CHAPTER XI. Le Faouet Gourin GuEmEnE.

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It is a pleasant change, even from the quiet of Hennebont, to wind slowly up the hills covered thickly with ferns and woods, to disturb the magpies on the roads, and the yellowhammer and the lizards on the rough stone walls; to see the silent peasants knee-deep in the fields, the little black and white cattle tethered to pasture, the black and brown sheep grazing in the open land, and the pigs at the cottage doors. It is a considerable ascent from the town through an undulating landscape of woods and streams and ferns; the valleys green in their depths, the trees turning gold and brown where they fringe the hills.

Reaping near Hennebont.

As we approach Le Faouet, the scene changes gradually to a sterner aspect, the trees are less luxuriant, and the soil is less fruitful. Here and there we pass on the road a busy harvest scene, the people turning round at the sound of approaching wheels to watch the travellers pass. It is the farmer himself that gazes at us, half amused; the time for harvest is short on these rainy hills, and so master and man, and every available help, work early and late to get in the crops. The sun that shines so brilliantly to-day, and lights up the harvest field with a golden glow, will disappear in a few hours, and the fields may be a wreck from the wind and rain. Every now and then a deep shadow is thrown over the land from the clouds that drift eastward from the sea, but they are high in the heavens to-day, and the sky is of an almost Eastern blue. Before us northwards the horizon is of a colder hue, and as we ascend the last long hill to Le Faouet, the cupola on the church tower and the grey roofs of the houses with their backgrounds of firs have by contrast a sombre tinge.

On the road from QuimperlÉ to Le Faouet a stream is crossed that divides the two provinces of FinistÈre and Morbihan; it is a stream well stocked with trout; in fact, in most of these rivers there is excellent fishing, and there are no better headquarters for sport than Le Faouet. The town, which is well situated and has fine views of the country, contains not more than 3000 inhabitants, nearly all but the oldest and the poorest being engaged in agriculture. It is a great centre on certain days, when the people collect under the eaves of the market-place shown in the full-page sketch.

But excepting the visits of a few sportsmen and tourists in summer, Le Faouet is scarcely ever visited by the outer world. The houses are built of stone, old and covered with lichen; the covered market-place has heavy wooden eaves, and is protected by ancient elms; the inhabitants are dressed for the most part in rough and primitive fashion, the men in white cloth jackets, loose breeches, and sabots, and the women in dark comfortable cloth hoods, as in the sketch at the head of this chapter.

It is a quiet, self-contained, dignified population at Le Faouet, approached at intervals by the commercial traveller, and a few cattle- and horse-dealers, but holding otherwise little communication with towns. Here, in this neighbourhood, we may contemplate the typical Breton, who, braced physically to withstand the shocks of the tempest, resists with an almost irresistible vis inertia the advance of French civilisation; whom neither the progress of steam nor compulsory education has much disturbed. He has, for trading purposes, acquired some knowledge of French, but he keeps this knowledge to himself, and never displays it unnecessarily; he has thus an advantage over strangers, who may imagine he cannot understand a word.

LE FAOUET.

To come into a quiet village like Le Faouet with no purpose but observation requires a certain amount of courage, and, if it were not that a little more than a mile north of Le Faouet there is the famous chapel of Ste. Barbe, and southward about two miles, in an old church, there is an elaborately carved rood-screen, we might hesitate to take up our quarters here. Unless a man has business in Le Faouet unless he is an antiquary, a fisherman, or a painter, he would leave it the day he entered. It is not, however, uncommon for the landlord of the HÔtel du Lion d’Or to have pensionnaires who stay for the summer.

In spite of the grandeur of its situation, the solidity of its buildings, and the evident industry of the inhabitants, there is a dreary, ruinous look about the Place of Le Faouet even on a summer’s day. What must it be in winter winds? On the brightest and driest day of the year many of the houses are dark and unhealthy-looking, built close together, with narrow lanes of mud and filth between them. What must they be when the rains begin?

We have seen in Le Faouet some of the finest types of Bretons, both men and women. Let us record one figure which will never be effaced from memory. Passing down a street leading from the principal square, we meet coming up the hill bareheaded, in the full blaze of the sun, in the dust and heat, the strange, wild-looking figure in the sketch; his clothes are patched, his hair is white, his face red; with crutches, and one leg, he drags (with the help of a dog and one or two charitable children) his house, with him about the town. It is a strange conveyance made of sticks and dried ferns, but it is home. Travellers see strange sights, but surely no sight more grotesque was ever seen than “the man on two sticks” of Le Faouet, whose portrait is given to the life.

Before leaving Le Faouet, a visit should be made to the fifteenth-century church of St. Fiacre, to see the fine rood-screen elaborately carved with figures representing scenes in the life of Christ, panels of elaborate and grotesque workmanship. The work on this screen was partly executed in 1480 and in 1627, and the whole was restored, painted, and gilt in 1866. There is also some fine stained glass, dating from 1552.

To the chapel of Ste. Barbe is a shaded walk of about a mile and a half—first through narrow lanes and broad avenues, then up a steep ascent where the path is sometimes cut in steps in the rock. It brings us in half an hour to a high plateau fringed with furze and wind-blown pines. The view from the eminence is magnificent: the eye wanders eastward and southward, over a broad valley with a mountain stream, the EllÉ winding first through beds of rocks, then into pastures, and disappearing in cultivated fields. As we walk to the edge of this mountain-side, where there is only a small hut visible, the panorama increases in extent over the country, and the variety of colour, from the grey of scattered boulders and blue of pines, to the deep green of the meadows and woods, forms a scene of such natural beauty that we almost forget the object of our mission.

The chapel of Ste. Barbe, approached down a flight of steps, is actually close to our feet; it is built of granite under the hillside, sheltered from the winds by enormous rocks and trees, and with a steep declivity below; a solid granite structure fitted into the hillside, so to speak, the space not permitting the nave of the chapel to be in the usual position. In the interior—which is shown by an old man in tatters who kneels at the altar whilst we walk round—is a gallery with carved panels, supported by seraphim holding shields, and grotesque animals on the mouldings; there is also some old stained glass.

There is a tradition attaching to this chapel, that a knight, hunting in the neighbourhood in the fifteenth century, was overtaken by a storm in the valley below, and, being preserved from falling rocks by the prayers of Ste. Barbe, erected this chapel to her memory. From that day there has been an annual pilgrimage to Ste. Barbe, when some of the devotees creep round the precipitous exterior walls as an act of penance. Before leaving, we pass up the rough stone steps in the sketch to even higher ground, where there is a small chapel dedicated to St. Michel. It is fortunate to have seen the view from Ste. Barbe on a clear day, for the clouds, which gather in the distance, as white as snow, through the tree tops, come up in a few hours and shroud the land.

Ten miles in a north-westerly direction, in some of the finest scenery of the Montagnes Noires, is Gourin, a small town in the centre of a district of old iron mines, stone and slate quarries. Mr. Caldecott, who visited this district in a previous year, in bad weather, speaks of the “wide, dirty, uninteresting-looking street of Gourin, at the top of which is the HÔtel du Cheval Blanc,” but he has made a sketch of the women washing at a stream just outside the town, which only wants colour to be one of the most picturesque of our series.

Excepting for fishing, shooting, or perchance to record the forms and colours of the mountains in a sketch, few visitors will find their way to Gourin, even in summer; but the following notes by the artist may be interesting to travellers:—

“The dining-room of the inn at Gourin opens on to the public Place, and is frequented by commercial travellers and two or three residents; one of the latter, being a chasseur, is followed through the glass door by a pack of hounds, the large sporting spaniels of the country, and at each guest’s elbow a dog stations himself to receive gratuities.”

“After resting for the night in a comfortable room, separate from the main premises, I hire a vehicle to take me to Le Faouet, as the morning is wet; a long-bodied cart, drawn by a white horse, with the wheels set forward and a shifting seat, on which is a large pillow. We drive through a hilly, wooded country in a high wind.”

Montez, s’il vous plait, Monsieur!

The storm is so severe at Le Faouet that “slates are blown from the roofs of the houses, men grasp their hats, women tack hither and thither across the square, and geese take advantage of the breeze and try to fly.” On the way to Ste. Barbe, “a tall tree crashes across the path, which is strewn with unripe acorns, chestnuts, apples, fir cones, leaves, and twigs.”

The hurricane that was experienced here swept over the whole of Brittany with great violence, and, according to the Journal de Rennes, “laid low at least a thousand trees.”

Up and down again on a good road, a drive of seventeen miles from Le Faouet takes us to GuÉmÉnÉ, meeting a few reapers, and a cart drawn by bullocks in charge of men who have succumbed to thirst and heat.

We halt halfway at the poor village of KernasclÉden, where there is hardly an inhabitant to be seen, but where, abutting on the high-road, is a beautiful Gothic church, rich in carving and grand in proportion, a striking contrast to the hovels which immediately surround it. It is a good example of fifteenth-century work, built at the same time as the church of St. Fiacre, and by the same founder. There is a legend here too curious not to repeat, that angels aided in the building of these two beautiful churches, carrying the tools, which were scarce in those days, backwards and forwards from one church to the other, to aid the workmen.

At GuÉmÉnÉ, a little town on the river Scorff, we are still in the interior of the country. It is in some ways more civilised than Le Faouet, but as far removed from railways, and with as little communication with the outer world.

Let us first give our experiences of the principal inn, which is on the left, looking up the street in the sketch, where travellers are driven under an archway into a wide stable-yard, and enter the house by the kitchen. The beds are clean and comfortable enough, the fare is homely but plentiful, and there is nothing to scare away the most fastidious. At the midday meal we have trout, caught a little way down the river Scorff, one or two dishes of meat, an omelette if desired, and, as usual, very good bread, butter, and cider. The dinner, or evening meal, is rather more elaborate, especially if a fresh traveller has come in. The view, across the table at breakfast time, of the presiding genius of the inn, the bottle of cider, the large wineglass, and the half cut loaf, are all depicted exactly. The vacant chair is soon to be occupied by a commercial traveller, who has been busy all the morning in the town, doing more havoc in the one day that he devotes to GuÉmÉnÉ than we like to think of. He represents a cheap clothier’s house at L’Orient, and has tempted many of the quiet inhabitants to change their simple stuffs and white caps for the more fashionable dresses and hats of the town. It should be remembered, however, that it is to this very commis voyageur, whom we travellers are apt to treat with scant courtesy and whose proceedings we often regard with anything but pleasure, that we owe the comforts of these inns, and the possibility of travel in remote places. The commercial traveller, coming from Vannes or L’Orient is the pioneer in such towns as GuÉmÉnÉ; he teaches the Breton innkeeper the mysteries of civilised life, and the art of living differently from the lower animals. It is a heavy penalty to pay, from the artistic point of view, that he should bring his patterns and his sham jewellery, and leave so much of it behind in GuÉmÉnÉ. But our little waiting-maid is not yet converted to the policy of adopting modern ways. Her spotless white cap and sleeves, neat dress, and rows of pendent coins, are of a pattern as old and characteristic as the gables of the houses of GuÉmÉnÉ.

So bright and charming is our little maid this morning that it is difficult to believe that she came out of a carved wooden bedstead let into the wall of the kitchen (a bed of two stories, holding four!), that she does most of the work of the hotel, and helps in the stable. It is enough for us to record that travellers are well cared for; that Englishmen come here for the fishing, and sometimes stay for weeks, living at the rate of four or five francs a day, including everything.

The streets of GuÉmÉnÉ are full of people on Sunday morning—men in short jackets, wide trousers, and black, broad-brimmed hats, old women in the comfortable coiffe sketched above, girls with white caps and stomachers, short dresses, and neat shoes, all coming into the church and afterwards meeting in the street. These are principally country people; but the inhabitant of GuÉmÉnÉ, the small propriÉtaire or employÉ, who lives in the town, often wears a semi-nautical attire, as sketched overleaf.

Five old women sit together in the road, their chairs drawn together for company, and to make an inclosure for two or three little tottering inhabitants of GuÉmÉnÉ, who at the age of three are dressed in the costume of their ancestors. Here the harmony of costume and architecture, both in form and colour, strikes the eye at once, and we want nothing to complete the picture. There is nothing, it seems, to add, nothing to leave out; let us stay for a month (we are inclined to say) and sketch in the high-street of GuÉmÉnÉ such figures as are standing talking together at an old-fashioned doorway, opposite to our inn. But the scene soon changes, and out of one of the old houses, dark in the interior, with a floor below the level of the street, comes a lady with a nurse and child; she has a light dress with a train, a hat with scarlet feathers, and a parasol. She is going for a promenade, and, as she passes down the street, is greeted by the old women thus: “See they carry their tails in their hands, these fine demoiselles!”

The CafÉ du Nord is a favourite house of call, and thither the men resort to play at cards or billiards, whilst the women bring out their chairs and sit under the eaves, knitting, gossiping, and watching the passers-by.

There is no traffic in the streets, and no fear of being disturbed. A newspaper may arrive in the evening to inform the inhabitants of the last market prices, or that a workman has fallen out of a window in Paris. A very few items of local intelligence suffice for GuÉmÉnÉ, which is too much occupied with its own interests to care for what the rest of the world calls news. The sun and moon rise and set for GuÉmÉnÉ alone; it is the “boss” of their wheel of life.

We have seen only the high-street of GuÉmÉnÉ, but the town should be viewed from above, with its grey roofs, its church tower, and the ruins of a castle eight hundred years old, in the midst of beautiful hills, bright with gorse, and grey with granite boulders; and a view reaching far away over a wooded valley with the river Scorff winding towards the sea.

On one evening there is a great gathering at the old cafÉ with high-pitched roof, at the division of the two streets at the top of the sketch on page 165. The daughter of the popular hostess has been betrothed at the presbytery, and in a month she is to be married. She has her dot, or portion, of a few hundred francs, and her husband that is to be, his little farm; they have met to celebrate the occasion, and their immediate friends make merry until far into the night. They all sit together round a rough table in the little room, the lamps lighting the girls’ faces, the men in blouses or white jackets, with bright buttons; a background of timbered ceiling, smoke, laughter, songs, and jollity, continued long after the lights go out in the street and the moon rises over the valley. All will go well with them if the bottle which first drew them together does not scatter their happiness too soon.

GuÉmÉnÉ July 1878.
                                                                                                                                                                                                                                                                                                           

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