A Love Story with a musical atmosphere. A picturesque, old German virtuoso is the reverent possessor of a genuine Cremona. He consents to take as his pupil a handsome youth who proves to have an aptitude for technique, but not the soul of the artist. The youth has led the happy, careless life of a modern, well-to-do young American, and he cannot, with his meagre past, express the love, the longing, the passion and the tragedies of life and its happy phases as can the master who has lived life in all its fulness. But a girl comes into his existence, a beautiful bit of human driftwood that his aunt had taken into her heart and home; and through his passionate love for her, he learns the lessons that life has to give—and his soul awakens.

Founded on a fact well known among artists, but not often recognized or discussed.

If you have not read “Lavender and Old Lace” by the same author, you have a double pleasure in store—for these two books show Myrtle Reed in her most delightful, fascinating vein—indeed they may be considered as masterpieces of compelling interest.

This great novel—probably the most popular book in this country to-day—is as human as a story from the pen of that great master of “immortal laughter and immortal tears,” Charles Dickens.

The Prodigal Judge is a shabby outcast, a tavern hanger-on, a genial wayfarer who tarries longest where the inn is most hospitable, yet with that suavity, that distinctive politeness and that saving grace of humor peculiar to the American man. He has his own code of morals—very exalted ones—but honors them in the breach rather than in the observance.

Clinging to the Judge closer than a brother, is Solomon Mahaffy—fallible and failing like the rest of us, but with a sublime capacity for friendship; and closer still, perhaps, clings little Hannibal, a boy about whose parentage nothing is known until the end of the story. Hannibal is charmed into tolerance of the Judge’s picturesque vices, while Miss Betty, lovely and capricious, is charmed into placing all her affairs, both material and sentimental, in the hands of this delightful old vagabond.

The Judge will be a fixed star in the firmament of fictional characters as surely as David Harum or Col. Sellers. He is a source of infinite delight, while this story of Mr. Kester’s is one of the finest examples of American literary craftmanship.

WHEN A MAN MARRIES. By Mary Roberts Rinehart. Illustrated by Harrison Fisher and Mayo Bunker.

A young artist, whose wife had recently divorced him, finds that a visit is due from his Aunt Selina, an elderly lady having ideas about things quite apart from the Bohemian set in which her nephew is a shining light. The way in which matters are temporarily adjusted forms the motif of the story.

A farcical extravaganza, dramatized under the title of “Seven Days.”

THE FASHIONABLE ADVENTURES OF JOSHUA CRAIG. By David Graham Phillips. Illustrated.

A young westerner, uncouth and unconventional, appears in political and social life in Washington. He attains power in politics, and a young woman of the exclusive set becomes his wife, undertaking his education in social amenities.

“DOC.” GORDON. By Mary E. Wilkins-Freeman. Illustrated by Frank T. Merrill.

Against the familiar background of American town life, the author portrays a group of people strangely involved in a mystery. “Doc.” Gordon, the one physician of the place, Dr. Elliot, his assistant, a beautiful woman and her altogether charming daughter are all involved in the plot. A novel of great interest.

HOLY ORDERS. By Marie Corelli.

A dramatic story, in which is pictured a clergyman in touch with society people, stage favorites, simple village folk, powerful financiers and others, each presenting vital problems to this man “in holy orders”—problems that we are now struggling with in America.

KATRINE. By Elinor Macartney Lane. With frontispiece.

Katrine, the heroine of this story, is a lovely Irish girl, of lowly birth, but gifted with a beautiful voice.

The narrative is based on the facts of an actual singer’s career, and the viewpoint throughout is a most exalted one.

THE FORTUNES OF FIFI. By Molly Elliot Seawell. Illustrated by T. de Thulstrup.

A story of life in France at the time of the first Napoleon. Fifi, a glad, mad little actress of eighteen, is the star performer in a third rate Parisian theatre. A story as dainty as a Watteau painting.

SHE THAT HESITATES. By Harris Dickson. Illustrated by C. W. Relyea.

The scene of this dashing romance shifts from Dresden to St. Petersburg in the reign of Peter the Great, and then to New Orleans.

The hero is a French Soldier of Fortune, and the princess, who hesitates—but you must read the story to know how she that hesitates may be lost and yet saved.

CY WHITTAKER’S PLACE. By Joseph C. Lincoln. Illustrated by Wallace Morgan.

A Cape Cod story describing the amusing efforts of an elderly bachelor and his two cronies to rear and educate a little girl. Full of honest fun—a rural drama.

THE FORGE IN THE FOREST. By Charles G. D. Roberts. Illustrated by H. Sandham.

A story of the conflict in Acadia after its conquest by the British. A dramatic picture that lives and shines with the indefinable charm of poetic romance.

A SISTER TO EVANGELINE. By Charles G. D. Roberts. Illustrated by E. McConnell.

Being the story of Yvonne de Lamourie, and how she went into exile with the villagers of Grand PrÉ. Swift action, fresh atmosphere, wholesome purity, deep passion and searching analysis characterize this strong novel.

THE OPENED SHUTTERS. By Clara Louise Burnham. Frontispiece by Harrison Fisher.

A summer haunt on an island in Casco Bay is the background for this romance. A beautiful woman, at discord with life, is brought to realize, by her new friends, that she may open the shutters of her soul to the blessed sunlight of joy by casting aside vanity and self love. A delicately humorous work with a lofty motive underlying it all.

THE RIGHT PRINCESS. By Clara Louise Burnham.

An amusing story, opening at a fashionable Long Island resort, where a stately Englishwoman employs a forcible New England housekeeper to serve in her interesting home. How types so widely apart react on each others’ lives, all to ultimate good, makes a story both humorous and rich in sentiment.

THE LEAVEN OF LOVE. By Clara Louise Burnham. Frontispiece by Harrison Fisher.

At a Southern California resort a world-weary woman, young and beautiful but disillusioned, meets a girl who has learned the art of living—of tasting life in all its richness, opulence and joy. The story hinges upon the change wrought in the soul of the blasÈ woman by this glimpse into a cheery life.

CHIP, OF THE FLYING U

A breezy wholesome tale, wherein the love affairs of Chip and Delia Whitman are charmingly and humorously told. Chip’s jealousy of Dr. Cecil Grantham, who turns out to be a big, blue eyed young woman is very amusing. A clever, realistic story of the American Cow-puncher.

THE HAPPY FAMILY

A lively and amusing story, dealing with the adventures of eighteen jovial, big hearted Montana cowboys. Foremost amongst them, we find Ananias Green, known as Andy, whose imaginative powers cause many lively and exciting adventures.

HER PRAIRIE KNIGHT

A realistic story of the plains, describing a gay party of Easterners who exchange a cottage at Newport for the rough homeliness of a Montana ranch-house. The merry-hearted cowboys, the fascinating Beatrice, and the effusive Sir Redmond, become living, breathing personalities.

THE RANGE DWELLERS

Here are everyday, genuine cowboys, just as they really exist. Spirited action, a range feud between two families, and a Romeo and Juliet courtship make this a bright, jolly, entertaining story, without a dull page.

THE LURE OF DIM TRAILS

A vivid portrayal of the experience of an Eastern author, among the cowboys of the West, in search of “local color” for a new novel. “Bud” Thurston learns many a lesson while following “the lure of the dim trails” but the hardest, and probably the most welcome, is that of love.

THE LONESOME TRAIL

“Weary” Davidson leaves the ranch for Portland, where conventional city life palls on him. A little branch of sage brush, pungent with the atmosphere of the prairie, and the recollection of a pair of large brown eyes soon compel his return. A wholesome love story.

THE LONG SHADOW

A vigorous Western story, sparkling with the free, outdoor, life of a mountain ranch. Its scenes shift rapidly and its actors play the game of life fearlessly and like men. It is a fine love story from start to finish.