Some two months after the publication of the Deserted Village, when its success had been well assured, Goldsmith proposed to himself the relaxation of a little Continental tour; and he was accompanied by three ladies, Mrs. Horneck and her two pretty daughters, who doubtless took more charge of him than he did of them. This Mrs. Horneck, the widow of a certain Captain Horneck, was connected with Reynolds, while Burke was the guardian of the two girls; so that it was natural that they should make the acquaintance of Dr. Goldsmith. A foolish attempt has been made to weave out of the relations supposed to exist between the younger of the girls and Goldsmith an imaginary romance; but there is not the slightest actual foundation for anything of the kind. Indeed the best guide we can have to the friendly and familiar terms on which he stood with regard to the Hornecks and their circle, is the following careless and jocular reply to a chance invitation sent him by the two sisters:— "The Jessamy Bride" was the pet nickname he had bestowed on the younger Miss Horneck—the heroine of the speculative romance just mentioned; "Little Comedy" was her sister; "the Captain in lace" their brother, who was in the Guards. No doubt Mrs. Horneck and her daughters were very pleased to have Even with such pleasant companions, the trip to Paris was not everything he had hoped. "I find," he wrote to Reynolds from Paris, "that travelling at twenty and at forty are very different things. I set out with all my confirmed habits about me, and can find nothing on the Continent so good as when I formerly left it. One of our chief amusements here is scolding at everything we meet with, and praising every thing and every person we left at home. You may judge therefore whether your name is not frequently bandied at table among us. To tell you the truth, I never thought I could regret your absence so much, as our various mortifications on the road have often taught me to do. I could tell you of disasters and adventures without number, of our lying in barns, and of my being half poisoned with a dish of green peas, of our quarrelling with postilions and being cheated by our landladies, but I reserve all this for a happy hour which I expect to share with you upon my return." The fact is that although Goldsmith had seen a good deal of foreign It was a happy-go-lucky sort of life. We find him now showing off his fine clothes and his sword and wig at Ranelagh Gardens, and again shut up in his chambers compiling memoirs and histories in hot haste; now the guest of Lord Clare, and figuring at Bath, and again delighting some small domestic circle by his quips and cranks; playing jokes for the amusement of children, and writing comic letters in verse to their elders; everywhere and at all times merry, thoughtless, good-natured. And, of course, we find also his humorous pleasantries being mistaken for blundering stupidity. In perfect good faith Boswell describes how a number of people burst out laughing when Goldsmith publicly complained that he had met Lord Camden at Lord Mention of Lord Clare naturally recalls the Haunch of Venison. Goldsmith was particularly happy in writing bright and airy verses; the grace and lightness of his touch has rarely been approached. It must be confessed, however, that in this direction he was somewhat of an Autolycus; unconsidered trifles he freely appropriated; but he committed these thefts with scarcely any concealment, and with the most charming air in the world. In fact some of the snatches of verse which he contributed to the Bee scarcely profess to be anything else than translations, though the originals are not given. But who is likely to complain when we get as the result such a delightful piece of nonsense as the famous Elegy on that Glory of her Sex, Mrs. Mary Blaize, which has been the parent of a vast progeny since Goldsmith's time? "Good people all, with one accord Lament for Madam Blaize, Who never wanted a good word, From those who spoke her praise. "The needy seldom passed her door, And always found her kind; She freely lent to all the poor,— Who left a pledge behind. "She strove the neighbourhood to please, With manners wondrous winning; And never followed wicked ways,— Unless when she was sinning. "At church, in silks and satins new, With hoop of monstrous size, She never slumbered in her pew,— But when she shut her eyes. "Her love was sought, I do aver, By twenty beaux and more; The king himself has followed her,— When she has walked before. "But now her wealth and finery fled, Her hangers-on cut short all; The doctors found, when she was dead,— Her last disorder mortal. "Let us lament, in sorrow sore, For Kent Street well may say, That had she lived a twelvemonth more,— She had not died to-day." The Haunch of Venison, on the other hand, is a poetical letter of thanks to Lord Clare—an easy, jocular epistle, in which the writer has a cut or two at certain of his literary brethren. Then, as he is looking at the venison, "While thus I debated, in reverie centred, An acquaintance, a friend as he called himself, entered; An under-bred, fine-spoken fellow was he, And he smiled as he looked at the venison and me. 'What have we got here?—Why this is good eating! Your own, I suppose—or is it in waiting?' 'Why, whose should it be?' cried I with a flounce; 'I get these things often'—but that was a bounce: 'Some lords, my acquaintance, that settle the nation, Are pleased to be kind—but I hate ostentation.' 'If that be the case then,' cried he, very gay, 'I'm glad I have taken this house in my way. To-morrow you take a poor dinner with me; No words—I insist on't—precisely at three; We'll have Johnson, and Burke; all the wits will be there; My acquaintance is slight, or I'd ask my Lord Clare. And now that I think on't, as I am a sinner! We wanted this venison to make out the dinner. What say you—a pasty? It shall, and it must, And my wife, little Kitty, is famous for crust. Here, porter! this venison with me to Mile End; No stirring—I beg—my dear friend—my dear friend!' Thus, snatching his hat, he brushed off like the wind, And the porter and eatables followed behind." We need not follow the vanished venison—which did not make its appearance at the banquet any more than did Johnson or Burke—further than to say that if Lord Clare did not make it good to the poet he did not deserve to have his name associated with such a clever and careless jeu d'esprit. |