FAIRY, n. A creature, variously fashioned and endowed, that formerly inhabited the meadows and forests. It was nocturnal in its habits, and somewhat addicted to dancing and theft of children. The fairies are now believed by naturalists to be extinct, though a clergyman of the Church of England saw three near Colchester as lately as 1855, while passing through a park after dining with the lord of the manor. The sight greatly staggered him, and he was so affected that his account of it was incoherent. In the year 1807 a troop of fairies visited a wood near Aix and carried off the daughter of a peasant, who had been seen to enter it with a bundle of clothing. The son of a wealthy bourgeois disappeared about the same time, but afterward returned. He had seen the abduction and been in pursuit of the fairies. Justinian Gaux, a writer of the fourteenth century, avers that so great is the fairies' power of transformation that he saw one change itself into two opposing armies and fight a battle with great slaughter, and that the next day, after it had resumed its original shape and gone away, there were seven hundred bodies of the slain which the villagers had to bury. He does not say if any of the wounded recovered. In the time of Henry III, of England, a law was made which prescribed the death penalty for "Kyllynge, wowndynge, or mamynge" a fairy, and it was universally respected.

FAITH, n. Belief without evidence in what is told by one who speaks without knowledge of things without parallel.

FAMOUS, adj. Conspicuously miserable.

FASHION, n. A deity whom the wise ridicule, yet the discreet obey.

FEAST, n. A festival. A religious celebration signalized by gluttony and drunkenness, frequently in honor of some holy person distinguished for abstemiousness. In the Roman Catholic Church feasts are "movable" and "immovable," but the celebrants are uniformly immovable until they are full. In their earliest development these entertainments took the form of feasts for the dead; such were held by the Greeks, under the name of Nemeseia, by the Aztecs and Peruvians, as in modern times they are popular with the Chinese; though it is believed that the ancient dead, like the modern, were light eaters. Feasts on the dead are celebrated with great Éclat in Fiji. Among the many feasts of the Romans was the Novemdiale, which was held, according to Livy, whenever stones fell from heaven. Of all the feast days of the various Christian churches none has any sanction in the gospel. Men make gods of their bellies, and then these gods ordain festivals.

FELON, n. A person of greater enterprise than discretion, who in embracing an opportunity has formed an unfortunate attachment.

FEMALE, n. One of the opposing, or unfair, sex.

FIB, n. A lie that has not cut its teeth. An habitual liar's nearest approach to truth: the perigee of his eccentric orbit.

FICKLENESS, n. The iterated satiety of an enterprising affection.

FIDDLE, n. An instrument to tickle human ears by friction of a horse's tail on the entrails of a cat.

FIDELITY, n. A virtue peculiar to those who are about to be betrayed.

FINANCE, n. The art or science of managing revenues and resources for the best advantage of the manager. The pronunciation of this word with the i long and the accent on the first syllable is one of America's most precious discoveries and possessions.

FLAG, n. A colored rag borne above troops and hoisted on forts and ships. It appears to serve the same purpose as certain signs that one sees on vacant lots in London—"Rubbish may be shot here."

FLESH, n. The Second Person of the secular Trinity.

FLOP, v. Suddenly to change one's opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised by some of our partisan journals.

FLY-SPECK, The prototype of punctuation. It is observed by Garvinus that the systems of punctuation in use by the various literary nations depended originally upon the social habits and general diet of the flies infesting the several countries. These creatures, which have always been distinguished for a neighborly and companionable familiarity with authors, liberally or niggardly embellish the manuscripts in process of growth under the pen, according to their bodily habit, bringing out the sense of the work by a species of interpretation superior to, and independent of, the writer's powers. The "old masters" of literature—that is to say, the early writers whose work is so esteemed by later scribes and critics in the same language—never punctuated at all, but worked right along free-handed, without that abruption of' the thought which comes from the use of points. (We observe the same thing in children to-day, whose usage in this particular is a striking and beautiful instance of the law that the infancy of individuals reproduces the methods and stages of development characterizing the infancy of races.) In the work of these primitive scribes all the punctuation is found, by the modern investigator with his optical instruments and chemical tests, to have been inserted by the writers' ingenious and serviceable collaborator, the common house-fly—Musca maledicta. In transcribing these ancient MSS, for the purpose either of making the work their own or preserving what they naturally regard as divine revelations, later writers reverently and accurately copy whatever marks they find upon the papyrus or parchment, to the unspeakable enhancement of the lucidity of the thought and value of the work. Writers contemporary with the copyists naturally avail themselves of the obvious advantages of these marks in their own work, and with such assistance as the flies of their own household may be willing to grant, frequently rival and sometimes surpass the older compositions, in respect at least of punctuation, which is no small glory. Fully to understand the important services that flies perform to literature it is only necessary to lay a page of some popular novelist alongside a saucer of cream-and-molassess in a sunny room and observe "how the wit brightens and the style refines" in accurate proportion to the duration of exposure.

FOLLY, n. That "gift and faculty divine" whose creative and controlling energy inspires Man's mind, guides his actions, and adorns his life.

FOOL, n. A person who pervades the domain of intellectual speculation and diffuses himself through the channels of moral activity. He is omnific, omniform, omnipercipient, omniscient, omnipotent. He it was who invented letters, printing, the railroad, the steamboat, the telegraph, the platitude, and the circle of the sciences. He created patriotism and taught the nations war—founded theology, philosophy, law, medicine, and San Francisco. He established monarchical and republican government. He is from everlasting to everlasting—such as creation's dawn beheld he fooleth now. In the morning of time he sang upon primitive hills, and in the noonday of existence headed the procession of being. His grandmotherly hand has warmly tucked-in the set sun of civilization, and in the twilight he prepares Man's evening meal of milkand-morality and turns down the covers of the universal grave. And after the rest of us shall have retired for the night of eternal oblivion, he will sit up to write a history of human civilization.

FORCE, n.

FOREFINGER, n. The finger commonly used in pointing out two malefactors.

FOREORDINATION, n. This looks like an easy word to define, but when I consider that pious and learned theologians have spent long lives in explaining it, and written libraries to explain their explanations; when I remember that nations have been divided and bloody battles caused by the difference between foreordination and predestination, and that millions of treasure have been expended in the effort to prove and disprove its compatibility with freedom of the will and the efficacy of prayer, praise, and a religious life,—recalling these awful facts in the history of the word, I stand appalled before the mighty problem of its signification, abase my spiritual eyes, fearing to contemplate its portentous magnitude, reverently uncover and humbly refer it to His Eminence Cardinal Gibbons and His Grace Bishop Potter.

FORGETFULNESS, n. A gift of God bestowed upon debtors in compensation for their destitution of conscience.

FORK, n. An instrument used chiefly for the purpose of putting dead animals into the mouth. Formerly the knife was employed for this purpose, and by many worthy persons is still thought to have many advantages over the other tool, which, however, they do not altogether reject, but use to assist in charging the knife. The immunity of these persons from swift and awful death is one of the most striking proofs of God's mercy to those that hate Him.

FORMA PAUPERIS [Latin], n. In the character of a poor person—a method by which a litigant without money for lawyers is considerately permitted to lose his case.

FRANKALMOIGNE, n. The tenure by which a religious corporation holds lands on condition of praying for the soul of the donor. In mediaeval times many of the wealthiest fraternities obtained their estates in this simple and cheap manner, and once when Henry VIII of England sent an officer to confiscate certain vast possessions which a fraternity of monks held by frankalmoigne, "What!" said the Prior, "would your master stay our benefactor's soul in Purgatory?" "Ay," said the officer, coldly, "an ye will not pray him thence for naught he must e'en roast." "But look you, my son," persisted the good man, "this act hath rank as robbery of God!" "Nay, nay, good father, my master the king doth but deliver Him from the manifold temptations of too great wealth."

FREEBOOTER, n. A conqueror in a small way of business, whose annexations lack the sanctifying merit of magnitude.

FREEDOM, n. Exemption from the stress of authority in a beggarly half dozen of restraint's infinite multitude of methods. A political condition that every nation supposes itself to enjoy in practical monopoly. Liberty. The distinction between freedom and liberty is not accurately known; naturalists have never been able to find a living specimen of either.

FREEMASONS, n. An order with secret rites, grotesque ceremonies, and fantastic costumes, which, originating in the reign of Charles II, among working artisans of London, has been joined successively by the dead of past centuries in unbroken retrogression until now it embraces all the generations of man on the hither side of Adam and is drumming up distinguished recruits among the pre-Creational inhabitants of Chaos and the Formless Void. The order was founded at different times by Charlemagne, Julius Caesar, Cyrus, Solomon, Zoroaster, Confucius, Thothmes, and Buddha. Its emblems and symbols have been found in the Catacombs of Paris and Rome, on the stones of the Parthenon and the Chinese Great Wall, among the temples of Karnak and Palmyra and in the Egyptian Pyramids—always by a Freemason.

FRIENDLESS, adj. Having no favors to bestow. Destitute of fortune. Addicted to utterance of truth and common sense.

FRIENDSHIP, n. A ship big enough to carry two in fair weather, but none in foul.

FROG, n. An amphibious reptile with edible kickers. When young, this creature is called a Mary wog or Thaddeuspole, and as such maintains a tail, subsequently eschewed. The first mention of frogs in profane literature is in Homer's narrative of the war between them and the mice. Skeptical persons have doubted Homer's authorship of the work, but the learned, ingenious, and industrious Dr. Schliemann has set the question forever at rest by uncovering the bones of the slain frogs. One of the forms of moral suasion by which Pharaoh was lobbied in favor of the Israelites was a plague of frogs, but Pharaoh, who liked them fricasÊe, remarked, with truly oriental stoicism, that he could stand it as long as the frogs and the Jews could; so the programme was changed. The frog is a diligent songster, having a good voice but no ear. The libretto of his favorite opera, as written by Aristophanes, is brief, simple, and effective—"brekekex-koÂx"; the music is apparently by that eminent composer, Richard Wagner. Horses have a frog in each hoof— a thoughtful provision of nature, enabling them to jump.

FRYING-PAN, n. One part of the penal apparatus employed in that hell-upon-earth, a woman's kitchen. The frying-pan was invented by Calvin, and by him used in scrambling span-long infants that had died without baptism; but observing one day the horrible torment of a tramp who had incautiously pulled a fried babe from the waste-dump and devoured it, it occurred to the great divine to rob death of its terrors by introducing the frying-pan into every household in Geneva. Thence it spread to all corners of the world, and has been of invaluable assistance in the propagation of his sombre faith. The following lines (said to be from the pen of His Grace Bishop Potter) seem to imply that the usefulness of this utensil is not limited to this world; but as the consequences of its employment in this life reach over into the life to come, so also itself may be found on the other side, rewarding its devotees:

FUNERAL, n. A pageant whereby we attest our respect for the dead by enriching the undertaker, and strengthen our grief by an expenditure that deepens our groans and doubles our tears.

FUTURE, n. That period of time in which our affairs prosper, our friends are true, and our happiness is assured.