LOWELL'S ADDRESSES. JAMESTOWN, VA. CHAMPLAIN. French Canadian writers like Garneau and Ferland have exhausted the language of eulogy in describing the character and life of Samuel Champlain, but no one who follows his career can doubt the truth of this latest tribute to the French colonizer It is Captain John Smith of Virginia who, among the colonizers of America, can best compare with the founder of Quebec. The following estimate of his character, given by the historian George Bancroft (i., 138–139, ed. of 1866), could be applied in almost every particular to the Frenchman; all we need do is to read "New France" for "Virginia," "French" for "Saxon," "France" for "England," etc.: "He was the father of Virginia, the true leader who first planted the Saxon race within the borders of the United States. His judgment had ever been clear in the midst of general despondency. He united the highest spirit of adventure with consummate powers of action. His courage and self-possession accomplished what others esteemed desperate. Fruitful in expedients, he was prompt in execution. Though he had been harassed by the persecutions of malignant envy, he never revived the memory of the faults of his enemies. He was accustomed to lead, not to send his men to danger; would suffer want rather than borrow, and starve sooner than not pay. He had nothing counterfeit in his nature, but was open, honest and sincere. He clearly discerned that it was the true interest of England not to seek in Virginia for gold and hidden wealth, but to enforce regular industry. 'Nothing,' said he, 'is to be expected thence but by labour.'" LESCARBOT. CHARLEVOIX. HUTCHINSON'S HISTORY. SAGARD. P. BOUCHER. JESUIT RELATIONS. PÈRE DU CREUX. LA POTHERIE. LAFITAU. C. LE CLERCQ. COTTON MATHER'S "MAGNALIA." Dr. MICHEL SARRAZIN. PETER KALM. SCHOOLS, 1792–1840. UPPER CANADA, 1793–1840. CANADIAN JOURNALISM. HOWE'S SPEECHES. "SAM SLICK." JUDGE HALIBURTON'S HISTORY. W. SMITH'S HISTORY. JOSEPH BOUCHETTE. 1. "A Topographical Description of the Province of Lower Canada, with remarks upon Upper Canada and on the relative connection of both Provinces with the United States of America." London, 1815, royal 8vo., with plates. Also an edition in French. 2. "The British Dominions in North America, or a Topographical and Statistical Description of the Provinces of Upper and Lower Canada, New Brunswick, Nova Scotia, the Islands of Newfoundland, Prince Edward and Cape Breton, including considerations on land-granting and emigration, and a topographical dictionary of Lower Canada; to which is annexed the statistical tables and tables of distances, published with the author's maps of Lower Canada, in consequence of a vote of the Provincial Legislature. Embellished with vignettes, views, landscapes, plans of towns, harbours, etc.; containing also a copious appendix." London, 1831, three volumes, 4to., generally bound in two. MICHEL BIBAUD'S HISTORICAL WORKS. "Histoire du Canada sous la Domination Anglaise." Do., 1844. The third volume of the series appeared after the author's death, and was published by his son, J. G. Bibaud, at Montreal, 1878, 12mo. THOMPSON'S BOOK ON THE WAR OF 1812. BELKNAP'S HISTORY. THE POET CRÉMAZIE. "Les jours de Carillon, OÙ, sur le drapeau blanc attachant la victoire, Nos pÈres se couvraient d'un immortel renom Et traÇaient de leur glaive une hÉroÏque histoire. "O radieux dÉbris d'une grande ÉpopÉe! HÉroÏque banniÈre au naufrage ÉchappÉe! Tu restes sur nos bords comme un tÉmoin vivant Des glorieux exploits d'une race guerriÈre; Et, sur les jours passÉs, rÉpandant ta lumiÈre, Tu viens rendre À son nom un hommage Éclatant. "Ah! bientÔt puissions-nous, Ô drapeau de nos pÈres! Voir tous les Canadiens, unis comme des frÈres, Comme au jour du combat se serrer prÈs de toi! Puisse des souvenirs la tradition sainte, En rÉgnant dans leur coeur, garder de toute atteinte, Et leur langue et leur foi." When we hear aspirations whispered nowadays that there may be only one language in Canada, it is well to consider the influence of such nervous poetic French on the national feelings of the large population in the province of Quebec. The French language is likely to be deeply seated for some generations yet while there are French Canadian poets. CHAUVEAU AS A POET. HOWE'S POEMS. THE POETS SANGSTER AND McLACHLAN. Alexander McLachlan was a poet contemporary with Sangster, and imbued with much poetic fervour and Canadian sentiment, but he was born and educated in Scotland, and came to Canada when a young man. His "Emigrant and Other Poems" (Toronto, 1861) merited the praise it received, though this, like his other poetic efforts, are now rarely cited, and no new edition of his works has appeared of recent years. CHARLES HEAVYSEGE'S WORKS. "Count Filippo; or, The Unequal Marriage: a Drama in Five Acts." Montreal, 1860. "Jephthah's Daughter." London and Montreal, 1865, 12mo. "The Advocate: a Novel." Montreal, 1865, 8vo. This was a decided failure. TODD'S WORKS. CHRISTIE'S HISTORY. GARNEAU. FERLAND AND FAILLON. The AbbÉ Faillon, a Sulpician, who wrote a "Histoire de la Colonie FranÇaise en Canada" (Paris, 1865) in four 4to. volumes, was not a Canadian by birth and education like Ferland and Garneau, but came to Canada in 1854, and, after residing there for over ten years, returned to his native country, where he published his well known and valuable work. DENT'S WORKS. LOUIS TURCOTTE'S HISTORY. B. SULTE. ABBÉ CASGRAIN. "LÉgendes Canadiennes." Quebec, 1861, 12mo. New ed., Montreal, 1884. "Histoire de la MÈre Marie de l'Incarnation, premiÈre supÉrieure des Ursulines de la Nouvelle France. PrÉcÉdÉe d'une esquisse sur l'histoire religieuse des premiers temps de cette colonie." Quebec, 1864, 8vo. New ed., Montreal, 1886. "Guerre du Canada, 1756–1760. Montcalm et LÉvis." Quebec, 1891, two volumes, 8vo. The AbbÉ has been a most industrious historical student, and to enumerate all his literary efforts would be to occupy much space. He has been a principal contributor to the 'Trans. Roy. Soc. Can.' His monographs, "Un pÈlerinage au pays d'Evangeline" (vol. iv.) and "Les Acadiens aprÈs leur dispersion" (vol. v.), are particularly interesting, and the former has been crowned by the French Academy, and appeared in book form at Quebec. He is very much imbued with the national spirit and fervour of his countrymen. KINGSFORD'S AND OTHER HISTORICAL WORKS. CANADIAN BIBLIOGRAPHY. LATER CANADIAN POETS, 1867–1893. The following is an extract from his poem on "La DÉcouverte du Mississippi": "TantÔt je croyais voir, sous les vertes arcades, Du fatal De Soto passer les cavalcades En jetant au dÉsert un dÉfi solennel; TantÔt c'Était Marquette errant dans la prairie, Impatient d'offrir un monde À sa patrie, Et des Âmes À l'Eternel. "Parfois, sous les taillis, ma prunelle trompÉe, Croyait voir de La Salle Étinceler l'ÉpÉe, Et parfois, groupe informe allant je ne sais oÙ, Devant une humble croix—Ô puissance magique!— De farouches guerriers Á l'oeil sombre et tragique Passer en pliant le genou! "Et puis, berÇant mon Âme aux rÊves des poÈtes, J'entrevoyais aussi de blanches silhouettes, Doux fantÔmes flottant dans le vague des nuits: Atala, Gabriel, Chactas, Evangeline, Et l'ombre de RenÉ, debout sur la colline, Pleurant ses immortels ennuis. Mais de ces visions poÉtiques et roses Celle qui plus souvent venait frapper mon oeil, C'Était, passant au loin dans un reflet de gloire, Ce hardi pionnier dont notre jeune histoire Redit le nom avec orgueil. "Jolliet! Jolliet! deux siÈcles de conquÊtes, Deux siÈcles sans rivaux ont passÉ sur nos tÊtes, Depuis l'heure sublime oÙ, de ta propre main, Tu jetas d'un seul trait sur la carte du monde Ces vastes rÉgions, zone immense et fÉconde, Futur grenier du genre humain! "Oui, deux siÈcles ont fui! La solitude vierge N'est plus lÀ! Du progrÈs le flot montant submerge Les vestiges derniers d'un passÉ qui finit. OÙ le dÉsert dormait, grandit la mÉtropole; Et le fleuve asservi courbe sa large Épaule Sous l'arche aux piles de granit. "Plus de forÊts sans fin: la vapeur les silonne! L'astre des jours nouveaux sur tous les points rayonne; L'enfant de la nature est ÉvangÉlisÉ; Le soc du laboureur fertilise la plaine; Et le surplus dorÉ de sa gerbe trop pleine Nourrit le vieux monde ÉpuisÉ." Mr. Pamphile LeMay, one of the best known French Canadian poets, has published the following: "Essais PoÉtiques," Quebec, 1865; "La DÉcouverte du Canada," Quebec, 1867; "PoÈmes CouronnÉs," Quebec, 1870; "Les Vengeances," Quebec, 1875, 1876 and 1888 (also dramatized); "Une Gerbe," Quebec, 1879. He has also written "Fables Canadiennes," Quebec, 1882. A number of his poems have appeared in the 'Trans. Roy. Soc. Can.,' vols i., iii., v., vi., ix. He has also written several stories of Canadian life: "L'Affaire Sougraine," Quebec, 1884; "Le PÈlerin de Sainte-Anne," new ed., Montreal, 1893; and "Rouge et Bleu," comedy. One of his best works was a translation of Longfellow's "Evangeline." The following is a list of other Canadian books of poems, of varying merit, which have appeared within a quarter of a century: "The Songs of a Wanderer." By Carroll Ryan. Ottawa, 1867. Indicated much poetic taste, but the poet has been submerged in the busy journalist. "Songs of Life." By Rev. E. H. Dewart. Toronto, 1867. He was author of the first collection of Canadian poems made in this country. See infra. "The Prophecy of Merlin and other Poems." By John Reade. Montreal, 1870. In many respects the best sustained poems written by a Canadian can be read in this book. "Les Laurentiennes." By Benjamin Sulte. Montreal, 1870. "Les Chants Nouveaux." By the same. Ottawa, 1880. "The Legend of the Rose." By Samuel J. Watson. Toronto, 1876. Mr. Watson was a writer of promise who died in the maturity of his power. "The Feast of St. Anne, and other Poems." By P. S. Hamilton. Montreal, 1878; 2nd ed. 1890. Has some interest from its description of the ceremonies at the feast of Sainte-Anne du Canada—the tutelary saint of the Canadian aborigines—which is held by the Micmacs on the 26th day of July in each year on Chapel Island, "Waifs in Verse." (Ottawa, ed. in 1878, 1887 and 1891.) By G. W. Wicksteed, Q.C., for fifty years the able law clerk of the Canadian Commons. "A Collection of Poems." By Miss Williams of Grenville, P.Q., 1879. "The Coming of the Princess, and Other Poems." By Kate Seymour Maclean of Kingston. 1880. "Lyrics, Songs and Sonnets." By A. H. Chandler and C. Pelham Mulvany. Toronto, 1880. "The Times, and Other Poems." By J. R. Newell of Woodstock. 1880. "The Consolation." By George Gerrard. Montreal, 1880. "Poems of the Heart and Home." By Mrs. J. C. Yule. Toronto, 1880. "Poems, Songs and Odes." By Archibald McAlpine Taylor. Toronto, 1881. "The New Song, and Other Poems." By Mrs. W. H. Clarke. Toronto, 1883. "Zenobia. A Poem in Rhymed Heroics." By Rev. Æ. McD. Dawson, F.R.S.C. 1883. "The Mission of Love, and Other Poems." By Caris Sima. 1883. "Lorenzo, and Other Poems." By J. R. Pollock of Keswick, Ont. 1883. "Caprices PoÉtiques et Chansons Satiriques." Par RÉmi Tremblay. MontrÉal, 1883. "Les Echos." Par J. B. Routhier. QuÉbec, 1883, 12mo. Judge Routhier is a member of the Royal Society of Canada, in whose 'Trans.' (vol. iv., Sec. I.) appeared "Lettre d'un Volontaire du 9ieme Voltigeurs campÉ À Calgary." His literary reputation stands high among his countrymen. "Old Spookse's Pass, and Other Poems." By Isabella Valancy Crawford. Toronto, 1884. "Marguerite, and Other Poems." By George Martin. 1886. "Laura Secord: a Ballad of 1812." By Mrs. Curzon. Toronto, 1886. "Songs, Sonnets and Miscellaneous Poems." By J. Imrie. Toronto, 1886. "Dreamland, and Other Poems" (Ottawa, 1868), and "Tecumseh: a Drama" (Toronto and London, 1886). By Charles Mair, a poet of original talent, and descriptive power, who is now a resident of the North-west Territories. "Orion, and Other Poems" (Philadelphia, 1880), and "In Divers Tones" (Montreal, 1887). By Prof. C. G. D. Roberts, who is the best known abroad of all Canadian poets, and represents that Canadian or national spirit which has been slowly rising from the birth of Confederation. Since the days of CrÉmazie—over thirty years ago—there are other poets who recognize the existence of a Canadian people in a large sense—a Canadian people of two races, born and educated in the country, and having common aspirations for a united, not an isolated, future. Prof. Roberts is now bringing out a new volume of poems in London. The poetic taste of the Archbishop of Halifax, the Most Rev. C. O'Brien, F.R.S.C., is well illustrated in the following volume: "Aminta: a Modern Life Drama," New York, 1890. The Archbishop is also the author of a novel, "After Weary Years," (Baltimore and New York, 1885), the scenes of which are laid in Rome and Canada, and are described with much power of invention and fervour. As the author himself says, "historic places and events are accurately described." He has, it will be seen from his preface, great confidence in the future national greatness of the Dominion. "A Gate of Flowers." By T. O'Hagan. Toronto, 1887. He has another volume in press. "The Masque of Minstrels, and Other Pieces, chiefly in verse." By B. W. and A. J. Lockhart. Bangor, Me., 1887. These two brothers are Nova Scotians by birth and education, who lived their youth in the land of Evangeline. The GaspÉreaux and Grand PrÉ are naturally the constant theme of their pleasing verse. "Among the Millet, and Other Poems." By Archibald Lampman. Ottawa, 1888. Some of Mr. Lampman's most finished sonnets have appeared in the best American periodicals, to which he is still a frequent contributor; his work shows the true poetic instinct. He holds a position in the Civil Service at Ottawa. "The Water Lily. An Oriental Fairy Tale." By Frank Waters. Ottawa, 1888. "De Roberval: a Drama. Also the Emigration of the Fairies, and the Triumph of Constancy: a Romaunt." By John Hunter Duvar. St. John, N.B., 1888. Mr. Duvar, who has fine literary tastes, has been a resident of Prince Edward Island for some years. "The Epic of the Dawn, and Other Poems." By Nicholas Flood Davin. Regina, N.W.T., 1889. Mr. Davin is the clever "Irishman in Canada," and while the most pretentious of his poems in this little book were written across the ocean, others are the product of Canadian thought and sentiment. "Lake Lyrics, and Other Poems." By W. Wilfred Campbell. St. John, N.B., 1889. Mr. Campbell, who was originally a clergyman of the Church of England, is now in the public service at Ottawa, and has written some of his best poems for American magazines. One on "The Mother," in 'Harper's Monthly' is full of poetic thought and deep pathos, and should be better known by Canadians than it appears to be. At this time of writing his new volume of poems entitled "The Dread Voyage" (Toronto, 1893), has appeared; it sustains his reputation, though one can hardly encourage his effort to imitate Tennyson in such poems as "Sir Lancelot." Canadian poets too frequently are imitative rather than original. Mr. Campbell's verses on the varied scenery of the lakes of the West show the artistic temperament. For instance: "Domed with the azure of heaven, Floored with a pavement of pearl, Clothed all about with a brightness Soft as the eyes of a girl. "Girt with a magical girdle, Rimmed with a vapour of rest— These are the inland waters, These are the Lakes of the West." ON THE LEDGE. "I lie out here on a ledge, with the surf on the rocks below me, The hazy sunlight above and the whispering forest behind; I lie and listen, O lake, to the legends and songs you throw me, Out of the murmurous moods of your multitudinous mind. "I lie and listen, a sound like voices of distant thunder, The roar and throb of your life in your rock-wall's mighty cells; Then after a softer voice that comes from the beaches under, A chiming of waves on rocks, a laughter of silver bells. "A glimmer of bird-like boats, that loom from the far horizon; That scud and tack and dip under the gray and the blue; A single gull that floats and skims the waters, and flies on, Till she is lost like a dream in the haze of the distance, too. That moves like a shadow across your water and sky's gray edge; A dull, hard beat of a wave that diggeth himself a tunnel, Down in the crevices dark under my limestone ledge. "And here I lie on my ledge, and listen the songs you sing me, Songs of vapour and blue, songs of island and shore; And strange and glad are the hopes and sweet are the thoughts you bring me Out of the throbbing depths and wells of your heart's great store." "Pine, Rose and Fleur-de-Lis." By S. Frances Harrison ("Seranus"). Toronto, 1891. "Songs, Lyrical and Dramatic." By John Henry Brown. Ottawa, 1892, 12mo. The New York 'Nation' truly says of this new poetic aspirant that he has Walt Whitman's tendencies, but nevertheless he "writes in a generous spirit, and may yet have thoughts and expression all his own." The fact is, I repeat, most Canadian poets are too imitative and too rarely original. "Tendres Choses. PoÉsies Canadiennes." By Dr. R. Chevrier. Montreal, 1892, 12mo. That an author unknown to fame should give us his portrait, as in this case, is perplexing. Still the verse is frequently melodious, though it represents what is a feature of French poetry, melodious rhythm, rather than strength and thought. "This Canada of Ours, and Other Poems." By J. D. Edgar, M.P., Toronto, 1893. This little volume contains "The White Stone Canoe: a Legend of the Ottawas," which had been published in separate form some years previously. His French and Latin translations are full of taste. "Les Perce-Neige, premiÈres poÉsies." By NapolÉon Legendre. Montreal, 12mo. He is a member of the Royal Society of Canada, and constant contributor (generally in prose) to its 'Transactions.' "Mes Rimes." By ElzÉar Labelle. Montreal, 1886, 8vo. Selections of Canadian poems have appeared of recent years in the following publications: 1. "Selections from Canadian Poets: with occasional critical and biographical notes and an introductory essay on Canadian poetry." By the Rev. E. H. Dewart. Montreal, 1864, 8vo. 2. "Songs of the Great Dominion: Voices from the Forests and Waters, the Settlements and Cities of Canada." Selected and edited by W. D. Lighthall, M.A., of Montreal. London, 1889, 12mo. 3. "Younger American Poets, 1830–1890." Edited by Douglas Sladen, B.A., Oxon. With an Appendix of Younger Canadian Poets. Edited by G. B. Roberts of St. John, N.B. New York, 1891, 12mo. 4. "Later Canadian Poems." Edited by J. E. Wetherell, B.A. Toronto, 1893. In the first mentioned work, which is judiciously edited, the poets until 1864 obtain a place. In the three other books we have selections from John Reade, Geo. Frederick Cameron, Prof. Roberts, Bliss Carman (now a resident of the United States), A. H. Chandler, Isabella Valancy Crawford, Mrs. Leprohon, Hereward K. Cockin, John Hunter Duvar, Rev. A. W. H. Eaton, Louis FrÉchette, James Hannay, Sophie M. Hensley, Charles Sangster, M. Richey Knight, Archibald Lampman, W. D. Lighthall, A. J. Lockhart, B. W. Lockhart, Agnes Maude Machar ("Fidelis"), W. McLennan, Charles Mair, Mary Morgan ("Gowan Lea"), Charles P. Mulvany, Rev. F. G. Scott, Philip Stewart, H. R. A. Pocock, Barry Stratton, A. Weir, Mary Mr. Evan McColl, F.R.S.C., is the Gaelic poet of Canada. Three editions have appeared of the "ClÀrsach nam Beann," which was printed as far back as 1838 in Glasgow. The same was also published in English in the same year, under the title of "The Mountain Minstrel," of which six editions have been printed. In 1883 he published in Toronto "Poems and Songs chiefly written in Canada." Mr. McColl is a great favourite among his Scotch countrymen everywhere; but his decidedly original poetic genius, rude and wild as it is at times, is not a Canadian product, for he was born at Kenmore, Lochfyne-Side, Scotland, in 1808, and it was not until he was forty years of age that he made Canada his home. He is now a resident of Toronto, and still comes to the annual meetings of the Royal Society, of which he was one of the original members. "In my heart are many chambers through which I wander free; Some are furnished, some are empty, some are sombre, some are light; Some are open to all comers, and of some I keep the key, And I enter in the stillness of the night. "But there's one I never enter—it is closed to even me! Only once its door was opened, and it shut for evermore; And though sounds of many voices gather round it like a sea, It is silent, ever silent, as the shore. "In that chamber, long ago, my love's casket was concealed, And the jewel that it sheltered I knew only one could win: And my soul foreboded sorrow, should that jewel be revealed, And I almost hoped that none might enter in. "Yet day and night I lingered by that fatal chamber door, Till—she came at last my darling one, of all the earth my own; And she entered—then she vanished with my jewel which she wore; And the door was closed—and I was left alone. Shone with tenderness a moment, as she closed that chamber door, And the memory of that moment is all I have to prize— But that, at least, is mine for evermore. "Was she conscious, when she took it, that the jewel was my love? Did she think it but a bauble she might wear or toss aside? I know not, I accuse not, but I hope that it may prove A blessing, though she spurn it in her pride." LAURA SECORD'S WARNING. "At a place called Beaver Dams, or Beechwoods, (about twelve miles in a direct road from Queenstown), where is now the town of Thorold, was a depot for provisions for the Canadian troops, guarded by a detachment of thirty of the 49th regiment under Lieutenant Fitzgibbon with some Indians and militia, in all about 200 men. In order to surprise and dislodge this outpost, an American force of 500 men, with fifty cavalry and two field-pieces, under Colonel Boerstler, set out from Fort George (Niagara) on the 23rd of June [1813]. A surprise was meditated, in retaliation, no doubt, for the affair of Stoney Creek. Laura Secord, wife of a Canadian farmer, who had been wounded in the battle of Queenstown Heights, accidentally heard of the designs of the Americans, and determined to give the outpost timely warning. She set out alone before day-break, on the 23rd June, from her house at Queenstown, and arrived at Fitzgibbon's headquarters, a stone house known as DeCew's, near the Beaver Dams, at sunset of the same day. On account of the American sentries and outposts, she had to avoid the high roads and beaten paths, thus making her toilsome journey nearly twice as long. In spite of weakness and fatigue, this heroic woman went on her way through pathless woods, over hill and dale and unbridged streams, till she reached her destination. Her warning came just in time. Lieutenant Fitzgibbon disposed of his little force to the best advantage possible, placing them in ambush on both sides of the road, and taking every precaution to make it appear that he had a large force in reserve. Between eight and nine in the morning of the 24th June, the advance guard of the American riflemen appeared. A volley from the woods received them and emptied their saddles. Soon firing came from all directions, and bugle calls, and Indian yells. The bewildered Americans imagined themselves in the presence of a much superior force. Finding that his men were losing heavily from the fire of the unseen foe, and that they were suffering from fatigue and heat, he consented to surrender. By the capitulation 542 men, 2 field-pieces, some ammunition waggons, and the colours of the 14th U.S. regiment were delivered over to the Canadians. For this brilliant achievement Lieutenant Fitzgibbon [afterwards a military knight of Windsor] received his Company and a Captain's commission. As to Laura Secord, her reward has come to her in fame. The heroine lived until the year 1868, and sleeps now in that old cemetery at Drummondville, where lie so many of our brave soldiers. There is no 'Decoration Day' in Canada, but if there were, surely this woman is entitled to the laurel wreath." Pp. 198–201. AUSTRALIAN POETS AND NOVELISTS. "Sing the song of wave-worn Coogee-Coogee in the distance white, With its jags and points disrupted, gaps and fractures fringed with light; Haunt of gledes and restless plovers of the melancholy wail, Ever lending deeper pathos to the melancholy gale. There, my brothers, down the fissures, chasms deep and wan and wild, Grows the sea-bloom, one that blushes like a shrinking, fair, blind child, And amongst the oozing forelands many a glad green rockvine runs, Getting ease on earthy ledges sheltered from December suns." But among the many spirited poems written in Australia since its settlement not one can equal the "Sick Stock-rider," by Adam Lindsay Gordon, who came to South Australia in his early manhood, and attempted sheep-farming, with the result of "owning nothing but a love for horsemanship and a head full of Browning and Shelley." This is a quotation from an introduction to his book by Marcus Clarke, himself a novelist and poet. One can see in the mind's eye the scenes described in the following verses, so full of real life and genuine poetry: "'Twas merry in the glowing morn, among the gleaming grass, To wander as we've wandered many a mile, And blow the cool tobacco cloud and watch the white wreaths pass, Sitting loosely in the saddle all the while; 'Twas merry 'mid the backwoods, when we spied the station roofs, To wheel the wild scrub cattle at the yard, With a running fire of stockwhips and a fiery run of hoofs. Oh! the hardest day was never then too hard! "Aye! we had a glorious gallop after 'Starlight' and his gang, When they bolted from Sylvester's on the flat; How the sun-dried reed-beds crackled, how the flint-strewn ranges rang To the strokes of 'Mountaineer' and 'Acrobat'; Hard behind them in the timber, harder still across the heath, Close behind them through the tea-tree scrub we dashed; And the golden-tinted fern-leaves, how they rustled underneath! And the honeysuckle osiers, how they crash'd!" The best known novels of Australian life are these: "For the Term of His Natural Life," by Marcus Clarke, who was an Englishman born and educated; "The Miner's Right," "The Squatter's Dream," "A Colonial Reformer," and "Robbery Under Arms," by Thomas A. Browne ("Rolf Boldrewood"), who was also English born: HOWE'S "FLAG OF OLD ENGLAND." "All hail to the day when the Britons came over, And planted their standard with sea-foam still wet, Around and above us their spirits will hover, Rejoicing to mark how we honour it yet. Beneath it the emblems they cherished are waving, The Rose of Old England the roadside perfumes; The Shamrock and Thistle the north winds are braving, Securely the Mayflower blushes and blooms. Chorus. "Hail to the day when the Britons came over, And planted their standard with sea-foam still wet, Around and above us their spirits will hover, Rejoicing to mark how we honour it yet. We'll honour it yet, we'll honour it yet, The flag of Old England! we'll honour it yet. "In the temples they founded their faith is maintained, Every foot of the soil they bequeathed is still ours, The graves where they moulder no foe has profaned, But we wreathe them with verdure, and strew them with flowers! The blood of no brother, in civil strife pour'd, In this hour of rejoicing, encumbers our souls! The frontier's the field for the Patriot's sword, And cursed be the weapon that Faction controls! Chorus—"Hail to the day, etc. "Then hail to the day! 'tis with memories crowded, Delightful to trace 'midst the mists of the past, Like the features of Beauty, bewitchingly shrouded, They shine through the shadows Time o'er them has cast. The stream which, far swelling, expands o'er the plains, Our hearts, on this day, fondly turn to the fountains Whence flow the warm currents that bound in our veins. Chorus—"Hail to the day, etc. "And proudly we trace them: no warrior flying From city assaulted, and fanes overthrown, With the last of his race on the battlements dying, And weary with wandering, founded our own. From the Queen of the Islands, then famous in story, A century since, our brave forefathers came, And our kindred yet fill the wide world with her glory, Enlarging her Empire and spreading her name. Chorus—"Hail to the day, etc. "Ev'ry flash of her genius our pathway enlightens— Ev'ry field she explores we are beckoned to tread— Each laurel she gathers our future day brightens— We joy with her living, and mourn for her dead. Then hail to the day when the Britons came over, And planted their standard, with sea-foam still wet, Above and around us their spirits shall hover, Rejoicing to mark how we honour it yet. Chorus—"Hail to the day," etc. ESSAYISTS. WILLIAM KIRBY'S WORKS AND OTHER ROMANCES BY CANADIANS. Mr. LespÉrance, F.R.S.C., was the author of the "Bastonnais" and other historical romances of some ability, but not of that high order of merit which gives a permanent reputation. The Hon. L. Seth Huntington, long known in Canadian political life, was the author of a semi-political novel, "Professor Conant" (Toronto, 1884), which had its merits, but it fell practically still-born from the press. Many other efforts have been made in the same branch of literature, but the performance, as stated in the text, has not been equal to the ambition that prompted the experiment. MAJOR RICHARDSON. MARMETTE. "FranÇois de Bienville. Roman historique." 1ere ed., QuÉbec, 1870; 2e ed., MontrÉal, 1882. "L'Intendant Bigot. Roman historique." MontrÉal, 1872. "Le Chevalier de Mornac. Roman historique." MontrÉal, 1873. "La FiancÉe du Rebelle. Roman historique." Published in 'La Revue Canadienne,' Montreal, 1875. DE GASPÉ'S WORKS. Several translations have appeared since 1863. That by Prof. Roberts (New York, Appleton & Co., 1890) omits the notes and addenda, which, if not interesting to the general reader, have much value for the historical student. Sulte's "Histoire des Canadiens," vol. vi., contains a portrait of the old French Canadian novelist. He also wrote "MÉmoires" (Ottawa, 1886, 8vo.), which have also much historic value on account of their fidelity and simplicity of narrative. MRS. CATHERWOOD. "The Romance of Dollard." Illustrated. New York, 1889, 12mo. "The Story of Tonty." Illustrated. Chicago, 1890, 16mo. "The Lady of Fort St. John." Boston and New York, 1891, 16mo. "Old Kaskaskia: An Historical Novel of Early Illinois." Boston and New York, 1893, 16mo. She has now commenced in 'The Century' Magazine a new romance with the title, "The White Islander," a story of old Fort Michillimackinac, and in 'The Atlantic Monthly' another story, "The Chase of Saint Castin." Her romances are never long, but bear the impress of close study of the subject and of much careful writing. GILBERT PARKER. DE MILLE'S WORKS. SARA JEANNETTE DUNCAN. MATTHEW ARNOLD ON LITERATURE AND SCIENCE. PRINCIPAL GRANT'S ADDRESS. SIR J. W. DAWSON. MR. BILLINGS. ORIGIN OF THE ROYAL SOCIETY OF CANADA. SIR D. WILSON, T. S. HUNT AND MR. CHAUVEAU. CANADIAN SOCIETIES. THE EARL OF DERBY AND THE ROYAL SOCIETY OF CANADA. In literature, history and poetry, also, the Society will from the first have its stamp, as we trust, upon the future of the Canadian race. (Cheers.) That science and the arts to an equal extent may find a place here is our earnest wish, in order that by sentiment and feeling we may bind together in the closest ties that by which she must achieve a great and enduring success. I must not detain you from your other duties, but I could not refrain from saying in a few words how heartily and truly I appreciate and believe in the work of the Royal Society. At your next meeting, as you truly say, I fear I shall not be amongst you; but though the Atlantic may roll between us, you may be certain that in spirit, at least, I hope to be present at your meeting, and shall follow with the liveliest and deepest interest any record you S. E. DAWSON ON TENNYSON. THE OLD 'CANADIAN MONTHLY.' FORM OF ROYAL SOCIETY 'TRANSACTIONS.' THE STUDY OF THE CLASSICS. CANADIAN LIBRARIES. CANADIAN ARTISTS. The following is a list of the painters in oils and water colours whose pictures now make the principal features of the annual exhibitions in Ontario and Quebec, and the majority of whom were inadequately represented at Chicago: F. A. Verner, whose Indian and Canadian scenes are excellent; H. M. Matthews, who has made a high reputation for his Rocky Mountain paintings; L. R. O'Brien, essentially the most finished painter of picturesque Canada; T. Mower Martin, an industrious painter of wild sports and Canadian scenery; E. Wyley Grier, who has done some good work in portraits and natural scenery; W. Brymner, one of the most promising younger painters of Canadian scenes: George Reid, whose "Foreclosure of the Mortgage" is one of the best pictures produced in the Dominion; John Hammond of St. John, N.B., a painter of water life; Percy Woodcock, whose efforts at sketches of Canadian rural life are praiseworthy: F. M. Bell-Smith, who has a decided artistic faculty for the portraiture of our noblest scenery; Homer Watson, a favourite for his rustic landscapes and romantic pastorals; J. W. L. Forster, in some respects the best figure painter, but also capable of good landscapes; G. Bruenech, a careful artist of scenery; Ernest Thompson, who has made some good efforts at prairie subjects; J. C. Forbes, who painted Mr. Gladstone's portrait, and is one of the best artists of the class that Canada has so far known; W. Raphael and O. R. Jacobi, two of the oldest and best known painters of Canadian landscape. To these we must add Miss Minnie A. Bell, A. Watson, Miss Sidney S. Tully, Mrs. M. H. Reid, J. T. Rolph, R. F. Gagen, T. C. McGillivray Knowles, Forshaw Day, L. Huot, Mlle. Colombier, E. Dyonnet, C. Macdonald Manly, D. P. MacKillsan, J. W. Morrice, A. D. Patterson, Among other Canadian artists who laboured in the commencement of art studies in this country may be mentioned the following: DulongprÉ, Samuel Berczy, Audy, William Berczy, Vincent Zacharie Thelariolin (Indian of Lorette, 1812–1886), Hamel, Carey, T. H. Burnett, J. J. Girouard, P. Leber—many of whose artistic efforts are already forgotten though their work was meritorious. With respect to Berthon, the following note by Col. G. T. Denison, F.R.S.C., of Toronto, which I have received since writing of the artist above, will be of interest: "His father was a court painter under the great Napoleon, and several of his pictures are now in Versailles. He was a Frenchman, and I think was in Vienna when his son, my old friend, was born; for I am under the impression Berthon told me he was born in Vienna. I think he was brought up in France, and went to London when comparatively young, and there set up as a portrait painter. He was induced to come out to Canada about the year 1843 or 1844, and settled in Toronto soon after, where he died about a year ago, over eighty years of age. He was certainly, when in his prime, the best portrait painter we ever had in Canada, and in my opinion was better than most of the men of great celebrity in London to-day." The successful artists at the World's Fair, where 113 works in all were presented from Canada, were the following: Mr. G. Reid, whose great picture mentioned above could not fail to attract much notice, Mr. Harris, Mr. Ede, Miss Holden and Mr. J. A. Fraser. This is satisfactory in view of the fact that the best work of the majority of leading Canadian artists was not represented in the exhibition. Apart from Mr. Reid's painting, the pictures that were signalled out for special notice were not equal in some respects to other efforts of the same artists that have been seen in our annual exhibitions. In closing this note I cannot do better than give the following judicious remarks on art in Canada, delivered before the Canadian Institute, by an able Canadian artist, J. W. L. Forster: "The art of Canada to-day is a mingling of elements.... The influence of the old world may be seen in the work of many who cherish still the precepts of their masters. Yet it is due to those who have adopted Canada as their home to say they are as Canadian in the faithful reproduction of the pure glories of our climate as those who first saw the sun in our own sky. Our native artists who have studied abroad are much inclined to paint a Canadian sky with the haze of Western Europe, and our verdure, too, as though it grew upon foreign soil. Our art is not Canadian.... Material is certainly not wanting, nor motif of the grander order. The first requisite is for a stronger national spirit. Events are slowly developing this; and the signs are full of promise in this direction. The second great need is for a museum equipped with well-chosen specimens of the world's art. Our government and citizens are establishing schools of industrial and fine art, yet when we would point our pupils to examples of pure art, lo! there are none; and when we would know what art has been, in order to discover what art may be, we must go as exiles and pilgrims to foreign cities. A museum that gives the best of their art history and achievement will greatly strengthen our hope and give rein to our ambition. A third need is for capable and generous criticism. There are many men whose discernment and sympathies fit them eminently for the role of art critic; but as yet journalism has not opened wide the door to advancement in such a specialty." ARCHITECTURAL ART. In Ottawa.—The parliament and departmental buildings, admirable examples of Italian Gothic of the 13th century, with a fine central tower, the effect of which has been marred by a later tower in the western block out of harmony with the general design of an otherwise perfect group. In Quebec.—The legislative building in the French style of the 17th century, noteworthy for its niches containing statues of men famous in French Canadian history. In Montreal.—The parish church of Notre Dame, on the Place d'Armes, of a simple Gothic style, attractive for its stateliness and massiveness. Christ Church Cathedral, on St. Catherine street, worthy of study as an admirable specimen of the early English style of ecclesiastical architecture, exhibiting unity of design and correctness of proportions. Notre Dame de Lourdes, whose interior has been already spoken of (see preceding note); a good example of the Byzantine order, combined with effects of the Italian Renaissance recalling Venetian architecture. The Montreal Bank, on St. James street, an artistic illustration of the Corinthian order, with an interior interesting for the artistic effort to illustrate on the walls remarkable scenes in Canadian history. The Canadian Pacific Station, on Windsor street, a fine example of an adaptation of old Norman architecture to modern necessities. In Toronto.—The University, perhaps the best example in America of a modern conception of Norman architecture, with a tower of much beauty. Trinity University, whose graceful Tudor-Gothic design, in which the tower is a conspicuous feature, is marred by the clumsy projection of a later chapel building, entirely out of harmony with the admirable front. Osgoode Hall, of the Ionic order, modified by additions of the Italian Renaissance. St. Andrew's Church, a combination of the Norman and Byzantine orders, more suitable for a great library or a hall than an ecclesiastical edifice. As a specimen of architecture, apart from its purpose, it is harmonious and artistic. The new legislative buildings, which are the most pretentious in Canada after the Ottawa parliament house, are a praiseworthy effort to illustrate the Romanesque, with details of the Celtic and Indo-Germanic schools. The Methodist Metropolitan Church, a judicious example of a modern form of the Gothic style which distinguished the 13th century in France. It is at once simple and harmonious in its general design, and has a massive tower which adds to the general effect of the whole structure. St. James's Church, often cited as a good example of ecclesiastical Gothic, with a graceful and well-proportioned tower and steeple, conspicuous from all points of view. In Hamilton.—The court-house is in some respects the best designed of its kind in Canada. The head office of the Canada Life Assurance Company is noteworthy for its graceful simplicity, in its way not equalled in Canada. In Fredericton.—The Church of England Cathedral, a perfect specimen, on a small scale, of pure early English Gothic on the Continent. The new library building which McGill University owes to the public spirit of Mr. Redpath, of Montreal, is distinguished by the graceful simplicity of its external form, and the conveniences of its beautiful interior. Apart from this fine edifice, however, and the parliamentary library at Ottawa, whose external design is harmonious and whose internal fittings illustrate the effectiveness of our natural woods, Canada has no such libraries—in special buildings I mean—noteworthy for beauty of architecture and convenience of arrangements as we find among our neighbours, "FIDELIS." |