Could this be Saint Valentine’s Day? Here in a dreary looking dock with a surplus of sun but a seeming lack of oxygen, and only a sort of amphibious race as company? Newspapers were at any rate valentine enough. They were read with real care, football results being perhaps the consolation most sought. Hosea showed me the way into the town. We turned out over the docks, out at last from a kingdom of coal-dust, over a swing bridge; took a tram, and were soon at the shipping agents’ offices. He spent some time in earnest conference here, and the visit ended with a visit to other agents’ offices, and that again with an adjournment with a serene member of the staff to a bar. In this excellent place, my ignorance of a kind of drink, saffron in colour and with a piece of pineapple submerged, was soon dispelled. The collection of olives, biscuits, monkey-nuts and flakes of fried potato which the waiter brought with the drinks was to me unexpected. We went, with our good-natured guide, to lunch in a huge hotel. Gaining the top of the building by the lift, we sat at a table near the windows of a luxurious room filled with luxurious people, and had the pleasure of looking as we ate over the less celestial roofs of the town to the calm flood of the River Plate beyond. Distance lent enchantment to this view also. The conditions We departed from this commendable place, and, there being still engagements for Hosea with the shipping agents, we went there. Emerging, he had to go to the British Consulate. We hired a taxi. The traffic of Buenos Aires, or practice and precept differ, was free from irksome restrictions of speed; and we were whirled over the cobblestones and tramlines and round trams, horsemen, wagons, rival cars and everything else in a breath-taking rush. “I get in these things,” said Hosea, “saying to myself, If I don’t come out of this alive, then I shan’t.” We got out alive. The Consul’s workshop (it was perhaps known by a more dignified name) was in a scrubby street; and the young man in charge had my sympathy. However, it was not my fault that he was being slowly roasted. That call left Hosea at liberty to explore the town. We walked on and on, looking at the shops, and be it acknowledged at the beauties who went by, until we arrived at the small park over which the Museum rises to that southern sun, ornate and massy. Here we entered to spend the afternoon among a few visitors and as many official incumbents. We entered solemnly resolved to find a Palace of Art–Hosea putting away from him all his connection with ships and the worries of that next necessity, the “charter party.” Plaster casts and original statuary were plentiful in the Museum. The eye of the weary mariners rested none too long upon these. The multitude of paintings, however, were considered gently and methodically: Hosea would stand before the weakest There have been many energetic and accomplished administerings of paint, but to what purpose? The eternal allegory, demanding one nude figure or more, and justifying by the general level Hosea’s praise of a well-known picture called “September Morning,” or sweetened description of evening, with its cows coming home under its warped moon, its ploughman in a vague acre, and the rest. Was this the southern genius? One or two modern pictures here revealed a strength and idiosyncrasy beyond almost all the rest. A portrait of six youths, drawn with fierce intensity of colour and of line, expressing distinctions of character in subtle vital sharpness, long detained me. Another untypical picture, as recent as the last, was based upon a rustic festival or ritual with which I of course was unacquainted; but the epic lives of peasant men and women in their long combat with the stern giver of grain were legible in the strange georgic faces and the mysterious melancholy glory of their assembly. –Seemed listening to the earth, Their ancient mother, for some comfort yet. Among the many harmless little pieces representing vases of flowers, woodland melody, and other conventions, I caught sight of a portrait of a young girl (“My lady at her casement” type) drawn with mild ability. The signature, very large and clear, was On referring to the minute brass plate beneath so innocent a vanity, we learned that Charles Chaplin, 1825-1891, was a painter of the “French School.” Pictures must run in the family. The first afternoon, Hosea and myself could find no specimen of an English artist among the multitude: but returning another day to make certain (and once again we had the gallery more or less to ourselves) we found a small and typical study by Wilkie, and a portrait by Sir Thomas Lawrence. Before this last, a work of the loftiest morality–in its subject I mean–and of a colouring delicately fine, Hosea stood in enthusiasm. “I’m not sure,” he said, and once again drew an impression before proceeding, “that that isn’t the finest thing we’ve seen.” The spectacle of King Arthur in his bronze near the exit, in his bronze but somehow devoid of his grandeur, ended our artistic adventures. The business of criticism, no doubt, is to keep cool: but this we had scarcely been able to do. I should have given up early, but for the determination of Hosea; and even he began to feel the scorching heat above the Æsthetic calm. The ship’s football was brought out in the evening, and on a patch of waste ground alongside, flanked by thickets of rank weed, and ankle-deep in sand and coal-dust, we enjoyed ourselves most strenuously. There were one or two real drawbacks. A vigorous and unwary kick was apt to send the ball into the river, and to recover it meant clambering up and down the slanting wall of the wharf, which was coated with black grease, fishing with a pole, anxiously watching We had not been in the South Basin many minutes when the chaplain of The Missions to Seamen was among us with his witty stories and, I believe, his put-and-take teetotum. At any rate, the latter became as well recognized a part of his equipment as his quips. At his invitation, I went several times to the Mission, which was quite the rendezvous for the crews of British ships in the port. Its concert room, its billiard room and other comfortable places were generally very lively, the two chaplains apparently possessing an inexhaustible reserve of cheerfulness. English ladies too came there to brighten the evenings, to sing and join in at cards and conversation; their generosity, I believe, furnished the other refreshments of these evenings. Next door to the Mission, a dingy annexe to a sort of grocery, labelled the “British Bar,” was not neglected. Talk and beer and smoke prevailed here until midnight and afterwards: indeed, I had scarcely sat down before a vast mate from some other ship had challenged me to name a better Test Match captain than Mr. Fender. Other patrons of the Oval soon took up the cry, but I resisted for the rest of the session. To avoid these visitors as much as possible, I refrained from exploring the town over tiringly during the day, and went off with Mead in his shore suit after the evening’s football on the dust-patch: and stayed as late as meanderings in the town could make it. We certainly departed from the usual haunts of sailors the first night; went on and on, until even the adventurous Mead had to say: “This is rather a depraved kind of street.” And more, there was something in the air–some way off, we heard the interrupted fire of (what roused imagination converted into) a machine gun. The slatternly folk sitting, with white gleams of face or dress in the shadows, Magnificent, and nearly empty, was the cafÉ into which we went; brilliant its interior; attached to the gilded columns, how eloquent of drinking as a fine art, its scoreboards announcing the many specialities! We stayed until midnight. Then, having roughly found out our way home, we set out for the docks, and, pausing to divine the sense of a poster giving details of a “Radical” demonstration for the next day, saw the police come hurrying up to a gathering of people round the next bar door. One of the police as he passed us at speed caught his toe against a stone and with his sword and fine feathers came down flat on the pavement. The gathering at the bar door were so absorbed in their topic that no one looked, much less laughed at his loud discomfiture. Sometimes I found an occasion to leave the Bonadventure in her noisy dishabille, during the day. There was one walk with the wireless operator to a smaller tramp in a distant dock, aboard which somewhat shapelier ship than the Bonadventure he had an acquaintance. Walking over the irregular cobbles and among the railway lines of the wharves in the heat was a sufficient exercise. We left our ship carpeted with coal-dust; passed cattle pounds, grain elevators Then there were one or two more rounds of the town with Hosea, chiefly in the busiest neighbourhood. I began to know the tall statue of Columbus as a landmark. All the morning, perhaps, Hosea would be going from one office to another, seeking to define the ship’s future and to hasten her discharge, while I kicked my heels in entrances under the suspicious eyes of the janitors. Kindness was readier in the frowsy offices of the ship’s chandlers; whence the delectably dressed youth the firm’s son soon led the way to a table and vermouth in the Avenida de Mayo. |