CHAPTER XII.

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CONCLUSION AND EPILOGUE.

When the doctor, policemen, and prisoner had left the island, Ellison went up to his own house. Though it only wanted a few minutes of sunrise, the lamp was still burning in the sitting room. He pushed open the door and walked in. To his surprise Esther stood before him. She did not look into his face, but waited with downcast eyes for him to speak. He gazed at her for a moment, and then led her to a chair.

"Esther," he said, kneeling beside her, "can you ever forgive me?"

"Forgive you what?" she asked, almost in a whisper.

"For the lie I told you. The lie that was the beginning of all this misery."

"I forgive you. I had forgotten all about it. Now let me go. It is daylight, and I must get away before anyone sees me."

"Go away? What do you mean? Where are you going to?"

"I don't know—I don't care. But it must be somewhere where no one will know my name. You will find everything in order here, and Mrs. Fenwick knows all your wants. The boy is asleep in the room there. You will not let him even learn the story of my shame, will you?"

He put his arm around her waist, but she put it off with a little shiver.

"No! You must not do that now."

"Why not? In God's name, why not?"

"Because of what has happened to-night. I am the cause of it all. I know you cannot forgive me now; but oh, some day, for the child's sake, you may not think so hardly of me."

He moved on to the sofa and tried to hold her, but she fell on her knees at his feet and burst into a storm of passionate weeping.

"Esther, you are deceiving yourself. I have nothing to forgive. I love you as fondly now—nay, I am wrong, I love you more fondly now than ever. Fortunately I heard all that man said to you. I heard you refuse and repulse him. It was then that I interfered. You are as much my own true wife as you ever were. I love you still, and, as God hears me, I have never doubted you, not for one single moment."

"You have never doubted me?"

"Never, so help me God!"

He took her in his arms and kissed her tears away. She did not repulse him this time, but clung to him like one returned from the dead.

"Oh, my husband! my husband!" was all that she could say. "Now that I know you love me still, I can bear anything. Tell me, Cuthbert, all that has happened? Don't spare me."

Without more ado he told her everything—who Murkard really was; how Merton had cherished such a deadly hatred of him; the loss of the pearl; Merton's return to the island, and all the events connected with that fatal night. With the exception of the murder he told her everything. When he had finished, she said;

"And Murkard—where is he? My thanks are due to him."

"He will never receive them, dearest. He is dead."

"Dead!" she cried, in horrified amazement. "Oh, this is too horrible! How did he die?"

"Merton killed him in the store."

Her head dropped on to her hands, and again she sat white and trembling.

"A thief and a murderer, and what did he want to make me?"

"Hush, hush! you must never think of that again; it could not have been. You are the mother of my boy, and I am not afraid for you."

"But, Cuthbert, you don't know all; you don't know how he fascinated me. I seemed to have no will at all when he was talking to me. When he looked into my eyes I had to do his bidding. I was very wicked and weak to listen to him; but try how I would to escape I could not get away."

"He will fascinate no more women; he is safely under lock and key by this time. Now you must go to bed, and try to sleep, or you will be seriously ill after all this excitement. And think what that will mean for me."

She stooped and kissed his forehead, and then, struggling with her tears, departed to her room. Ellison went out into the cool veranda. The sun was just rising above the horizon, and already the Kanaka cook was bustling in and out of his kitchen preparing breakfast for the hands as if nothing out of the ordinary had happened. Ellison descended the steps and went across to the store. With a feeling of intense awe he opened the door and passed in. Removing the blanket that covered the figure lying so stiff and cold upon the floor, he stood and looked down at the face he had grown to love so well. Poor Murkard, and yet rather happy, happy Murkard in his last great act of self-sacrifice. As he looked down at him his own sin rose before him in all its shame. Then by the dead body of his friend, who had given his life for him, he registered a solemn vow that never again would he yield to temptation. He had suffered bitterly for this one mistake, and now the whole future should be spent in endeavouring to make amends for it. He re-drew the blanket and left the store.

Shortly after breakfast a hand came to tell him that a police-officer desired to see him. He went out and asked the slim young official his business.

"I have been sent across, Mr. Ellison, to see you regarding the prisoner we removed from here last night on a charge of murder."

"Well, what about him?"

"He is dead—drowned."

"Drowned!" cried Ellison. "What do you mean? When was he drowned?"

"Crossing the straits last night. We'd got him halfway across; my mate pulling, the prisoner sitting amidships, the doctor and myself astern. Suddenly he gave a yell, jumped up, and threw himself overboard before we could stop him. There and then he sank, for his hands were handcuffed behind him, you see; and—well, we've not set eyes on him since, and I don't suppose we're likely to until his body's washed up."

"Good gracious!"

For a few seconds Ellison was so stunned by this intelligence that he could hardly think, and yet when he did come to think it out he could not help seeing that even in this Fate had been very good to him. Except for the fact that he had killed Murkard, he had no desire for Merton's death, and as it was now, even that result had been achieved. Merton would trouble nobody again. He had gone to hear his verdict at a higher court than that presided over by any Queensland judge, and Ellison could not but own that it was as well. He thanked the police-officer for his intelligence, and went in to tell Esther. She received the news calmly enough. Indeed, it seemed as if she were almost beyond being surprised at anything.

"We seem bereft of everything," she said at length; "friends, as well as enemies."

"But we still have each other, and we have the little one asleep in there. Does that count for something, dear?"

"It counts for everything," she said, and softly kissed his hands.


EPILOGUE.

Eighteen months or so ago I happened to be in Tahiti, the capital of the Society Group. I had business in Papeete, and, while walking on the beautiful Broom Road one day, who should I chance upon but Ellison and his wife, picknicking among the palms. We walked down to the town together and dined in company. Afterwards I was invited to a trading schooner lying in the harbour.

"A beautiful boat," I remarked to her owner, when I had gained the deck. "Why, she's more like a Royal Cowes Yacht Squadron craft than a simple South Sea trader."

"It is our home, you see," he answered. "The pearling station, after Murkard's death, grew distasteful to us, and as I was fortunate enough to be able to sell it to great advantage, I bought this boat. Since then we have made it our home, and our life is spent cruising about these lovely seas. It suits my wife and the boy admirably, and for that reason, of course, it suits me. Won't you come and see our son?"

I followed him down the companion into the prettiest little cuddy it has ever been my good fortune to behold. Two large and beautifully fitted up cabins led off it, and in a corner of one of them hung a cradle. Mrs. Ellison conducted us to it, and drew aside the curtain, disclosing the tiny occupant asleep.

"What a really beautiful child!" I cried, in an outburst of sincere admiration, "and pray what may be his name?"

"Murkard," said the father quietly, and without another remark led me back on deck again.

The name, and the tone in which it was uttered, puzzled me very considerably. But I was destined to be enlightened later on.

That night, when we sat under the awning on deck, smoking, and watching the lights of Papeete glittering ashore, and only the gentle gurgle of the water rising and falling alongside disturbed our talk, Ellison told me the story I have here told you.

When he had finished I felt constrained to say:

"With a little alteration of names and places, what a good book it would make."

"Wouldn't it," he answered seriously. "But my life's far too full of other interests now to write it."

"Will you let me try my hand on it?" I asked eagerly.

"If you like. But before you do it you must promise me two things."

"What are they?"

"That you will do my wife and Murkard justice."

"Oh, yes! I'll promise that and more with pleasure. And the other?"

"That you'll let me down as lightly as possible."

"I'll promise that also."

"Very good then; go ahead."

I set to work, and in due time the book was written. The next time I met him was in Levuka, Fiji. The schooner was leaving for the Carolines the following morning, and I went on board to wish them God speed. Just as I was pushing off from the gangway on my return to the shore, Ellison, who with his wife alongside him was leaning on the taff-rail, called out:

"Oh, I say! what about your book, my friend?"

"It is finished."

"Hearty congratulations. I wish you all good luck with it. And pray what do you intend its name to be?"

"That's a difficult question to answer off-hand; but, all things considered, I think the most appropriate title would be The Marriage of Esther."


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"The book will get and hold the closest attention of the reader."—American Bookseller.

"Mr. Rudyard Kipling's place in the world of letters is unique. He sits quite aloof and alone, the incomparable and inimitable master of the exquisitely fine art of short-story writing. Mr. Robert Louis Stevenson has perhaps written several tales which match the run of Mr. Kipling's work, but the best of Mr. Kipling's tales are matchless, and his latest collection, 'Many Inventions,' contains several such."—Philadelphia Press.

"Of late essays in fiction the work of Kipling can be compared to only three—Blackmore's 'Lorna Doone,' Stevenson's marvelous sketch of Villon in the 'New Arabian Nights,' and Thomas Hardy's 'Tess of the D'Urbervilles.'... It is probably owing to this extreme care that 'Many Inventions' is undoubtedly Mr. Kipling's best book."—Chicago Post.

"Mr. Kipling's style is too well known to American readers to require introduction, but it can scarcely be amiss to say there is not a story in this collection that does not more than repay a perusal of them all."—Baltimore American.

"As a writer of short stories Rudyard Kipling is a genius. He has had imitators, but they have not been successful in dimming the luster of his achievements by contrast.... 'Many Inventions' is the title. And they are inventions—entirely original in incident, ingenious in plot, and startling by their boldness and force."—Rochester Herald.

"How clever he is! This must always be the first thought on reading such a collection of Kipling's stories. Here is art—art of the most consummate sort. Compared with this, the stories of our brightest young writers become commonplace."—New York Evangelist.

"Taking the group as a whole, it may be said that the execution is up to his best in the past, while two or three sketches surpass in rounded strength and vividness of imagination anything else he has done."—Hartford Courant.

"Fifteen more extraordinary sketches, without a tinge of sensationalism, it would be hard to find.... Every one has an individuality of its own which fascinates the reader."—Boston Times.

New York: D. APPLETON & CO., 72 Fifth Avenue.


A JOURNEY IN OTHER WORLDS. A Romance of the Future. By John Jacob Astor. With 9 full-page Illustrations by Dan Beard. 12mo. Cloth, $1.50.

"An interesting and cleverly devised book.... No lack of imagination.... Shows a skillful and wide acquaintance with scientific facts."—New York Herald.

"The author speculates cleverly and daringly on the scientific advance of the earth, and he revels in the physical luxuriance of Jupiter; but he also lets his imagination travel through spiritual realms, and evidently delights in mystic speculation quite as much as in scientific investigation. If he is a follower of Jules Verne, he has not forgotten also to study the philosophers."—New York Tribune.

"A beautiful example of typographical art and the bookmaker's skill.... To appreciate the story one must read it."—New York Commercial Advertiser.

"The date of the events narrated in this book is supposed to be 2000 a.d. The inhabitants of North America have increased mightily in numbers and power and knowledge. It is an age of marvelous scientific attainments. Flying machines have long been in common use, and finally a new power is discovered called 'apergy,' the reverse of gravitation, by which people are able to fly off into space in any direction, and at what speed they please."—New York Sun.

"The scientific romance by John Jacob Astor is more than likely to secure a distinct popular success, and achieve widespread vogue both as an amusing and interesting story, and a thoughtful endeavor to prophesy some of the triumphs which science is destined to win by the year 2000. The book has been written with a purpose, and that a higher one than the mere spinning of a highly imaginative yarn. Mr. Astor has been engaged upon the book for over two years, and has brought to bear upon it a great deal of hard work in the way of scientific research, of which he has been very fond ever since he entered Harvard. It is admirably illustrated by Dan Beard."—Mail and Express.

"Mr. Astor has himself almost all the qualities imaginable for making the science of astronomy popular. He knows the learned maps of the astrologers. He knows the work of Copernicus. He has made calculations and observations. He is enthusiastic, and the spectacular does not frighten him."—New York Times.

"The work will remind the reader very much of Jules Verne in its general plan of using scientific facts and speculation as a skeleton on which to hang the romantic adventures of the central figures, who have all the daring ingenuity and luck of Mr. Verne's heroes. Mr. Astor uses history to point out what in his opinion science may be expected to accomplish. It is a romance with a purpose."—Chicago Inter-Ocean.

"The romance contains many new and striking developments of the possibilities of science hereafter to be explored, but the volume is intensely interesting, both as a product of imagination and an illustration of the ingenious and original application of science."—Rochester Herald.

New York: D. APPLETON & CO., 72 Fifth Avenue.


BENEFITS FORGOT. By Wolcott Balestier, author of "Reffey," "A Common Story," etc. 12mo. Cloth, $1.50.

"A credit to American literature and a monument to the memory of the author."—Boston Beacon.

"The author places his reader at the very pulse of the human machine when that machine is throbbing most tumultuously."—London Chronicle.

"The author manages a difficult scene in a masterly way, and his style is brilliant and finished."—Buffalo Courier.

"An ambitious work.... The author's style is clear and graceful."—New York Times.

"Mr. Balestier has done some excellent literary work, but we have no hesitation in pronouncing this, his latest work, by far his best."—Boston Advertiser.

DUFFELS. By Edward Eggleston, author of "The Faith Doctor," "Roxy," "The Hoosier Schoolmaster," etc. 12mo. Cloth, $1.25.

"A collection of stories each of which is thoroughly characteristic of Dr. Eggleston at his best."—Baltimore American.

"Destined to become very popular. The stories are of infinite variety. All are pleasing, even fascinating, studies of the character, lives, and manners of the periods with which they deal."—Philadelphia Item.

THE FAITH DOCTOR. By Edward Eggleston, author of "The Hoosier Schoolmaster," "The Circuit Rider," etc. 12mo. Cloth, $1.50.

"One of the novels of the decade."—Rochester Union and Advertiser.

"The author of 'The Hoosier Schoolmaster' has enhanced his reputation by this beautiful and touching study of the character of a girl to love whom proved a liberal education to both of her admirers."—London AthenÆum.

"'The Faith Doctor' is worth reading for its style, its wit, and its humor, and not less, we may add, for its pathos."—London Spectator.

"Much skill is shown by the author in making these 'fads' the basis of a novel of great interest.... One who tries to keep in the current of good novel-reading must certainly find time to read 'The Faith Doctor.'"—Buffalo Commercial.

"LA BELLA" AND OTHERS. By Egerton Castle, author of "Consequences." Paper, 50 cents; cloth, $1.00.

"The stories will be welcomed with a sense of refreshing pungency by readers who have been cloyed by a too long succession of insipid sweetness and familiar incident."—London AthenÆum.

"The author is gifted with a lively fancy, and the clever plots he has devised gain greatly in interest, thanks to the unfamiliar surroundings in which the action for the most part takes place."—London Literary World.

"Eight stories, all exhibiting notable originality in conception and mastery of art, the first two illustrating them best. They add a dramatic power that makes them masterpieces. Both belong to the period when fencing was most skillful, and illustrate its practice."—Boston Globe.

New York: D. APPLETON & CO., 72 Fifth Avenue.


THE THREE MUSKETEERS. By Alexandre Dumas. An Édition de luxe (limited to 750 copies), with 250 Illustrations by Maurice Leloir. In two volumes. Royal 8vo. Buckram, with specially designed cover. $12.00.

i269

By arrangement with the French publishers. Messrs. D. Appleton & Company have secured the American rights for this, the finest edition of Dumas's immortal romance which has been published. The illustrations are carefully printed from the original blocks, and this edition therefore has an unapproachable distinction in point of pictorial quality.

The translation has been scrupulously revised, and every effort has been made to present a perfect edition of Dumas's masterpiece.

The translation has been scrupulously revised, and every effort has been made to present a perfect edition of Dumas's masterpiece.

"Such a book lends itself to the draughtsman's art, and both requires and rewards decoration. But it must be decoration of the best; and it has waited long. At length, however—I have it before me now—an edition has been prepared which should satisfy both the lovers of black and white and the lovers of picturesque fiction.... It is scarcely too much to say that were Alexandre Dumas alive to-day, to see this latest form of his greatest work—first published exactly fifty years ago—he who loved the sumptuous with an almost tropical fervor, and built a grand theater for the production of his own dramas, would weep tears of joy over his offspring."—Stanley J. Weyman, in The Book Buyer.

New York: D. APPLETON & CO., 72 Fifth Avenue.


PAUL AND VIRGINIA. By Bernardin de Saint-Pierre. With a Biographical Sketch, and numerous Illustrations by Maurice Leloir. 8vo. Cloth, gilt top, uniform with "Picciola," "The Story of Colette," and "An Attic Philosopher in Paris." $1.50.

It is believed that this standard edition of "Paul and Virginia" with Leloir's charming illustrations will prove a most acceptable addition to the series of illustrated foreign classics in which D. Appleton & Co. have published "The Story of Colette," "An Attic Philosopher in Paris," and "Picciola." No more sympathetic illustrator than Leloir could be found, and his treatment of this masterpiece of French literature invests it with a peculiar value.

PICCIOLA. By X. B. Saintine. With 130 Illustrations by J. F. Gueldry. 8vo. Cloth, gilt top, $1.50.

"Saintine's 'Picciola,' the pathetic tale of the prisoner who raised a flower between the cracks of the flagging of his dungeon, has passed definitely into the list of classic books.... It has never been more beautifully housed than in this edition, with its fine typography, binding, and sympathetic illustrations."—Philadelphia Telegraph.

"The binding is both unique and tasteful, and the book commends itself strongly as one that should meet with general favor in the season of gift-making."—Boston Saturday Evening Gazette.

"Most beautiful in its clear type, cream-laid paper, many attractive illustrations, and holiday binding."—New York Observer.

AN ATTIC PHILOSOPHER IN PARIS; or, A Peep at the World from a Garret. Being the Journal of a Happy Man. By Émile Souvestre. With numerous Illustrations. 8vo. Cloth, gilt top, $1.50.

"A suitable holiday gift for a friend who appreciates refined literature."—Boston Times.

"The influence of the book is wholly good. The volume is a particularly handsome one."—Philadelphia Telegraph.

"It is a classic. It has found an appropriate reliquary. Faithfully translated, charmingly illustrated by Jean Claude with full-page pictures, vignettes in the text, and head and tail pieces, printed in graceful type on handsome paper, and bound with an art worthy of Matthews, in half-cloth, ornamented on the cover, it is an exemplary book, fit to be 'a treasure for aye.'"—New York Times.

THE STORY OF COLETTE. A new large-paper edition. With 36 Illustrations. 8vo. Cloth, gilt top, $1.50.

"One of the handsomest of the books of fiction for the holiday season."—Philadelphia Bulletin.

"One of the gems of the season.... It is the story of the life of young womanhood in France, dramatically told, with the light and shade and coloring of the genuine artist, and is utterly free from that which mars too many French novels. In its literary finish it is well-nigh perfect, indicating the hand of the master."—Boston Traveller.

THE PYGMIES. By A. de Quatrefages, late Professor of Anthropology at the Museum of Natural History, Paris. With numerous Illustrations. 12mo. Cloth, $1.75.

In this interesting volume the author has gathered the results of careful studies of the small black races of Africa, and he shows what the pygmies of antiquity really were. The peculiar intellectual, moral, and religious characteristics of these races are also described.

WOMAN'S SHARE IN PRIMITIVE CULTURE. By Otis Tufton Mason, A. M., Curator of the Department of Ethnology in the United States National Museum. With numerous Illustrations. 12mo. Cloth, $1.75.

"A most interesting rÉsumÉ of the revelations which science has made concerning the habits of human beings in primitive times, and especially as to the place, the duties, and the customs of women."—Philadelphia Inquirer.

"Mr. Mason's volume secures for woman her glory as a civilizer in the past, and by no means denies her a glorious future."—New York Tribune.

SCHOOLS AND MASTERS OF SCULPTURE. By A. G. Radcliffe, author of "Schools and Masters of Painting." With 35 full-page Illustrations. 12mo. Cloth, $3.00.

"The art lover will find in Miss Radcliffe's work a book of fascinating interest, and a thoroughly painstaking and valuable addition to the stock of knowledge which he may possess on the history of the noble art of sculpture."—Philadelphia Item.

"It would be difficult to name another work that would be so valuable to the general reader on the same subject as this book."—San Francisco Bulletin.

"The work is free of all needless technicalities, and will be of intense interest to every intelligent reader, while of inestimable value to the student of art."—Boston Home Journal.

BY THE SAME AUTHOR.

SCHOOLS AND MASTERS OF PAINTING. With numerous Illustrations and an Appendix on the Principal Galleries of Europe. New edition, fully revised, and in part rewritten. 12mo. Cloth, $3.00; half calf, $5.00.

"The volume is one of great practical utility, and may be used to advantage as an artistic guide book by persons visiting the collections of Italy, France, and Germany for the first time."—New York Tribune.

New York: D. APPLETON & CO., 72 Fifth Avenue.


TRANSCRIBER'S NOTE:

Inconsistencies in the author's spelling, use of hyphens and other punctuation have been retained as in the original publication.

Obvious typos and printer errors have been corrected without comment.

In addition to obvious errors, the following changes have been made:

Page 18: "renumerative" changed to "remunerative" in the phrase, "... accept any renumerative post...."

Page 24: "colomn" changed to "column" in the phrase, "... thin column of steam...."

Page 39: " , " changed to " . " in the phrase, "I had quite forgotten. Sit down...."

Page 98: " ? " changed to " . " in the phrase, "... we don't know how to let his daughter know."

Page 153: "relentness" changed to "relentless" in the phrase, "... still the relentless march...."

Page 231: "to" changed to "too" in the phrase, "Ellison rose too, and...."

Page 247: "that" changed to "than" in the phrase, "I love you more fondly now than ever."





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