ARTISTS AND ARABS; OR, Sketching in Sunshine.

Previous

"Let us sit down here quietly for one day and paint a camel's head, not flinching from the work, but mastering the wonderful texture and shagginess of his thick coat or mane, its massive beauty, and its infinite gradations of colour.

"Such a sitter no portrait painter ever had in England. Feed him up first, get a boy to keep the flies from him, and he will remain almost immoveable through the day. He will put on a sad expression in the morning which will not change; he will give no trouble whatever, he will but sit still and croak."—Chap. IV., 'Our Models.'

WITH NUMEROUS ILLUSTRATIONS.

Opinions of the Press on "Artists and Arabs."

'"Artists and Arabs" is a fanciful name for a clever book, of which the figures are Oriental, and the sceneries Algerian. It is full of air and light, and its style is laden, so to speak, with a sense of unutterable freedom and enjoyment; a book which would remind us, not of the article on Algeria in a gazetteer, but of Turner's picture of a sunrise on the African coast.'—AthenÆum.

'The lesson which Mr. Blackburn sets himself to impress upon his readers, is certainly in accordance with common sense. The first need of the painter is an educated eye, and to obtain this he must consent to undergo systematic training. He is in the position of a man who is learning a language merely from his books, with nothing to recall its accents in the daily life around him. If he will listen to Mr. Blackburn he may get rid of all these uncongenial surroundings.'—Saturday Review.

'This it a particularly pretty boor, containing many exquisite illustrations and vignettes. Mr. Blackburn's style is occasionally essentially poetical, while his descriptions of mountain and valley, of sea and sky, of sunshine and storm, are vivid and picturesque.'—Examiner.

'Mr. Blackburn is an artist in words, and can paint a picture in a paragraph. He delights in the beauty of form and colour, in the perfume of flowers, in the freedom of the desert, in the brilliant glow and delicious warmth of a southern atmosphere.'—Spectator.

'This is a genuine book, full of character and trustworthiness. The woodcuts, with which it is liberally embellished, are excellent, and bear upon them the stamp of truth to the scenes and incidents they are intended to represent. Mr. Blackburn's views of art are singularly unsophisticated and manly.'—Leader.

'Interesting as are Mr. Blackburn's ascriptions of Algiers, we almost prefer those of the country beyond it. His sketches of the little Arab village, called the Bouzareah, and of the storm that overtook him there, are in the best style of descriptive writing.'—London Review.

'Mr. Blackburn is an artist and a lover of nature, and he pretends to nothing more in these gay and pleasing pages.'—Daily News.

'Since the days of EÖthen, we have not met with so lively, racy, gossiping, and intellectual a book as this.'—News of the World.

'The reader feels, that in perusing the pages of "Artists and Arabs," he has had a glimpse of sunshine more intense than any ever seen in cloudy England.'—The Queen.

'The narrative is told with a commendable simplicity and absence of self display, or self boasting; and the illustrations are worthy the fame of a reputable British artist.'—Press.

'The sparkling picturesqueness of the style of this book is combined with sound sense, and strong argument, when the author pleads the claims and the beauties of realism in art; and though addressed to artists, the volume is one of that most attractive which hat been set before the general reader of late.'—Contemporary Review.

&c. &c. &c.


Second Edition, Crown 8vo., Six Shillings.

                                                                                                                                                                                                                                                                                                           

Clyx.com


Top of Page
Top of Page