PROLOGUE

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(SCENE.—A large gothic hall, brilliantly illuminated, in which a masked ball is taking place. At the rise of the curtain a ballet is being performed in the centre of the hall. Masked dancers are grouped around, watching it. Two of them, women, are conversing on the right of the stage.)

First Mask. Have you heard that the King is to be here to-night?

Second Mask. Yes, and since I heard it I have been imagining I saw him everywhere.

First Mask (pointing). That is not he, is it?

Second Mask. He is taller than that.

First Mask. That one, then? Look, that one!

Second Mask. That one has spoken to me. He has too old a voice.

First Mask. Shall we see if we can find him?

Second Mask. Yes, come along!

(A number of girls, wearing similar costumes and all masked, have meanwhile collected on the left side of the stage.)

First Girl. Are we all here?

Second Girl. All but Matilde.

Matilde. Here I am! Have you heard that the King is to be here?

All. Really?

Matilde. I don't know how he is dressed; but one of the masters of the ceremonies told me he was to be here.

Several of the Girls. The dear King! (Two masked dancers, dressed as Cats, pass by.)

Tom Cat. Do you hear that, my pet?

Puss. Miau!

Matilde. Let us try and discover him.

All. Yes, yes!

A Mask. And when we have discovered him—?

Matilde. Let us all dance round him!

All. Yes!

Tom Cat (to Puss). You had better look after your virtue, Miss!

Puss. Miau!

Tom Cat. Miau! (They pass out of sight.)

Matilde. Remember that we are all to meet here in a quarter of an hour!

All. Yes! (They disperse. The ballet comes to a close amidst universal applause. Conversation among the dancers becomes general and animated. The BARONESS MARC, disguised as an Old Woman, comes forward, talking to another mask dressed as a Donkey.)

Baroness. I will never forgive you for that, my lord chamberlain.

The Donkey. But you frighten me clean out of my part, Baroness!

Baroness. If only I could understand how it happened!

The Donkey. After all, my dear Baroness, you cannot be expected to take out all your schoolmistresses and their senior pupils on a leash!

Baroness. No, but I have particular reasons for wishing to look closely after her. (All this time she has been persistently looking round the room.) And in such a whirling crowd as this—

The Donkey. Let us lose ourselves in it, then! (He brays as they go out. The PRINCESS, masked and dressed in a costume of the time of Louis XV., comes forward accompanied by a Cavalier in a costume of the same period.)

Princess (continuing a discussion). And I say that if a king has such graces of mind and person as ours has, he may do anything he pleases.

Cavalier. Anything, Princess?

Princess. Anything that his mind prompts, provided that he do it beautifully. (A GENTLEMAN-IN-WAITING, dressed in a costume of the same period, approaches them.)

Gentleman-in-Waiting. I cannot discover him, your Royal Highness!

Princess. But he is here. He is here. And for a lady's sake. I am certain I am right.

Cavalier. But I asked one of the masters of the ceremonies, and he knew nothing about it.

Princess. Then it must have been one that has not been let into the secret.

Cavalier. But, your Royal Highness—

Princess. Don't keep calling me "your Royal Highness," but get me a description of the costume he is wearing. (The GENTLEMAN-IN-WAITING bows and goes away.) And you and I will go on hunting—

Cavalier.—for the noble huntsman—

Princess.—who is being hunted himself! (Moves away, but stops suddenly.) Who is that? (CLARA ERNST, masked and in peasant costume, comes forward followed by a masked figure wearing a domino. He is whispering to her over her shoulder. She keeps glancing about, as if looking for some one.)

The Domino.—and there, in the enchanted castle, buried deep in the wooded park—

Clara. Let me alone!

The Domino.—there we shall be greeted by a babbling fountain of water—a nymph, holding the cup of joy high above her head—

Clara (anxiously). What can have become of her?

(Meanwhile one of the masked dancers has been following them, and now turns back to join others.)

A Masked Dancer (pointing to the DOMINO). That is the King!

Another (quickly). But who is she?

The Domino.—on both sides, shady alleys leading to the doors of a secret retreat; and there—

Clara (turning round). I despise you! (The dancing and music suddenly stop. General consternation.)

The Baroness (starting forward as she hears CLARA voice.) Clara!

The Domino (taking CLARA's hand and leading her apart from the others). Do you know who it is that you despise?

Clara (greatly agitated). Yes, I know who you are!—and that is why, from the bottom of my heart, I despise you! (The music begins afresh, covering the general consternation that has spread among the dancers. The BARONESS comes forward with a cry of "Clara!" CLARA bursts into tears and throws herself into her arms. Curtain.)

                                                                                                                                                                                                                                                                                                           

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