stepping out of the old worm-eaten frame, imbued with life and clad in one of those white brocaded silks upon which has been flung the most exquisite flowers by the hand of the weaver. Hair puffed and frizzled and curled until the lady herself could not tell where the real leaves off and the false begins. The front breadth of dress is not more than half a yard in depth, but the long-pointed train at the back could not be measured by the eye; a yard-stick must be brought into requisition. There is a dainty little patch on her left cheek, and another still less charming on her temple. A necklace of rare old-fashioned mosaic is clasped around her throat, and a member of Congress from Iowa, who is said to be a judge, pronounces her to be the most beautiful woman in Washington. Oh! that newspaper letters did not have to come to an end. Room for one of Chicago’s fair brides, the only beloved daughter of Senator Harlan, Mr. Robert Lincoln’s accomplished wife. She looked every inch the lily in this sisterhood of flowers. She wore heavy, corded white silk, with any quantity of illusion and pearls.

So far hath the story been told without a word about the feast. The land, the sky and the ocean were rifled, and made to pay tribute to the occasion. Artificial singing birds twittered in the flowers that adorned the tables, while a rainbow of light encircled the same. This beautiful effect was accomplished by the gas-fitter’s art, and this exquisite device came very near bringing Chicago to grief, for the Honorable N. B. Judd found himself at the end of the magic bow, but instead of finding the bag of gold he just escaped a good “scorching.”

Again we touched the hand of the lady hostess, and then all was over.

Olivia.