CONTENTS
J. F. Blacker
PAGE
PREFACE
5
SECTION I
CHINESE PORCELAIN
CHAPTER
I.
INTRODUCTORY
21
II.
HARD PASTE
29
III.
RELIGION AND MYTHOLOGY
35
IV.
A SKETCH SHOWING PORCELAIN CLASSED ACCORDING TO THE ORDER OF THE DISCOVERY OF THE COLOURS AND GLAZES
43
V.
THE FOUR CHIEF FABULOUS ANIMALS AND TWO GODDESSES
51
VI.
A SHORT ACCOUNT OF THE EARLY HISTORY OF PORCELAIN
89
VII.
THE MING DYNASTY AND ITS PRODUCTS
95
VIII.
THE TSING DYNASTY, KANG-HE PERIOD
103
IX.
THE YUNG-CHING PERIOD
109
X.
THE KEEN-LUNG PERIOD
119
XI.
MANDARIN PORCELAIN, YUNG-CHING PERIOD AND LATER
131
XII.
KEA-KING, TAOU-KWANG, AND THE LATER EMPERORS
139
XIII.
CHINESE WHITE PORCELAIN
147
XIV.
SINGLE OR SELF-COLOUR GLAZES
153
XV.
CHINESE CRACKLE
175
XVI.
BLUE AND OTHER COLOURS UNDER THE GLAZE
181
XVII.
CLOBBER WARE OR REDECORATED PORCELAIN
201
XVIII.
RETICULATED PORCELAIN
203
XIX.
DECORATED WITH COLOURED ENAMELS
211
A. THE BLACK FAMILY—"FAMILLE NOIRE"
B. THE GREEN FAMILY—"FAMILLE VERTE"
C. POWDERED AND MAZARINE BLUE WITH ENAMEL COLOURS
D. THE GREEN AND YELLOW FAMILY—"FAMILLE JAUNE"
E. CORAL RED GROUND—"ROUGE DE FER"
F. THE ROSE FAMILY—"FAMILLE ROSE"
G. OTHER ENAMEL COLOURS
XX.
PORCELAIN OF THE EAST INDIA COMPANY
285
XXI.
IMITATIONS OF ORIENTAL PORCELAIN
291
XXII.
SYMBOLICAL DESIGNS
297
A. EMBLEMS IN ANIMALS
B. EMBLEMS IN TREES
C. EMBLEMS IN FLOWERS
XXIII.
DATE MARKS ON ORIENTAL PORCELAIN
307
XXIV.
SYMBOLICAL MARKS AND ORNAMENTS
323
XXV.
THE IMMORTALS OR CHENS
337
XXVI.
THE DRESDEN COLLECTION
345
SECTION II
JAPANESE PORCELAIN AND POTTERY
XXVII.
JAPANESE PORCELAIN AND POTTERY
349
IMARI, ARITA, OR HIZEN
HIRADO
NABESHIMA
XXVIII.
SATSUMA
357
KYOTO
AWATA
MARKS, FIRST SET
XXIX.
BIZEN OR IMBE
367
KUTANI
KENZAN WARE
YEIRAKU WARE
XXX.
KISHU
375
BANKO
SOMA
SANDA
SHEBA
VARIOUS
MARKS, SECOND SET
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