Wonders of chemistry—Origin, progress, and objects of alchemy—Art of breathing fire—Employed by Barchochebas, Eunus, &c.—Modern method—Art of walking upon burning coals and red-hot iron, and of plunging the hands in melted lead and boiling water—Singular property of boiling tar—Workmen plunge their hands in melted copper—Trial of ordeal by fire—Aldini’s incombustible dresses—Examples of their wonderful power in resisting flame—Power of breathing and enduring air of high temperatures—Experiments made by Sir Joseph Banks, Sir Charles Blagden, and Mr. Chantrey. Chemistry has from its infancy been pre-eminently the science of wonders. In her laboratory the alchemist and the magician have revelled uncontrolled, and from her treasures was forged the sceptre which was so long and so fatally wielded over human reason. The changes which take place in the bodies immediately around us are too few in number and too remote from observation to excite much of our notice; but when the substances procured directly from nature, or formed casually by art, become objects of investigation, they exhibit in their simple or combined actions the most extraordinary effects. The phenomena which they display, and the products which they form, so little resemble those with which we are familiar, that the most phlegmatic and the least speculative observer must have anticipated from them the creation of new and valuable com The disciple of Mammon grew pale over his crucible in his ardour to convert the baser metals into gold; the philosopher pined in secret for the universal solvent which might develop the elements of the precious stones and yield to him the means of their production; and the philanthropist aspired after a universal medicine, which might arrest disease in its course, and prolong indefinitely the life of man. To us, who live under the meridian of knowledge, such expectations must appear as presumptuous as they were delusive; but when we consider that gold and silver were actually produced by chemical processes from the rude ores of lead and copper—that some of the most refractory bodies had yielded to the disintegrating and solvent powers of chemical agents, and that the mercurial preparations of the Arabian physicians had operated like charms in the cure of diseases that had resisted the feeble medicines of the times, we may find some apology for the extravagant expectations of the alchemists. An object of lofty pursuit, even if it be one of impossible attainment, is not unworthy philosophical ambition. Though we cannot scale the summit of the volcanic cone, we may yet reach its heaving flanks; and though we cannot decompose its loftiest fires, we may yet study the lava which they have melted and the products which they have sublimed. In like manner, though Thus far the pursuits of the alchemist were honourable and useful; but when his calling was followed, as it soon was, by men prodigal of fortune and of character, science became an instrument of crime; secrets unattained were bartered for the gold of the credulous and the ignorant, and books innumerable were composed to teach these pretended secrets to the world. An intellectual reaction, however, soon took place; and those very princes who had sought to fill their exhausted treasuries at the furnace of the chemist, were the first to enact laws against the frauds which they had encouraged, and to dispel the illusions which had so long deceived their subjects. But even when the moral atmosphere of Europe was thus disinfected, chemistry supplied the magician with his most lucrative wonders, and those who could no longer delude the public with dreams of wealth and longevity, now sought to amuse and astonish them by the exhibition of their skill. The narrow limits of this volume will not permit me to give even a general view of those extraordinary effects which this popular science can display. I must therefore select from its inexhaustible stores those topics which are One of the most ancient feats of magic was the art of breathing flame,—an art which even now excites the astonishment of the vulgar. During the insurrection of the slaves in Sicily, in the second century before Christ, a Syrian named Eunus acquired by his knowledge the rank of their leader. In order to establish his influence over their minds, he pretended to possess miraculous power. When he wished to inspire his followers with courage, he breathed flames or sparks among them from his mouth, at the same time that he was rousing them by his eloquence. St. Jerome informs us that the Rabbi Barchochebas, who headed the Jews in their last revolt against Hadrian, made them believe that he was the Messiah, by vomiting flames from his mouth; and at a later period, the Emperor Constantius was thrown into a state of alarm when Valentinian informed him that he had seen one of the body-guards breathing out fire and flames. We are not acquainted with the exact methods by which these effects were produced; but Florus informs us that Eunus filled a perforated nut-shell with sulphur and fire, and having concealed it in his mouth, he breathed gently through it while he was speaking. This art is performed more simply by the modern juggler. Having rolled together some flax or hemp, so as to form a ball the size of a walnut, he sets it on fire, and allows it to burn till it is nearly consumed: he then rolls round it while burning some additional flax, and by these means the fire may be retained in it for The kindred art of walking on burning coals or red-hot iron remounts to the same antiquity. The priestesses of Diana at Castabala in Cappadocia were accustomed, according to Strabo, to walk over burning coals; and at the annual festival which was held in the temple of Apollo on Mount Soracte in Etruria, the Hirpi marched over burning coals, and on this account they were exempted from military service, and received other privileges from the Roman Senate. This power of resisting fire was ascribed even by Varro to the use of some liniment with which they anointed the soles of their feet. Of the same character was the art of holding red-hot iron in the hands or between the teeth, and of plunging the hands into boiling water or melted lead. About the close of the seventeenth century, an Englishman of the name of Richardson rendered himself famous by chewing burning coals, pouring melted lead upon his tongue, and swallowing melted glass. That these effects are produced partly by deception, and partly by a previous preparation of the parts subjected to the heat, can scarcely admit of a doubt. The fusible metal, composed of mercury, tin, and bismuth, which melts at a low temperature, might easily have been substituted in place of lead; and fluids of easy ebullition may have But even when the fluid requires a high temperature to boil, it may have other properties, which enable us to plunge our hands into it with impunity. This is the case with boiling tar, which boils at a temperature of 220°, even higher than that of water. Mr. Davenport informs us, that he saw one of the workmen in the Royal Dock-yard at Chatham immerse his naked hand in tar of that temperature. He drew up his coat-sleeves, dipped in his hand and wrist, bringing out fluid tar, and pouring it off from his hand as from a ladle. The tar remained in complete contact with his skin, and he wiped it off with tow. Convinced that there was no deception in this experiment, Mr. Davenport immersed the entire length of his fore-finger in the boiling cauldron, and moved it about a short time before the heat became inconvenient. Mr. Davenport ascribes this singular effect to the slowness with which the tar communicates its heat, which he conceives to arise from the abundant volatile vapour which is evolved, “carrying off rapidly the caloric in a latent state, and intervening between the tar and the skin, so as to prevent the more rapid communication of heat.” He conceives also, that when the hand is withdrawn, and the hot tar adhering to it, the rapidity with But though the conjurors with fire may have availed themselves of these singular properties of individual bodies, yet the general secret of their art consisted in rendering the skin of the exposed parts callous and insensible to heat,—an effect which may be produced by continually compressing or singeing them till the skin acquires a horny consistence. A proof of this opinion is mentioned by Beckmann, who assures us, that in September, 1765, when he visited the copper-works at Awestad, one of the workmen, bribed by a little money to drink, took some of the melted copper in his hand, and, after showing it to the company, threw it against a wall. He then squeezed the fingers of his horny hand close to each other, held it a few minutes under his arm-pit, to make it perspire, as he said, and taking it again out, drew it over a ladle filled with melted copper, some of which he skimmed off, and moved his hand backwards and forwards very quickly by way of ostentation. During this performance, M. Beckmann noticed a smell like that of singed horn or leather, though the hand of the workman was not burned. This callosity of the skin may be effected by frequently moistening it with dilute sulphuric acid. Some allege that the juices of certain plants produce the same effect, while others recommend the frequent rubbing of the As the ancients were acquainted with the incombustibility of asbestos or amianthus, and the art of weaving it into cloth, it is highly probable that it was employed in the performance of some of their miracles, and it is equally probable that it was subsequently used, along with some of the processes already described, in enabling the victims of superstition to undergo without hazard the trial of ordeal by fire. In every country where this barbarous usage prevailed, whether in the sanctuary of the Christian idolater, or in the pagan temple of the Bramin, or under the wild orgies of the African savage, Providence seems to have provided the means of meeting it with impunity. In Catholic countries this exculpatory judgment was granted chiefly to persons in weak health, who were incapable of using arms, and particularly to monks and ecclesiastics, who could not avail themselves of the trial by single combat. The fire ordeal was conducted in the church under the inspection of the clergy: mass was at the same time celebrated, and the iron and the victims were consecrated by the sprinkling of holy water. The preparatory steps were also under the direction of the priests. It was necessary that the accused should be placed three days and three nights under their care, both before and after the trial. Under the pretence of preventing the defendant from preparing his hands In our own times the art of defending the hands and face, and indeed the whole body, from the action of heated iron and intense fire, has been applied to the nobler purpose of saving human life, and rescuing property from the flames. The revival and the improvement of this art we owe to the benevolence and the ingenuity of the Chevalier Aldini of Milan, who has travelled through all Europe to present this valuable gift to his species. Sir H. Davy had long ago shown that a safety lamp for illuminating mines, containing inflammable air, might be constructed of wire-gauze alone, which prevented the flame within, however large or intense, from setting fire to the inflammable air without. This valuable property, which has been long in practical use, he ascribed to the conducting and radiating power of the wire-gauze, which carried off the heat of the flame, and deprived it of its The metallic dress which is superadded to these means of defence consists of five principal pieces, viz. a casque or cap, with a mask large enough to leave a proper space between it and the asbestos cap; a cuirass with its brassets; a piece of armour for the trunk and thighs; a pair of boots of double wire-gauze; and an oval shield 5 feet long by 2 In order to prove the efficacy of this apparatus, and inspire the firemen with confidence in its protection, he showed them that a finger first enveloped in asbestos, and then in a double case of wire-gauze, might be held a long time in the flame of a spirit-lamp or candle before the heat became inconvenient. A fireman having his hand within a double asbestos glove, and its palm protected by a piece of asbestos cloth, seized with impunity a large piece of red-hot iron, carried it deliberately to the distance of 150 feet, inflamed straw with it, and brought it back again to the furnace. On other occasions the fireman handled blazing wood and burning substances, and walked during five minutes upon an iron grating placed over flaming fagots. In order to show how the head, eyes, and lungs are protected, the fireman put on the asbestos and wire-gauze cap, and the cuirass, and held the shield before his breast. A fire of shavings was then lighted, and kept burning in a large raised chafing-dish; the fireman plunged his head into the middle of the flames with his face to the fuel, and in that position went several times round the chafing-dish for a period longer than a minute. In a subsequent trial, at Paris, a fireman placed his head in the middle of a large brazier filled with flaming hay and wood, as in Fig. 77, and resisted the action of the fire during five or six minutes, and even ten minutes. In the experiments which were made at Paris In February, 1829, a still more striking experiment was made in the yard of the barracks of St. Gervais. Two towers were erected two stories high, and were surrounded with heaps of inflamed materials, consisting of fagots and straw. The firemen braved the danger with impunity. In opposition to the advice of M. Aldini, one of them, with the basket and child, rushed into a narrow place, where the flames were raging eight yards high. The violence of the fire was so great that he could not be seen, while a thick black smoke spread around, throwing out a heat which was unsupportable by the spectators. The fireman remained so long invisible that serious doubts were entertained of his safety. He at length, however, issued from the fiery gulf uninjured, and proud of having succeeded in braving so great a danger. It is a remarkable result of these experiments, that the firemen are able to breathe without difficulty in the middle of the flames. This effect is owing not only to the heat being intercepted by the wire-gauze as it passes to the lungs, in consequence of which its temperature becomes supportable, but also to the singular power which the body possesses of resisting great heats, and of breathing air of high temperatures. A series of curious experiments were made on this subject by M. Tillet in France, and by Dr. Fordyce and Sir Charles Blagden in England. Sir Joseph Banks, Dr. Solander, and Sir Charles The same gentlemen who performed the expe Our distinguished countryman, Sir F. Chantrey, has very recently exposed himself to a temperature still higher than any which we have mentioned. The furnace which he employs for drying his moulds is about 14 feet long, 12 feet high, and 12 feet broad. When it is raised to its highest temperature, with the doors closed, the thermometer stands at 350°, and the iron floor is red hot. The workmen often enter it at a temperature of 340°, walking over the iron floor with wooden clogs, which are of course charred on the surface. On one occasion Sir F. Chantrey, accompanied by five or six of his friends, entered the furnace, and, after remaining two minutes, they brought out a thermometer which stood at 320°. Some of the party experienced sharp pains in the tips of their ears, and in the septum of the nose, while others felt a pain in their eyes. |