The biography of a hero written by his valet would be interesting, and, according to proverbial wisdom, unbiased by the heroic repute of its subject. But it would be artificial for all that. Even though the hero be no hero to his valet, the valet is fully aware of his master’s fame; indeed, the man will be so inconsistent as to pride himself, and take pleasure in, those qualities of his master, the existence of which he would be the first to deny. Where, however, a literary genius condescends to an intimacy with a simple son of sea and shore who is not only practically Cottage at corner of Boulge Park, where FitzGerald lived for many years With the exception of Charles Lamb, no man’s letters have endeared his memory to so many readers as have the letters of Edward FitzGerald. But FitzGerald’s friends (to whom most of the letters hitherto published were addressed) were cultured gentlemen, men of the first rank of the time, of the first rank of all time, In the case of “Posh,” however (that typical Lowestoft fisherman who supplied “Fitz” with a period of exaltation which was as extraordinary as it was self-revealing), there were no extraneous influences at work. Posh knew the man as a good-hearted friend, a man of jealous affection, as a free-handed business partner, as a lover of the sea. He neither knew nor cared that his partner (he would not admit that “patron” would be the better word!) was the author of undying verse. To this day it is impossible to make him understand that reminiscences of FitzGerald are of greater public interest than any recollection of him—Posh. It was not easy to explain to him that it was his first meeting with Edward FitzGerald that was the thing and not the theft of his (Posh’s) father’s longshore lugger In the early summer of 1865 some daring longshore pirate made off with Fletcher senior’s “punt,” or longshore lugger, without saying as much as “by your leave.” The piracy (as was proper to such a deed of darkness) was effected by night, and on the following morning the coastguard were warned of the act. These worthy fellows (and they are too fine a lot of men to be disbanded by any twopenny Radical Government) traced the boat to Harwich. Here the gallant rover had sought local and expert aid to enable him to bring up, had then raised an awning, as though he were to sleep aboard, and, after thus satisfying the local talent to whom he was still indebted Both the Fletchers were known to Tom Newson, a pilot of Felixstowe Ferry, and they naturally looked him up. For years Edward FitzGerald had been accustomed to cruise about the Deben and down the river to Harwich in a small craft captained by one West. But in 1865 he was the owner of a smart fifteen-ton schooner, which he had had built for him by Harvey, of Wyvenhoe, two years previously, and of which Tom Newson was the skipper and his nephew Jack the crew. According to Posh, the original name of this schooner was the Shamrock, but she has become famous as the Scandal. It happened that when the Fletchers were at Harwich in search of the stolen punt, Edward FitzGerald had come down the There can be no doubt that at that time, when he was twenty-seven years of age, Posh was an exceptionally comely and stalwart man. And he was, doubtless, possessed of the dry humour and the spirit of simple jollity which make his race such charming companions for a time. At all events his personality magnetised the poet, then a man of fifty-six, already a trifle weary of the inanities of life. FitzGerald must have been tolerably conversant with the Harwich and Felixstowe mariners—with the “salwagers” of the “Ship-wash”—and the characters of the pilots and fishermen of the east coast. But Posh seems to have come to him as something new. How it happened it is impossible to guess. Posh has no idea. He has a more or less contemptuous appreciation of FitzGerald’s great affection for him. But he cannot help any one to From the first meeting to the inevitable disillusionment FitzGerald delighted in the company of the illiterate fisherman. Whether he took his protÉgÉ cruising with him on the Scandal, or sat with him in his favourite corner of the kitchen of the old Suffolk Inn at Lowestoft, or played “all-fours” with him, or sat and “mardled” with him and his wife in the little cottage (8 Strand Cottages, Lowestoft) where Posh reared his brood, FitzGerald was fond even to jealousy of his new friend. The least disrespect shown to Posh by any one less appreciative of his merits FitzGerald would treat as an insult personal to himself. On one occasion when he was walking with Posh on the pier some stranger hazarded a casual word or two It must have been soon after their first meeting that FitzGerald wrote to Fletcher senior, Posh’s father:—
All things considered, it is probable that a Lowestoft longshoreman, in the sixties and seventies of the nineteenth century, could make a very good living of it, and even now, now when poverty has fallen on the beach, no beach man, unspoilt by the curse of visitors’ tips, would bow his head to any man as his superior. FitzGerald always took a humorous delight in the business of “salwaging” (as the men call it), and in his Sea Words and Phrases along the Suffolk Coast (No. II), he defines “Rattlin’ Sam” as follows: “A term of endearment, I suppose, used by Salwagers for a nasty shoal off the Corton coast.” In the same publication (I) he Posh tells how his “guv’nor” would clap him on the back and laugh heartily over a “salwagin’” story. “You sea pirates!” he would say. “You sea pirates!” In the spring of 1866 FitzGerald stayed at 12 Marine Terrace, Lowestoft, in March and April, and passed most of his time with Posh. In the evenings he would sit and smoke a pipe, or play “all-fours.” In the day he liked to go to sea with Posh in the latter’s punt, the Little Wonder. The Scandal was not launched that year till June, and although he “got perished with the N.E. wind” (Two Suffolk Friends, p. 101), he revelled in the rough work. He must have been a quaint spectacle to the Lowestoft fishermen, for Posh assures me that he always went to sea in a silk Shortly before or after his visit to Lowestoft in the spring of 1866 FitzGerald wrote to Posh:—
The boat referred to in this letter was probably a small craft in which FitzGerald had been in the habit of cruising up and down river with one “West.” It certainly was not the Scandal, for as transpires in the letter, that “Great Ship” was not yet painted for the yachting season. Mr. Manby was a ship agent at Woodbridge. “Dan” is not the name of a man, but of a pointed buoy with a flag atop wherewith herring fishers mark the end of their fleets of nets, or (vide Sea Words and Phrases, etc.). “A small buoy, with some ensign atop, to mark where the fishing lines have been shot; and the dan is said to ‘watch well’ if it hold erect against wind and tide. I have often mistaken it for some floating sea bird of an unknown species.” The prophecy that as soon as Posh got his longshore fleet complete he would wish to go on a “lugger,” that is to say, to the deep-sea fishing, was destined to be fulfilled, and that with the assistance of FitzGerald himself. But no one ever took Posh’s place. FitzGerald’s experience as a “herring merchant” began and ended with his intimacy with Posh. Old Lowestoft herring-drifter with “Dan” fixed to stem Since Posh’s letter-writing powers received praise from one so qualified to bestow it, there must have been a falling off from want of practice, or from some other cause, for the old man is readier with his cod lines than with his pen by a very great deal, and it is difficult to believe that he ever wielded the pen of a ready writer. But perhaps FitzGerald was so fascinated by the qualities which did exist in his protÉgÉ that he saw his friend through the medium of a glamour which set up, as it were, a mirage of things that were not. Well, it speaks better for a man’s heart to descry |