Their final farewells au grand air, by Elena's desire, did nothing towards dissipating Andrea's suspicions. 'What could be her secret reasons for this abrupt departure?' He tried in vain to penetrate the mystery; he was oppressed with doubt and fear.

During the first days, the anguish of his loss was so cruelly poignant that he thought he must die of it. His jealousy, lulled to sleep by the persistent ardour of Elena's affection, awoke now with redoubled vigour, and the suspicion that a man was at the bottom of this enigmatical affair increased his sufferings a hundredfold. Sometimes he would be seized with sullen anger against the absent woman, a bitter rancour, almost a desire for revenge, as if she had mystified and duped him in order to give herself to another. Then again he would feel that he did not long for her, did not love her any more, had never loved her. But these fits of oblivion were but of short duration. The Spring had come again to Rome in a riot of colour and sunshine. The city of limestone and brick absorbed the light as a parched forest the rain, the papal fountains rose into a limpid sapphire sky, the Piazza di Spagna was fragrant as a rose-garden, and above the great flight of steps, alive with little children, the TrinitÀ de' Monti shone in a blaze of gold.

Excited by the re-awakened beauty of Rome, all that still remained of Elena's fascination in his blood and his spirit revived and re-kindled. He was stirred to his very depths by sudden invincible pain, by implacable inward tumults, by indefinable languors, almost like some strange renewal of his adolescence.

Andrea's liaison with Elena Muti had been perfectly well known, as sooner or later every adventure and every flirtation becomes known in Roman society, or the society of any other city for the matter of that. Precautions are useless. To the initiated a look, a gesture, a smile suffices to betray the secret. Besides which, in every society there are certain persons who make it their business in life to ferret out and follow up the traces of a love affair with an assiduity only to be equalled by the hunter of rare game. They are ever on the watch, though not apparently so; never, by any chance, miss a murmured word, the faintest smile, a tremor, a blush, a lightning glance. At balls or any large gatherings, where there is more probability of imprudence, they are ubiquitous, with ear stretched to catch a fragment of dialogue, and eye keenly on the watch to note a stolen hand-clasp, a tremulous sigh, the nervous pressure of delicate fingers on a partner's shoulder.

One such terrible trapper, for example, was Don Filippo del Monte. But to tell the truth, Elena Muti did not trouble herself overmuch about what society said of her covering her every audacity with the mantle of her beauty, her wealth, and her ancient name; and she went on her way serenely, surrounded by adulation and homage, by reason of a certain good-natured tolerance which is one of the most pleasing qualities of Roman society, amounting almost to an article of faith.

In any case, Andrea's connection with the Duchess of Scerni had instantly raised him enormously in the estimation of the women. An atmosphere of favour surrounded him and his successes became astonishing. Moreover, he owed something to his reputation as a mysterious artist, and two sonnets which he wrote in the Princess di Ferentino's album became famous, in which, as in an ambiguous diptych, he lauded in turn a diabolical and an angelic mouth—the one that destroys souls and the other that sings 'Ave!'

He responded, without a moment's hesitation, to every advance. No longer restrained by Elena's complete dominion over him, his energies returned to their original state of disorder. He passed from one liaison to another with incredible frivolity, carrying on several at the same time, and weaving without scruple a great net of deceptions and lies, in which to catch as much prey as possible. The habit of duplicity undermined his conscience, but one instinct remained alive, implacably alive in him—the repugnance at all this which attracted without holding him captive. His will, as useless to him now as a sword of indifferently tempered steel, hung as if at the side of an inebriated or paralysed man.

One evening, at the Dolcebuonos', when he had outstayed the rest of the guests in the drawing-room, full of flowers and still vibrating with a Cachoucha of Raff's, he had spoken of love to Bianca. He did it almost without thinking, attracted instinctively by the reflected charm of her being a friend of Elena's. Maybe too, that the little germ of sympathy sown in his heart by her kindly championship at the dinner in the Doria palace was now bearing fruit. Who can say by what mysterious process some contact—whether spiritual or material—- between a man and a woman may generate and nourish in them a sentiment which, latent and unsuspected for long, may suddenly wake to life through unforeseen circumstances? It is the same phenomenon so often encountered in our mental world, when the germ of an idea or a shadowy fancy suddenly reappears before us after a long interval of unconscious development as a finished picture, a complex thought. The same law governs all the varying activities of our being; and the activities of which we are conscious form but a small part of the whole.

Donna Bianca Dolcebuono was the ideal type of Florentine beauty, such as Ghirlandajo has given us in the portrait of Giovanna Tornabuoni at Santa Maria Novella. Her face was fair and oval, with a broad white brow, a sweet and expressive mouth, a nose a trifle retroussÉ and eyes of that deep hazel so dear to Firenzuola. She was fond of wearing her hair parted and arranged in full puffs half way over her cheeks in the quaint old style. Her name suited her admirably for into the artificial life of fashionable society she brought a great natural sweetness of temper, much indulgence for the failings of others, courtesy accorded impartially to high and low, and a most melodious voice.

On hearing Andrea's hackneyed phrases, she exclaimed in graceful surprise—

'What, have you forgotten Elena so soon?'

Then after a few days of engaging hesitation, it pleased her to yield to his solicitations, and she often spoke of Elena to the faithless young lover, but with perfect frankness and without jealousy.

'But why did she go away sooner than usual this year?' she asked him one day with a smile.

'I have no idea,' answered Andrea, not without a touch of impatience and bitterness.

'Then it is all over between you—quite over?'

'For pity's sake, Bianca, let us talk about ourselves,' he retorted sharply. The subject disturbed and irritated him.

She remained pensive for a moment, as if seeking to unravel some enigma, then she smiled and shook her head with a little fugitive shadow of melancholy in her eyes.

'Such is love!' she sighed, and returned Andrea's kisses.

In her he seemed to possess all those charming women of whom Lorenzo the Magnificent sang:

When the summer came, and she was on the point of leaving Rome, she said to him, without seeking to conceal her gentle emotion—

'When we meet again I know you will not love me any more. That is love. But think of me always as a friend.'

He did not love her, certainly; nevertheless during the heat and tedium of the days that followed, certain cadences of that dulcet voice returned to him like a haunting melody, suggesting visions of a garden, fresh with splashing fountains, where Bianca wandered in company with other fair women playing on the viol and singing as in a vignette of the 'Dream of Polyphilo.'

And Bianca passed and was succeeded by others—sometimes two at a time; but it was finally the little ivory Death's-head which had belonged to the Cardinal Immenraet, the funereal jewel dedicated to an unknown Ippolita, that suggested to him the caprice of tempting Donna Ippolita Albonico.