INDEX TO LEADING NINETEENTH-CENTURY PERIODICALS

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The following list of periodicals represents a small fraction of those which were established and throve for longer or shorter periods in the United States between 1800 and the present time. The basis of selection has been to include only those which published a generous amount of literature which is still remembered or those of which leading men of letters were editors.

It was intended at first to make the list identical with the periodicals mentioned in the text, but this proved not to be practical. On some of the earlier ones it was not possible to secure exact data concerning length of life, editors, and contributors. Some others mentioned in the text were not of importance enough to justify inclusion. Still others, though not mentioned in the text, were too important to be omitted. The list as it stands, therefore, represents the judgment of the author and would not coincide with that of any other compiler of a list of equal length. It will serve, however, as a fairly representative list and will, perhaps, move some other student of American literature to what is greatly needed—a relatively complete and compact “Who’s Who” of American periodicals.

As yet such material is very meager and unsatisfactory. The great number of magazines and the bewildering consolidations, changes of editorship, title, form, period of publication, and place of publication have apparently discouraged anyone’s attempting a definitive piece of work. On this account and with this explanation the following brief appendix has been prepared.

American Magazine, The, 1875——. A New York monthly.

Founded in 1875. From 1884 to 1888 the Brooklyn Magazine, then resumed its own name, continuing without important developments till it entered on its present rÉgime in 1905. This came with the absorption of Leslie’s and the assumption of control by Ray Stannard Baker, Lincoln Steffens, and Ida Tarbell, all former staff writers for McClure’s. In this latter period it has been specially successful in recognizing younger authors. It has printed much by Bynner, O. Henry, Lindsay, Whitlock, and Poole; by Eaton and Hamilton on the drama; by F. P. Dunne (“Mr. Dooley”), George Ade, and Irvin Cobb; and, among foreign authors, by Wells, Bennett, Kipling, and Locke. It is popular in policy and content.

Atlantic Monthly, The, 1857——. A Boston monthly.

Founded in 1857, Francis H. Underwood the prime mover, with the intention of setting new standards for a literary magazine of American authorship. Lowell was first editor; the first notable essay series Holmes’s “Autocrat of the Breakfast Table”; the first popular serial story, Mrs. Stowe’s “Dred.” The field has been consistently divided among fiction, essay, and poetry, and the book reviewing has always been scrupulous. The editors have been Lowell, James T. Fields, W. D. Howells, T. B. Aldrich, Horace Scudder, W. H. Page, Bliss Perry, and the present editor and chief owner, Ellery Sedgwick. Early important contributors were Emerson, Holmes, Longfellow, Lowell, Thoreau, Whittier, Hawthorne, Wendell Phillips. Later issues have included Lafcadio Hearn, Edith Wharton, Frank Norris, Agnes Repplier, Gerald Stanley Lee, S. M. Crothers, William Vaughn Moody, Richard Hovey, and most of the contributors to the best traditions in American literature. (See “The Atlantic Monthly and its Makers,” by M. A. De Wolfe Howe.)

Baltimore Saturday Visiter, 1833——(?). A Baltimore weekly.

Started by Lambert A. Wilmer, who continued with it for only six months. In October of this year Poe’s “MS. Found in a Bottle” was published as the winner of a prize competition. This was Poe’s one contribution and the Visiter’s sole apparent title to fame.

Broadway Journal, 1845. A New York weekly.

Founded by C. F. Briggs (“Harry Franco”) in January, 1845. So named according to the first editorial from “the first street in the first city of the New World.... We shall attempt to make it entirely original, and instead of the effete vapors of English magazines ... give such thoughts as may be generated among us.” Poe and Briggs were associate editors in the spring, until in July, 1845, it went under the sole charge of Poe, who bought it from Briggs for $50. During this year it was Poe’s chief vehicle, printing or reprinting some fifteen of his prose tales and two poems. Its business failure took place at the end of the first year. (See “Life of Poe,” by George E. Woodberry.)

Brooklyn Daily Eagle, 1841. A Brooklyn daily.

Isaac Van Anden, first editor and publisher. A democratic newspaper with independent judgment. From 1844 (?) to 1848 Walt Whitman was its editor. From 1885, until his recent death, it was under charge of St. Clair McKelway, a brilliant writer and speaker and a constructive educator.

Burton’s Gentleman’s Magazine (see Gentleman’s Magazine).Casket, The (Graham’s Magazine), 1826–1840. A Philadelphia monthly.

Called Atkinson’s Casket, 1831–1840. Was combined with Gentleman’s Magazine and became Graham’s Magazine.

Century Magazine, The, 1881——. A New York monthly.

A continuation of the older Scribner’s Monthly (1870–1881) on the assumption of control by Roswell Smith. R. W. Gilder was editor from the second number, till his death in 1907. Its policy was to publish articles, singly and in series, related to broad aspects of American life, exposition and poetry playing a larger part in the earlier years than of late. In travel it published Lowell’s “Impressions of Spain” and van Dyke’s “Sicily”; in biography later portions of Hay and Nicolay’s “Lincoln,” Jefferson’s autobiography, and a Napoleon series. Riis, Bryce, Darwin, Tolstoy, and Burroughs have contributed from their own fields. Notable fiction series have been contributed by Howells, Mark Twain, Crawford, Weir Mitchell, Garland, London, and Mrs. Wharton; and verse by Emerson, Whitman, Gilder, Moody, Markham, and Cawein. (See also Scribner’s Monthly, p. 499.)

Congregationalist and Christian World, The, 1849——. A Boston weekly.

Founded in 1816 as the Boston Recorder by Nathaniel Willis, father of the more famous Nathaniel Parker Willis, and conducted by him until 1844. From then till about 1890 it was the sectarian organ of the Congregationalists, playing a rÔle similar to that of the Independent and the Christian Union. In the latter part of the nineteenth century it was under the editorship of W. A. Dunning, who was succeeded by the present editor, Horace Bridgman. It has had a consistent career as a religious weekly, changing with the times, but not modifying itself for the sake of a secular circulation so frankly as the other two have done.

Conservator, The, 1890. A Philadelphia monthly.

Founded in 1890 by Horace Traubel, an independent exponent of the world movement in ethics. In 1892 W. H. Ketler, Joseph Gilbert, W. Thornton Innes, and James A. Brown added to the editorial staff and enlarged to contain articles of timely interest, a book-review section, and a “Budget” for the reports of the ethical societies. The chief contributors: Stanton Coit, William Salter, Robert Ingersoll, and M. M. Mangasarian. The magazine gradually dropped its study of ethical questions and became an exponent of “the Whitman argument,” treated by Bucke, Harned, Kennedy, Platt, and Helena Born. In 1890 Traubel added extensive dramatic criticism and enlarged the book-review department. Since 1898 the magazine has been an expression of Traubel’s radical theories. It contains a long editorial “Collect,” which is an uncompromising criticism of the times, a long poem by Traubel, and reviews of current books of socialistic tendencies. During the Great War it was frankly pacific, before the entrance of the United States. Critic, The, 1881–1906. A New York bi-weekly (1881–1882), weekly (1883–1898), and monthly.

Founded as a “fortnightly review of literature, the fine arts, music, and the drama.” The best known of its editors were the latest—J. L. and J. B. Gilder. After the first four years art and music notes were dropped and book reviews were made the leading feature, original essays giving place to extracts from other magazines. In 1900 the design was stated to be “an illustrated monthly review of literature, art, and life.” From 1905 politics and technical science were dropped. In 1906 it was absorbed by Putnam’s. Best-known contributors: E. C. Stedman, Edith M. Thomas, R. W. Gilder, John Burroughs, E. E. Hale, F. B. Sanborn, J. C. Harris, Brander Matthews.

Democratic Review, The United States, 1837–1859 (?). A Washington and New York quarterly.

A note in Vol. XXXVIII stated that with Vol. XXXIX it would be issued as a newspaper. At the outset it was the most successful political magazine in the country. It was characterized by Carlyle as “The Dial with a beard.” It was at first partisan, until, with payment for its articles, it became broader. Early contributors and best known were Orestes Augustus Brownson, Bancroft, Whittier, Bryant, and Hawthorne.

Dial, The, 1840–1844. A Boston quarterly.

Founded as a quarterly organ for the group of Transcendentalists centering about Emerson. Editors: 1840–1842, Margaret Fuller; 1842–1844, Emerson. The issues of 128 pages contained philosophical essays, discussions of German and oriental thought, comments on contemporary art and literature, book reviews, and poetry. The circulation never reached 300 copies, and at the end of the fourth year it was discontinued, the final debts being paid by Emerson. Leading contributors were the editors: Thoreau, Bronson Alcott, Theodore Parker, George Ripley, C. P. Cranch, J. F. Clarke, and Ellery Channing. There was a reprint by the Rowfant Club, Cleveland, in 1901–1902, with the addition of a historical and biographical introduction. (See introduction to the reprint of The Dial, Vol. II, George Willis Cooke, 1902.)

Dial, The, 1881——. A Chicago (1881–1918) and New York fortnightly.

Founded and edited for a third of a century by Francis F. Browne as a literary review, and able to refer to itself on its thirtieth birthday as “the only journal in America given up to the criticism of current literature” and “the only literary periodical in the country not owned or controlled by a book publishing house or a newspaper.” After one or two changes of control, following the death of its founder, The Dial was transferred to New York in July, 1918, extending its editorial policy to include, besides the literary features, discussions of internationalism and of industrial and educational reconstruction. Everybody’s Magazine, 1899——. A New York monthly.

Founded by John Wanamaker and for the first four years a miscellany best characterized by the purchasers in 1903. The Ridgway-Thayer Company on taking control announced their purpose to do away with the “mawkish, morbid, and unreal,” to repress questionable advertising, and in general to transform the magazine. Since then Everybody’s has attempted in content to satisfy all sorts of intellectual tastes and at the same time to have a hand in the social and economic investigation of the period. The most celebrated series, which multiplied the circulation, was Thomas W. Lawson’s “Frenzied Finance.” Literary contributors in recent years have included Mary E. Wilkins Freeman, O. Henry, Frank Norris, Booth Tarkington, Ernest Poole, Dorothy Canfield, and in poetry Margaret Widdemer, Witter Bynner, and others.

Every Saturday, 1865–1874. A Boston weekly.

A Ticknor and Field publication; one of the numerous “eclectic” mid-century periodicals made up of selected materials chiefly from English magazines. It is of interest partly as a type and partly because Thomas Bailey Aldrich was editor for the nine years of its life. In 1874 it was merged with Littell’s Living Age(see p. 493).

Galaxy, The, 1866–1878. A New York monthly.

“An illustrated magazine of entertaining reading.” The first volume illustrated the practice of the day in featuring English authors with a leading serial by Anthony Trollope. The American contributors include Bayard Taylor, Howells, Stedman, and William Winter. Later Charles Reade was accompanied by Henry James, John Burroughs, E. R. Sill, and Paul Hamilton Hayne. With contributors of this substantial secondary rank, later still supplemented by Sidney Lanier and Joaquin Miller, the Galaxy completed and died with its twelfth year.

Gentleman’s Magazine, Burton’s (1837–1841). A Philadelphia monthly.

Founded by William E. Burton, the actor. Poe was an early, important contributor and in the second year the editor. Although he and Burton separated in 1839, the proprietor saw to it that Poe was reËmployed when in 1841 George R. Graham bought out its circulation of 3500 and merged it with Atkinson’s Casket as Graham’s Magazine.

Godey’s Lady’s Book, 1830–1898. A Philadelphia monthly.

Founded by Louis A. Godey, July, 1830, and managed by him as a monthly until 1877. In 1837 it absorbed the Boston Lady’s Magazine and took over its editor, Sarah J. Hale. Its chief distinction and highest circulation (150,000) came under its first manager. It printed much early work of Longfellow, Holmes, Poe, Bayard Taylor, Mrs. Sigourney, and Harriet Beecher Stowe. In its last years it was renamed Godey’s Magazine. In 1898 it was absorbed by the Puritan. Graham’s Magazine, 1841–1859. A Philadelphia monthly.

Founded by George R. Graham by combining his Atkinson’s Casket with his purchase of Burton’s Gentleman’s Magazine. Within a year, largely through Poe’s editorial work, the circulation rose from 5000 to 30,000. By 1850 it had reached a circulation of 135,000. Among the later editors were R. W. Griswold, Bayard Taylor, and Charles Godfrey Leland, and among the contributors, Cooper, Longfellow, Poe, Hawthorne, Lowell, N. P. Willis, E. P. Whipple, the Cary sisters, William Gilmore Simms, Richard Penn Smith, and Thomas Dunn English. In January, 1859, Graham’s became the American Monthly (see “Philadelphia Magazines and their Contributors,” A. H. Smyth, 1892, and the Critic, Vol. XXV, p. 44).

Harper’s New Monthly Magazine, 1850——. A New York monthly.

Founded by Harper Brothers in order “to place within the reach of the great mass of the American people the unbounded treasures of the periodical literature of the present day”; thus it was an “eclectic” magazine, and in the early years it supplemented this borrowed magazine material with serials by the most popular English novelists. Within four years it had a circulation of 125,000. During the 1860’s it became more American in content, and in the 1870’s it included a notable series on the transformed South. In the last thirty years it has drawn on the best-known American authors for single articles and serials: Aldrich, Howells, Lowell, Wister, Mrs. Deland, Mark Twain, James, Harte, Mrs. Wharton, Tarkington, Allen; and it has shared in the publication of recent significant poetry by Cawein, Le Gallienne, Untermeyer, Bynner, and the Misses Thomas, Teasdale, Widdemer, and Lowell. (See “The House of Harper,” J. H. Harper, 1912, and “The Making of a Great Magazine,” Harper & Brothers, 1889.)

Home Journal, The, 1847——. A New York monthly.

Jointly founded and conducted by George P. Morris and N. P. Willis as a continuation of their National Press (founded 1845). Both remained with it till death—Willis, the survivor, till 1865. “It was and is,” wrote H. A. Beers in his Life of N. P. Willis (1885), “the organ of ‘japonicadom,’ the journal of society, and gazette of fashionable literature, addressing itself with assiduous gallantry to ‘the ladies.’”

Independent, The, 1848——. A New York weekly.

A periodical “Conducted by Pastors of Congregational Churches”; Leonard Bacon, the first editor; Reverend George B. Cheever and Reverend Henry Ward Beecher, contributing editors. Its purpose was to be a progressive religious journal, particularly for Congregationalists, who protested against conservatism in theology and proslavery politics. Eventually it became an open forum for the liberally minded of all sects, being carefully nonpartisan in politics. From 1870 to 1890 it printed good verse, notably poems by Joaquin Miller and Sidney Lanier. The religious and political viewpoints broadened out from 1873. By 1898 an evident attempt was made to popularize the magazine. Since 1914 it has absorbed the Chautauquan, the Countryside, and Harper’s Weekly.

Knickerbocker Magazine, The, 1833–1865. A New York monthly.

The first editor was Charles Fenno Hoffman. From 1839 to 1841 Irving wrote monthly articles for a salary of $2000. Bryant, Whittier, Longfellow, Holmes, Halleck, and most of the secondary writers contributed. The second editor, from 1841 to 1861, was Lewis Gaylord Clark. In its later years the magazine declined, chiefly because it was carrying the tradition of polite and aimless literature into Civil-War times. During its period it stood in the North for the same interests that its contemporary, the Southern Literary Messenger, did in the South (see “The Knickerbocker Gallery,” 1855, and Harper’s Magazine, Vol. XLVIII, p. 587).

Liberator, The, 1831–1865. A Boston weekly.

The most famous and effective abolition journal, founded and edited throughout by William Lloyd Garrison. It was proscribed in the South and denounced in the North. Wendell Phillips and Henry Ward Beecher praised it, but Mrs. Stowe criticized and Horace Greeley misrepresented it. The financial straits it passed through were augmented by the rivalry of other abolition papers. After the Emancipation Proclamation and Lincoln’s second Inaugural, announcement of discontinuance was made. The last issue appeared December 29, 1865.

Lippincott’s Magazine, 1868–1916. A Philadelphia monthly.

One of three magazines founded near 1870—the others Scribner’s Monthly and the Galaxy—that made an active market for American writers. Lippincott’s, “a magazine of literature, science, and education,” made an unpretentious start and throughout its career published little prose of distinction. Its poetry, however, was excellent. Bayard Taylor and Paul Hamilton Hayne appeared in the first and following numbers. Margaret Preston, Emma Lazarus, Thomas B. Read, George H. Boker, Thomas Dunn English, and Christopher P. Cranch contributed frequently. Whitman, rare in the magazines, wrote in prose, and, most important of all, Lanier found here a channel for much of his verse from 1875 on. In later years a feature of many issues was a complete short novel. In 1916 Lippincott’s was absorbed by Scribner’s Magazine.

Littell’s Living Age, 1844——. A Boston monthly.

This is the longest-lived of the eclectic, or “scissors and paste-pot,” magazines. It has been made up of reprints from foreign periodicals, sometimes quoting from English apparent sources articles which had been borrowed there from original American publications. In 1874 it absorbed Every Saturday (see p. 491) and in 1898 the Eclectic Magazine. It still survives. McClure’s Magazine, 1893——. A New York monthly.

S. S. McClure publisher and editor. Fiction and poetry have been the dominant features. Contributors (fiction): Kipling, Stevenson, Arnold Bennett, Bret Harte, Mark Twain, Booth Tarkington, Robert Chambers, O. Henry, Jack London; (verse): Wordsworth, Browning, Walt Whitman (reprints), Kipling, Witter Bynner, Edgar Lee Masters, Hermann Hagedorn, Louis Untermeyer. It was the first magazine to sell at the popular price of fifteen cents. The nonliterary articles on affairs of the day were prepared on assignment by expert writers such as Ida Tarbell, Ray Stannard Baker, and Lincoln Steffens, years sometimes being spent on a single series. In 1905 these three assumed control of the American, but the policy has been continued to the present.

Mirror, The New York, 1823–1846. A New York weekly.

Founded by George P. Morris and Samuel Woodworth (remembered respectively for “Woodman, Spare that Tree” and “The Old Oaken Bucket”). In 1831 the Mirror absorbed the Boston American Monthly together with its editor, Nathaniel Parker Willis. In the next year Willis wrote for it the first of his travel series, “Pencillings by the Way,” continuing with weekly letters for four years. In 1839 Hawthorne became a contributor. In 1844–1845 Poe was subeditor and critic, his most famous contribution being “The Raven,” January, 1845. In 1845 the weekly became a daily—the Evening Mirror—and in 1846 it was discontinued.

Nation, The, 1865——. A New York weekly.

Publishers: Joseph H. Richards, 1865; Evening Post Publishing Co., 1871; E. L. Godkin Co., 1874; Evening Post, 1881; New York Evening Post, 1902; Nation Press, Inc., New York, 1915. Editors have changed frequently, the most famous being the first, E. L. Godkin, who was in the chair from 1865 to 1881. Oswald Garrison Villard, present editor. It has been devoted to discussions of politics, art, and literature and to reviews of the leading books in these fields. Representative contributors have been Francis Parkman, T. R. Lounsbury, B. L. Gildersleeve, J. R. Lowell, Carl Schurz, James Bryce, William James, Paul Shorey, and Stuart Sherman. (See “Fifty Years of American Idealism,” edited by Gustav Pollak. 1915. Also the “Semicentenary Number,” 1915.)

New England Courant, The, 1721–1727. A Boston weekly.

Founded by James Franklin and carried on by him and a group of friends known as the Hell-Fire Club. The Courant represents a violent and somewhat coarse reaction against the domination of the New England clergy. It was written after the manner of the Spectator with frequent paraphrased and a few quoted passages. After the imprisonment of James the paper was carried on by the youthful Benjamin Franklin, who had already contributed the fourteen “Do-Good Papers.” The Courant gave evidence of much wit and enterprise, but quite lacked the urbanity of its English model. New England Magazine, The, 1831–1835. A Boston monthly.

Founded by Joseph T. Buckingham, former editor of the Polyanthus,1805–1807 and 1812–1814, the Ordeal,1809, the New England Galaxy,1817–1828, and the Boston Courier,, a daily, 1814–1848. The New England Magazine, superior to any of these, was the project of Edwin, a son, who gave it distinction in a single year of editorship before his death, at the age of twenty-two. The father continued in charge for eighteen months, relinquishing it for the final year to Charles Fenno Hoffman and Park Benjamin. These latter took the magazine to New York in January, 1836, renaming it the American Monthly Magazine. The younger Buckingham showed enterprise in enlisting well-known contributors and acuteness in securing copy from Longfellow, Whittier, Holmes, and Hawthorne before they were widely known. It was in the New England that Holmes originated “The Autocrat of the Breakfast Table” in two numbers of 1832, reviving the theme in his first Atlantic series twenty-five years later; and here also Hawthorne printed many stories now in “Twice-Told Tales” and “Mosses from an Old Manse.” (See “The First New England Magazine and its Editor,” by George Willis Cooke, New England Magazine (N. S.), March, 1897.)

New York Evening Post, The, 1801——. A New York daily.

A Federal paper at first. Alexander Hamilton and John Jay aided in its establishment. William Coleman, first editor. Bryant began to write for the Post in 1826. He was editor from 1829 to 1878.

New York Review and AthenÆum Magazine, The, (?)-1827. A New York monthly.

A type of the short-lived magazine which rose and then combined with or absorbed others in a succession of changes. This was first the Review, then in March, 1826, it was merged with another periodical into the New York Literary Gazette or American AthenÆum, and a little later it combined with Parson’s old paper, the United States Literary Gazette, to form the United Stales Review and Literary Gazette. It is mentioned because of Bryant’s contributions and his editorship from 1826 until its discontinuation.

New York Tribune, The, 1841——. A New York daily.

Started by Horace Greeley as a reform newspaper in support of President Harrison. In 1847 Greeley enlisted the support of several of the Brook Farm group—George Ripley, Margaret Fuller, Charles A. Dana, and George William Curtis—and secured as later contributors Carl Schurz, John Hay, Henry James, William Dean Howells, Bayard Taylor, Whitelaw Reid, E. C. Stedman, and others. The Tribune made much of its literary side, not only in book reviews and discussions of contemporary art and letters but in the inclusion of much significant verse. The Tribune was an important ally in securing the election of Lincoln and supporting his policies. It has continued to be one of the leading New York dailies, but its great days were concluded with the resignation of Greeley in 1872. New Republic, The, 1914——. A New York weekly.

A “journal of opinion” founded with the assistance of Mr. Willard Straight by Herbert Croly and associates. As its subtitle indicates, it is chiefly concerned with problems of national and international import, but, in addition to the articles by editors and contributors on affairs of the day, it includes papers on the art, music, and literature of the present and the recent past, occasional light essays, discriminating book reviews, and verse. Representative contributors have been John Graham Brooks, John Dewey, William Hard, Elizabeth Shipley Sargent, Louis Untermeyer, Robert Frost, Edwin Arlington Robinson, and, from England, Norman Angell, H. M. Brailsford, and H. G. Wells.

North American Review, The, 1815——. A Boston and New York quarterly.

Successor to the Boston Monthly Anthology, 1803–1811, being founded by an editor, William Tudor, and several contributors who had been members of the Anthology Club. After three years as a general literary bimonthly it became a quarterly review. Among early contributors, besides well-known leaders in political thinking, were George Ticknor, George Bancroft, Bryant, and Longfellow. Until the founding of the Atlantic it was the leading organ of conservative thought in New England. For the decade from 1864 it was under the joint editorship of James Russell Lowell and Charles Eliot Norton. Since 1878 it has been in New York, changing in editorship and periods of publication. It became settled as a monthly under George Harvey. The more purely literary American contributors of the last few years have been Howells, Mabie, Matthews, Woodberry, Miss Repplier, Miss Teasdale, Miss Lowell, Hagedorn, Robinson, Mackaye, and Ficke. (See North American, Vol. C, p. 315, and Vol. CCI.)

Outlook, The, 1870——. A New York weekly.

Founded in 1870 as the Christian Union, an undenominational paper, by Henry Ward Beecher. In 1876 he shared his duties as editor with Lyman Abbott, present editor. In 1884 Hamilton Wright Mabie was added as associate editor. Title was changed to The Outlook in 1893. Mabie secured contributions from men like James Bryce and Edward Dowden, translations from the works of Daudet and FranÇois CoppÉe. Recent American literary contributors: Ernest Poole, Vachel Lindsay, Cawein, Oppenheim. New political impetus came with contributions from Theodore Roosevelt, beginning 1909. The paper has had more or less of ecclesiastical character all along, but at present may be characterized as seeking to mold public opinion and interpret current events. One number of each month is enlarged to contain special departments; called Illustrated Magazine Number from 1896 to 1905.

Pennsylvania Gazette, The, 1729–1821. A Philadelphia weekly.

The new name and new periodical founded by Benjamin Franklin when he purchased Samuel Keimer’s Universal Instructor in October, 1729. The news element was slight and unreliable, but the literary, Addisonian essays gave the paper character at once. These gave way later to essays more distinctly peculiar to Franklin’s own point of view and kind of humor. The book advertisements supplemented this essay material in contributing to the broader culture of the readers. After Franklin’s personal withdrawal the traditions of the Gazette were continued. In 1765 Franklin sold out to his partner David Hall. With the death of his grandson, also David Hall, the paper passed into the hands of Atkinson and Alexander and was renamed the Saturday Evening Post (p. 498).

Poetry, 1912——. A Chicago monthly.

A magazine of verse. Harriet Monroe, editor. Ralph Fletcher Seymour Co., Chicago, publishers. Advisory committee: H. B. Fuller, Edith Wyatt, and H. C. Chatfield Taylor. It was guaranteed for five years by endowment fund and contained no advertisements at the beginning. It has been a vehicle for poetry from all parts of the world by poets with or without fame. Now it contains book-list awards, reviews, and poetry announcements and advertisements. The original staff is almost unchanged. It seems to be on a sound financial footing.

Poor Richard’s Almanac, 1733–1748.

Founded by Benjamin Franklin. Its chief feature was its inclusion in the reading matter of the proverbial sayings, the best of which were combined in “The Way to Wealth.” It was characterized by a French critic of the day as “the first popular almanac which spoke the language of reason.” It was conducted by Franklin until 1748.

Port Folio, The, 1806–1827. A Philadelphia weekly and monthly.

Founded by Joseph Dennie as a weekly newspaper. From 1806 to 1809, though continuing as a weekly, it assumed the character of a literary magazine, and in the latter year became a monthly. Its most distinctive period was in the first eleven years before the death of Dennie. While he was editor the Port Folio was a vehicle of “polite letters.” It was imitative in style and reminiscent in point of view, but it was wholesome in its honesty about American matters and manners and exerted a strong and healthy influence. The best-known contributors were the editor, “Oliver Oldschool,” John Quincy Adams, and Charles Brockden Brown.

Putnam’s, 1853–1858, 1868–1870, 1906–1910. A New York monthly.

Publishers, G. P. Putnam and Co., New York. Putnam’s Monthly Magazine of American literature, science, and art. Established by George P. Putnam with the assistance of George William Curtis and others. In 1857 merged into Emerson’s United States Magazine, which was continued as Emerson’s Magazine and Putnam’s Monthly. Discontinued November, 1858. January, 1868-November, 1870, Putnam’s Monthly Magazine. Original papers on literature, science, art, and national interests. Merged into Scribner’s Monthly, December, 1870. October, 1906-March, 1910, reËstablished and merged with the Critic, founded in 1881; issued by Messrs. Putnam since 1898. An illustrated monthly of literature, art, and life. Absorbed the Reader, March, 1908. Titles vary during this period. A large number of full-page and smaller illustrations. One serial running, small proportion of verse, special articles, comments, and criticisms on literature and the fine arts, science, travel, statesmanship. Alternating emphasis with successive issues on the different arts. Typical contributors and contributions, with illustrations concerning: Lafcadio Hearn, Mark Twain, William Dean Howells, Stedman, Stoddard, Henry James, Longfellow, Franklin, Margaret Deland, Maeterlinck, Thomas Edison, Binet, Corot, Helen Keller, Nazimova, Gladstone, the Bonapartes. Absorbed by the Atlantic Monthly, April, 1910.

Round Table, The, 1864–1869. A New York monthly.

A literary journal founded in New York in emulation of Boston’s Atlantic and supported with great interest by Aldrich, Stedman, Bayard Taylor, and their circle. It was suspended during parts of 1864–1865 and discontinued in July, 1869, in spite of the efforts to secure a subsidy for it from the wealthy men of New York.

Russell’s Magazine, 1857–1860. A Charleston monthly.

Founded by John Russell, Charleston bookseller, with Paul Hamilton Hayne as editor. A monthly periodical for the literary group centering around William Gilmore Simms. Contained fiction, sketches, addresses, reviews, and essays on various topics—political, historical, literary, artistic, scientific. These were mainly unsigned, but the leading contributors were Simms, Hayne, Timrod, James L. Petigru, John D. Bruns, and Basil Gildersleeve. With the approach of the Civil War it was discontinued March, 1860. (Lives of P. H. Hayne and W. G. Simms. Three Notable Ante-Bellum Magazines of South Carolina, Sidney J. Cohen, University of South Carolina, Bulletin 42.) Saturday Evening Post, The, 1821——. A Philadelphia weekly.

A lineal descendant of Franklin’s Pennsylvania Gazette(see p. 496). It was given its present name in 1821 when Samuel C. Atkinson and Charles Alexander took control, Atkinson being the surviving partner of David Hall, grandson and namesake of Franklin’s partner to whom the Gazette was sold in 1765. In one hundred and eighty years the only interruption to consecutive issues was during the British occupation of Philadelphia. The Post of recent years has been one of the American weeklies of largest circulation. It contains fiction, up-to-date personalia, and brisk articles on the affairs of the moment. Its attitude toward thrift, industry, and the way to wealth is completely consistent with the ethics of Franklin. It is conducted by the Curtis Publishing Company and edited by George H. Lorimer. Saturday Press, The, 1858–1860. A New York weekly.

The special organ of the “Bohemians”—a group of New Yorkers who acknowledged Henry M. Clapp as their leader. Other contributors were Fitz-James O’Brien, Thomas Bailey Aldrich, R. H. Stoddard, William Winter, and E. C. Stedman, The Press was brilliant but short-lived, announcing in its last number in early 1860 that it was “discontinued for lack of funds which [was], by a coincidence, precisely the reason for which it was started.” (See H. M. Clapp in Winter’s “Other Days,” and “The Life of Stedman,” by Stedman and Gould.)

Scribner’s Magazine, 1886——. A New York monthly.

Founded December, 1886, by Messrs. Scribner (entirely distinct from old Scribner’s Monthly), with E. L. Burlingame as editor. Illustrated. Typical contributors, in the early years: H. C. Bunner, Joel Chandler Harris, Sarah Orne Jewett, Barrett Wendell, E. H. Blashford, Richard Henry Stoddard, Thomas Bailey Aldrich, T. W. Higginson, W. C. Brownell, Charles Edwin Markham, Robert Louis Stevenson; in recent years: Winston Churchill, J. L. Laughlin, W. C. Brownell, Meredith Nicholson, John Galsworthy, etc. Articles of popular interest on art, music, nature, travel, and since 1914 a section given to the World War. Aim and policy unchanged.

Scribner’s Monthly, 1870–1881. A New York monthly.

Founded by Roswell Smith, manager, and J. G. Holland, editor, and published as Scribner’s, but not like Harper’s as a publishing-house magazine. The design from the first was to deal with matters of social and religious opinion from the liberal viewpoint. At the outset it absorbed Hours at Home and Putnam’s and in 1873 Edward Everett Hale’s Old and New. It was the first to undertake a series on the new South and to encourage Southern contributors, including Lanier, Thomas Nelson Page, George W. Cable, and Joel Chandler Harris. Most notable among its series were portions of Grant’s Memoirs and Hay and Nicolay’s “Life of Lincoln,” George Kennan’s Siberian papers, and Hay’s anonymous novel “The Breadwinners.” Scribner’s Monthly was a pioneer in the use of illustrations made by the new mechanical methods of reproduction. The magazine never printed or sold less than 40,000 copies, and when in 1881 it changed ownership and became the Century it had a circulation of 125,000. (See Tassin’s “The Magazine in America,” pp. 287–301.)

Southern Literary Messenger, 1834–1865. A Richmond monthly.

Founded at Richmond, Virginia, in August, 1834, by Thomas W. White, as a semimonthly, but changed to a monthly almost at once. Poe contributed to the seventh number and from then on in each number till he became assistant editor from July, 1835, to January, 1837. During this period the circulation increased from 700 to 5000. Well established by this time, it continued as the most substantial and longest lived of the Southern magazines. A vehicle for literature between the too heavy and the frivolous, and an honest review. Poe’s contributions outrank those of any other writer, but the list of contributors includes N. P. Willis, C. F. Hoffman, R. W. Griswold, J. G. Holland, R. H. Stoddard, W. M. Thackeray, Charles Dickens, G. P. R. James, John Randolph, R. H. Bird, Philip P. Cooke, J. W. Legare, P. H. Hayne, Henry Timrod, John P. Kennedy, and Sidney Lanier. (See “The Southern Literary Messenger,” by B. B. Minor.)

Southern Magazine, The, 1871–1875. A Baltimore monthly.

The most distinguished of the several short-lived Southern magazines established in the Civil War reconstruction period. It was a continuation of the New Eclectic, but included, in addition to the English reprints, original work by many Southern authors. These were, among others, Margaret Preston, Malcolm Johnson, Sidney Lanier, Paul Hamilton Hayne, and Professors Gildersleeve and Price. It could pay nothing for manuscript, however, and the new interest in Southern writing awakened by Scribner’s in 1873, and responded to by Harper’s, the Atlantic, Lippincott’s, the Independent, and others, furnished support as well as stimulation to its best contributors and hastened its death at the end of five years.

Western Messenger, The (Cincinnati), 1835–1841.

Begun by Reverend Ephraim Peabody. Published by Western Unitarian Society aided by American Unitarian Association. Purposed to make it a vehicle for clear, rational discussion of important and interesting topics. Discussed reform movements, religious questions and creeds, and encouraged expression of all cultural ideas,—literary articles, poetry, book reviews, etc. Contributors: Mann Butler, W. D. Gallagher, James H. Perkins, R. W. Emerson, J. S. Dwight, Elizabeth P. Peabody, Jones Very, James Freeman Clarke, Dr. Lyman Beecher, Professor Calvin E. Stowe, Margaret Fuller, C. P. Cranch. Sought to make it Western in spirit with many Western contributors and articles on history of the West. 1836–1839 in Louisville, under J. F. Clarke, then back to Cincinnati, under William H. Channing, till April, 1841.

Western Monthly Magazine, The (Cincinnati), 1833–1836.

Edited for two and one-half years by James Hall and for six months by Joseph R. Foy. Thirty-seven contributors, of whom six were women and only three from east of the Alleghenies. Harriet Beecher won “the prize tale” in April, 1834, and contributed another story in July. The contents made up largely of expository articles on art, history, biology, travel, education, economics, and modern sociology. The book notices were independent and discriminating.

Yale Review, The, 1892–1911, 1911——. Issued quarterly.

Continued New Englander and Yale Review. G. P. Fisher and others, editors. In 1900 changed from a “journal of history and political science” to a “Journal for the Scientific Discussion of Economic, Political, and Social Questions”; 1911—— “a quarterly magazine devoted to Literature, Science, History, and Public Opinion.” Yale Publishing Association, Inc., Wilbur D. Cross, chief editor. Not an official publication of Yale University. Made up of serious articles and essays, some light essays and verse, and literary criticism. Leading contributors, prose: W. H. Taft, Norman Angell, Walter Lippman, Simeon Strunsky, Vida D. Scudder; verse: Witter Bynner, Louis Untermeyer, Sara Teasdale, Edgar Lee Masters, Robert Frost, John Masefield. Thus its place as a literary periodical has been assumed only within the last decade. The old New Englander (1843–1892) was a substantial and dignified journal but included the work of no writer of even minor literary achievement.


                                                                                                                                                                                                                                                                                                           

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