[0] “The old land of my father is dear unto me.”[169] One or two of the characters and incidents in this Saga are mentioned in the Romany Rye. London, 1857, vol. i. p. 240; vol. i. p. 150.

A partial translation of the Saga, made by myself, has been many years in existence. It forms part of a mountain of unpublished translations from the Northern languages. In my younger days no London publisher, or indeed magazine editor, would look at anything from the Norse, Danish, etc.[172a] All these three names are very common in Norfolk, the population of which is of Norse origin. Skarphethin is at present pronounced Sharpin, Helgi Heely. Skarphethin, interpreted, is a keen pirate.[172b] Eryri likewise signifies an excrescence or scrofulous eruption. It is possible that many will be disposed to maintain that in the case of Snowdon the word is intended to express a rugged excrescence or eruption on the surface of the earth.[177] It will not be amiss to observe that the original term is gwyddfa; but gwyddfa being a feminine noun or compound commencing with g, which is a mutable consonant, loses the initial letter before y the definite article—you say Gwyddfa a tumulus, but not y gwyddfa the tumulus.[349] Essay on the Origin of the English Stage, by Bishop Percy. London, 1793.[371] The above account is chiefly taken from the curious Welsh book called “Drych y prif Oesoedd.”[397] Spirits.[398] Eel.[400] For an account of this worm, which has various denominations, see article Fasciola Hepatica in any encyclopÆdia.[402] As the umbrella is rather a hackneyed subject two or three things will of course be found in the above eulogium on an umbrella which have been said by other folks on that subject; the writer, however, flatters himself that in his eulogium on an umbrella two or three things will also be found which have never been said by any one else about an umbrella.[506] Bitter root.[524] Amongst others a kind of novel called The Adventures of Twm Shon Catty, a Wild Wag of Wales. It possesses considerable literary merit, the language being pure, and many of the descriptions graphic. By far the greater part of it, however, would serve for the life of any young Welsh peasant, quite as well as for that of Twm Shone Catti. Its grand fault is endeavouring to invest Twm Shone with a character of honesty, and to make his exploits appear rather those of a wild young waggish fellow than of a robber. This was committing a great mistake. When people take up the lives of bad characters the more rogueries and villanies they find, the better are they pleased, and they are very much disappointed and consider themselves defrauded by any attempt to apologise for the actions of the heroes. If the thieves should chance to have reformed, the respectable readers wish to hear nothing of their reformation till just at the close of the book, when they are very happy to have done with them for ever.[527] Skazka O Klimkie. Moscow, 1829.[529] Hanes Crefydd Yn Nghymru.[538] The good gentlewoman was probably thinking of the celebrated king Brian Boromhe slain at the battle of Clontarf.[570] Fox’s Court—perhaps London.[579] Drych y Prif Oesoedd, p. 100.[583] Y Greal, p. 279.[587] Hanes Crefydd Yn NGhymru.[591] Fear caoch: vir cÆcus.[599] Curses of this description, or evil prayers as they are called, are very common in the Irish language, and are frequently turned to terrible account by that most singular class or sect the Irish mendicants. Several cases have occurred corresponding in many respects with the one detailed above.