CRY, NAKED AND PERSONAL

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Conversation in oak trees,
Better than the talk of men
Because it ends where they begin
Futilely.
Ferns, and invasion of moss,
Waiting for the conquest of words
To dwindle with the years
And find, in the doom of green,
A mute and sprightly correction.
These trees do not proclaim
That men are fools or geniuses.
Their rustling tolerance
Does not seek to intrude
Upon the indifference of time,
And it is appropriate
That their leaves should wait to contain
The discarded syllables
Of human erudition.
I have seen a man
Gaze upon an oak tree,
As one who hates a patient enemy.
Sensual desires and mental plots
Had marked his face not tenderly.
Combat of envy and pride
Gained the dilated prize of his eyes
As he looked upon the tree.
Then his voice achieved
The solace of admiration.
“The leaves are beautiful in Autumn.
This oak tree has a pleasant sturdiness.”
When confronted by a tree,
Or sunset prowling down the hills,
The sensual boast of men
Trembles with fear and raises
The shield of adoration.
Look upon the oak tree
Without that simulated courage
Falsely wrung from soothing sound.
The oak tree is a living prison
Where the thoughts and lusts of men
Dangle to the whims of winds
And learn an unexpected tolerance.
Seek revenge upon the tree;
Dress it in capricious metaphor;
Fling your costumes on its frame.
Or, better still, realize
That the oak tree does not
Demolish the souls of men.
I say that all of nature
Is only the mingled womb and tomb
With which an ancient illusion
Perpetuates the religions that keep it alive.
Before I leave the oak tree
Laughter captures my lips.
Newton, a dry and wavering leaf,
Has fallen to the earth.
                                                                                                                                                                                                                                                                                                           

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