APPENDICES.

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Ebenezer Cobham Brewer

APPENDIX I.

ENGLISH AND AMERICAN BIBLIOGRAPHY.
  • Abbott (Edwin Abbott), London, 1838-
    • Bible Lessons, 1872.
    • Cambridge Sermons, 1875.
    • Concordance to Pope, 1875.
    • Parables for Children, 1880.
    • Shakesperian Grammar (A), 1870.
    • Through Nature to Christ, 1877.
  • Abbott (Jacob), born at Hallowel, Maine, 1803-1879.
    • Corner Stone (The), 1826.
    • Way to do good (The), 1836.
    • Young Christian (The), 1825.
  • Abbott (Rev. John S. C.), brother of Jacob Abbott, 1806-1877.
    • Kings and Queens, or Life in a Palace, 1839.
    • Life of Napoleon, 1855.
    • Mother at Home (The), 1845.
  • Abercrombie (John), Aberdeen, 1781-1844.
    • Inquiry Concerning the Intellectual Powers, 1830, 1833.
    • Philosophy of Moral Feeling, 1833.
    • Researches on Diseases of the Brain, etc., 1828.
  • Addison (Joseph), born at Milston, in Wiltshire, 1672-1719.
    • Freeholder (The), 1715-16.
    • Guardian (The), 1713.
    • Spectator (The), 1711-12, 1714.
    • Tatler (The), 1709-11.
    • Cato (a tragedy), 1713.
    • Divine Poems, 1728.
    • Evidences of the Christian Religion, 1807.
    • Poems, 1712, 1719.
  • Agassiz (Louis), born at Orbe, in Switzerland, 1807-1873.
    • Elements of ZoÖlogy, 1854.
    • Essay on Classification, 1859.
    • Fossil Fish, 1833-42.
    • Lake Superior; its Physical character, Vegetables and Animals, 1850.
    • SalmonidÆ, 1839.
    • Studies on Glaciers, 1840.
    • System of Glaciers, or Researches on Glaciers, 1847.
    • ZoÖlogical Bibliography, 1848-50.
  • Ainsworth (William Harrison), Manchester, 1805-1882.
    • Auriol and other Tales, 1880.
    • Beatrice Tyldesley, 1878.
    • Beau Nash, 1880.
    • Boscobel, or the Royal Oak, 1872.
    • Cardinal Pole, 1863.
    • Chetwynd Calverley, 1876.
    • Constable de Bourbon, 1866.
    • Constable of the Tower, 1861.
    • Crichton, 1837.
    • Fall of Somerset, 1877.
    • Flitch of Bacon (The), 1854.
    • Goldsmith’s Wife (The), 1875.
    • Good Old Times (The), 1873.
    • Guy Fawkes, 1841.
    • Hilary St. Ives, 1869.
    • Jack Sheppard, 1839.
    • John Law, the Projector, 1864.
    • Lancashire Witches, 1848.
    • Leaguer of Lathom (The), 1876.
    • Lord Mayor of London (The), 1862.
    • Manchester Rebels (The), 1873.
    • Merry England, 1874.
    • Mervyn Clitheroe, 1857.
    • Miser’s Daughter (The), 1842.
    • Myddleton Pomfret, 1865.
    • Old Court (The), 1867.
    • Old St. Paul’s, 1841-43.
    • Ovingdean Grange, 1850.
    • Preston Fight (The), 1875.
    • Rookwood, 1834.
    • St. James’s, or Court of Queen Anne, 1844.
    • Sir John Chiverton, 1825.
    • South Sea Bubble, 1868.
    • Spanish Match (The), 1865.
    • Spendthrift (The), 1856.
    • Stanley Brereton, 1881.
    • Star Chamber (The), 1854.
    • Talbot Harland, 1870.
    • Tale of the Plague, 1841.
    • Tower Hill, 1871.
    • Tower of London, 1843.
    • Windsor Castle, 1843.
  • Akenside (Mark), born at Newcastle-on-Tyne, 1721-1770.
    • British Philippic, 1738.
    • Epistle to Curio, 1744.
    • Naiades (Hymn to the), 1746.
    • Odes, 1740.
    • Pleasures of the Imagination, 1744.
  • Aldrich (Thomas Bailey), born at Portsmouth, New Hampshire, 1836.
    • Ballad of Baby Bell, and other Poems, 1856.
    • Cloth of Gold, and other Poems, 1874.
    • Marjorie Daw, 1873.
    • Prudence Palfrey, 1874.
    • Queen of Sheba, 1877.
    • Story of a Bad Boy, 1870.
  • Alford (Henry), dean of Canterbury, London, 1810-1871.
    • Chapters on the Poets of Greece, 1841.
    • Greek Testament edited, 1841-61.
    • New Testament for English Readers, 1863-69.
    • Queen’s English (The), 1864.
    • Abbot of Muchelnage, and other Poems, 1841.
    • Poems and Poetical Fragments, 1831.
    • School of the Heart, and other Poems, 1835.
  • Alison (Sir Archibald), born at Kenley, in Shropshire, 1792-1867.
    • Essays, 1850.
    • History of Europe during the French Revolution, 1833-1842.
    • History of Europe from the fall of Napoleon, 1853-59.
    • Life of Marlborough, 1848.
    • Lives of Lord Castlereagh and Sir C. Stewart, 1861.
  • Alleine (Joseph), Devizes, 1633-1668.
    • Alarm to the Unconverted, 1672.
  • Allibone (Samuel Austen), born in Philadelphia, 1816-1889.
    • A Critical Dictionary of English Literature, and British and American Authors, 1858-1875.
  • Allingham (William), Ballyshannon, 1824-1889.
    • Day and Night Songs, 1854-55.
    • Fifty Modern Poems, 1865.
    • Music-master (The), and other Poems, 1857.
    • Poems, 1850.
    • Songs, Ballads, and Stories, 1877.
      • (Editor of Frazer’s Magazine, 1874.)
  • Argyll (George John Douglas Campbell, duke of), 1823-
    • Primeval Man, 1869.
    • Reign of Law (The), 1867.
  • Arnold (Sir Edwin), 1832-
    • Feast of Belshazzar (Newdegate prize), 1852.
    • Griselda (a drama), 1856.
    • Poems, Narrative and Lyrical, 1853.
    • Indian Song of Songs, 1875;
      • the GÎta Govinda.
    • Light of Asia, 1879.
    • Poets of Greece, 1869.
  • Arnold (Matthew), born at Laleham, Middlesex, 1822-1888.
    • New Poems, 1868.
    • Poems, 1854-1877.
    • Essays on Criticism, 1865.
    • God and the Bible, 1875.
    • Last Words on Translating Homer, 1863.
    • Literature and Dogma, 1873.
    • Popular Education of France, 1864.
    • Schools and Universities on the Continent, 1868.
    • St. Paul and Protestantism, 1870.
    • Study of Celtic Literature, 1867.
    • Three Lectures on Translating Homer, 1861-1862.
  • Arnold (Thomas), born at West Cowes, Isle of Wight, 1795-1842.
    • History of Rome, 1838-42.
    • Lectures on Modern History, 1842.
    • Sermons.
  • Ascham (Roger), born at Kirby-Wiske, Yorkshire, 1515-1568.
    • Scholemaster (The), 1570.
  • Audubon (John James), born in Louisiana, 1780-1851.
    • American Ornithological Biography, 1831-39.
    • Birds of America, 1830-39, 1844.
    • Quadrupeds of America (with Dr. Buchanan).
  • Austen (Jane), born at Steventon, Hampshire, 1775-1817.
    • Emma, 1816.
    • Mansfield Park, 1814.
    • Northanger Abbey, posthumous, 1818.
    • Persuasion, posthumous, 1818.
    • Pride and Prejudice, 1813.
    • Sense and Sensibility, 1811.
  • Austin (Alfred), born at Headingley, near Leeds, 1835-
    • Golden Age (The), 1871.
    • Human Tragedy (The), 1862.
    • Interludes, 1872.
    • Leszko, the Bastard, 1877.
    • Madonna’s Child, 1873.
    • My Satire and its Censors, 1861.
    • Randolf, 1858.
    • Rome or Death, 1873.
    • Season (The), 1861.
    • Tower of Babel (The), 1874.
    • Artist’s Proof (An), 1864.
    • Five Years of it, 1858.
    • Won by a Head, 1866.
    • England’s Policy and Peril, 1877.
    • Note of Admiration, etc., 1861.
    • Poetry of the Period (The), 1870.
    • Russia before Europe, 1876.
    • Tory Horrors, 1876.
    • Vindication of Lord Byron, 1869.
  • Aytoun (William Edmonstoune), born in Edinburgh, 1813-1865.
    • Ballads of Scotland, 1858.
    • Bothwell, 1856.
    • Firmilian, 1854.
    • Lays of the Scottish Cavaliers, and other Poems, 1849.
    • Poland, and other Poems.
    • Glenmutchkin Railway.
    • How I became a Yeoman.
    • Life and Times of Richa .
  • Byron (George Noel Gordon, lord), London, 1788-1824.
    • Beppo, 1818.
    • Bride of Abydos, 1813.
    • Cain, 1821.
    • Childe Harold, canto i., 1809;
      • ii., 1810;
      • iii., 1816;
      • iv., 1818.
    • Corsair (The), 1814.
    • Curse of Minerva, 1812.
    • Deformed Transformed (The), 1824.
    • Don Juan, cantos i., ii., 1819;
      • iii.-v., 1821;
      • vi.-viii., 1823;
      • ix.-xi., 1823;
      • xii.-xiv., 1823;
      • xv., xvi., 1824.
    • English Bards and Scotch Reviewers, 1809.
    • Giaour (The), 1813.
    • Heaven and Earth: a Mystery, 1822.
    • Hebrew Melodies, 1815.
    • Hours of Idleness, 1807.
    • Island (The), 1823.
    • Lament of Tasso, 1817.
    • Lara, 1814.
    • Manfred, 1817.
    • Marino Faliero, 1821.
    • Mazeppa, 1819.
    • Memoirs of my own Life, 1825.
    • Monody on Sheridan, 1817.
    • Morgante Maggiore, etc., 1823.
    • Ode to Napoleon Bonaparte, 1814.
    • Parisina, 1816.
    • Prisoner of Chillon, 1816.
    • Prophecy of Dante, 1821.
    • Sardanapalus, 1821.
    • Siege of Corinth, 1816.
    • Werner, 1822.
    • Letters and Journal, 1831.
  • Byron (Henry James), born at Manchester, 1835-1884.
    • American Lady (An), 1874.
    • Fra Diavolo, 1858.
    • Ill-treated Il Trovatore, 1855.
    • Not such a Fool as he looks, 1869.
    • Old Sailors, 1874.
    • Our Boys, 1878.
    • War to the Knife, 1865.
    • CÆdmon, first English poet, died at Whitby, 680.
      • Paraphrasis Poetica Geneseos, printed 1655.
    • Campbell (John, lord), born near Cupar, in Scotland, 1779-1861.
      • Lives of the Chief Justices, 1849.
      • Lives of the Lord Chancellors, 1845-47.
    • Campbell (Thomas), of Glasgow, 1777-1844.
      • Battle of the Baltic, 1801.
      • Exile of Erin, 1801.
      • Gertrude of Wyoming, 1809.
      • Hohenlinden, 1801.
      • Pilgrim of Glencoe, and other Poems, 1842.
      • Pleasures of Hope, 1799.
      • Reullura, the Beautiful Star, 1817.
      • Theodoric, and other Poems, 1824.
      • Ye Mariners of England, 1801.
    • Carey (Henry), 1696-1743.
      • Sally in our Alley, 1737.
    • Carleton (William), of Ireland, 1798-1869.
      • Black Prophet (The), 1847.
      • Tales, 1841.
      • Traits and Stories of the Irish Peasantry, 1830-32.
      • Valentine M’Clutchy, 1845.
      • Willie Reilly, 1855.
    • Carlyle (Thomas), of Dumfriesshire, in Scotland, 1795-1881.
      • Chartism, 1839.
      • French Revolution (The), 1837.
      • Friedrich II. the Great, vol. i., ii., 1858;
        • iii., iv., 1862.
      • Heroes and Hero-worship, 1840.
      • Life of Schiller, 1823-24;
        • recast 1825.
      • Life of John Sterling, 1851.
      • Oliver Cromwell’s Letters and Speeches, 1845.
      • Past and Present, 1843.
      • Reminiscences, 1881.
      • Sartor Resartus, 1833-34.
    • Cary (Rev. Henry Francis), born at Birmingham, 1772-1844.
      • Dante (translated), 1805-14.
    • Cass (Lewis), born at Exeter, in New Hampshire, 1782-1866.
      • King, Court, and Government of France, 1840.
    • Cavendish (George), a pseudonym.
      • Life of Cardinal Wolsey, 1825.
    • Chalmers (Alexander), of Aberdeen, 1759-1834.
      • British Essayist, 1803.
      • English Poets, 1810.
      • General Biographical Dictionary, 1812-17.
    • Chalmers (Thomas), born at Anstruther, in Scotland, 1780-1847.
      • Adaptation of Nature to the Constitutions of Man, 1833.
    • Chambers (Robert), born at Peebles, in Scotland, 1802-1871.
      • Book of Days (The), 1863-64.
    • Chambers (William), brother of the above, 1800-1883.
      • Ailie Gilroy, 1872.
      • Book of Scotland, 1830.
      • Memoir of Robert Chambers, 1872.
        • The Two Brothers.
      • CyclopÆdia of English Literature, 1842-44.
      • Domestic Annals of Scotland, 1858.
      • Essays, 1866.
      • Edinburgh Journal, started 1832.
      • Information for the People, commenced 1834.
      • Gazetteer of Scotland, 1829-30.
    • Chamier (Frederic), London, 1796-1870.
      • Ben Brace, 1835.
      • Tom Bowline, 1839.
    • Channing (William Ellery), born at Boston, 1818-
      • Poems, 1843, 1847.
      • Wanderer (The), 1872.
      • Woodman (The), 1849.
      • Thoreau, the Poet-Naturalist, 1873.
    • Chapman (Dr. George), born at Hitching Hill, in Hertfordshire, 1557-1634.
      • Homer’s Iliad, 1603.
      • Homer’s Odyssey, 1614.
    • Chatterton (Thomas), of Bristol, 1752-1770.
      • Rowley Correspondence begins 1768.
      • Godwin, 1771.
      • Miscellanies, 1778.
        • Supplement, 1784.
      • Poems, 1771.
      • Rowley Pieces in a Collective Form, 1777.
    • Chaucer (Geoffrey), born in London, 1328-1400.
      • Boke of Cupid, or the Cuckow and the Nightingale, 1364;
        • first printed 1532.
      • Boke of Fame (The), printed by Caxton, no date;
        • by Pynson, 1526.
      • Boke of the Duchesse (The), 1371;
        • printed 1532.
      • Canterbury Tales (The), 1383;
        • printed by Caxton, 1475.
      • Compleynte of a Loveres Lyfe (The), 1362.
      • Compleynte of Chaucer to his Purse (The), 1377;
        • first printed 1532.
      • Compleynte of Mars and Venus (The), 1364.
      • Flower and the Leaf (The), first printed 1598.
      • House of Fame (The), 1373;
        • first printed 1532.
      • Jacke Upland, first printed 1602.
      • Parlement of Briddes, or Assembly of Fowles (The), 1358;
        • or Scipio’s Dream, printed by Wynkyn de Worde, 1530.
      • Ploughman’s Tale (The), first printed 1542.
      • Praise of Women (A), 1366;
        • first printed 1532.
      • Romaunt of the Rose (The), 1360;
        • printed 1532.
      • Treatise on the Astrolabie, 1391-92.
      • Troylus and Creseyde, 1369;
        • printed by Caxton, no date;
        • Wynkyn de Worde, 1517.
    • Chavasse (Pye H.), 19th century.
      • Advice to a Mother on the Management of her Children, 1849.
      • Advice to a wife on the Management of her Own Health, 1850.
    • Chesterfield (Philip Dormer Stanhope, earl of), born in London, 1694-1773.
      • Letters to his Son, posthumous, 1774;
        • supplement, 1777.
    • Child (Mrs. Lydia Maria), born at Medford, 1802-1880.
      • Autumnal Leaves, 1860.
      • Fact and Fiction, 1846.
      • Flowers for Children, 1852.
      • Hobomok, a Story of the Pilgrims, 1824.
      • Isaac T. Hopper, a True Life, 1853.
      • Looking towards Sunset, 1860.
      • Philothea, a Greek Romance, 1836.
      • Progress of Religious Ideas, etc., 1855.
      • Rebels (The), 1825.
      • Romance of the Republic (A), 1867.
    • Church (Rev. Richard William), 1815-1890.
      • Beginning of the Middle Ages, 1877.
      • Civilization before and after Christianity, 1872.
      • Influences of Christianity upon National Character, 1873.
      • Sacred Poetry of Early Religions, 1874.
    • Cibber (Colley), of London, 1671-1757.
      • Apology for his own Life, 1740.
      • Works, 1721.
    • Clarendon (Henry Hyde, earl of), born at Dinton, in Wiltshire, 1638-1709.
      • History of the Rebellion and Civil War in England, 1702-4.
    • Clarke (Charles Cowden), born at Enfield, in Middlesex, 1787-1877.
      • MoliÈre Characters, 1865.
      • Shakespeare Characters, 1863.
      • Tales from Chaucer, 1833.
    • Clarke (Mrs. Cowden), 1809-
      • Complete Concordance t or, 1878.
      • Ruby Grey, 1878.
      • Spiritual Wives, 1868.
      • Switzers (The), 1872.
      • Two Queens, 1873.
      • White Conquest, 1875.
    • Dobell (Sydney), London, 1824-1874.
      • England in Time of War, 1856.
      • Poetical Works, 1875.
    • Dodd (Rev. William), born at Bourne, in Lincolnshire, 1729-1777.
      • Beauties of Shakespeare, 1752.
    • Doddridge (Philip), London, 1702-1751.
      • Rise and Progress of Religion in the Soul, 1750.
    • Doran (John), 1807-1878.
      • Monarchs Retired from Business, 1857.
    • Drake (Samuel), born at Pittsfield, New Hampshire, 1798-1875.
      • Book of the Indians, 1833.
      • History of Boston, 1852.
    • Draper (John William), born at St. Helen’s, near Liverpool, 1811-1882.
      • Forces which Produce the Organization of Plants (The), 1844.
      • History of the American Civil War, 1867-70.
      • History of the Conflict between Religion and Science, 1874.
      • History of the Intellectual Development of Europe, 1862.
      • Thoughts on the Future Policy of America, 1865.
    • Drayton (Michael), born at Hartshill, in Warwickshire, 1563-1631.
      • Barons’ Wars (The), 1596.
      • Nymphidia, or the Court of Fairy, 1627.
      • Polyolbion, songs i.-ix., 1612;
        • xi.-xviii., 1613;
        • xix.-xxx., 1622.
    • Dryden (John), born at Aldwinkle, in Northamptonshire, 1631-1701.
      • Absalom and Achitophel, part i., 1681;
        • part ii., 1682.
      • Alexander’s Feast, 1697.
      • Annus Mirabilis, 1667.
      • AstrÆa Redux, 1660.
      • Britannia Rediviva, 1689.
      • Cromwell (Death of), an elegy, 1658.
      • Fables, 1698-1700.
      • Hind and the Panther (The), 1687.
      • Lord Hastings (An Elegy on).
      • MacFlecknoe, 1682.
      • Medal (The), 1681.
      • Ovid’s Epistles translated, 1679.
      • Religio Laici, 1682.
      • Song of St. Cecilia, 1687.
      • Virgil translated, 1694-96.
      • Essay on Dramatic Poets, 1667.
      • Essay on Heroic Plays, 1672.
      • ? For his 28 dramas, see Appendix III.
    • Duffy (Sir Charles Gavan), born in Monaghan, Ireland, 1816-
      • Ballad Poetry of Ireland, 1870.
    • Dwight (Timothy), born in Massachusetts, 1752-1817.
      • Conquest of Canaan, 1785.
      • Sermons, 1828.
      • Theology explained and defended (173 sermons), 1819.
      • Travels in New England and New York, 1821.
    • Edgeworth (Maria), born at Hare-hatch, in Berkshire, 1767-1849.
      • Belinda, 1803.
      • Castle Rackrent, 1801.
      • Early Lessons, 1801.
      • Essays on Practical Education, 1798.
      • Harrington and Ormond, 1817.
      • Helen, 1834.
      • Irish Bulls (An Essay on), 1801.
      • Leonora, 1806.
      • Moral Tales, 1806.
      • Popular Tales, 1804.
      • Practical Education, 1798.
      • Tales and Novels, 1812.
      • Tales of Fashionable Life, 1809, 1812.
    • Edwards (Mrs. Annie), *-*.
      • Archie Lovell, 1866.
      • Blue Stocking (The), 1877.
      • Creeds, 1859.
      • Jet, 1878.
      • Leah, 1875.
      • May Fair, 1858.
      • Miss Forrester, 1865.
      • Ordeal for Wives, 1865.
      • Ought we to Visit Her? 1871.
      • Point of Honor (A).
      • Steven Lawrence, 1868.
      • Susan Fielding, 1869.
      • Vagabond Heroine, 1873.
      • Vivian the Beauty, 1879.
      • World’s Verdict (The), 1861.
    • Edwards (Amelia Blandford), 1831-1892.
      • Barbara’s History, 1864.
      • Debenham’s Vow, 1870.
      • Half a Million of Money, 1865.
      • Hand and Glove, 1859.
      • In the Days of my Youth, 1873.
      • Miss Carew (short tales), 1865.
      • Mons. Maurice, 1873.
      • My Brother’s Wife, 1855.
      • Thousand Miles up the Nile (A), 1877.
      • Untrodden Peaks, etc., 1873.
    • Edwards (Edward), London, 1812-
      • Economy of the Fine Arts in England, 1840.
      • Life of Sir Walter Raleigh, 1868.
    • Edwards (Jonathan), born at Windsor, Connecticut, 1703-1758.
      • Doctrine of Original Sin, 1758.
      • Inquiry into the Freedom of the Will, 1754.
      • Treatise Concerning Religious Affections, 1740.
      • Works, including Sermons and Life (in 10 vols.), 1830.
    • Egan (Pierce), of Ireland, 1772-1849.
      • Anecdotes of the Turf, etc., 1827.
      • Book of Sports and Mirror of Life, 1832.
      • Life in London (Tom and Jerry), about 1824.
      • Life of an Actor, 1825.
      • Panorama of the Sporting World, 1827.
      • Pilgrims of the Rhine, 1828.
      • Pilgrims of the Thames, 1838.
      • Show Folks (The), 1831.
      • Trial of J. Thurtell, etc., 1824.
      • Walks in Bath, 1834.
    • Egan (Pierce), London, 1814-1880.
      • Adam Bell, 1842.
      • Black Prince (The).
      • Clifton Grey.
      • Paul Jones, 1842.
      • Quintin Matsys, 1839.
      • Robin Hood and Little John, 1840.
      • Wat Tyler, 1841.
    • Eliot (George). See Evans (Marian).
    • Eliot (Samuel), born at Boston, 1821-
      • History of Liberty, 1849, 1853.
      • Manual of the United States between 1492 and 1850, published in 1856.
    • Ellicott (Charles John), bishop of Gloucester and Bristol, born at Whitwell, near Stamford, 1819-
      • Commentaries on the Pauline Epistles, 1854, 1855, 1858.
      • History and Obligation of the Sabbath, 1844.
      • On the Life of our Lord Jesus Christ, 1860.
      • Sermons preached at St. Mary’s, Cambridge, 1858.
    • Elliott (Charles Wyllys), born at Guildford, Connecticut, 1817-1883.
      • Cottages and Cottage Life, 1848.
      • Mysteries, or Glimpses of the Supernatural, 1852.
      • New England History (The), from 986 to 1776, published in 1857.
      • St. Domingo, its Revolution and its Hero, 1855.
      • Remarkable Characters and Places in the Holy Land, 1867.
      • Wind and Whirlwind (a novel), 1868.
    • Ellis (George Edward), born at Boston, 1814-
      • Half a Century of the Unitarian Controversy, 1857.
      • Memoir of Jared Sparks, 1869.
      • Memoirs of Count Rumford, 1871.
    • Ellis (Mrs.), 1812-
      • Daughters of England, 1842.
      • Hearts and Homes, 1848-49.
      • Mothers of Great Men (The), 1859.
      • Pictures of Private Life, 1845.
      • Social Distinction, 1854.
      • Wives of England, 1843.
      • Women of England, 1838.
    • Ellwood (Thomas), born at Crowell, in Oxfordshire, 1639-1713.
      • Autobiography, 1714.
    • Emerson (Ralph Waldo), born at Boston, 1803-1879.
      • Conduct of Life (The), 1860.
      • English Traits, 1856.
      • Essays, 1844, 1847.
      • Literary Ethics, 1838.
      • Man the Reformer, 1841.
      • May-day, and other Poems, 1867.
      • Nature and Man thinking, 1837.
      • Poems, 1846.
      • Representative Men, 1849.
    • Evans (Marian), nom de plume “George Eliot,” 1820-1880.
      • Adam Bede, 1859.
      • Agatha, 1869.
      • Daniel Deronda, 1876.
      • Felix Holt, the Radical, 1866.
      • Impressions of Theophrastus Such, 1879.
      • Legend of Jubal, and other Poems, 1874.
      • Middlemarch, 1871-72.
      • Mill on the Floss, 1860.
      • Romola, 1863.
      • Scenes of Clerical Life, 1858, 1861.
      • Silas Marner, the Weaver of Raveloe, 1861.
      • Spanish Gypsy (The), a poem, 1868.
      • Essence of Christianity, by Feuerbach, 1853.
      • Life of Jesus, by Strauss, 1846.
    • Evelyn (John), born at Wotton, in Surrey, 1620-1706.
      • Diary and Correspondence, po Celebrated Female Sovereigns, 1831.
      • Characteristics of Shakespeare’s Women, 1832.
      • Commonplace Book, etc., 1854.
      • Diary of an EnnuyÉe, 1826.
      • Early Italian Painters (The), 1845.
      • Handbook of Public Galleries of Art, 1842.
      • History of our Lord as represented in Art, 1860.
      • Legends of the Madonna, 1852.
      • Legends of the Monastic Orders, 1850.
      • Loves of the Poets, 1829.
      • Memoirs and Essays, 1846.
      • Pictures of Social Life in Germany, etc., 1840.
      • Poetry of Sacred and Legendary Art, 1848.
      • Rubens, his Life and Genius, 1840.
      • Sacred and Legendary Art, 1848.
      • Sketches of Germany, 1837.
      • Visits and Sketches, etc., 1834.
      • Winter Studies and Summer Rambles in Canada, 1838.
    • Jenkins (Edward), born at Bangalore, in India, 1838-
      • Captain’s Cabin (The), 1872.
      • Coolie, his Rights and Wrongs (The), 1864.
      • Devil’s Chain (The), 1868.
      • Fatal Days, 1874.
      • Ginx’s Baby, 1860.
      • Jobson’s Enemies, 1880-81.
      • Lisa Lena, 1880.
      • Little Hodge, 1866.
      • Lord Bantam, 1862.
      • Lutchmee and Dilloo, 1870.
    • Jerrold (Douglas William), London, 1803-57.
      • Black-eyed Susan, 1829.
      • Bubbles of the Day, 1842.
      • Cakes and Ale, 1841.
      • Catspaw (The), 1850.
      • Caudle Lectures, 1845.
      • Chronicles of Clovernook, 1846.
      • Heart of Gold, 1854.
      • Housekeeper (The), 1835.
      • Man Made of Money (A), 1849.
      • Men of Character, 1838.
      • Nell Gwynne, 1832.
      • Prisoner of War (The), 1837.
      • Punch’s Letters to his Son, 1846.
      • Rent-day (The), 1830.
      • Retired from Business, 1851.
      • St. Giles and St. James, 1851.
      • Story of a Feather, 1843.
      • Time works Wonders, 1845.
    • Jerrold (William Blanchard), London, 1826-1884.
      • At Home in Paris, 1864, 1870.
      • Beau Brummel, 1858.
      • Chatterbox (The), 1857.
      • Children of Lutetia, 1863.
      • Christian Vagabond (The), 1871.
      • Chronicles of a Crutch, 1860.
      • Cockaignes (The), 1871.
      • Cool as a Cucumber, 1851.
      • Cupboard Papers (The), 1881.
      • Cupid in Waiting, 1871.
      • Disgrace to the Family (The), 1847.
      • Epicure’s Year-book, by Fin-Bec, 1867-68.
      • French under Arms (The), 1860.
      • Imperial Paris, 1855.
      • Life of George Cruikshank, 1882.
      • Life of Douglas Jerrold, 1858.
      • Life of Napoleon III., 1874-82.
      • London a Pilgrimage, 1872.
      • Old Woman who lived in a Shoe (An).
      • On the Boulevards, 1853-66.
      • Passing the Time, 1865.
      • Progress of a Bill, 1848.
      • Story of Madge and the Fairy Content, 1871.
      • Swedish Sketches, 1852.
      • Trip through the Vineyards of Spain, 1864.
      • Trips to Normandy, etc., 1867.
      • Two Lives, 1865.
      • Up and Down in the World, 1866.
    • Johnson (Samuel), born at Lichfield, in Hampshire, 1709-1784.
      • Dictionary of the English Language, 1755.
      • Idler (The), 1758-60.
      • Irene, 1749.
      • Journey to the West Islands of Scotland, 1775.
      • Life of Dr. Isaac Watts, 1785.
      • Life of Richard Savage, 1744.
      • Lives of the Poets, 1779-81.
      • Miscellaneous Observations on Hamlet, 1745.
      • Rambler (The), 1750-52.
      • Rasselas, 1759.
      • Taxation no Tyranny, 1775.
      • Vanity of Human Wishes, 1749.
      • Visit to the Hebrides, 1773.
      • Voyage to Abyssinia, 1735.
    • Jones (Henry), pseudonym “Cavendish,” London, 1831-
      • Laws of EcartÉ, 1878.
      • Laws of Piquet, 1873.
      • Principles of Whist, 1862.
    • Jonson (Benjamin), born at Westminster, 1574-1637.
      • Execration against Vulcan, with Divers Epigrams, 1640.
      • Jests, or the Wit’s Pocket Companion, 1731.
      • Last Legacy to the Sons of Mirth, etc., 1756.
    • Junius, Letters of, 1769-72.
      • The Author of these Letters.
        • BarrÉ, Col. Isaac (“Authorship of the Letters of Junius, by John Britton”), 1848.
        • Boyd, Hugh (“Author of Junius ascertained by George Chalmers”), 1817.
        • Burke, Edmund (“Inquiry into the author of Junius, by John Roche”), 1813. (“Junius proved to be Burke,” no name), 1826. Prior, in his Life of Burke, takes the same view, 1839.
        • Burke, William (“The Author of Junius, by J. C. Symons”), 1859.
        • Chatham, William Pitt, lord (“Another Guess at Junius,” by (?) Fitzgerald), 1809; Earl Chatham “proved to be Junius,” by John Swinden, 1833; by W. Dowe, 1857. (“Who was Junius?” no name), 1837. Also an essay to prove this, by Dr. B. Waterhouse, of Boston, 1831.
        • Chesterfield, earl of (“Author of Junius discovered,” by W. Cramp), 1821, 1851.
        • De Lolme, John Lewis (“Arguments and Facts demonstrating” this, by Dr. Thomas Busby), 1816.
        • Francis (Dr.) and his son Sir Philip (“Discovery of the Author of Junius, by John Taylor”), 1813.
        • Francis, Sir Philip (“Identity of Junius ... established by John Taylor”), 1816. Sir F. Dwarris, 1850, and Lord Campbell, in his Lives of the Chancellors, take the same view. (“Handwriting of Junius professionally investigated, by Charles Chabot”), 1871. Macaulay espoused this “identity.”
        • Glover, Richard (“An Inquiry into the author of the Letters of Junius,” no name), 1814.
        • Gibbon (“Junius unmasked,” no name), 1819.
        • Lee, Major-General Charles (proved “from facts” to be Junius by Dr. T. Girdlestone), 1813.
        • M’Lean, Laughlin (said to be Junius in Galt’s Life of West, pp. 57-69). Sir David Brewster takes the same view.
        • Portland, Duke of (“Letters to a Nobleman proving” this, by A. G. Johnston), 1816.
        • Pownall, Governor (“Junius discovered, by F. Griffen, Boston,”), 1854.
        • Rich, Sir R. (“The Ghost of Junius, by F. Ayerst”), 1853.
        • Sackville, Viscount (“The Real Author of the Letters of Junius, by George Coventry”), 1825. (“Junius unmasked,” no name), 1770. The same proved by John Jacques, 1843.
        • Suett, the comedian (“Junius with his Visor up,” a skit, no name), 1819.
        • Temple, R. Grenville, earl (“Letters on Junius showing” this, by Isaac Newhall, Boston), 1831.
        • Tooke, John Horne (“Junius discovered, by P[hilip] T[hicknesse]”), 1789. The same “proved” by J. B. Blakeway, 1813; and Dr. A. Graham, 1828.
        • Wray, Daniel (“The Secret revealed, by James Falconar”), 1830.
        • Wilmot, James, proved to be “Junius” byby O. W. Serres, 1813.
    • Kames (Henry Home, lord), born at Kames, in Berwickshire, 1696-1782.
      • Elements of Criticism, 1762.
    • Kane (Elisha Kent), born at Philadelphia, 1820-1857.
      • Second Grinnell Expedition in Search of Sir John Franklin, 1856.
    • Keats (John), London, 1796-1821.
      • Endymion, 1818.
      • Eve of St. Agnes, 1820.
      • Hyperion, 1820.
      • Isabella, 1820.
      • Lamia, and other Poems, 1820.
      • Ode to the Nightingale, 1820.
      • Poems, 1817.
    • Keble (Rev. John), born at Fairford, in Gloucestershire, 1792-1866.
      • Christian Year (The), 1827.
      • Lyra Innocentium, 1846.
    • Kemble (Frances Anne), born in London, 1809-
      • Journal of a Residence in America, 1835.
      • Records of Girlhood, 1878.
      • R (The), 1823.
      • Principles of Political Economy, 1820.
    • Mandeville (Sir John de), born at St. Albans, in Hertfordshire, 1300-1372.
      • Voyaige and Travaile, 1356.
    • Manning (Anne), 1807-
      • Belforest, 1864.
      • Cherry and Violet, 1853.
      • Chronicles of Merrie England, 1854.
      • Claude, the Colporteur, 1857.
      • Duchess of Trajetto (The).
      • Good Old Times, 1856.
      • Household of Sir Thomas More, 1851.
      • Mary Powell, 1850.
      • Miss Biddy Frobisher, 1866.
      • Noble Purpose nobly won (A).
      • Poplar House Academy, 1859.
      • Royal Mischief.
      • Tasso and Leonora.
    • March (Francis Andrew), born at Millbury, Massachusetts, 1825-
      • Anglo-Saxon Grammar, 1870.
      • Introduction to Anglo-Saxon, 1871.
      • Method of Philological Study of the English Language (A), 1865.
    • Marlowe (Christopher), born at Canterbury, 1565-1593.
      • Ovid’s Elegies, 1597.
      • ? For his nine dramas, see Appendix III.
    • Marryat (Captain Frederick), London, 1792-1848.
      • Children of the New Forest (The), 1847.
      • Frank Mildmay, or the Naval Officer, 1829.
      • Jacob Faithful, 1835.
      • Japhet in Search of a Father, 1836.
      • King’s Own (The), 1830.
      • Little Savage (The), 1847.
      • Masterman Ready, 1841.
      • Mission (The), or Scenes in Africa, 1845.
      • Mr. Midshipman Easy, 1836.
      • Monsieur Violet, 1843.
      • Newton Forster, 1832.
      • Olla Podrida, 1840.
      • Pacha of Many Tales (The), 1835.
      • Percival Keene, 1842.
      • Peter Simple, 1833.
      • Phantom Ship (The), 1839.
      • Pirate and the Three Cutters (The), 1836.
      • Poor Jack, 1840.
      • Privateersman (The), 1844.
      • Settlers in Canada (The), 1844.
      • Snarley-Yow, or the Dog-Fiend, 1837.
      • Valerie (an autobiography), 1849.
    • Marryat (Florence), born at Brighton, 1837-
      • Broken Blossom (A), 1879.
      • Confessions of Gerald Estcourt, 1867.
      • Fair-haired Alda, 1880.
      • Fighting the Air, 1875.
      • For Ever and Ever, 1866.
      • Girls of Feversham, 1868.
      • Gyp, 1868.
      • Harvest of Wild Oats (A), 1877.
      • Her Father’s Name, 1876.
      • Her Lord and Master, 1870.
      • Her Own.
      • Her Word against a Lie, 1878.
      • Hidden Chains, 1876.
      • Life and Letters of Captain Marryat, 1872.
      • Little Stepson (A), 1877.
      • Love’s Conflict, 1865.
      • Mad Dumaresq, 1873.
      • My Own Child, 1876.
      • My Sister, the Actress, 1881.
      • Nelly Brooke, 1867.
      • No Intentions, 1874.
      • Open Sesame, 1875.
      • Petronel, 1869.
      • Prey of the Gods (The), 1871.
      • Root of all Evil (The), 1879.
      • Sybil’s Friend, etc., 1873.
      • Too Good for Him, 1865.
      • Verdique, 1868.
      • Veronique, 1869.
      • With Cupid’s Eyes, 1880.
      • Woman against Woman, 1866.
      • Written in Fire, 1878.
    • Marsh (George Perkins), born at Woodstock, 1801-1882.
      • Camel (The), his Habits and Uses, 1856.
      • Grammar of the Icelandic Language, 1838.
      • Lectures on the English Language, 1861.
      • Origin and History of the English Language, 1862;
        • now called “The Earth as Modified by Human Action,” 1874.
    • Marston (Philip Bourke), son of Dr. Westland Marston, 1850-1887.
      • All in All, 1874.
      • Songtide, and other Poems, 1871.
    • Martin (Sir Theodore), born at Edinburgh, 1816-
      • Life of Aytoun, 1867.
      • Life of the Prince Consort, 1874-79.
    • Martineau (Harriet), born at Norwich, 1802-1876.
      • Billow and the Rock (The), 1846.
      • Biographical Sketches, 1872.
      • British Rule in India, 1857.
      • Christmas Day, 1824.
      • Complete Guide to the Lakes, 1854.
      • Corporate, Traditional and Natural Rights, 1857.
      • Crofton Boys (The), 1840.
      • Deerbrook, 1839.
      • Devotional Exercises ... for the Young, 1823.
      • Eastern Life, etc., 1848.
      • Endowed Schools in Ireland, 1859.
      • England and her Soldiers, 1859.
      • Factory Controversy (The), 1855.
      • Feats of the Fiord, 1840.
      • Forest and Game Law Tales, 1845.
      • Friend (The), 1825.
      • Health, Husbandry and Handicraft, 1861.
      • History of England during the Thirty Years’ Peace (1816-46), 1849-50;
        • introduction, 1851.
      • History of the American Compromise, 1856.
      • Hour and the Man (The), 1840.
      • Household Education, 1854.
      • Illustrations of Political Economy, 1833.
      • Illustrations of Taxation, 1834.
      • Laws of Man’s Nature, etc., 1851.
      • Letter on Mesmerism, 1845.
      • Life in the Sick-Room, 1843.
      • Poor Laws and Paupers, 1834.
      • Principle and Practice, 1826.
      • Prize Essays, 1830.
      • Retrospect of Western Travel, 1838.
      • Rioters, 1826.
      • Society in America, 1837.
      • Traditions of Palestine, 1830.
      • Turn-out (The), 1827.
    • Martineau (James), born at Norwich, 1805-
      • Endeavors after the Christian Life, 1843-47.
      • Essays, 1869.
      • Hours of Thought, 1876.
      • Hymns, 1840, 1874.
      • Ideal Substitutes for God, 1878.
      • Miscellanies, 1852.
      • Rationale of Religious Inquiry, 1837.
      • Religion and Modern Materialism, 1874.
      • Studies of Christianity, 1858.
    • Massey (Gerald), born at Tring, in Hertfordshire, 1828-
      • Ballad of Babe Christabel, and other Poems, 1855.
      • Craigcrook Castle, and other Poems, 1856.
      • Havelock’s March, and other Poems, 1861.
      • Poems and Chansons, 1846.
      • Shakespeare’s Sonnets and his Private Friends, 1866.
      • Tale of Eternity (A), and other Poems, 1869.
      • Voices of Freedom and Lyrics of Love, 1849.
    • Masson (David), of Aberdeen, 1822-
      • British Novelists, etc., 1859.
      • Critical Sketch ... of British Prose Fiction, 1859.
      • Drummond of Hawthornden, 1873.
      • Essays, Biographical and Critical, etc., 1856.
      • Life of John Milton, 1858-1879.
      • Recent British Philosophy, 1865.
      • Three Devils (The), Luther’s, Milton’s and Goethe’s.
    • Maurice (Rev. John F. Denison), 1805-1872.
      • Bible and Science (The), 1863.
      • Christian Ethics, 1867.
      • Commandments (The), 1866.
      • Conflict of Good and Evil (The), 1865.
      • Conscience (The), 1868.
      • Doctrine of Sacrifice (The), 1854.
      • Friendship of Books (The), 1873.
      • History of Moral and Physical Philosophy, 1853-62.
      • Kingdom of Christ, 1842.
      • Kingdom of Heaven, 1864.
      • Lectures on Ecclesiastical History, 1854.
      • Patriarchs and Lawgivers of the Old Testament, 1855.
      • Prophets and Kings of the Old Testament, 1853.
      • Religions of the World, 1847.
      • Social Morality, 1869.
      • Theological Essays, 1854.
    • May (Sir Thomas Erskine), 1815-1886.
      • Constitutional History of England since the Accession of George III., 1861-63, 1871.
      • Democracy in Europe, 1877.
    • Mayhew (Henry), 1812-1887.
      • Great World of London (The), 1856.
      • London Labor and London Poor, 1851.
      • Mormons, or Latter-day Saints (The), 1852.
      • Rhine (The), and its Scenery, 1856-58.
      • Wandering Minstrel (The), 1841.
      • Wonders of Science (The), 1855.
    • Mayo (William Starbuck), born at Ogdensburg, 1812-
      • Kaloolah, or Journeyings to the Djebel Kumri, 1848.
    • Melville (George John Whyte), 1821-1878.
      • Black but Comely, 1879.
      • Bones and I, 1868.
      • Brooks of Bridlemere (The), 1864.
      • Cerise, 1865.
      • Contraband, 1870.
      • Digby Grand, 1853.
      • General Bounce, 1854.
      • Gladiators (The), 1863.
      • Good for Nothing, 1861.
      • Holmby House, 1860.
      • Interpreter (The), 1858.
      • Kate Coventry, 1856.
      • Katerfelto, 1875.
      • M. or N., 1869.
      • Mar 1592-1664.
        • Emblems, etc., 1635.
      he War of Secession, 1865.
    • Masque of the Gods (The), 1872.
    • Northern Travel, or Pictures of Sweden, Denmark and Lapland, 1856.
    • Poems of Home and Travel, 1855.
    • Poems of the Orient, 1854.
    • Poet’s Journal (The), 1862.
    • Prince Deukalion, 1879.
    • Prophet (The), 1874.
    • Rhymes of Travel, Ballads and other Poems, 1848.
    • Story of Kennet (The), a tale, 1866.
    • Travels in Greece and Russia, etc., 1857.
    • Views Afoot, or Europe seen with Knapsack and Staff, 1846.
    • Visit to India, China, Japan, etc., 1855.
    • Voyage to California, 1850.
    • Ximena, and other Poems, 1844.
  • Taylor (Sir Henry), 1800-1886.
    • Philip van Artevelde, 1834.
  • Taylor (Jane), born in London, 1783-1824.
    • Hymns for Infant Minds, 1818.
    • Poems for Infant Minds, 1806.
    • Rhymes for the Nursery, 1807.
  • Taylor (Jeremy), bishop of Down and Connor, born at Cambridge, 1613-1667.
    • Holy Living and Holy Dying, 1651.
  • Taylor (Tom), born at Sunderland, in Cumberland, 1817-1880.
    • Life and Times of Sir J. Reynolds, 1865.
    • ? For his plays, see Appendix III.
  • Tennyson (Alfred), born at Somersby, in Lincolnshire, 1809-
    • Aylmer’s Field, 1864.
    • Charge of the Light Brigade, 1854.
    • Dying Swan (The), 1830.
    • Enoch Arden, 1864.
    • Falcon (The), 1879.
    • Grandmother’s Apology (The), 1859.
    • Harold, 1877.
    • Hero and Leander, 1830.
    • Idylls of the King, 1858-59.
    • Gareth and Lynette, 1872.
    • Holy Grail (The), 1867.
    • In Memoriam, 1850.
    • Lady Clara Vere de Vere, 1833.
    • Last Tournament (The), 1871.
    • Lilian, 1830.
    • Locksley Hall, 1833.
    • Lotus-eater (The), 1833.
    • Lover’s Tale (The), 1879.
    • Mariana, 1830.
    • Maud and other Poems, 1855.
    • May the First, 1862.
    • Mermaid (The), 1830.
    • Miller’s Daughter (The), 1833.
    • Oriana, 1830.
    • Poems, 1827, 1830, 1842.
    • Princess (The), 1847-50.
    • Queen Mary, 1875.
    • Relief of Lucknow, 1879.
    • Revenge (The), 1878.
    • Timbuctoo, 1829.
    • Tithonus, 1864.
    • Welcome (A), 1863.
    • Welcome to Marie Alexandrovna, 1874.
    • Wellington (Death of the Duke of), 1852.
    • Window (The), or Songs of the Wrens, 1870.
  • Thackeray (Anne Isabella), 1839-
    • Miss Angel, 1875.
    • Old Kensington, 1872.
    • Story of Elizabeth, 1863.
    • Toilers and Spinsters, with other Essays, 1873.
    • Village on the Cliff (The), 1866.
  • Thackeray (William Makepeace), born at Calcutta, 1811-1863.
    • Adventures of Philip, 1861.
    • Barry Lyndon, 1853.
    • Book of Snobs (The), 1848.
    • Catherine, 1839-40.
    • Chronicle of the Drum (The), 1841.
    • Denis Duval.
    • English Humorists (The), 1851.
    • Esmond, 1852.
    • Four Georges (The), 1860.
    • From Cornhill to Grand Cairo, 1845.
    • Hoggarty Diamond (The Great).
    • Kickleburys on the Rhine (The), 1851.
    • Irish Sketch-book (The), 1843.
    • Lovel, the Widower.
    • Jeames’s Diary.
    • Mrs. Perkins’s Ball, 1847.
    • Newcomes (The), a novel, 1855.
    • Novels by Eminent Hands, etc.
    • Our Street, 1848.
    • Paris Sketch-book (The), 1840.
    • Pendennis, 1849-50.
    • Philip.
    • Roundabout Papers (The).
    • Second Funeral of Napoleon (The), 1841.
    • Vanity Fair, 1846-48.
    • Virginians (The), 1857-59.
  • Thomson (James), born at Ednam, in Scotland, 1700-1748.
    • Castle of Indolence, 1748.
    • Seasons, 1730.
    • ? For his plays, see Appendix III.
  • Trevelyan (George Otto), born at Rothley Temple, in Leicestershire, 1838-
    • Life of Lord Macaulay, 1876.
  • Trollope (Anthony), 1815-1882.
    • American Senator (The), 1877.
    • Ayala’s Angel, 1881.
    • Barchester Towers, 1857.
    • Belton Estate (The), 1865.
    • Bertrams (The), 1859.
    • Can you Forgive Her? 1864.
    • Castle Richmond, 1860.
    • Claverings (The), 1867.
    • Cousin Henry, 1879.
    • Doctor Thorn, 1858.
    • Eustace Diamonds, 1872.
    • Framley Parsonage, 1861.
    • Golden Lion of GrandpÈre, 1872.
    • Harry Heathcote, 1874.
    • He knew he was Right, 1869.
    • Is he Popenjoy? 1878.
    • Kellys (The) and the O’Kellys, 1848.
    • Lady Anna, 1874.
    • Last Chronicles of Barset, 1867.
    • La VendÉe, 1850.
    • Macdermots of Ballycloran (The), 1847.
    • Miss Mackenzie, 1865.
    • Orley Farm, 1862.
    • Phineas Finn, the Irish Member, 1869.
    • Phineas Redux, 1873.
    • Prime Minister (The), 1875.
    • Ralph the Heir, 1871.
    • Sir Harry Hotspur, 1870.
    • Small House at Allington, 1864.
    • Struggles of Brown, Jones and Robinson (The), 1870.
    • Thackeray (a biographical sketch), 1879.
    • Three Clerks (The), 1857.
    • Vicar of Bullhampton (The), 1870.
    • Warden, (The), 1855.
    • Way we Live Now (The), 1875.
  • Trollope (Mrs. Frances), born at Heckfield, in Hampshire, 1790-1863.
    • Domestic Manners of the Americans, 1832.
  • Trollope (Thomas Adolphus), 1810-
    • History of Florence, 1865.
    • Impressions of a Wanderer in Italy, 1850.
  • Tupper (Martin Farquhar), 1810-1889.
    • Proverbial Philosophy, 1838, 1842, 1867.
  • Tyndall (John), born at Leighlin Bridge, in Ireland, 1820-
    • Absorption and Radiation of Heat by Gases and Vapors, 1861.
    • Address to the British Association, 1871.
    • Calorescence, 1865.
    • Contributions to Molecular Physics, 1872.
    • Faraday as a Discoverer, 1868.
    • Forms of Water in Clouds and Rivers, Ice and Glaciers, 1872.
    • Fragments of Science, 1871.
    • Glaciers of the Alps, 1860.
    • Heat as a Mode of Motion, 1863.
    • Hours of Exercise in the Alps, 1871.
    • Imagination in Science, 1870.
    • Invisible Radiation of Electric Light, 1865.
    • Lectures on Light, 1869, 1872-73.
    • Lectures on Sound, 1867.
    • Lessons on Electricity, 1875-76.
    • Mountaineering, 1861.
    • Notes on Electricity, 1870.
    • Notes on Light, 1871.
    • On Molecular Influences, 1853.
    • Physical Connection of Absorption and Radiation, etc., 1861.
    • Physical Phenomena of Glaciers, 1857.
    • Physical Properties of Ice, 1858-59.
    • Radiation, 1861-65.
    • Sounding and Sensitive Flames, 1867.
    • Transmission of Heat through Gaseous Bodies, 1859.
    • Transmission of Heat through Organic Structures, 1853.
    • Vacation Tour, 1862.
    • Ure (Andrew), born at Glasgow, 1778-1857.
      • Dictionary of Arts and Manufactures, 1839.
      • Dictionary of Chemistry, 1821.
      • New System of Geology, 1829.
      • Philosophy of Manufactures, 1835.
    • Victoria (Queen), born at Kensington Palace, 1819-
      • Early Days of the Prince Consort, 1867.
      • Leaves from the Journal of Our Life in the Highlands, 1869.
      • Life of the Prince Consort, 1874-78.
    • Walton (Izaak), born at Stafford, 1593-1683.
      • Compleat Angler (The), 1653.
      • Life of Donne, 1640.
      • Life of Herbert, 1670.
      • Life of Hooker, 1665.
      • Life of Sanderson, 1678.
      • Life of Wotton, 1651.
    • Warner (Susan), born at New York, 1818-
      • Melbourne House, 1864.
      • Hills of the Shatemuc, 1856.
      • Old Helmet (The), 1863.
      • Queechy, 1851.
      • Wide, Wide World (The), 1849.
    • Warren (Samuel), born in Denbighshire, North Wales, 1807-1877.
      • Diary of a Late Physician, 1830.
      • Ten Thousand a Year, 1839-1841.
    • Watts (Isaac), born at Southampton, 1674-1748.
      • Divine Songs, 1726.
      • Hy

        Æsop, Fables, about B.C. 570. Greek pr.

        Amadis of Gaul, begun by Vasco de Lobeira, 14th cent.; finished by sundry hands, 15th cent. Old French pr.

        Arabian Nights, first published in Paris, by Antony Galland, 1704-17. The best are Indian; the sentimental love tales are Persian; the witty, comical ones are Arabic. Arabic pr. tales. Lane’s translation, 1841.

        Argonauts (The), by Appolonius Rhodius, about B.C. 200 (4 bks.). Greek Ep., Hex. Translated into English by Fawkes, 1780; and into English verse by Green, 1780; W. Preston, 1803. H.M., rh.

        Chinese Tales, by Gueulette, 1723. French pr.

        Chrestien de Troyes, the Chevalier au Lion, Chevalier de l’EpÉe, Sir Lancelot du Lac, in metrical French (before 1200).

        Chronicles of Albericus Trium Fontium, 1242. Latin pr.

        Cid (The), 1040-1099. The Spanish Chronicle of the Cid, 13th cent., first printed in 1541, and a second by Medina del Campo, in 1552. The Spanish Poem of the Cid dates from 1207, and 102 ballads on the Cid in Spanish were published in 1615. Southey published an excellent English Chronicle in 1808. Lockhart has rendered eight of them into English ballads; and George Dennis has strung together, in prose and verse, a connected tale of the great Spanish hero, 1845. (The Cid, in Spanish romance, occupies the same position as Arthur in English story, Charlemagne in French and Theodorick in German.)

        Contes de Fees, by Claude Perrault, 1697. French pr. fairy tales.

        Creation, or La PremiÈre Semaine, by Du Bartas, about 1570. French Ep., H.M. English version by Joshua Sylvester, 1605.

        Decameron, by Boccaccio, 1350. Italian pr. tales. An English version by G. Standfast, and by many others. Diable Boiteux, by Lesage, 1707. French pr. tale. W. Coombe wrote an English imitation, called The Devil upon Two Sticks, 1790.

        Divina Commedia, by DantÊ: Inferno, 1300; Purgatory, 1308; Paradise, 1311. Italian Ep. poems. English translations by Boyd, 1785; Gary, 1814, b.v.; Wright, 1833, triple rh.; Caley, 1851-55, ter. rh.; Pollock, 1854, b.v.; Dayman, 1865; Rossetti, 1865; Longfellow, 1870; Norton, 1892; etc.

        Don Quixote, by Cervantes, pt. i., 1605; ii., 1615. Spanish Nov. English versions by Shelton, 1612-20; Motteux, 1719; Jarvis, 1742; Smollett, 1755; Wilmot, 1774; Duffield, 1881; etc. All in pr. Dramatized by Durfey, 1694-96.

        Fables, by Lafontaine, 1668. French; d.m.

        Fairy Tales, by la comtesse D’Aunoy, 1682. French pr.

        Gargantua, by Rabelais, 1533. French Nov. English version by Urquhart and Motteux, 1653.

        Gil Blas, by Lesage, bks, i.-iii., 1715; iv.-vi., 1724; vii.-xii., 1735. French Nov. English version by Smollett, 1761; Procter, 1774; Smart, 1807; etc. All in pr.

        Goblin Stories, by the brothers Grimm, 1812. German pr.

        Goethe, 1749-1832 (German). Achilliad (The), about 1800. Farbenlehre, 1810. Hermann and Dorothea, 1797. Poem. Metamorphosis of Plants, 1790. Es. Werther, 1774. Rom. Wilhelm Meister, 1794. Rom. (For dramatic pieces, see Appendix III.)

        Gulistan (Garden of Roses), by Saadi, 13th cent. Persian p.

        Henriade, by Voltaire, 1724 (10 chants). French Ep.; rh.

        Herbelot (D’), BibliothÈque Orientale, an Oriental Miscellany, 1697. French pr.

        HitÔpadÊsa, an epitome of the Pancha Tantra, 5th cent. B.C. HindÛ.

        Homer, Iliad (24 bks.), composed in the prime of his life, about B.C. 962. Greek Ep. Hex. Odyssey (24 bks.), composed in maturer age, about B.C. 927. Greek Ep., Hex. These poems were first reduced to writing by Pisistratos, of Athens, B.C. 531. English versions by Chapman, Il. 1598, Od. 1614; Bryant, Il. 1870, Od. 1871. The following have translated the Iliad only: Hall, 1581; Tickell, bk. i. 1715; Macpherson, 1773; Morrice, 1809; Brandreth, 1846; Barter, 1854; Newman, 1856; Wright, 1859; Selwyn, 1865; Green, 1865; Simcox, 1865; Dart, 1865; Herschel, 1866; Lord Derby, 1867; Merivale, 1869; Cordery, 1870; Newman, 1871. The following have translated the Odyssey alone: Cary, 1823; Hayman, 1866; Musgrave, 1869; Edginton, 1869; Wither, 1869; Merry, 1871.

        Jerusalem Delivered, by Tasso, 1575.Italian Ep. English version by Carew, 1594; Fairfax, 1600; Hoole, 1762.

        Lokman, Fables, contemporary with David and Solomon. Arabian; d.m.

        Lusiads (The), by Camoens, 1572 (in 10 bks.). Portuguese Ep.English versions, “The Lusiad,” by Fanshawe, 1655; Mickle, H.M., rh., 1775; “The Lusiads,” by Aubertin, 1878; R. F. Burton, 1880.

        Messiah, by Klopstock, bks. i.-iii., 1748; iv.-xv., 1771. German Ep., Hex. English version in pr. by Collyer, 1763; Raffles, 1815. In v. by Egestorff, 1821.

        Metamorphoses, Ovid (in 15 bks.). Latin; about A.D. 6. Hex. English version by Golding, 1565; Sandys, 1626; Dr. Garth, assisted by Dryden, Congreve, Rowe and several others, 1716. H.M., rh.

        Moral Tales, by Marmontel, 1761. French pr.

        Niebelungen Lied, 1210 (in 39 adventures). From Snorro Sturleson’s Edda. Old German Ep. Transplanted into Germany by the minnesingers. English version by Lettsom, 1850.

        Oriental Tales, by comte de Caylus, 1740. French pr.

        Orlando Furioso, by Ariosto, 1516. Italian Rom., p.English version by Harrington, 1591; Croker, 1755; W. S. Rose, 1823; and an abridged version by Hoole, H.M., rh., 1783.

        Orlando Innamorato, by Bojardo, 1495 (in 3 bks., unfinished). Italian Rom.; p.Three more books were added, in 1531, by Agostini; and the whole was remodelled by Berni.Translated by Tofte, 1598. Pancha Tantra, a collection of HindÛ fables, 6th cent. B.C. HindÛ.

        Pantagruel, Rabelais, 1545. French Nov. English version by Urquhart and Motteux, 1653.

        Paul and Virginia, by St. Pierre, 1788. French tale; pr.

        PhÆdrus, fables, about A.D. 25, chiefly from Æsop. Latin v.In English v. by C. Smart, 1765.

        Pharsalia (The), by Lucan, about A.D. 60 (in 10 bks.). Latin Ep.; Hex.English version by C. Marlowe; Gorge, 1614; May, 1627; Rowe, 1729; and a literal translation by Riley, in Bohn’s series.

        Pilpay, Fables, compiled from the Pancha Tantra and other sources, 4th cent. B.C. Indian.

        Pliny, Natural History, about A.D. 77. Latin pr.English version by Dr. Holland, 1601; Bostock, 1828; Riley, in Bohn’s series, 1855-57.

        Plutarch, Parallel Lives, about A.D. 110-13. Greek pr.English version by North, 1579; Langhorne, 1771; another by Dryden and others, re-edited by Clough. All in pr.

        Reynard the Fox, 1498. German pr., by Heinrich von Alkmaar. An English version printed by Caxton, 1481. Romance of the Rose, by Guillaume de Lorris, 13th cent. Continuation by Jean de Meung, 14th. cent. French Rom. p.English poetic version by Chaucer, in 8 syl. v., about 1360.

        Telemachus, by FÉnelon, 1700 (in 24 bks.). French pr. Ep.English version by Dr. Hawkesworth, 1810; pr.

        Thebaid, by Statius, about A.D. 86 (in 12 bks.). Latin Ep., Hex.An English version by Lewis, 1767. Parts by Pope; Stephens, 1648; Howard,H.M., rh., etc.

        Undine, by De la Motte FouquÉ, 1813.An English version was published by Routledge and Sons, 1875.

        Victor Hugo, 1802-1885. (French poet and novelist). Autumn Leaves, 1832; p. Last Days of a Condemned Criminal, 1829. (For dramatic pieces, see APPENDIX III.)

        Virgil, Æneid (in 12 bks.), B.C. 27-20. Latin Ep., Hex.English version by Gawin, 1513; Lord Surrey 1553; Phaer and Twyne, 1558-73; Stanihurst, 1583; Ogilby, 1649; Dryden, H.M., rh., 1697; Dr. Trapp, b.v., 1731; Pitt and Warton, 1740; Kennedy, 1849; Singleton, “in rhythm,” 1855-59; Conington, 1866; Morris, 1876; Cranch, 1872; etc. In literal pr. by Davidson, 1743; Wheeler, 1852; etc.

        LIST OF ABBREVIATIONS IN APPENDIX III.

        A.
        = Afterpiece.
        Alleg.Pl.
        = Allegorical play.
        B.
        = Burlesque.
        B.C.
        = Burlesque comedy.
        B.O.
        = Burlesque opera.
        B.T.
        = Burlesque tragedy.
        Bd.
        = Ballad.
        Bd.F.
        = Ballad farce.
        Bd.O.
        = Ballad opera.
        Bl.
        = Ballet.
        Blta.
        = Burletta.
        C.
        = Comedy.
        C.Bf.
        = ComÉdie bouffe.
        C.D.
        = Comic drama.
        C.H.
        = ComÉdie historique.
        C.O.
        = Comic opera.
        Cdta.
        = Comedietta or comedetta.
        Cl.C.
        = Classical comedy.
        Cl.Cdta.
        = Classical comedietta.
        Cl.D.
        = Classical drama.
        Cl.Pl.
        = Classical play.
        Cl.T.
        = Classical tragedy.
        Ct.E.
        = Court entertainment.
        Ct.S.
        = Court show.
        D.
        = Drama.
        D.Dia.
        = Dramatic dialogue.
        D.E.
        = Dramatic entertainment.
        D.Fab.
        = Dramatic fable.
        D.H.
        = Drama historique.
        D.Mon.
        = Dramatic monologue.
        D.N.
        = Dramatic novel.
        D.O.
        = Dramatic opera.
        D.Pc.
        = Dramatic piece.
        D.Pm.
        = Dramatic poem.
        D.R.
        = Dramatic romance.
        D.S.
        = Dramatic satire.
        D.Sk.
        = Dramatic skit.
        Dom.D.
        = Domestic drama.
        E.
        = Entertainment.
        Ex.
        = Extravaganza.
        F.
        = Farce.
        F.C.
        = Farce comedy.
        Fy.C.
        = Fairy comedy.
        Fy.P.
        = Fairy pastoral.
        G.E.Mel.S.
        = Grand Eastern melodramatic spectacle.
        G.O.R.
        = Grand operatic romance.
        H.C.
        = Historic comedy.
        H.D.
        = Historic drama.
        H.O.
        = Historic opera.
        H.Pc.
        = Historic piece.
        H.Pl.
        = Historic play.
        H.R.
        = Historic romance.
        H.T.
        = Historic tragedy.
        Hc.Pl.
        = Heroic play.
        Int.
        = Interlude.
        I.D.
        = Irish drama.
        L.D.
        = Lyrical drama.
        L.Pl.
        = Lyrical play.
        LowC.
        = Low comedy.
        M.
        = Masque.
        Mel.
        = Melodrama.
        Mel.O.
        = Melodramatic opera.
        Mel.R.
        = Melodramatic romance.
        Met.D.
        = Metrical drama.
        Mir.Pl.
        = Miracle play.
        Mo.
        = Morality.
        MockPl.
        = Mock play.
        MockT.
        = Mock tragedy.
        Mu.C.
        = Musical comedy.
        Mu.D.
        = Musical drama.
        Mu.E.
        = Musical entertainment.
        Mu.F.
        = Musical farce.
        Mu.Int.
        = Musical interlude.
        Mu.Pl.
        = Musical play.
        Mu.Sp.
        = Musical spectacle.
        Mu.Tr.
        = Musical trifle.
        Mys.
        = Mystery.
        Myt.C.
        = Mythological comedy.
        Myt.D.
        = Mythological drama.
        N.Blta.
        = Nautical burletta.
        N.C.O.
        = Nautical comic opera.
        N.C.Opta.
        = Nautical comic operetta.
        N.D.
        = Nautical drama.
        N.O.
        = Nautical opera.
        N.Pl.
        = Nautical play.
        O.
        = Opera.
        O.Bf.
        = Opera bouffe.
        O.Blta.
        = Operatic burletta.
        O.C.
        = Opera comique.
        O.D.
        = Operatic drama.
        O.E.
        = Operatic entertainment.
        O.Ex.
        = Operatic extravaganza.
        O.F.
        = Operatic farce.
        Op.C.
        = Operatic comedy.
        Opta.
        = Operetta.
        Or.
        = Oratorio.
        P.
        = Pastoral.
        P.C.
        = Pastoral comedy.
        P.O.
        = Pastoral opera.
        P.T.
        = Pastoral tragedy.
        P.T.C.
        = Pastoral tragi-comedy.
        Pl.
        = Play.
        Pn.
        = Pantomime.
        Pn.Bl.
        = Pantomimic ballet.
        Po.D.
        = Poetic drama.
        Pol.D.
        = Political drama.
        Pr.C.
        = Prize comedy.
        Pr.T.
        = Prize tragedy.
        Pt.C.
        = Petit comedy.
        Pt.Pc.
        = Petit piece.
        R.D.
        = Romantic drama.
        R.T.
        = Romantic tragedy.
        Rel.Pl.
        = Religious play.
        S.D.
        = Sacred drama.
        S.T.
        = Sacred tragedy.
        Sat.C.
        = Satiric comedy.
        Sat.D.
        = Satiric drama.
        Sen.D.
        = Sensational drama.
        Ser.
        = Serenata.
        Sol.
        = Solemnity.
        Sp.T.
        = Spasmodic tragedy.
        T.
        = Tragedy.
        T.C.
        = Tragi-comedy.
        T.C.P.
        = Tragi-comic pastoral.
        T.L.
        = Tragedie lyrique.
        T.O.
        = Tragedy-opera.
        V.
        = Vaudeville.
        *
        = Unknown.
        Etc.
        = With some other author or authors.

        Notwithstanding the length of this list, there are some dramatic pieces very difficult to classify.

        APPENDIX III.
        AUTHORS AND DATES OF DRAMAS AND OPERAS.

        If any discrepancy is observed between the dates given in this list and those in the body of the book, the dates here given are to be preferred. It must be borne in mind that the date of some plays is purely conjectural, and can be assigned only approximately; and in not a few instances authorities differ.

        • Abdelazer, or the Moor’s Revenge, 1677, Mrs. Behn.C.
        • Abel, 18th cent., Alfieri.T.O.
        • About Town, 1873, A. W. A’Beckett.C.
        • Abraham’s Sacrifice, 1550, T. Beza (French).Rel.Pl. (translated by A. Golding, 1575).
        • Abroad and at Home (1764-1817), Holman.C.O.
        • Absalon, 1590, Peele.T.
        • Absent Man (The), 1768, Bickerstaff.C.
        • Accomplices (The), about 1790, Goethe.C.
        • Acharnanians, B.C. 425, Aristophanes.C.
        • Achille in Sciro, 1736, Metastasio.O.
        • Achilles, 1732, Gay. O.
        • Acis and Galatea, 1683, Camistron.O.
        • Acis and Galatea, 1732, Gay.Ser.
        • Adelaide, 1814, Sheil.
        • Adelaide du Guesclin, 1734, Voltaire.T.
        • Adelaide of Wulfingen, 1799. B. Thompson.T.
        • Adelgitha, 1806, Lewis.Pl.
        • Adelmorn, or The Outlaw, 1801, Lewis.D.
        • Adelphi, or The Brothers, B.C. 160, Terence.C.
        • Adherbal, 1687, Lagrange.T.
        • Adopted Child, * Birch.Mu.D.
        • Adrasta, or Woman’s Spleen, 1635, J. Jones.Pl.
        • Adriano in Siria, 1731, Metastasio.O.
        • Adrienne Lecouvreur, 1849, MM. LegouvÉ and Scribe.C.
        • Adventures of Five Hours, 1663, Tuke.C.
        • Ælla, posthumous, 1777, Chatterton.T.
        • Æsop, 1697, Vanbrugh.
        • Afflicted Father (The), 1745-1820, Hayley.D.
        • Africaine (L’), 1865, Meyerbeer.O.
        • Africans (The), 1808, Colman.Pl.
        • After Dark, 1868, Boucicault.
        • Agamemnon, B.C. 458, Æschylus.T. (Greek).
        • Agamemnon (B.C. 58-32), Seneca.T. (Latin).
        • Agamemnon, 1738, Thomson.T.
        • Agamemnon, printed 1783, Alfieri.T.
        • Agathocles, or The Sicilian Tyrant, 1676, R. Perrinchief.T.
        • AgÉsilas, 1666, Corneille.T.
        • Agis, 1758, Home.T.
        • Agis (Agide), printed 1783, Alfieri.T.
        • Aglaura, 1637, Sir J. Suckling. T.C.
        • Agnes de Castro (1679-1749), Cockburn.D.
        • Agnes de Vere, 1834, Buckstone.D.
        • Agnese, about 1820, Paer.O.
        • Agreeable Surprise, 1798, O’Keefe.C.
        • Agrippina, 1771, T. Gray. T. (unfinished).
        • Ah! que l’Amour est AgrÉable! 1862, Delaporte.C.
        • AÏda, 1872, Verdi. O.
        • Ajax, about B.C. 420, Sophocles.T. (Greek).
        • Aladdin, 1824, Bishop.O.
        • Alaham Mustapha, 1609, T. Grenville.T.
        • Alarcos, 1839, Disraeli.T.
        • Alarkas, 1802, F. C. Schlegel.T.
        • Alarming Sacrifice, about 1849, Buckstone.F.
        • Alarum for London, or the siege of Antwerp, 1602, Anon.T.
        • Alasco, 1824, Shee.T.
        • Alba, 1583, performed at Oxford before Albertus de Alasco, a Polish prince.
        • Albertus Wallenstein, 1639, Glapthorne.T.
        • Albovine, King of Lombardy, 1629, Sir W. Davenant.T.
        • Albumazar, 1634,B. (a comedy).
        • Albumazar, the Astronomer, 1614, Tomkis.C.
        • Albyon Knight (The), 1565, Anon.Alleg.Pl.
        • Alcazar (Battle of), 1594, Peele.T.
        • Alceste, 1690, Lagrange.T.
        • Alceste, 1747, Smollett.O.
        • Alceste, 1769, GlÜck.O. (libretto by Calzabigi).
        • Alcestis, B.C. 438, Euripides.T. (Greek).
        • Alchemist (The), 1610, Jonson.C.
        • Alcibiade, 1688, Campistron.T.
        • Alcibiades, 1675, Otway.T.
        • Alcida, 1588, Greene.
        • Alessandro nell’ Indie, 1729, Metastasio.O.
        • Alexander and CampaspÊ, etc., 1584, J. Lyly.Myt.D.
        • Alexander and the King of Egypt, 1788, Anon.MockPl.
        • Alexandre, 1665, Racine.T.
        • Alexandrians (The), 1605, Lord Stirling.T.
        • Alexina, 1866, Knowles.Pl.
        • Alexius, or the Chaste Lover, 1639, Massinger.C.
        • Alfonso, King of Castile, 1801, Lewis.H.Pl.
        • Alfred, 1724, Arne or his pupil Burney.O.
        • Alfred, 1778, Home.H.Pl.
        • Alfred, or the Roast Beef of Old England, 1740, J. Thompson and Mallet.M.
        • Alfred the Great at Athelney, 1876, Stratford de Redcliffe.T.
        • Ali Baba, 1833, Cherubini.O.
        • Aline Reine de Golconde, 1767, Sedaine.O.
        • All Alive and Merry, 1737, S. Johnson.C.
        • All Fools, 1605, Chapman.C.
        • All for Fame, 1805, Cherry.C.
        • All for Love, or The World Well Lost, 1668, Dryden.T.
        • All for Money, 1578, Lupton.T.C.
        • All in the Wrong, 1761, Murphy.C.
        • All is Vanity, or the Cynic’s Defeat, * Alfred Thompson.Cl.Cdta.
        • All’s Fair in Love, 19th cent., J. Brougham.D.Pc.
        • All’s Lost by Lust, 1633, Rowley.T.
        • All’s Well that Ends Well, 1598, Shakespeare.C.
        • All the World’s a Stage, 1777, Jackman.F.
        • Almahide and Hamet, 1804, Malkin.T.
        • Almansor. (See “Conquest of Granada.”)
        • Almeria, 1698, Handel.O.
        • Almeyda, Queen of Granada, 1796, Miss Lee.T.
        • Alonzo, 1773, Home.T.
        • Alphonsus, Emperor of Germany, 1654, Capman.T.
        • Alphonsus, King of Aragon, 1594, Greene.C.
        • Alsatia (The Squire of), 1688, Shadwell.C.
        • Alzire, 1736, Voltaire.T.
        • Amadis de GrÈce, 1704, Lamotte.O.
        • Amant Difficile (L’), 1672-1731, Lamotte.C.
        • Amant Jaloux (L’), 1778, GrÉtry.O.
        • Amants Magnifiques, 1670, MoliÈre.C.
        • Amasis (1677-1758), Lagrange.T.
        • Ambassadrice, 1837, Scribe.O.C.
        • Amber Witch (The), 1861, Wallace.O.
        • Ambitious Stepmother (The), 1698, Rowe.T.
        • Ambitious Vengeance (1755-1798), Merry.
        • Amboyna, 1673, Dryden.
        • Amelia, 1732, H. Carey.
        • Amelia, 1768, Cumberland.
        • Amends for Ladies, 1611, Field.C.
        • American Cousin (Our), 1858, Tom Taylor and Sothern.C.
        • American Lady (An), 1874, H. J. Byron.C.
        • Americans (The), about 1770, Arnold.O.
        • Ami de la Maison, 1772, Marmontel.O.
        • Amoroso, King of Little Britain, 1818, PlanchÉ.B.
        • Amorous Bigot, 1690, Shadwell.C.
        • Amorous Fantasms, 1660, Lower.T.C.
        • Amorous Gallant (The), 1675, (from Corneille).
        • Amorous Old Woman (The), 1674, Duffet.C.
        • Amorous Orontus, or Love in Fashion, 1665, J. Bulteel.C.
        • Amorous Prince (The), 1671, Mrs. Behn.C.
        • Amorous Warre, 1648, Mayne.T.C.
        • Amorous Widow (The), 1706, Betterton.C.
        • Amour (L’) et l’Opinion (1781-1857), Brifaut.C.
        • Amour MÉdecin, 1665, MoliÈre.C.
        • Amours de Diable, 1852, St. Georges.O.C.
        • Amphitruo (B.C. 254-184), Plautus.C. (Latin).
        • Amphitryon, 1668, MoliÈre.C.
        • Amphitryon, 1690, Dryden.C.
        • Amphitryon, 1781, Sedaine.O.
        • Amphitryon, 1782, Andrieux.C.
        • Amy Robsart (1830-1877), Halliday.
        • Amyntas or The Impossible Dowry, 1638, Randolph.Fy.P.
        • Amyntas, 1698, Oldmixon.C.
        • Anacreon, 1766, Sedaine.C.O.
        • Anacreon, 1832, Cherubini.O.
        • Anaximandre, 1782, Andrieux.C.
        • Andrew of Hungary, 1839, Landor.T.
        • Andria (The Woman of), B.C. 166, Terence.C.
        • AndromachÊ, B.C. 417, Euripides.T.
        • Andromana, or The Merchant’s Wife, 1660, Shirley.T.
        • Andromaque, 1667, Racine.T.
        • Andromaque, 1683, Campistron.T.
        • Andronic, 1686, Campistron.T.
        • Andronicus, or Heaven’s Late Revenge, 1661, Anon.T.
        • Angelica, 1722, Metastasio.O.
        • Anglais À Bordeaux (L’), 1763-72, Favart.O.C.
        • Anglomane, 1752, Saurin.C.
        • Animal Magnetism, 1785, Inchbald.F.
        • Ann Blake, 1852, W. Marston.Pl.
        • Anna Bolena, 1830, Donizetti.O.
        • Anna Boleyn, about 1680, Banks.T.
        • Anna Boleyn, 1877, Miss Dickinson.H.P.
        • Anne Boleyn, 1826, Milman.D.Pm.
        • Anne Boleyn, 1850, G. H. Boker.T.
        • Anne Boleyn, 1876, T. Taylor.
        • Annette et Lubin, 1763-72, C. N. Favart.O.C.
        • AÑo Despues de la Boda, 1825, Gil y Zarate.
        • Antidote (The), 1805, Alfieri.C.
        • AntigonÊ, about B.C. 441, Sophocles.T.
        • Antigone, 1631, May.Cl.D.
        • Antigone, 1633, Rotrou.Cl.D.
        • Antigone, 1756. GlÜck.O.
        • Antigone, 1783, Alfieri.T.
        • Antiochus et ClÉopÂtre, 1717, Deschamps.T.
        • Antipodes (The), 1633, Brome.C.
        • Antiquary (The), 1633, Marmion.C.
        • Antonio and Mellida, 1602, Marston.T.
        • Antonio and Vallia, 1660, Massinger.
        • Antonio, or the Soldier’s Return, 1801, Godwin.T.
        • Antonio’s Revenge, 1602, Marston.T.
        • Antony, 1590, Lady Pembroke.T.
        • Antony, 1831, Dumas.T.
        • Antony and Cleopatra, 1608, Shakespeare.T.
        • Anything for a Quiet Life, 1662, Middleton.C.
        • Apocryphal Ladies (The), 1624-1673, Margaret, duchess of Newcastle.C.
        • Apollo and Daphne, 1716, Hughes.M.
        • Apollo Shroving, 1626, Hawkins.C.
        • Apostate (The), 1817, Sheil.T.
        • Appearance is Against Them, * Anon.F.
        • Appius and Virginia, 1574, R. B----.Mo.
        • Appius and Virginia, 1654, Webster.T. Revised by Betterton, 1679, and entitled The Roman Virgin, or The Unjust Judge.
        • Appius and Virginia, 1705, Dennis.T.
        • Apprentice (The), 1751 or 1756, Murphy.F.
        • Arab (The), 1783, Cumberland.T.
        • Arcades, 1636, Milton.M.
        • Arcadia, 1640, Shirley.Pl. (based on Sidney’s Arcadia).
        • Archipropheta, 1547, Grimbold.T. (Latin, John the Baptist).
        • Arden of Feversham, 1592, Anon.H.T. (altered in 1739 by Lillo).
        • Argalus and Parthenia, 1639, Glapthorne.Pl.
        • Ariadne, 1721, D’Urfey.O.
        • Ariane, 1672, T. Corneille.T.
        • Ariodante and Ginevra, 1582, Anon.Pl. (founded on a story in Orlando Furioso, by Ariosto).
        • Aristodemus, 1825, Monti.T. (rendered into French, 1854, by Duplissis).
        • AristomÈne, 1749, Marmontel.T.
        • Armgart, 1874, “George Eliot.”D.Pm.
        • Armida, 1774, GlÜck.O. (libretto by Calzabigi).
        • Arminius, 1684, Campistron.T.
        • Arminius, 1798, Murphy.T.
        • Armourer (The), 1793, Cumberland.C.O.
        • Armourer of Nantes, 1863, Balfe.O.
        • Arrah na Pogue, 19th cent., Boucicault.I.D.
        • Arraignment of Paris, 1584, Peele.Ct.S. or M.
        • Art of Management, 1735, C. Clarke.D.Pc.
        • Artaserse, before 1730, Metastasio.O.
        • Artaxerxes, 1741, GlÜck.O.
        • Artaxerxes, 1761, Arne.O. (from Metastasio).
        • Artaxerxes, 1831, Dorn.O.
        • ArtÉmire, 1720, Voltaire.T.
        • Arthur (King), 1691, Dryden.O. (music by Purcell).
        • Arthur, King of England, 1598, Hathaway.Pl. (See “Misfortunes of Arthur.”)
        • Artifice, 1721, Centlivre.C.
        • As Cool as a Cucumber, 1851, W. B. Jerrold.F.
        • As You Find it, 1703, Boyle.C.
        • As You Like it, 1600, Shakespeare.C. (The quarry of this play was Lodge’s novel called Rosalynde, 1590.)
        • Asdrubal, 1647, Jacob Montfleury.T.
        • Asinaria, or The Ass Comedy (B.C. 254-184). Plautus.C. (Latin). Translated into blank verse by Messrs. Thornton, Rich, Warner and Colman, 1769-74.
        • Assignation (The), 1672, Dryden.C.
        • Assignation (The), 1807, Miss Lee.C.
        • Assommoir (L’), 1878, Zola.D. (See “Drink.”)
        • AstrÆa Appeased, 1797, Olivari (translated from Metastasio).
        • At Home, 1818, C. Mathews.E.
        • Atalanta in Calydon, 1864, Swinburne.D.Pm.
        • Athalia, 1733, Handel.O.
        • Athalia, 1844, Mendelssohn.O.
        • Athalie, 1690, Racine.T. (translated by J. C. Knight, 1822).
        • Atheist’s Tragedy (The), 1611, Tourneur.T.
        • Athelwold, 1732, Hill.T.
        • Athelwold, 1842, W. Smith.T.
        • AthÉnais (1677-1758), Lagrange.T.
        • Athenian Captive, 1838, Talfourd.Cl.Pl.
        • Atonement, or Branded for Life, 1863, Muskerry.D. (Les MisÉrables of Victor Hugo dramatized).
        • Attila, 1667, Corneille.T.
        • Attila, 19th cent., Verdi.O.
        • Attilio Regolo, 1740, Metastasio.O.
        • Atys, 1780, Piccini.O.
        • Auchindrane. (See “Ayrshire Tragedy.”)
        • Auction of Pictures, 1748, Foote.F.
        • Auction (The), 1757, T. Cibber.F.
        • Augusto (L’), 1665, Amore.T.
        • Aulularia (B.C. 254-184), Plautus.C. (Latin). Translated into blank verse by Thornton, Rich, Warner and Colman, 1769-1774.
        • Aureliano in Palmira, 1814, Rossini.O.
        • Aurengzebe, 1675, Dryden.He.Pl.
        • Author (The), 1757, Foote.F.
        • Author’s Farce (The), 1731, Fielding.F.
        • Avant, Pendant et AprÉs, before 1822, Scribe.V.
        • Avare (L’), 1667, MoliÈre.C. (indebted to the Aulularia of Plautus).
        • Avocat Patelin (L’), 1706, De Brueys.F.
          • (This was a reproduction of a comedy attributed to Blanchet, who died 1519; but Bouillet says it was more ancient still.)
        • Ayrshire Tragedy, 1830, Sir W. Scott.T.
        • Babes in the Wood, 1860, Tom Taylor. (Rob. Yarrington, in 1601, wrote Two Lamentable Tragedies, one of which was about a young child murdered in a wood by two ruffians by command of its uncle.)
        • BacchÆ (B.C. 480-407), Euripides (Greek). Translated by Potter, 1781; Wodhull, 1782; Buckley, pr., in Bohn’s library.
        • Bacchides (B.C. 254-184), Plautus.C. (Latin, based on a Greek comedy by Menander.) Translated into blank verse by Thornton, Rich, Warner and Colman, 1769-74.
        • Bad Lovers, 1836, Coyne.C.
        • Bague de ThÉrÈse, 1861, Carmouche.C.
        • Bajazet, 1672, Racine.T.
        • Balder’s DÖd, 1773, Evald or Ewald.D.
        • Ball (The), 1632, Chapman and Shirley.C.
        • Ballo in Maschera (Un), 1861, Verdi.O.
        • Banditti (The), 1686, D’Urfey.Pl.
        • Banishment of Cicero (The), 1761, Cumberland.D.Pm.
        • Banker’s Daughter (The), 1879, B. Howard.D.
        • Bankrupt (The), 1776, Foote.F.
        • Baptistes (1506-1582), G. Buchanan.T. (Latin).
        • Barbarossa, 1755, Brown.T.
        • Barbe Bleue, 1866, Offenbach.C.Bf.
        • Barbier de SÉville (Le), 1775, Beaumarchais.C.
        • Barbiere di Siviglia, 1780, Paisiello.O.
        • Barbiere di Siviglia, 1816, Rossini.O. (Sir H. Bishop altered it).
        • Barmecides (Les), 1778, Laharpe.T.
        • Barnwell. (See “George Barnwell.”)
        • Barry (Mde. du), 1836, Ancelot.V.
        • Bartholomew Fayre, 1614, Jonson.C.
        • Bashful Lover, 1636, printed 1655, Massinger.C.
        • Bashful Man (The), *-1857, Moncrieff.C.D.
        • Basil (Count), 1798, printed in the “Series,” 1802, J. Baillie.T. (the passion of “love”).
        • Basset Table, 1706, Centlivre.C.
        • Bastard (The), 1652, C. Manuche.T.
        • Bastien et Bastienne (1749-1806), Favart.O.C.
        • Bath (The), 1701, D’Urfey.C.
        • Battaile de Danes, 1851, Scribe and LegouvÉ.C.
        • Battle of Alcazar, 1594, Peele.T.
        • Battle of Hastings, 1778, Cumberland.T.
        • Battle of Hermann (1776-1811), Kleist.H.D.
        • Battle of Hexham, 1789, Colman.C.
        • Battle of Sedgmoor, about 1675, duke of Buckingham.F.
        • Bear-Hunters (1802-1879), Buckstone.
        • Beatrice di Tenda, 1833, Bellini.O.
        • Beau Brummel, 1858, W. B. Jerrold.C.
        • Beau’s Duel, 1703, Centlivre.C.
        • Beauty, 1616, Jonson.C.
        • Beauty in a Trance, 1653, Ford.C.
        • Beauty in Distress, 1698, Motteux.T.
        • Beauty’s Triumph, 1676, Duffett.M.
        • Beaux’ Stratagem, 1707, Farquhar.C.
        • Becket. (See “Thomas À Becket.”)
        • Beggar of Bethnal Green, 1834, Knowles.C. (See “Blind Beggar of Bethnal Green.”).
        • Beggars’ Bush, 1622, Fletcher (Beaumont died 1616). Folio edition 1647.C.
        • Beggar’s Opera, 1727, Gay.C.O. (music by Linley. Dr. Pepusch adapted music to this opera).
        • Believe as you List, 1653, Massinger.C.
        • BÉlisaire, 1645, Rotrou.T.
        • Belisarius (1757-1823), Kemble.
        • Bellamere Earl of Carlisle, 1807.T.
        • Bellamira, or The Mistress, 1687, Sedley.C.
        • Bellamira, 1818, Sheil.C.
        • Belle ArsÈne (La), 1775, Favart.O.C. (music by Monsigny).
        • Belle HÉlÈne (La), 1865, Offenbach.O.Bf.
        • Belle’s Stratagem (The), 1780, Mrs. Cowley.C.
        • Bells (The), 1874, Erckmann-Chatrian, adapted from The Polish Jew (q.v.).
        • Belphegor, 1856, C. Webb, and L. Buckingham.D. (translated from the French of Dennery and Fournier).
        • Belshazzar, 1822, Milman.D.Pm.
        • Ben Nazir, 1827, Grattan.T.
        • Benevolent Tar (The), * Cross.Mu.E.
        • Benyowski, 1811, Kotzebue. (The English version is called The Virgin of the Sun.)
        • BÉrenice, 1670, Racine.T.(the hero and heroine meant for Louis XIV., and Henrietta of England).
        • Bertram, 1816, Maturin.T.
        • Bertrand et Raton, 1833, Scribe.C.
        • Betrothal (The), 1852, G.H. Boker.
        • Betsy, 1879, Burnard (from the French).
        • Better Late than Never, before 1814, Andrews.C.
        • Beverley, 1748, Saurin.D.
        • Bianca, 1817, Ingemann.T.
        • Bianca, 1859, Balfe.O.
        • Bianca Visconti, 1843, Willis.T. (Greek).
        • Bickerstaff’s Burying, 1710, Centlivre.C.
        • Bijou Perdu, 1855, Adam.Pt. Pc. (libretto by Deforges).
        • Billy Taylor (1802-1879), Buckstone.
        • Bird in a Cage (The), 1633, Shirley.C.
        • Birds (The), B.C. 409, Aristophanes.C. (Greek). Translated by Mitchell, 1820-22; Carey, 1824; Hickie, 1853; Rudd, 1867.
        • Biron’s Conspiracie, 1604, Chapman.T.
        • Biron’s Tragedy, 1605, Chapman.T.
        • Birth (1829-1871), Robertson.C.
        • Birth of Jupiter, 1797, Olivari (translated from Metastasio).
        • Birth of Merlin, 1662, Rowley.C.
        • Birthday (The), 1801.C. (from Kotzebue).
        • Biter (The), 1705, acted 1706, Rowe.C.
        • Black and White, 19th cent., Collins.C.
        • Black Domino, 1841, an English version of Scribe’s Le Domino Noir, 1737.O.C.
        • Black-Eyed Susan, 1822, D. Jerrold.N.D.
        • Black Horse (The), before 1620, Fletcher.Pl. (See “PalÆmon and Arcyte.”)
        • Black Prince, 1669, Lord Orrery.H.Pl.
        • Black Sheep (1805-1868), Coyne.
        • Blackness, 1616, Jonson.C.
        • Blanche of Navarre, 1839, James.Pl.
        • Blazing Comet (The), 1732, S. Johnson.C.
        • Blighted Being (A), 1854, Tom Taylor.
        • Blind Bargain (1765-1841), Reynolds.C.
        • Blind Beggar of Alexandria, 1559, Chapman.Pl.
        • Blind Beggar of Bethnal Green, 1592, acted 1600, Day.C. (See “Beggar of Bethnal Green.”)
        • Blind Beggar of Bethnal [Bednal] Green (The), 1745, Dodsley.C.
        • Blind Girl, 1801, Morton.C.
        • Blind Lady (The), 1660, Howard.C.
        • Bloodie Banquet (The), 1639, R. Davenport.T.
        • Bloody Brother, 1639, Beaumont and Fletcher.T.
        • Blot on the ’Scutcheon, 1843, R. Browning.T.
        • Blue Beard, 1797, Sedaine.C.O. (music by GrÉtry); 1866.
        • Blue Beard, 1798, Colman.Mu.Sp. (music by Kelly).
        • Blue Beard, 1868, Offenbach.O.Bf.
        • Blurt, Master Constable, 1602, Middleton.C.
        • Boadicea, 1611, Fletcher.T.
        • Boadicea, 1753, Glover.T.
        • Bohemian Girl, 1844, Balfe.O. (burlesqued by H. J. Byron in The Bohemian Gyurl).
        • Bohemians or Rogues of Paris, 1863, Stirling.D.
        • Bohemienne, 1862, St. Georges.O.C.
        • Boite d’Argent, 1858, Dumas fils.C.
        • Bold Stroke for a Husband, 1782. Cowley.C.
        • Bold Stroke for a Wife, 1717, Centlivre.C.
        • Bombastes Furioso, 1790, Rhodes.F.
        • Bon Fils, 1785, Florian.C.
        • Bon MÉnage, 1782, Florian.C.
        • Bon PÈre, 1783, Florian.C.
        • Bon Ton, 1760, Burgoyne.C.
        • Bon Ton, 1776, Garrick.F.
        • Bondman (The), 1624, Massinger and Field.T.
        • Bondman (The), 1780, Cumberland.
        • Bondman (The), 1846, Balfe.O.
        • Bondman (The), or Love and Liberty, 1719, Betterton.C.
        • Bonduca, 1647, Beaumont and Fletcher.T.
        • Bonne MÈre, 1784, Florian.C.
        • Boots at the Swan, 1857, Selby,F. (Dickens’s tale dramatized).
        • Borderers (The), 1795-96, Wordsworth.T.
        • Bothwell, * Ware.T.
        • Bothwell, 1874, Swinburne.T.
        • Bourgeois Gentilhomme, 1670, MoliÈre.C.
        • Bourgeoises À-la-Mode, 1654, Dancourt.C.
        • Bourse (La), 1856, Ponsard.F.
        • Bow Bells, 1880, Mr. Byron.D.
        • Box and Cox, * J. M. Morton.F.
        • Box Lobby Challenge (The), 1794, Cumberland.C.
        • Bradamante, 1580, Garnier.T.
        • Braganza (The Duke of), 1775, Jephson.T.
        • Bravo (The), 1833, Buckstone.Mel. (Cooper’s novel dramatized).
        • Brazen Age (The), 1603, T. Heywood.C.
        • Breach of Promise (1829-1871), Robertson.C.
        • Brennoralt (1609-1641), Sir J. Suckling.T.
        • Bride (The), 1640, Nabbes.C.
        • Bride (The), 1808, Korner.C.
        • Bride of Messina, 1803, Schiller.T.
        • Bride’s Tragedy (The), 1822, Beddoes.T.
        • Brides of Aragon (The), 1823, Beer.T.
        • Brier Cliff, 1842, George Morris.D.
        • Brigand (The), 1829, PlanchÉ.
        • Brighton. (See “Saratoga.”)
        • Bristowe Merchand (The), * Ford and Dekker.
        • Britannia Triumphans, 1637, Davenant.M.
        • Britannicus, 1669, Racine.T.
        • British Enchanters (The), 1701, G. Granville.D.Pm.
        • Briton (The), 1722, Philips.T.
        • Broken Heart, 1633, Ford.T.
        • Broken Hearts, 1876, Gilbert.T.C.
        • Broker of Bogota (1803-1854), Bird.T.
        • Brother and Sister, 1633, Ford.T.
        • Brother Sam, 19th cent., Oxenford, Sothern and Buckstone.C.
        • Brothers (The), 1652, Shirley.Pl.
        • Brothers (The), 1728, Young.T.
        • Brothers (The), 1769, Cumberland.C. (based on “The Little French Lawyer,” q.v. See “Adelphi”).
        • Brutus, about 1690, Miss Bernard.T.
        • Brutus, 1730, Voltaire.T.
        • Brutus (Junius), 1783, Alfieri.T. (translated by C. Lloyd, 1815).
        • Brutus (Junius), 1828, Andrieux.T.
        • Brutus (Lucius Junius) 1679, Lee.T.
        • Brutus (Lucius Junius), 1784, Duncombe.T.
        • Brutus and Cassius (1764-1811), ChÉnier.T.
          • (See “Conspiracy of Brutus.”)
        • Brutus, or the Fall of Tarquin, 1820,1820, Payne.T.
        • Bubbles of the Day, 1842, Jerrold.C.
        • Buckingham, 1875, Wills.H.Pl.
        • Buffoon (Sir Hercules), 1622-1681, Lacy.C
        • Bull. (See “John Bull.”)
        • Bury Fair, 1689, Shadwell.C.
        • Busiris, 1719, Young.T.
        • Bussy d’Ambois, 1607, Chapman.T.
        • Bussy d’Ambois, 1691, D’Urfey.T.
        • Busybody (The), 1708, Centlivre.C. (based on Dryden’s Sir Martin Marall, 1667.)
        • By Royal Command, 19th cent., Stirling.C.O.
        • Cabal and Love, 1783, Schiller.T.
        • Cadi DupÉ (Le), 1761, Monsigny.O.C.
        • CÆlina, or L’Enfant du MystÈre, 1800, Guilbert de Pi xÉrÉcourt.Mel.
        • CÆsar and Pompey, 1631, Chapman.T.
        • CÆsar and Pompey, or CÆsar’s Revenge, 1607.
        • Cain, 1821, Byron.Mys.
        • Caio Gracco, 1720, Leo.O. (See “Gracchus.”)
        • Caius Gracchus, 1815, Knowles.H.T.
        • Caius Gracchus, 1825, Monti.H.T. (rendered into French by Duplissis, 1854;
          • and into English by Lord John Russell, 1830).
        • Caius Marius, 1680, Otway.T. (This is Shakespeare’s Coriolanus reset.)
        • Calandria (La), 1490, Bibbi.C. (the first Italian comedy).
        • Calaynos, 1848, G. H. Boker.T.
        • Caleb Quotem, * H. Lee.
        • Calife de Bagdad, 1799, Boieldieu.O.
        • Calisto, about 1679, Crowne.M.
        • Calistus, 1530, Anon.T.C.
        • CallisthÈne, 1780, Piron.T.
        • Calypso, 1779, Cumberland.
        • Calypso, 1803, Winter.O. (See “Gracchus.”)
        • Calypso and Telemachus (1677-1720), Hughes.O.
        • Camaraderie (La), 1837, Scribe.C.
        • Cambises (King), 1569, Preston.T. (Referred to by Shakespeare, 1 Hen. IV., act ii. sc. 4.)
        • Cambyses, 1671, Settle.T.
        • Cameralzaman, 1848, James.Fy.C.
        • Camma, 1661, T. Corneille.T.
        • Camp (The), 1780, Sheridan.Mu.D.
        • Campaigners (The), or Pleasant Adventures in Brussels, 1698, D’Urfey.C.
        • Campaign, or Love in the East, 1783, Jephson.O.
        • CampaspÊ. (See “Alexander and CampaspÊ,” “Cupid and CampaspÊ.”)
        • Candidate (The) about 1781, Dent.F. (See “Rival Candidates.”)
        • Caprices of a Lover (The), 1769, Goethe.C.
        • Capricious Lovers (The), 1764, R. Lloyd.C.O. (from the Caprices d’Amour of Favart).
        • Captain (The), 1613, Beaumont and Fletcher.C.
        • Captain Mario, 1577, Gosson.C.
        • Captifs (Les), 1635, Rotrou.C. (imitated from the Captivi of Plautus).
        • Captive (The), 1769, Bickerstaff.
        • Captive (The), 1839, Lewis.Mel.
        • Captives (The), 1723, J. Gay.T.
        • Captivi (B.C. 254-184). Plautus.C. (Latin.) Translated into blank verse by Messrs. Thornton, Rich, Warner and Colman, 1769-74. (See “Captifs.”)
        • Captivity (The), 1728-1744, Goldsmith.Or.
        • Capuchin (The), 1776, Foote.
        • Caractacus, 1759, Mason.D.Pm.
        • Caractacus, 1808, Bishop.Pn.Bl.
        • Caravanne (La), 1783, GrÉtry.O.
        • Card of Fancy, 1601, Greene.C.
        • Cardinal (The), 1652, Shirley.D.
        • Cardinal Beaton, 1823, Tennant.T.
        • Careless Husband (The), 1704, Cibber.C.
        • Careless Shepherdess, 1656, T. G[offe].T.C.
        • Carlos (Don), 1676, Otway.T.
        • Carlos (Don), 1787, Schiller.T.
        • Carmelite (The), 1785, Cumberland.T.
        • Carnival (The), 1663, Porter.C.
        • Carnival of Venice, 1781, Tickell.C.O.
        • Cartesmunda, the Fair Nun of Winchester, 1655, Brewer.T.
        • Case is Altered (The), 1609, Jonson.C.
        • Casini (B.C. 254-184), Plautus.C. (Latin, based on a Greek comedy by Diphilos). Translated to blank verse by Messrs, Thornton, Rich, Warner and Colman, 1769-74.
        • Cassandre, 17th cent., CalprenÈde.T. (translated by Sir C. Cotterell, 1652).
        • Cassandre (1677-1758), Lagrange.O.
        • Cassius (1677-1758), Lagrange.T.
        • Caste, 1867, Robertson.C.
        • Castilian (The), 1853, Talfourd.T.
        • Castle of Andalusia, 1798, O’Keefe.C.O.
        • Castle of Sorento, * Heartwell.Mu.E.
        • Castle of Perseverance (The). One of the oldest Morality plays in the language.
        • Castle Spectre, 1797, Lewis.D.R.
        • Castor and Pollux, 1700, Bernard.O.
        • Catch Him Who Can, 1808, Hook.
        • Caterino Conara, 1844, Donizetti.O.
        • Catherine Douglas, 1843, Helps.T.
        • Catherine Grey, 1837, Balfe.O.
        • Catherine of Heilbronn (1776-1811), Kleist.C.
        • Catiline, 1822, Croly.T.
        • Catiline’s Conspiracy, 1611, Jonson.T.
        • Catiline’s Conspiracy (1554-1623), Gosson.H.D.
        • Cato, 1713, Addison.T.
        • Caton d’Utique, 1715, Dechamps.O. (music by Vinci).
        • Catone in Utica, 1726, Metastasio.T. (music by Leo.)
        • Catspaw, 1850, Jerrold.
        • Ce qui Plait aux Femmes, 1860, Ponsard.C.
        • Cecchina (La), 1760, Piccini.O.
        • Celestina. (See “Spanish Bawd.”).
        • Cenci (The) 1819, Shelley.T.
        • Cenerentola (La), 1817, Rossini.O.
        • Chabot, Admiral of France, 1639, Chapman.T.
        • ChaÎne (Une), 1841, Scribe.C.
        • ChÂlet (Le), 1834, Adam.O.C. (libretto by Scribe).
        • Challenge for Beautie (A), 1606, Thomas Heywood. T.C.
        • Chances (The), 1620 Fletcher (Beaumont died 1616).C. (altered by the Duke of Buckingham, and then by Garrick, to a farce).
        • Changeling (The), 1654, Middleton.T.
        • Changement d’Uniforme, 1836, Dennery.D.
        • Changes (The), 1633, Shirley.C.
        • Chanson de Fortunio, 1861, Offenbach.O.Bf.
        • Chaperon Rouge (Le), 1818, Boieldieu.O.
        • Chapter of Accidents (The), 1780, Miss Lee.C.
        • Charity, 1874, Gilbert.Pl.
        • Charlatanisme (Le), before 1822, Scribe.Pt.Pc.
        • Charles I., 1750, Havard.H.D.
        • Charles I., 1828, E. Cobham Brewer.H.T.
        • Charles I., 1830, Miss Mitford.H.D.
        • Charles I., 1853 Gurney. H.Pl. (See “Cromwell.”)
        • Charles I., 1872, Wills.H.Pl.
        • Charles II., 1849, Macfarren.O.
        • Charles II (1792-1852), Payne.D.
        • Charles VI., 1841, HalÉvy.O. (libretto by Delavigne).
        • Charles VII., 1831, Dumas.H.D.
        • Charles IX., 1789, ChÉnier.H.D.
        • Charles XII., 1826, PlanchÉ.H.D.
        • Charles le TÉmÉraire, 1814, Guilbert de PixÉrÉcourt.D.
        • Charlotte Corday, 1850, Ponsard. T.
        • Chasse À St. Germain, 1860, Deslandes.D.
        • Chaste Mayd in Cheapside (The), 1620, Middleton.C.
        • Chastelard, 1865, Swinburne. T.
        • ChÂtelet (Mde. du), about, 1834, Ancelot.V.
        • Chatterbox (The), 1857, W. B. Jerrold.C.
        • Cheats of Scapin, 1677, Otway.F. (from MoliÈre’s Fourberies de Scapin, 1671.C.).
        • Checkmate (1830-1877), Halliday.
        • Chefe Promises of God unto Man, 1538, Bale.Mir.Pl.
        • Chercheuse l’Ésprit (La), 1710-1792, Favart.O.C.
        • Cheshire Comics, 1730, S. Johnson.C.
        • Chester Mysteries (24). The oldest dramatic works in the language. Ascribed to R. Heyden, who died 1363.
        • Chevalier & li class="c024">Diable À l’Ecole, 1842, Boulanger.C.O.
        • Diable À Quartre (Le), 1756, Sedaine.C.O.
        • Diamants de la Couronne (Les), 1841, Auber.O. (See “Crown Diamonds.”)
        • Diane et Endymion, 1787, Piccini.O.
        • Dido, 1734, Reed.T.
        • Dido, 1783, Marmontel.O. (music by Piccini).
        • Dido, Queen of Carthage, 1594, Marlowe and Nash.T.
        • Dido and Æneas, 1657, Purcell.O.
        • Dido and Æneas, 1727, D’Urfey.D.E.
        • Didone Abbandonata, 1724, Metastasio.O. (music by Sarro and Vinci).
        • Die ZauberflÖte. (See “ZauberflÖte.”)
        • Dieu et la BayadÈre, 1830, Scribe.O.
        • Dinorah, 1859, Meyerbeer.O.
        • Dioclesian, 1690, Purcell.O.
        • Diogenes and His Lantern, 1849, Taylor.C.
        • Dione, 1720, J. Gay.P.T.
        • Dionysius, 1748, Marmontel.T. (Denys le Tyrant).
        • Diplomate (Le), 1827, Delavigne and Scribe.Pt.Pc.
        • Disappointed Gallant (The), 1738, A. Thomson.Bd.O.
        • Disappointment (The), 1684, Southerne.C.
        • Discarded Son (The), 1854, Godfrey.C. (This is an English version of Un Fils de Famille; see “The Queen’s Shilling.”)
        • Discontented Colonel, 1638, Suckling.C.
        • Discovery (The), 1763, Mrs. Sheridan.C.
        • Disobedient Child (The), 1575, Ingeland.Mo.
        • Distrait (Le), 1697, RÉgnard.C.
        • Distressed Mother (The), 1725, Philips.T. (Racine’s tragedy Andromaque Anglicized).
        • Distressed Wife (The), 1743, J. Gay.C.
        • Diversions of the Morning, 1747, Foote.F.
        • Divine Olimpiade, 1719, Metastasio.O. (music by Leo).
        • Divorce (The), 1805, Alfieri.C. (translated by C. Lloyd, 1815).
        • Djengis Khan ou La ConquÊte de la Chine, 1837, Anicet Bourgeois.T.
        • Dr. Last in His Chariot, 1769, Foote and Bickerstaff.F. (based on Le Malade Imaginaire, by MoliÈre, 1673).
        • Dr. Magnus, 1864, Cormon.D.
        • Dodypoll (Dr.), 1600, Lyly.Pl.
        • Dog of Montargis, 1815.Mel. (an English version of the Chien de Montargis, of Guilbert de PixÉrÉcourt). (There is another French drama, called Le Chien d’Aubry, on the same subject.)
        • Doigts de Fee (Les), 1858, Scribe and LegouvÉ.O.C.
        • Domino Noir (Le), 1837, Auber.O.C. (libretto by Scribe). (See “Black Domino.”)
        • Don CÆsar de Bazan, 19th cent., Boucicault.
        • Don Carlos, 1676, Otway.T.
        • Don Carlos, 1787, Schiller.T. (translated by Calvert, 1836).
        • Don Carlos, 1822, Lord J. Russell.T.
        • Don Carlos, 1844, Michael Costa.O.
        • Don Carlos, 1867, Verdi.O.
        • Don Felix, 1714, Centlivre.C. (same as The Wonder).
        • Don Garcia, 1785, Alfieri.T. (translated by C. Lloyd, 1815).
        • Don Giovanni, 1787, Mozart.O. (libretto by L. da Ponte). Sir H. Bishop recast this opera. (See “Giovanni” and “Convivado.”)
        • Don Juan, 1665, GlÜck.O.
        • Don Juan, 1665, MoliÈre.C. (imitated from the “Convivado,” q.v.).
        • Don Juan, 1673, Thomas Corneille.C. (from the Spanish comedy “Convivado,” q.v.).
        • Don Juan, 1802, Kalkbrenner.O.
        • Don Juan d’Autriche, 1835, Delavigne.C.
        • Don Pasquale, 1843, Donizetti.O.
        • Don PÉdre, 1857, Cormon.D.
        • Don Pedro, 1795, Cumberland.D.
        • Don Pedro de Portugal, 1828, Gil y Zarate.D.
        • Don Quixote, 1846, Macfarren.O.
        • Don Quixote in England, 1736, Fielding.C.
        • Don Sebastian, 1690, Dryden.T.
        • Don Sebastiano, 1843, Donizetti.O.
        • Donna Diana, 1864, W. Marston.C.
        • Donna del Lago (La), 1821, Rossini.O.
        • Doom of Devorgoil, 1829, Sir W. Scott.Pl.
        • Dot., 19th cent., Boucicault.
        • Double Dealer (The), 1694, Congreve.C.
        • Double Deceit (The), 1736, W. Popple.C.
        • Double Disguise (The), 1783, Murdoch.C.
        • Double Falsehood, 1728, Theobald.T.
        • Double Gallant, 1707, Cibber.C.
        • Double Marriage, 1647, Beaumont and Fletcher.
        • Double Veuvage, 1701, Dufresny.C.
        • Double or Quits, (See “Quitte,” etc.)
        • Doubtful Heir (The), 1652, Shirley.C.
        • Douglas, 1756, Home.T. (based on the tale of Gil Morice).
        • Dowager (The), 1803-1878, C. J. Mathews.
        • Dragon of Wantley, 1737, Carey.B.O. (Its sequel is called Margery, or The Dragoness).
        • Dragons de la Reine, 1841, Decourcelle.C.
        • Dragoons (The), 1879, Hersee. (This is an English version of Des Dragons de Villars, a comic opera by Maillart.)
        • Drama of Exile, 1850, E. B. Browning.
        • Dramatist (The), 1789, Reynolds,C.
        • Drames du Cabaret, 1864, Dumanoir.D.
        • Dream at Sea, before 1838, Buckstone.Mel.
        • Dream of Scipio (The), 1797, Olivari.F. (from Metastasio).
        • Dreams (1829-1871), Robertson.C.
        • Drink, 1879, C. Reade.D. (from L’Assommoir, by M. Zola, 1878).
        • Druid, or The Vision of Fingal, 1815, Thomson.
        • Drummer (The), 1715, Addison.C. (founded on a tradition of Hurstmonceux House).
        • Duchess de la ValliÈre, 1836, Lytton.T.
        • Duchess of Guise, 1838, Flotow.O.
        • Duchess of Malfy, 1623, Webster.T.
        • Duenna (The), 1775, Sheridan.Op.C. (music by Linley).
        • Duke of Braganza, 1785, Jephson.T.
        • Duke of Guise, 1682, Dryden.T.
        • Duke of Lerma, 1665, Sir Robert Howard.
        • Duke of Millaine, 1623, Massinger.T.
        • Duke’s Mistress, 1638, Shirley.
        • Dulcamara, 1866, Gilbert.D.P.
        • Dumb Knight, 1608, Machin.C.
        • Dumb Lady, 1672, Lacy.C.
        • Dundreary Married and Done for (Lord), 1859, H. J. Byron and Sothern.C. (See “Our American Cousin.”)
        • Dupe (The), 1765, Mrs. Sheridan.C.
        • Dupe. (See “Who’s the Dupe?”)
        • Duplicity, 1781, Holcroft.C.
        • Dutch Courtesan (The), 1605, Marston.C. (Revived in 1680, and called the Revenge. Revived again in 1746, and called The Vintner Tricked.)
        • Dutch Lover (The), 1673, Mrs. Behn.C.
        ge (The), 1611, Th. Heywood.C.
      • Golden Branch (The), 1847, PlanchÉ.
      • Golden Fleece (The), 1845, PlanchÉ.
      • Golden Legend (The), 1851, Longfellow.D.Pm.
      • Golden Pippin, 1765, O’Hara.
      • Good-Natured Man (The), 1768, Goldsmith.C.
      • Good Soldier (The), about 1680, from R. Poisson.
      • Good for Nothing, 1851, Buckstone.C.D.
      • Gorboduc. (See “Ferrex and Porrex.”)
      • Gotham Election, 1715, Centlivre.C.
      • Governor of Cyprus, 1703. Oldmixon.
      • Gracchus, 1792, ChÉnier.T. (See “Caio Gracco.”)
      • Gracchus (Caius), 1815, Knowles.H.T.
      • Gracchus (Caius), 1825, Monti.H.T.
      • Grand Duchesse de GÉrolstein (La), 1867, Offenbach.O.
      • Grasshopper (The), 1877, Hollingshead.C. (from the French).
      • Grateful Fair (The), 1747, C. Smart.Pl.
      • Grateful Servant, 1630, Shirley.Pl.
      • Gray. (See “Grey.”)
      • Great Casimir (The), 1879, Leigh.Mu.D. (music by Lecocq; from the French).
      • Great City (The), 1830-1877, Halliday.C.
      • Great-Duke of Florence, 1636, Massinger.C.
      • Grecian Daughter, 1772, Murphy.T.
      • Grecian Heroine (The), 1721, D’Urfey.O.
      • Green Bushes, 1845, Buckstone.D.
      • Green Domino, 1810, Korner.C.
      • Green-Eyed Monster (The), 1828, PlanchÉ.
      • Gregory VII., 1840, Horne.T.
      • Grey (Lady Jane), 1638, CalprinÈde.T.
      • Grey (Lady Jane), 1715, Rowe.T.
      • Grey (Lady Jane), 1876, Tennyson.T.
      • Grief À-la-Mode, 1702, Steele.C.
      • Grim, the Collier of Croydon, 1662.C. by J. T.
      • Griselda (1774-1839), Paer.O.
      • Griselda, 1856, E. Arnold.D. (See “Patient Grissel.”)
      • Griselda, 1873, M. E. Braddon.T.
      • Grondeur (Le), 1691, De Brueys.C.
      • Grotius (1761-1819), Kotzebue.
      • Grotto on the Stream, 19th cent., Stirling.D.
      • Grove (The), or Lovers’ Paradise, 1700, Oldmixon.C.
      • Guardian (The), 1637, Massinger.C. (altered by Garrick in 1759).
      • Guardian (The), 1650, Cowley.C.
      • GuÈbres, 1762, Voltaire.T.
      • Gul’s Hornbook, 1609, Dekker.C.
      • Gustave III., 1833, Scribe.O.
      • Gustave, or Le Napolitain, 1825, Anicet Bourgeois.D.
      • Gustavus Erikson (1679-1749), Mrs. Cockburn.
      • Gustavus Vasa, 1733, Piron.T.
      • Gustavus Vasa, 1739, Brooke.T.
      • Gustavus Vasa, 1797, Kotzebue.T.
      • Guy Mannering, 1816, Terry.Mu.Pl.--music by Bishop. (This is a dramatized version of Sir W. Scott’s novel so called, 1815.)
      • H. (Mr.), 1806, C. Lamb.F.
      • Habit de Cour, 1818, Antier.D.
      • Haine d’Une Femme (La), before 1822, Scribe.Pt.Pc.
      • Half-Pay Officer (1706-1767), Molloy.C.
      • Halidon Hill, 1822, Sir W. Scott. A dramatic sketch in three acts.
      • Hamlet, Prince of Denmark, 1596, Shakespeare.T. (printed 1603).
      • Hamlet Travestied, 1811, Poole.F.
      • Hampstead Heath, 1706, Baker.C.
      • Handsome Hernani, 1879, H. J. Byron.B.
      • Hanging and Marriage, 1722, Carey.F.
      • Hannibal and Scipio, 1635; acted in 1637. Nabbes.T.
      • Happiest Day of My Life (The), 1802-1879, Buckstone.
      • Happy Family (The), 1799, Thompson.Pl. (from Kotzebue).
      • Happy Man (The), 1797-1868, Lover.O.
      • Happy Pair, 1868, S. T. Smith.Cdta.
      • Hard Struggle (A), 1858, W. Marston.Pl.
      • Harlekin Patriot (The), 1772, Ewald.D.
      • Harlot’s Progress (The), 1733, T. Cibber.Ex.
      • Harold, 1876, Tennyson.H.Pm.
      • Harry Gaylove (Sir), 1772, Miss Marshall.C.
      • Hartford Bridge (1754-1829), Shield.Mu.F.
      • Haunted Tower (The), 1793, Cobb.Mu.D. (music by Storace).
      • Haydee, 1847, Auber.O.
      • He Would if He Could, 1771, Bickerstaff.C.
      • He’s Much to Blame, 1790, Holcroft.C.
      • Heart and the World, 1847, W. Marston.Pl.
      • Heart’s Delight (The), 1830-1877, Halliday.C.
      • Heauton-timoroumenos, or The Self-Tormentor, B.C. 163, Terence.C. (Latin). Translated by Bentley, 1726; Colman the Elder, 1765; Barry, 1857; etc.
      • Heaven and Earth, 1822, Byron.Mys.
      • Hector, his Life and Death, 1614, Thomas Heywood.H.Pl.
      • Hecuba, B.C. 423, Euripides.T. (Greek). Translated by Potter, 1781; Wodhull, 1782; Morgan, 1865; Giles, 1866.
      • Hecyra, or The Stepmother, B.C. 165, Terence.C. (Latin).
        • Translated by
          • Bentley, 1726;
          • Colman the Elder, 1765;
          • Barry, 1857.
      • Heir (The), 1622, May.C.
      • Heir-at-Law (The), 1797, Colman.C. (See “Lord’s Warmingpan.”)
      • Heir of Vironi, 1817, Pocock.Mu.D. (music by Whittaker).
      • Heiress (The), 1786, Burgoyne.C.
      • Helen and Paris, 1768, GlÜck.O. (libretto by Calzabigi).
      • Helena, B.C. 412, Euripides.T. (Greek). Translated by Potter, 1781; Wodhull, 1782. Hellas, 1821, P. B. Shelley.L.D.
      • Helping Hands, 1855, Tom Taylor.C.
      • Helter Skelter, 1704, E. Ward.C.
      • Helvellyn, 1864, Macfarren.O.
      • HelvÉtius, 1802, Andrieux.C.
      • Henri III., 1829, Dumas.H.D.
      • Henri IV., 1725, Beckingham.H.D.
      • Henri IV., 1834, Balfe.O. (Enrico IV.).
      • Henri IV. en Famille, 1828, Deforges.D.
      • Henriette the Forsaken, about 1835, Buckstone.C.
      • Henriette Deschamps, 1863, CarrÉ.D.
      • Henry II., 1773, a drama produced by adding together the two subjoined.
      • Henry II., King of England, with the death of Rosamond, 1693, ascribed both to Bancroft and to Mountford.H.T.
      • Henry and Rosamond, 1749, Hawkins.H.T.
      • Henry II., 1799, Ireland.H.D.
      • Henry II., 1843, Helps.H.D.
      • 1 Henry IV., 1598, Shakespeare.H.Pl. (printed 1598).
      • 2 Henry IV., 1598, Shakespeare.H.Pl. (printed 1600).
      • Henry IV. with ... Sir John Falstaff, 1700, Betterton.C. (the sequel in 1719).
      • Henry V., 1599, Shakespeare.H.Pl. (printed 1600). (This play resembles an older one: The Famous Victories of Henry V.)
      • Henry V., 1723, Hill.H.Pl.
      • 1 Henry VI., 1592, Shakespeare.H.Pl. (alluded to by Nash, in Pierce Penniless, 1592).
      • 2 Henry VI., 1594, Shakespeare.H.Pl.
      • 3 Henry VI., 1595, Shakespeare.H.Pl.
      • Henry VII., 1812, Chenevix.H.Pl.
      • Henry VIII., 1601, Shakespeare.H.Pl. (Knight, 1613).
      • Henry VIII., 1791, ChÉnier.D.H. (Henri VIII.).
      • HeraclidÆ, B.C. 421, Euripides.T. (Greek). Translated by Potter, 1781; Wodhull, 1782.
        • < rant (The), 1651, Cartwright.C.
      • Lady Jane Grey. (See “Grey.”)
      • Lady of Lyons, 1838, Lord Lytton.C.
      • Lady of Pleasure (The), 1637, Shirley.C.
      • Lady of the Desert (The), 1859, Stirling.D.
      • Lady of the Lake (The), 1830-1877, Halliday.
      • Lady’s Frolic, before 1774, Love.
      • Lady’s Last Stroke (The), 1703-1758, Theo. Cibber.C.
      • Lady’s Revenge (The), 1734, W. Popple.C.
      • Lady’s Trial (A), 1638, printed 1639, Ford.D.
      • Lame Lover, 1770, Foote.F.
      • Lancashire Witches (The), 1634, T. Heywood.C.
      • Lancashire Witches (The), 1682, Shadwell.C.
      • Laodamia, 1689, Miss Bernard.T.
      • Lara, 1864, Cormon.
      • Last Days of Pompeii, 1835, Buckstone.D. (Lord Lytton’s novel dramatized.)
      • Last Year (1802-1879), Buckstone.
      • Last of the Family (The), 1795, Cumberland.C.
      • Late Murther of the Sonne upon the Mother (The), * Ford and Webster.T.
      • Latude, 1834, Guilbert de PixÉrÉcourt.
      • Laugh When You Can (1765-1841), Reynolds.C.
      • Law of Java (The), 1822, Colman.Mu.D.
      • Law of Lombardy (The), 1779, Jephson.T.
      • Law Tricks, or Who Would Have Thought It? 1603, Day.C.
      • Laws of Candy, 1647, Beaumont and Fletcher.
      • Leah, the Jewish Maiden, * Dr. Mosenthal.T.
      • Leap in the Dark (A), 1850, Buckstone.Dom.D.
      • Leap-Year, or The Ladies’ Privilege, 1850, Buckstone.C.
      • Lear (King), 1605, Shakespeare.T. (printed 1608). This play was suggested by one called The Chronicle History of Leir, King of England, 1578.
      • L’Éclair, (1799-1862), HalÉvy.O.C.
      • L’École des Amants, 1718, July.C. (See “School for Lovers.”)
      • L’École des Femmes, 1662, MoliÈre.C. (See “School for Wives.”)
      • L’École de Jaloux (1640-1685), A. J. Montfleury.C.
      • L’École des Maris, 1661, MoliÈre.C.
      • L’École des Vieillards, 1823, Delavigne.C. (See “School”)
      • Led Astray, 1873, Boucicault.C.
      • LÉgataire Universel, 1708, RÉgnard.C.
      • Legend of Florence, 1840, Hunt.D.R.
      • L’Elisire d’Amour, 1832, Donizetti.O.
      • Lend Me Five Shillings (1764-1838), Morton.F.
      • LÉonard, 1863, Brisebarre.D.
      • Les 20,000 francs, 1832, Boule.D.
      • Lesson for Ladies (1802-1879), Buckstone.C.
      • Lethe, 1743, Garrick.
      • L’Étoile de Seville, 1842, Balfe.O.
      • L’Étourdi, 1653, MoliÈre.C.
      • Leucothe, 1756, Bickerstaff.C.
      • Liar (The), 1762, Foote.F. (See “Menteur.”)
      • Libertine (The), 1676, Shadwell.C.
      • Liberty Asserted, 1704, Dennis.D.
      • Life (1765-1841), Reynolds.C.
      • Life-Buoy (The), (1566-1638), Hoskins.D.
      • Life-Drama (The), 1852, A. Smith.D.Pm.
      • Light Heart (1574-1637), Jonson.
      • Lighthouse (The), 1855, Wilkie Collins.D.
      • Like will to Like, 1568, Fulwel.Int.
      • L’Ile du Prince Touton, 1854, Dennery.
      • Lily of Killarney, 1862, Benedict.O.
      • Lily of the Desert (The), 1859, Stirling.R.D.
      • Limherham, 1679, Dryden.
      • Linda di Chamourni, 1842, Donizetti.O.
      • Lindamira, 1805, Foote.
      • Lingua, or The Five Senses, 1580, printed 1607, Brewer.Alleg.Pl. (Cromwell, on one occasion, acted the part of Tactus.)
      • Lionel and Clarissa, 1768, Bickerstaff.O. (music by Dibdin).
      • Little Em’ly (1830-1877), Halliday.
      • Little French Lawyer, 1647, Beaumont and Fletcher.C.
      • Little Rebel (The), 1805-1868, Coyne.
      • Little Red Riding-Hood (1817-1880), Taylor.
      • Little Toddlekins (1803-1878), C. T. Mathews.
      • Loan of a Lover, (The), 1833, PlanchÉ.V.
      • Lock and Key (1755-1834), Hoare (music by Shield).
      • Locrine, 1595, Tylney.T.
      • Lodoiska, 1791, Kemble. Mu.D. (music by Storace).
      • Lodoiska, 1800, Mayer.Mu.D.
      • Lodowick Sforza, 1628, Gomersall.T.
      • Lohengrin, 1848, Wagner.O.
      • Lombardi, 1843, Verdi.O.
      • London Assurance, 1841, Boucicault.C.
      • London Florentine (The), 1602, Chettle and Heywood.Pl.
      • London Prodigal (The), 1605 (ascribed by some to Shakespeare).
      • Long Strike, 19th cent., Boucicault.D.
      • Longer Thou Livest the More Foole Thou Art (time, Queen Elizabeth), Wager.C.
      • Looking-Glasse for London, etc., 1594, Greene and Lodge.T.C. (The Looking-Glass is Nineveh.)
      • Lord Cromwell, 1602, Anon.H.Pl. (See “Cromwell.”)
      • Lord Dacre, * Mrs. Gore.
      • Lord Dundreary Married and Done For, 1859, H. J. Byron and Sothern.C.
      • Lord of the Manor, before 1833, C. Dibdin, junior.C.O. (altered from Burgoyne, 1783; music by Jackson).
      • Lord of the Manor, 1783, Burgoyne.C.
      • Lord’s Warmingpan (The), 1825 (same as Colman’s Heir-at-Law).
      • Lorenzo (1755-1798), Merry.T.
      • Lost Lady (The), 1639, Berkeley.T.C.
      • Lost at Sea, 19th cent., Boucicault.D.
      • Louis IX., 1819, Ancelot.T.
      • Louis XI., 1832, Delavigne.H.D. (An English version in 1846 by Boucicault).
      • Louise de Lignerolles, 1838, LegouvÉ.D.
      • Love, 1840, Knowles.D.
      • Love-Chase (The), 1837, Knowles.C.
      • Love Crowns the End, 1657, Tatham.T.C.
      • Love Laughs at Locksmiths, 1803, Colman.F.
      • Love, Law and Physic (1772-1849), Kenney.C.
      • Love Makes a Man, 1700, Cibber.C.
      • Love-Riddelig, 1816, Ingemann.D.
      • Love Tricks, 1667, Shirley.C. (originally called The Schoole of Complement, 1631).
      • Love Triumphant, 1694, Dryden.C.
      • Love À-la-Mode, 1759, Macklin.C.
      • Love and a Bottle, 1698, Farquhar.C.
      • Love and Fortune, 1859, PlanchÉ.C.
      • Love and Friendship, 1666, Killigrew.Pl.
      • Love and Honor, 1649, Davenant.C.
      • Love and Police, 19th cent., Herz.V.
      • Love and Revenge, 1675, Settle.T.
      • Love and War, 1658, Meriton.T.
      • Love and War, 1792, Jephson.F.
      • Love at First Sight (1730-1805), King.C.
      • Love at a Loss (1679-1749), Mrs. Cockburn.C.
      • Love at a Venture, 1706, Centlivre.C.
      • Love for Love, 1695, Congreve.C.
      • Love for Money, or The Boarding School, 1691, D’Urfey.C.
      • Love in a Blaze, 1800, Atkinson.C.
      • Love in a Camp, 1798, O’Keefe.C.
      • Love in a Forest, 1721, C. Johnson.C. (based on Shakespeare’s As You Like It).
      • Love in a Hurry, 1709, Aston.C.
      • Love in a Maze, 1844, Boucicault.C.
      • O’Dowd (The), 1880, Boucicault (a version like “The Porter’s Knot” of Les Crochets du PÈre by Cormon and Grange).
      • Œdipe, 1659, Corneille.T.
      • Œdipe, 1718, Voltaire.T.
      • Œdipe, 1781, Sacchini.O.
      • Œdipe Rol, 1798, ChÉnier.T.
      • Œdipe À Colone, 1796, ChÉnier.T.
      • Œdipe chez AdmÈte, 1778, Ducis.T.
      • Œdipus (B.C. 58-32), Seneca.T. (Latin). Adapted by A. Nevyle, 1560.
      • Œdipus, 1679, Dryden and Lee.T.
      • Œdipus at Colonus, about B.C. 407, Sophocles.T. (Greek). Translated by G. Adams, 1729; Potter, 1788; Dale, 1824; Plumptre, 1865.
      • Œdipus Tyrannus, about B.C. 425, Sophocles.T. (Greek). Translated by L. Theobald, 1715; G. Adams, 1729; Potter, 1788; G. S. Clarke, 1791; Dale, 1824; F. H. Doyle, 1849; Plumptre, 1865.
      • Œdipus Tyrannus, etc., 1820, P. B. Shelley.T.
      • Œnone, 1804, Kalkbrenner.O.
      • Œuvres du DÉmon (Les), 1854, Boule.D.
      • Old Bachelor, 1693, Congreve.C.
      • Old City Manners, 1777, Mrs Lennox.C. (This is Eastward Hoe reset.)
      • Old Couple, before 1641, May.C.
      • Old Fortunatus. (See “Fortunatus.”)
      • Old Heads and Young Hearts, 1843, Boucicault.C.
      • Old Law (The), 1599, printed 1656, Middleton and Rowley.C. (altered by Massinger).
      • Old Maid (The), 1761, Murphy.F.
      • Old Maids, 1841, Knowles.C.
      • Old Martin’s Trials, 19th cent., Stirling.Dom.D.
      • Old Mode (The) and the New, 1709, D’Urfey.C.
      • Old Sailors, 1874, H. J. Byron.C.
      • Old Troop, 1672, Lacy.C.
      • Old Wives’ Tale, 1590, Peele.C. (Milton’s Comus is indebted to this comedy.)
      • Oldcastle (Sir John), 1600, Munday and Drayton.T. (one of the “spurious plays” of Shakespeare).
      • Olimpiade, 1719, Leo.O.
      • Olive (D’). (See “Mons. D’Olive.”)
      • Olivia, 1878, W. G. Wills.C.
      • Ollanta, 1871, Markham.D.
      • Olympiade, 1761, Piccini.O.
      • Olympic Revels, 1831, PlanchÉ.
      • Olympie, 1800, Kalkbrenner.O.
      • Olympie, 1820, Brifaut.O. (music by Spontini).
      • Omba, 1853, Bigsby.D.R.
      • Oncle Valet, 1798, Dellamaria.O.C.
      • Ondine, 1816, Hoffmann.O.
      • On Bail, 1877, Gilbert.
      • On Strike, 1873, A. W. A’Beckett.
      • One, or a Monarchy, 1805, Alfieri.C. Translated by C. Lloyd, 1815.
      • One o’clock, or The Wood Demon, 1811, Lewis.G.O.R.
      • One Snowy Night, * Ware.C.
      • Opera Comique, 1799, Dellamaria.O.C.
      • Opera di Camera of Jessy Lea, 1863, Macfarren.O.
      • Opportunity (The), 1640, Shirley.C.
      • Oraloosa (1803-1854), Bird.T.
      • Orators (The), 1762, Foote.F.
      • Ordeal by Touch (The), 1872, R. Lee.D.
      • Order of the Garter (The), 1742, West.D.Pm.
      • Ordinary (The), 1647, printed 1651, Cartwright.C.
      • Oreste, 1750, Voltaire.T.
      • Oreste et Pylade, 1695, Lagrange.T.
      • Orestes, B.C. 408, Euripides.T. (Greek). Translated by Banister, 1780; Potter, 1781; Wodhull, 1782.
      • OrestÊs, 1783, Alfieri.T. (translated by C. Lloyd. 1815).
      • Orestes, 1802, Sotheby.T.
      • Orestes, 1871, Warren.Met.D.
      • Orfeo, 1483, Poliziano. (See “Orpheus.”)
      • Orfeo, 1764, GlÜck.O. (libretto by Calzabigi).
      • Orientales (Les), 1828, V. Hugo.R.D.
      • Originaux (Les), 1693, Lamotte.
      • Orlandino, 1526, Folengo.B.
      • Orlando Furioso, 1594, Greene. (See “Bombastes Furioso.”)
      • Ormasdes (1612-1690), Henry Killigrew.
      • Oronooko, 1696, Southerne.T. (Mrs. Behn’s novel dramatized).
      • Orphan (The), 1680, Otway.T.
      • Orphan of China (The), 1761, Murphy.T. (Voltaire’s L’Orphelin de la Chine).
      • Orphan of the Frozen Sea, 1856, Stirling.N.D.
      • OrphÉe (1677-1758), Lagrange.O.
      • OrphÉe aux Enfers, 1858, Offenbach.O.Bf.
      • Orphelin de la Chine (L’), 1760, Voltaire.T.
      • Orpheus and Eurydice, 1705, Dennis.T. (See “Orfeo.”)
      • Orpheus and Eurydice (1730-1805), King.
      • Orti Esperidi (Gli), 1722, Metastasio.O. (music by Porpora).
      • Oscar and Malvina (1754-1829), Shield.O.
      • Osmond the Great Turk, 1657, Carlell.Pl.
      • Otello, 1816, Rossini.O.
      • Othello, 1602, Shakespeare.T.
      • Otho the Great (1796-1821), Keats and Brown.T.
      • Othon, 1664, Corneille.T.
      • Oulita, the Serf, 1858, Helps.Pl.
      • Our American Cousin, 1858, Tom Taylor.C. (It was greatly altered by Sothern.)
      • Our Boys, 1878, H. J. Byron.C.
      • Our Clerks, 1852, Tom Taylor.C.
      • Our Mary Anne (1802-1879), Buckstone.C.
      • Our New Governess (1815-1874), C. S. Brooks.D.
      • Ours, 1866, Robertson.C.
      • Ours et la Pacha (Les), before 1822, Scribe.Pt.Pc.
      • Outtara-Rama-Tscheritra, 8th cent., Bhavabhouti.Myt.D. (translated by Wilson in his Indian Theatre).
      • Overland Route, 1860, Tom Taylor.C.
      • Ovin, 1662, Cockaine.T.
      • Padlock (The), 1768, Bickerstaff.O.F.
      • Page (The), 1765-1841, Reynolds.C.
      • Page of Plymouth (time, Queen Elizabeth). Anon.T.
      • Palace of Truth, 1870, Gilbert.Fy.C.
      • Palamon and Arcyte, 1566, Edwards.C.
      • Palestine (1775-1847), Crotch.Or.
      • Pallantus and Eudora, 1653, T. Killigrew.T. (same as The Conspiracy).
      • Pamela, 1742, Love.C.
      • Pammachius, 1544, Anon.C. (Latin).
      • Pandora, 1664, Sir W. Killigrew.Pl.
      • Panel (The), 1757-1823, Kemble. (This is Bickerstaff’s comedy of ’Tis Well ’tis no Worse, reset.)
      • Pan’s Anniversary, 1625, B. Jonson.M.
      • Panurge, 1785, GrÉtry.O.
      • Papal Tyranny, 1745, Cibber.T.
      • Paracelsus, 1836, R. Browning.D.Pm.
      • Parasitaster, or The Fawn, 1606, Marston.C.
      • Paria (Le), 1821, Delavigne.T.
      • Paria (The), 1826, Beer.T. (the above in English).
      • Paride e Elena, 1770, GlÜck.O. (libretto by Calzabigi).
      • Paris et Londres, 1827, Dartois.C.
      • Parisien (Le), 1838, Delaporte.C.
      • Parisina, 1833, Donizetti.O.
      • Parliament of Love, 1625, Massinger.C.
      • Parolle et Izidora (1703-1758), Theo. Cibber.C.
      • Parson’s Wedding (The), 1663, Killigrew.C.
      • Parted class="c024">Rival Ladies, 1663, Dryden.C.
      • Rival Modes, 1726, Moore.C.
      • Rival Queens, 1677, Lee.
      • Rivals (The), 1668, Davenant.C.
      • Rivals (The), 1775, Sheridan.C.
      • Rivals (The), 1830, Balfe.O. (I Rivali).
      • Road to Ruin, 1792, Holcroft.C.
      • Roaring Girl (The), 1611, Middleton.C. (i.e. Moll Cutpurse).
      • Rob Roy, 1832, Flotow.O.
      • Rob Roy MacGregor (1782-1835), Pocock.O.D. (from Sir W. Scott’s novel).
      • Robbers (The), 1781, Schiller.T.
      • Robbers of Calabria, * Lane. D. (adapted).
      • Robert le Diable, 1831, MeyerbeerO. (libretto by Scribe).
      • Robert the Invalid, 1870, C. Reade.C. (a version of MoliÈre’s Le Malade Imaginaire).
      • Robin Hood, pt. i., 1597, Munday.D.
      • Robin Hood, pt. ii., 1598, Chettle.D.
      • Robin Hood, 1741, Dr. Arne and Burney.O.
      • Robin Hood, 1787, O’Keefe.O. (music by Shield).
      • Robin Hood (1752-1820), Macnally.C.O. (See “Death of Robert, Earl of Huntington.”)
      • Robin Hood, 1860, Macfarren.O.
      • Robin des Bois, 1824, Weber.O.
      • Robinson CrusoÉ, 1805, Guilbert de PixÉrÉcourt.V.
      • Robinson Crusoe, 1806, Pocock (the above in English).
      • Rock of Rome, 1849, Knowles.H.Pl.
      • Roderigo, 1706, Handel.O.
      • Rodogune, 1646, Corneille.T.
      • Rodogune, or The Rival Brothers, 1765, Aspinwall.T. (from T. Corneille).
      • Rodolphe, before 1822, Scribe.Pt.Pc.
      • Roef-Krage, 1770, Ewald.D.
      • Roi FainÉant (Le), 1830, Ancelot.T.
      • Roi d’Yvetot (Le), 1842, Adam.O.C.
      • Roi et le Fermier, 1762, Sedaine.O.C. (music by Monsigny).
      • Roland, 1778, Piccini.O.
      • Roland for an Oliver, 1819, Th. Morton.C.
      • Rolla, 1798, Kotzebue.T.
      • Rolla, 1799, Lewis.T. (from the above).
      • Rollo, 1639, Beaumont and Fletcher.
      • Roman (The), 1850, S. Dobell.D.Pm.
      • Roman Actor (The), 1629, Massinger.
      • Roman Brother (The), 19th cent., Heraud.T.
      • Roman Comique (Le), 1861, Offenbach.O.Bf.
      • Roman Empress (A), 1622-1706, Joyner.D.
      • Roman Father (The), 1750, Whitehead.T. (based on the Horace of Corneille).
      • Roman Revenge, 1753, Hill.
      • Roman d’Une Heure, or La Folle Gageure, 1803, Hoffmann.C.
      • Roman Virgin (The), or The Unjust Judge, 1679, Betterton.T. (the tale of Virginius).
      • Romance and Reality, J. Brougham.D.Pc.
      • Romance for an Hour, 1771, Kelly.C.
      • Rome SauvÉe, 1752, Voltaire.T.
      • Romeo and Juliet, 1595, Shakespeare.T.
      • Romeo et Juliette, 1828, SouliÉ.T.
      • Romildare Constanza, 1819, Meyerbeer.O.
      • Romp (The), * Anon.C.O. (altered from Bickerstaff’s Love in the City).
      • Rosalinda, 1762, Lockman.Mu.D.
      • Rosamond, 1706, Addison.O. (music by Arne).
      • Rosamond, 1861, Swinburne.Po.D.
      • Rosamond (Fair), 1879, Tennyson.T.
      • Rosamond (The Fair), 1812, Korner.T.
      • Rosamond the Fair, 1836, Barnett.H.O.
      • Rose (The), 1710-1778, Arne.C.O. (from the French).
      • Rose Blanche (La), et la Rose Rouge, 1809, Guilbert de PixÉrÉcourt.D. (See “Two Roses.”)
      • Rose de St. Fleur (La), Offenbach.O.Bf.
      • Rose et Colas, 1764, Sedaine.O.C.
      • Rose of Arragon, 1842, Knowles.D.
      • Rose of Castille, 1857, Balfe.O.
      • RosiÈre de Salency (La), 1774, GrÉtry.O.
      • RosiÈre et Norrice, 1842, BarriÈre.D.
      • Rosina, 1782, Miss Brooke.Pl.
      • Rosina, 1783, Shield.O.
      • Rosmonda, 1525, Rucelleri.T.
      • Rosmunda, 1783, Alfieri.T. (based on Bandello’s novel).
      • Rosmunda, 1840, Gil y Zarate. (See “Henry” and “Complaint.”)
      • RÖsten i Oerken, 1815, Ingemann.
      • Rough Diamond (1802-1879), Buckstone.Cdta.
      • Roundheads (The), 1682, Mrs. Behn.C.
      • Rover (The), 1677, Mrs. Behn; pt. ii., 1681.C.
      • Roving (The), 17th cent., Middleton.C.
      • Roxana, 1592, Alabaster.T. (Latin).
      • Roxana, 1772, Magnocavallo.T. (a prize play).
      • Royal Captive (The), 1745, J. Maxwell.T.
      • Royal Combat, 17th cent., Ford and Dekker.
      • Royal Command (By), 19th cent., Stirling.C.O.
      • Royal Convert, 1708, Rowe.T. (i.e., Rodogune).
      • Royal Garland, 1768, Bickerstaff.
      • Royal King and Loyal Subject (The), 1737, Th. Heywood.T.C.
      • Royal Martyr (The), 1669, Dryden.T.
      • Royal Master (The), 1638, Shirley.C.
      • Royal Mischief, 1696, Mrs. Manley.
      • Royal Mistress (The), 1696, Mrs. Manley.
      • Royal Shepherd (The), 1764, R. Holt.O. (from Metastasio).
      • Royal Shepherdess, 1669, Shadwell.C. (This is Fountaine’s comedy The Rewards of Vertue, 1661, altered.)
      • Royal Slave (The), 1637, Cartwright.T.C.
      • Royalist (The), 1682, D’Urfey.C.
      • Rubans d’Ivonne, 1850, Thiboust.
      • Rudens, or The Rope (B.C. 154-184), Plautus.C. (Latin, adapted from a Greek play by Diphulos). Translated into blank verse by Messrs. Thornton, Rich, Warner and Colman, 1769-74.
      • Rugantio, 1805, Lewis.Mel.
      • Ruines de Babylone (Les), 1819, Guilbert de PixÉrÉcourt.
      • Ruines de Vaudemont, 1845, Boule.
      • Rule a Wife and Have a Wife, 1624, Beaumont and Fletcher.C. (altered by Garrick).
      • Rump (The), 1660, Tatham.C.
      • Runaway (The) 1776, Mrs. Cowley.C.
      • Runnimede, 1783, J. Logan.T.
      • Rural Felicity, 1834, Buckstone.C.
      • Ruy Blas, 1840, Victor Hugo.R.D.
      • Sabots de la Marquis, 1854, Boulanger.O.C.
      • Sackfull of News (The), 1557, Anon.Pl.
      • Sacrifice d’IphigÉnie, 1861, Dennery.T.
      • Sad One (The), 1609-1641, Suckling.T.
      • Sad Shepherd (The), left at death unfinished, 1637, Jonson.P.
      • Sailor’s Daughter (The), 1800, Cumberland.C.
      • St. Clement’s Eve, 1862, Sir H. Taylor.D.
      • St. Genest, 1641, Rotrou.T.
      • St. Patrick for Ireland, 1640, Shirley.C.
      • St. Patrick’s Day, 1775, Sheridan.F.
      • St. Peter, 1866, Benedict.Or.
      • Saint’s Tragedy, 1846, Kingsley.D.Pm.
      • Salmacida Spolia, 1639, Davenant.M.
      • Salvator, 19th cent., Herault.T.
      • Samor, 1818, Milman.
      • Samson, 1742, Handel.Or.
      • Samson Agonistes, 1671, Milton.D.Pm.
      • Sappho, 1850, Gounod.O.
      • Sappho and Phao, 1591, J. Ly

        Transcriber’s Note

        Given the nature of the text, there were copious errors in the typesetting. Errors deemed most likely to be the printer’s have been corrected, and are noted here. Inconsistencies in the punctuation in the Appendices have been resolved with no further notice below.

        (The references below are to the page and line in the original. Since the original text was arranged in two columns, ‘L’ and ‘R’ denote the side of the page.)

        2R.13 Gu[i]lliver’s Travels Removed.
        3L.8 Spenser, FaËry Queen, IV. viii. 24 (1[8/5]56 ). Replaced.
        3R.36 Catskill Moun[t]ains Inserted.
        9L.14 he blesses the name Slum.[”] Added.
        20R.38 Paladore chall[a/e]nged the duke Replaced.
        27L.21 pour dÉguiser leurs pensÉes.[”] Added.
        30R.14 said the colo[nel] to his wife, Restored.
        31R.37 live in chas[t]ity all their life Inserted.
        32R.39 Louis II. of France, le BÉguÉ (846, 877-879)[,/.] Replaced.
        40L.6 “The Work of Ambrosius.”[’] Removed.
        43L.17 Gulliver’s Travels “Laputa,” [(]1726). Added.
        43R.33 aged 36.[)] Added.
        51R.38 One’s sorrow, two’s mirth[,] Added.
        65R.38 “The Reeve’s Tale,” [(]1388) Added.
        66L.14 Francis Joseph Haydn [(]1732-1809). Added.
        72L.19 to read the secret[’]s Removed.
        76R.2 goes on a vis[i]t Inserted.
        79R.13 Tasna[r] Added.
        91R.28 the death of his father[”] Removed.
        104L.15 “The Thirty Years’ War[”]. Added.
        123L.20 Fer[n/m]at’s theorem Replaced.
        133R.26 [{]“The White Cat,” 1682). Added.
        141L.11 Polycraticos de Curialium Nugis, v. 8 (twelft[y/h] century). Replaced.
        143R.14 an old bach[e]lor Inserted.
        154R.14 French estoc[)] Added.
        157L.12 [(]time, George III.). Added.
        157L.38 Drayton, Polyolbion, i. [(]1612). Added.
        170R.6 The Messiah, iii. [(]1748). Added.
        173R.35 Southey, Madoc [(]1805). Added.
        180R.2 because he esca[s]ped from Giebichenstein Removed.
        181R.1 [[/(]Val.yan.tee´no] Replaced.
        184R.17 the lov[e]liest pair of sparkling eyes Inserted.
        186L.3 on September 8, 1705[)] Removed.
        190L.39 “Elysium” [(]Æneid, vi.) Added.
        197R.12 [{]“The White Cat,” 1682). Added.
        197R.21 [(]1769>, 1804-1815, died, 1821) Added.
        199R.1 of this story[/,] which he calls Replaced.
        204L.39 R[h]ythmical, or Elder Edda Inserted.
        215R.42 cats are very assid[i/u]ous Replaced.
        216R.17 Disquisitiones MagicÆ, [(]592) Added.
        239R.29 One of King Arthur’s knight[’]s Removed.
        246L.18 Lord Will[ai/ia]m seized the child’s hand Transposed.
        240L.9 [(]“The Wife of Bath’s Tale,” 1388) Added.
        252R.37 (“But it does move, though”), [(]1564-1642). Added.
        258R.9 (ninth century.[)] Added.
        261R.35 be toil no more.[’]” Removed.
        262L.2 the thirty-fourth jub[l]ilee Removed.
        272R.17 (begin[n]ing of thirteenth century) Inserted.
        277L.16 brill[i]ant and beautiful woman, Inserted.
        277L.23 could Zenobia have for[e]seen Inserted.
        280L.21 Zobeid[e/Ê] caused his favorite Replaced.
        281R.25 (“Corcud and His Four Sons,” 1723[).] Added.
        295R.14 of the Amer[i]can Union Inserted.
        305R.36 Popular Antiquities of Great Brit[ia/ai]n Transposed.
        313L.25 proved to be “Junius” by[ by] O. W. Serres Removed.
        321R.47 Reveries [a/o]f a Bachelor Replaced.
        326R.41 born in Derbyshire, 1689[, /–]1761 Replaced.
        331R.38 Commentaries on the[ the] Constitution of the United States Removed.
        347L.9 Brutus, or the Fall of Tarquin, 1820[.], Removed.
        350L.57 (a plagia[r]ism of The Country Girle) Inserted.
        357L.10 Foscari (I[l] due) Added.
        369L.31 Mucedorus (no [(]date) Removed.
        378L.8 (1642-1689[)] Added.
        383L.9 [1805-1868. Coyne/Coyne (1805-1868.)] Replaced.

        The phrase ‘Duchess of...’, etc., is not consistently capitalized, particularly in the Appendices. All are left as printed.

        The following words had inconsistent hyphenation. Words which are hyphenated on a line break retained the hyphen (or not) depending on other instances.

        • candle-stick/candlestick-maker
        • Deerslayer/Deer-slayer
        • Fairy-land/Fairyland
        • fool-hardy/foolhardy
        • heir-loom/heirloom
        • Outre-mer/Outremer
        • over-bearing/overbearing
        • pale-faced/palefaced
        • re-appear/reappear
        • Satiro-mastix/Satiromastix
        • school-master/schoolmaster
        • sea-shore/seashore
        • ship-wrecked/shipwreck
        • sun-down/sundown
        • Un-born/Unborn
        • waist-coat/waistcoat
        • wig-maker/wigmaker
                                                                                                                                                                                                                                                                                                                   

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