In Mr Collins’ account of Homer’s Iliad, in Blackwood’s Ancient Classics for English Readers, occurs the following:—

... “The spirit horsemen who rallied the Roman line in the great fight with the Latins at Lake Regillus, the shining stars who lighted the sailors on the stormy Adriatic, and gave their names to the ship in which St. Paul was cast away.”

If the reader will take the trouble to refer to the Acts of the Apostles, xxviii. 11. he will find, that the ship of Alexandria, “whose sign was Castor and Pollux,” was not the vessel in which St. Paul was shipwrecked near Malta, but the ship in which he safely voyaged from the island of “the barbarous people” to Puteoli for Rome.

The misquotations of Sir Walter Scott have frequently attracted attention. One of the most unpardonable occurs in The Heart of Mid-Lothian, chapter xlvii.:—

“The least of these considerations always inclined Butler to measures of conciliation, in so far as he could accede to them, without compromising principle; and thus our simple and unpretending heroine had the merit of those peacemakers, to whom it is pronounced as a benediction, that they shall inherit the earth.”

On turning to the gospel of Matthew, v. 9, we find that the benediction pronounced upon the peacemakers was that “they shall be called the children of God.” It is the meek who are to “inherit the earth,” (ver. 5).

Another of Scott’s blunders occurs in Ivanhoe. The date of this story “refers to a period towards the end of the reign of Richard I.” (chap. i.) Richard died in 1199. Nevertheless, Sir Walter makes the disguised Wamba style himself “a poor brother of the Order of St. Francis,” although the Order was not founded until 1210, and, of course, the saintship of the founder had a still later date.

Again in Waverley (chap. xii.) he puts into the mouth of Baron Bradwardine the words “nor would I utterly accede to the objurgation of the younger Plinius in the fourteenth book of his Historia Naturalis.” The great Roman naturalist whose thirty-seven books on Natural History were written eighteen centuries ago, was the Elder Pliny.

Alison, in his History of Europe, speaks of the Grand Duke Constantine of Russia, the Viceroy of Poland, as the son of the emperor Paul I. and the celebrated empress Catherine. This Catherine was the mother of Paul, and wife of Peter III., Paul’s father. Constantine’s mother, i.e. Paul’s wife, was a princess of WÜrtemberg.

Another of Archibald’s singular errors is his translation of droit du timbre (stamp duty) into “timber duties.” This is about as sensible as his quoting with approbation from De Tocqueville the false and foolish assertion that the American people are “regardless of historical records or monuments,” and that future historians will be obliged “to write the history of the present generation from the archives of other lands.” Such ignorance of American scholarship and research and of the vigorous vitality of American Historical Societies, is unpardonable.

Disraeli thus refers to a curious blunder in Nagler’s KÜnstler-Lexicon, concerning the artist Cruikshank:—

Some years ago the relative merits of George Cruikshank and his brother were contrasted in an English Review, and George was spoken of as “the real Simon Pure”—the first who had illustrated “Scenes of Life in London.” Unaware of the real significance of a quotation which has become proverbial among us, the German editor begins his memoir of Cruikshank by gravely informing us that he is an English artist “whose real name is Simon Pure!” Turning to the artists under letter P. we accordingly read, “Pure (Simon), the real name of the celebrated caricaturist, George Cruikshank.”

This will remind some of our readers of the index which refers to Mr. Justice Best. A searcher after something or other, running his eye down the index through letter B, arrived at the reference “Best—Mr. Justice—his great mind.” Desiring to be better acquainted with the particulars of this assertion, he turned to the page referred to, and there found, to his entire satisfaction, “Mr. Justice Best said he had a great mind to commit the witness for prevarication.”

In the fourth canto of Don Juan, stanza CX., Byron says:

Byron was mistaken in thinking his quotation referred to the sky. The line is in Southey’s Madoc, canto V., and describes fish. A note intimates that dolphins are meant.