Returning from Soho Square to Piccadilly Circus, we find ourselves in the parish of St. James's, Piccadilly, which takes in all the now fashionable shopping locality of Regent Street, and is bounded on the east and south by St. Anne's, Soho, and St. Martin's-in-the-Fields, and on the west by St. George's, Hanover Square.

St. James's parish was separated from St. Martin's in 1685, but before that epoch it had begun to have an existence of its own. Faithorne and Newcourt's map of London, 1658, shows us open ground from a double row of trees at Pall Mall to Piccadilly; Piccadilly is marked "from Knightsbridge unto Piccadilly Hall." Opposite the palace, at the foot of the present St. James's Street, are a few houses, including Berkshire (now Bridgewater) House, and there are a few more at the eastern extremity of Pall Mall. At the north-eastern corner of what we call the Haymarket is the "Gaming House," and at the corners adjacent one or two more buildings. This is St. James's in its earliest stage, before the tide of fashion had moved so far westward. Henry Jermyn, Earl of St Albans, in the reign of Charles II. obtained a building lease of forty-five acres in St. James's Fields and projected the square, which became the nucleus of the parish.

Piccadilly.—There is no authentic derivation for this curious name, though many fancy suggestions have been made. The most probable of these is that which connects it with the peccadilloes or ruffs worn by the gallants of Charles II.'s time. Pennant traced the name to piccadillas, turnovers or cakes which were sold at Piccadilla Hall, at the upper end of the Haymarket.

In Thomas Blount's "Glossographia" we read: "Pickadil ... the round hem or the several divisions set together about the skirt of a garment or other thing; also a kinde of stiff collar made in fashion of a Bande. Hence perhaps that famous ordinary near St. James called Peckadilly took denomination because it was then the utmost or skirt house of the suburbs that way, others say it took its name from this, that one Higgins a tailor who built it got most of his estate by Pickadilles, which in the last age were much worn in England." There seems to be no other foundation than Mr. Blount's lively imagination for "Higgins a tailor."

There is as much confusion about the first date at which the name was used as there is about its derivation. Whether the hall took its name from its situation or the district from the hall will probably ever remain in doubt. The earliest occurrence of the name is in 1636, by which time the hall was built. The gaming-house was at a later time also known as Piccadilly, which has increased the confusion. Some writers have identified the hall and the gaming-house, but there seems to be no doubt that these were two separate buildings. The former was a private house standing at the corners of Windmill and Coventry Streets. The latter seems to have been built by Robert Baker, and sold by his widow to Colonel Panton, who built Panton Street. It was otherwise known as Shaver's Hall, and had a tennis-court and upper and lower bowling-green, and was a very fashionable place of resort. The secondary name probably emanated from the proprietor's former trade, but it is said to have stuck to the place after Lord Dunbar lost £3,000 at one sitting, when people said a Northern lord had been shaved here.

Sir John Suckling was among the habituÉs of the place, and his sisters will ever be remembered from Aubrey's pathetically humorous description of their coming "to the Peccadillo bowling-green crying for feare he should lose all [their] portions," as he was a great gamester.

The name Piccadilly appears to have begun at the east end, near the circus, and spread over the whole, a fact which is in favour of its being derived from the house, not the name of the house from the locality.

Regent Street is Nash's great memorial. The conception is undoubtedly fine, namely, a vast avenue to lead from Carlton House to a country mansion to be built for George IV. in Regent's Park. Nash's great idea, the combining of many separate buildings into one uniform faÇade, is here seen at its best. At first a lengthy colonnade supported by columns 16 feet high ran on either side of the quadrant, but this darkened the shops, so it was removed. The street is famous for its shops, which line it from end to end; it has also the merit of being wider than most of the London streets.

The part of the parish lying to the east of Regent Street is quite uninteresting except for Golden Square, which has been well described by Hatton as "not exactly in anybody's way, to or from anywhere." The square is mentioned in both "Humphrey Clinker" and "Nicholas Nickleby." Here Henry St. John, Lord Bolingbroke, lived, 1704-1708, and Mrs. Cibber in 1746. Angelica Kauffman lived in the centre house on the south side for many years. It was in the vicinity of the square that the great burial-ground for the plague-stricken dead was formed in the reign of Charles II. It was chosen as being well away from the town. Pennant says: "Golden Square, of dirty access, was built after the Revolution or before 1700. It was built by that true hero Lord Craven, who stayed in London during the whole time: and braved the fury of the pestilence with the same coolness as he fought the battles of his beloved mistress, Elizabeth, Queen of Bohemia." It was in Golden Square that De Quincey took leave of Ann, whom he was never to see again.

Piccadilly Circus was formed at the same time as Regent Street, though it has been altered since. The Criterion Theatre and Restaurant are on the south-east side. On this site formerly stood a well-known coaching inn called the White Bear. One of Shepherd's charming sketches in the Crace Collection illustrates the courtyard of the inn. Benjamin West, afterwards P.R.A., put up here on the night of his first sojourn in London. In the centre of the circus is a fountain in memory of the seventh Earl of Shaftsbury. This was designed by Alfred Gilbert, R.A., and consists of a very light metal figure of Mercury on a very solid aluminium pedestal.

In Piccadilly itself there is the somewhat gloomy-looking geological museum, with entrance in Jermyn Street, open free to all comers. The church of St James's, which comes shortly after, was built by Sir Christopher Wren at the cost of Henry Jermyn, Earl of St. Albans, and consecrated at first as a chapel of ease to St. Martin's. The first rector was Tenison, afterwards Archbishop of Canterbury. Wren considered this one of his best works. He says: "In this church ... though very broad and the nave arched, yet there are no walls of a second order, nor lantherns, nor buttresses, but the whole roof rests upon the pillars, as do also the galleries; I think it may be found beautiful and convenient, and as such the cheapest of any form I could invent."

The church is very wide in proportion to its length, and is said to seat 2,000 people easily. The reredos, a handsome piece of wood carving with a central group of the pelican in her piety, typical of Christ giving His life's blood for fainting souls, is the work of Grinling Gibbons. The organ, in the western gallery, is supposed to have been the work of Bernard Schmidt and was built for the Roman Catholic Oratory at Whitehall, but was given to St. James's by Queen Mary, 1691.

The font which stands in the vestibule at the west end is a most excellent piece of work. It was carved from a block of white marble by Grinling Gibbons, and is about 5 feet in height. The shaft is the tree of life, round which is twined the serpent, while figures of Adam and Eve stand on either side. It is well worth going into the church to see this alone. The font originally possessed a cover, which was stolen in 1800, and is said to have been hung up in a spirit shop. In the church are many monuments hanging on the walls, and on the pillars. One or two of these at the east end are very cumbrous, and many are heavily decorated, but none are worthy of note for any intrinsic beauty they possess. Walcott notes as the most important those of the eighth Earl of Huntingdon, 1704, and Count de la Roche Foucault, 1741. James Dodsley, the well-known bookseller, 1797, was buried here, also Haysman, the rival of Lely, and Lieutenant-General Sir Colin Campbell, K.C.B., 1847.

Among the entries in the register we have the burials of the two Vanderveldes, father and son.

In the old graveyard there are stones in abundance, one or two on the wall of the church, and many alternating with the flagstones over which the feet of the living carelessly pass.

In Sackville Street, just opposite to the church, Sheridan died.

There are various other public buildings of more or less interest before we come to Burlington House. No less than three mansions stood here in the times of the later Stuarts. These belonged to Lord Chancellor Clarendon and Lords Berkeley and Burlington, of which the latter name has alone survived.

The third Earl was an architect, and added several embellishments to his mansion, including a stone frontage and a colonnade taken down in 1868.

Handel was a guest at Burlington House for three years from 1715. After the death of Lord Burlington in 1753 the title became extinct. Among the memorable scenes witnessed by the house was a brilliant ball and fÊte, given by the members of White's Club to the allied Sovereigns in 1814.

Lord George Cavendish, who bought the house in 1815, considerably altered the interior of the building, and built the Burlington Arcade in 1819. He was afterwards created Earl of Burlington. In 1854 Government bought the house and garden. The University of London, now in Burlington Gardens, temporarily occupied the building, and the societies occupying Somerset House were offered quarters in Burlington House. In 1866 the mansion was leased to the Royal Academy, and fundamental changes began.

On the east side of Burlington House are the Geographical and Chemical Societies, and on the west the LinnÆan. In the courtyard, the Royal Society is in the east wing, and the Royal Astronomical and the Society of Antiquaries in the western.

On the site of the Albany, now fashionable "chambers" for unmarried men, were formerly three houses united into one by Lord Sunderland, the third Earl, chiefly remembered for his magnificent library, which, when the earldom of Sunderland was merged in the dukedom of Marlborough in 1733, formed the nucleus of the Blenheim Library. The brother of the great Fox held the house for a short time, and from him it passed to Lord Melbourne, to whom its rebuilding was due. The architect was Sir W. Chambers, and the ceilings decorated by Cipriani, Rebecca, and Wheatley. It was from the Duke of York and Albany, uncle of George III., that the name is derived. However, he did not live here long.

St. James's Hall is well known for its popular concerts, which bring first-rate music within the reach of all. In St. James's Hall the first public dinner was held on June 2, 1858, and was given under the presidency of Mr. R. Stephenson, M.P., to Sir F. P. Smith in recognition of his services in introducing the screw propeller in our steam fleet. Charles Dickens gave his second series of readings here in 1861.

Passing down Duke Street, on the south side of Piccadilly, we come to Jermyn Street. Sir Walter Scott stayed at an hotel here in 1832, on his last journey home. Sir Isaac Newton was also a resident, and the poet Gray lodged here.

In King Street are Willis's Rooms, once Almack's, at one time the scene of many fashionable assemblies. The rooms were opened in 1765, and a ten-guinea subscription included a ball and supper once a week for three months. Ladies were eligible for membership, and thus the place can claim to have been one of the earliest ladies' clubs. Walpole writes in 1770 to George Montagu: "It is a club of both sexes to be erected at Almack's on the model of that of the men at White's.... I am ashamed to say I am of so young and fashionable society." The lady patronesses were of the very highest rank. Timbs quotes from a letter of Gilly Williams: "You may imagine by the sum, the company is chosen, though refined as it is, it will scarcely put old Soho [Mrs. Cornelys] out of countenance." The place steadily maintained its popularity. Captain Gronow in 1814 says: "At the present time one can hardly conceive the importance which was attached to getting admission to Almack's, the seventh heaven of the fashionable world." The large ballroom was about 100 feet in length by 40 in width, and the largest number of persons present at one time was 1,700. It is often mentioned in the contemporary fiction dealing with fashionable society; indeed, the whole of this neighbourhood was the theatre for much of the gay life of the eighteenth century.

St. James's Square is redolent of old memories. It was, as has been stated, built by Henry Jermyn, Earl of St. Albans. The square seems to have been a fashionable locality from its very foundation, and, curiously enough, has escaped the fate of so many of its compeers, and still continues aristocratic.

The workmanship of all the houses was solid and durable, and as soon as they were built they were occupied. A catalogue of the names of the early inhabitants would occupy much space: titled men, men eminent in letters, science and political life, thronged the arena. The proximity to the Court was a great attraction. The centre of the square was at first left in a neglected condition, a remnant of the "Fields" on which the houses had been built, and it served as a base for the displays of fireworks which were given after the taking of Namur and the Peace of Ryswick.

In 1726 a Bill was passed in Parliament for the cleansing and beautifying of the square, which had become a disgrace to the neighbourhood, being a mere offal-heap. An ornamental basin was constructed and the square paved, and a bronze equestrian statue of William III., clad, according to the ludicrous custom of a bygone time, in Roman habit, was erected in 1808, on a pedestal which had been built for it in the centre of the basin years before. The water in this basin is associated with at least one historic scene, for in the riots of 1780 the malcontents threw the keys of Newgate into it, where they remained undiscovered for many years. The basin was finally drained in 1840, trees were planted, and the garden laid out. Among the historic associations is one of a memorable night, when Dr. Johnson and Richard Savage paced round and round the square for lack of a lodging, and pledged each other, as they separated, to stand by their country.

Norfolk House stands on the site of that of the Earl of St. Albans, which he built for his own use in the south-east corner, he afterwards removed to the mansion on the north side. In the Earl's first house the Grand-Duke of Tuscany, afterwards Cosmo III., lodged, when on a visit to London in 1669. Frederick, Prince of Wales, rented the old house before Carlton House was prepared for his reception, and here George III. was born. The old house still stands behind the newer building.

Next to Norfolk House is London House, attached to the See of London since about 1720.

Next to this, at the south corner of Charles Street, is Derby House, with handsome iron veranda and railings running round it. It was built by Lord Bellasis, and one of the earliest occupants was Aubrey de Vere, twentieth Earl of Oxford. Dasent says there is some reason for supposing it to have been occupied by Sir Robert Walpole between the years 1732-35. It was bought by the Earl of Derby about the middle of the present century. All the houses on this side of the square are of dull brick, in formal style, with neither beauty nor originality. The next, at the northern corner of Charles Street (now the West End branch of the London and Westminster Bank), was known as Ossulston House until 1753, and belonged for a long period to the Bennet family. It covered two numbers, of which one was occupied by Lord Dartmouth, Lord Privy Seal under Lord North's Administration, and is now the bank, and the other was bought by the second Viscount Falmouth, and is now occupied by the seventh Viscount of that name.

No. 3 has passed through the hands of many titled and distinguished owners, and is at present the property of the Duke of Leeds. It was occupied by the Copyhold Inclosure and the Tithe Commission Office, now the Board of Agriculture.

No. 4, in the corner, belongs to Lord Cowper, and No. 5 to the Earl of Strafford.

The next two belong to Lord Avebury and Earl Egerton.

No. 8 has had many vicissitudes. It was for a time occupied as the French Embassy, later by Sir Cyril Wyche, President of the Royal Society, also by Monmouth's widow, Josiah Wedgwood, and by many intervening tenants of distinction. After the occupancy of Wedgwood, the second Earl of Romney was here for eight years, until 1839, and then the house became successively the home of the Erectheum Club, of the Charity Commissioners, the Junior Oxford and Cambridge Club, Vine Club, York Club, Junior Travellers' Club, and at present it is the Sports Club. Ormond or Chandos House, which took up three numbers at the west corner of York Street, has a history. It was built by Lord St. Albans in place of his first house in the south-eastern corner of the square, and passed into the possession of the Duke of Ormond, the only man who was four times Lord Lieutenant of Ireland. Entertainments on a large scale took place during this period. Perhaps the most interesting fact in the history of the house is that a meeting of noblemen and gentlemen was held here in 1688, at which an address of welcome to the Prince of Orange was drawn up, in which he was besought to carry on the Government until a Convention could meet. The Spanish Embassy was here in 1718. The Duke of Chandos bought the mansion a year later, and in 1735 it was pulled down, and the present three houses built on its site. These three houses have been well tenanted, especially the centre one, No. 10, which can boast the successive occupancy of Pitt, Lady Blessington, the great Earl of Derby, and Mr. Gladstone. Here old link-extinguishers still remain on the posts before the door.

No. 9 is now the home of the Portland Club.

No. 12 has also its string of names, but, for fear of degenerating into a mere catalogue, we will only mention a few of the most important, Sir Cyril Wyche was the first owner in 1676, and he was succeeded in 1678 by Aubrey de Vere, twentieth Earl of Oxford. The Dukes of Roxburgh were in possession from 1796 to 1812, and at the latter date the famous Roxburgh Library was sold. The last private occupier was J. W. Spencer Churchill, seventh Duke of Marlborough. After this the house was used successively by the Salisbury Club, the Nimrod Club, and the Pall Mall Club, the last of which remains here at present.

No. 13, the corner house, has passed through many hands, and is now in the occupation of the Windham Club. The London Library is well known to all book-lovers.

Wheatley states that Philip Francis lived at No. 14 until his death in 1818, but the houses have been renumbered since then, and his 14 is now 16.

No. 15 is known as Lichfield House from its former owner. It was built by Stuart (known as "Athenian Stuart") in 1763-65. In 1855 it was the home of the Junior United Service Club. In 1856 it was bought by the Clerical, Medical, and General Life Assurance Society. The chief event in its history took place on June 28, 1815, when the Prince Regent displayed the trophies and banners just brought from Waterloo to the crowd below.

No. 16, which is now amalgamated with 17, is occupied by the East India United Service Club.

Nos. 17 and 18 formed old Halifax House. Many political intrigues and meetings must have taken place here, for Lord Halifax gained the name of always being on the winning side. In 1725 Halifax House was demolished and the present buildings erected. In 1820 Queen Caroline stayed in No. 17 during her trial. The house was afterwards used by the Colonial Club.

No. 18 boasts such names among its tenants as the fourth Earl of Chesterfield, the first Lord Thurlow, and Viscount Castlereagh, afterwards second Marquis of Londonderry. It was used by the Oxford and Cambridge Club and the Army and Navy Club.

At the south-east corner of King Street, in the square, was Cleveland House, which has been demolished and replaced by "mansions."

Apsley and Winchester Houses follow. The former was rebuilt by Robert Adam in 1772-74, and follows the well-known lines of his work, with fluted pilasters rising from above the basement to an entablature. The entrance has the fan-shaped glass above the door so characteristic of Adam's work.

Winchester House was from 1826 to 1875 occupied by the Bishops of that see, and was later a branch of the War Office, several departments of which are still here. The next magnificent building, which really faces George Street, but was formerly considered to be in the square, is one of the palatial clubs evolved by the demands of modern luxury. The house which formerly stood here was used by the Parthenon Club from 1837-41, and was subsequently pulled down to make way for the present clubhouse, opened 1851, and built from designs by Parnell and Smith. The exterior is a combination of Sansovino's Palazzo Cornaro and the Library of St. Mark at Venice. The lower part follows Sansovino's beautiful work very closely. On the site of this stood formerly a house belonging to Nell Gwynne, of which Pennant writes: "The back-room of the ground-floor was (within memory) entirely of looking-glass, as was said to have been the ceiling; over the chimney was her picture, and that of her sister in a third room." He describes this house as the "first good one on the left hand of St. James's Square entered from Pall Mall."

The south side of the square has never been held in such esteem as the remaining three-fourths. But the Junior Carlton Club, facing Pall Mall, has removed this stigma; it is a fine specimen of architecture. Demolition, previous to reconstruction, has already begun next to it. After this as far as John Street is a row of comparatively insignificant narrow houses of various heights and styles. Some of the houses on the north side of Pall Mall were built before the completion of the square, so that there was no room for large mansions here. At the corner of John Street and Pall Mall is what is called "Ye Olde Bull Tavern," a square box-like stuccoed house. This is probably contemporary with the first building of Pall Mall, and may have been the substitute of the seventeenth century wits and men of letters for the magnificent clubs of the present day.

Charles Street was built about 1671, and was, of course, named after the King. Burke and Canning are numbered among the former residents.

York Street was named in compliment to the Duke of York, afterwards James II. It may be noted that the four streets surrounding the square form the names King Charles and Duke of York.

Bury Street was named after a Mr. Berry, who was landlord of many of the houses; the spelling is a corruption. Sir Richard Steele lodged here, also Thomas Moore and Crabbe, the poet, during one of his later visits to London, when contact with cultured men had rubbed off his early boorishness.

"St. James's Street is much more remarkable for the natural advantages and beauty of the ground, than from any addition it has received from art," so says Ralph ("Critical Review of Public Buildings," 1783 edition). In the very earliest maps of the parish a road is marked on this site, leading northward from the palace. The street was built about 1670, and was first known as Long Street. In the time of the Stuarts it shared the aristocratic tendency of the square, and had a list of noble occupiers. It was levelled and made uniform in 1764, having previously descended from Piccadilly by steps.

St. James's Street has been noted from the very beginning for its clubs, gaming-houses, and convivial gatherings. Its proximity to the Court attracted all the fops and beaux, and it was the resort of fashionable and gay young idlers. Many anecdotes are related of the street, but chiefly in connection with the clubs, for which it is still famous. White's (37 and 38) is one of the oldest; it was established about 1698, and was at first a chocolate-house. It stood near the low end of the street, on the west side. It was burnt down in 1733, and the present building, designed by Wyatt, was erected in 1755, and altered nearly a century later by Lockyer. The gaming-room of the old house forms the scene of the sixth plate of Hogarth's "Rake's Progress," where the gamblers are represented intent on their cards, though the flames are bursting out. It was after the fire that the house became a private club, and it was long noted as a gambling-house for high stakes and reckless betting. It is of White's that the story is told that a man dropped down before the door insensible, and was taken inside. The members immediately began to bet whether he were dead or not, and when the physician came to bleed him, those on the affirmative side protested.

"Brooke's" is now No. 60, on the opposite side of the street from White's, at the northern corner of Park Place, and was as notorious a gaming-house as White's. It was of later origin, dating from 1764, and was originally in Pall Mall. It began life under the name of Almack's. The play was prodigiously high. Timbs says that it was for rouleaux of £50 each, and there was generally £10,000 in specie on the table.

"Boodle's," is another celebrated club, which was also named the "Savoir Vivre." This is now No. 28.

The Cocoa-tree Club recalls by its name an old chocolate house of Queen Anne's time, a favourite resort of the Tories, often mentioned by Addison. Lord Byron was one of the members. The old house was situated nearer to the south end of the street than the present club.

"Arthurs," south of St. James's Place, was founded by the proprietor of White's in 1765. The present building was erected in 1825 by Hopper. The Conservative Club house (74) was built in 1845 from designs by Smirke and Basevi. The building is large, with slightly projecting wings, and a stone balcony extending uninterruptedly across the frontage.

Next door is the "Thatched House" Club, which originated in the Thatched House Tavern, in which the dilettanti and literary societies used to meet. Wheatley describes a row of low-built shops standing before the tavern, one of which was that of the hairdresser Rowland, who made a fortune by his macassar oil.

St. James's Coffee-house, a celebrated Whig rendezvous from the reign of Queen Anne until the beginning of the nineteenth century, was at this end of the street. In this street there are also many other clubs of later origin. It was at the foot of St. James's Street that the Duke of Ormond was attacked in his coach in 1670, by the notorious Colonel Blood. The Duke had been responsible for the execution of some of Blood's associates in Ireland, and Blood determined to take him to Tyburn and hang him in revenge. He actually succeeded in dragging him from his coach and mounting him on horseback behind one of his men. When they had proceeded as far as Devonshire House, the Duke succeeded in unhorsing his companion, and in the delay that followed his servants made their appearance and rescued him. For this outrage Blood was never punished. Sir Christopher Wren died in St. James's Street in 1723, and Gibbon, the historian, in 1794. The names of Waller, the poet, Wolfe, C. Fox, and Lord Byron, are among the residents. It was here that the last named was lodging when his "Childe Harold" created such an extraordinary sensation. Alexander Pope was also a resident.

McLean, the famous highwayman, lodged opposite "White's." He was hung in 1750, and the first Sunday after he was condemned 3,000 people went to see him in gaol. St. James's Street at present is sufficiently noticeable because of its width, in which the old palace gateway at the foot is framed.

Park Place was built in 1683. William Pitt came to live here in 1801. St. James's Place is a medley of old and modern buildings, some having been built in the last decade. Wheatley speaks of it because of its tortuous course, as "one of the oddest built streets in London." Wilkes and Addison, and Mrs. Delaney, at whose house Miss Burney stayed, have been among the residents. Samuel Rogers lived for fifty years at No. 22, which looked out over the park.

Cleveland Square is an open space before the Duke of Bridgewater's House. The house was restored, as an inscription over the doorway tells us, or in other words rebuilt, in 1849. This house has a history. It was originally Berkshire House, and belonged to the Howards, Earls of Berkshire. Charles II. bought it in 1670, and gave it to that "beautiful fury," Barbara, Duchess of Cleveland. She pulled down the house and sold part of the site before rebuilding. In 1730 the first Duke of Bridgewater bought it, and it was alternately known by the names of Cleveland and Bridgewater. The third Duke died unmarried in 1803, when the title became extinct. He left the house and the magnificent collection of pictures to his nephew, the Marquis of Stafford, afterwards Duke of Sutherland, with reversion to the Marquis's second son. This son was created Earl of Ellesmere in 1846. He rebuilt the house, still retaining the old name. The famous collection of pictures within, includes works of Raphael, Titian, Vandervelde, Turner, Rembrandt, Cuyp, and others, and is one of the finest private collections in England.

The house opposite was the home of Grenville, First Lord of the Admiralty in 1806, and here he collected the magnificent library which is now at the British Museum. Admiral Rodney lived in Cleveland Row in 1772.

On Pall Mall the game of the same name was originally played. On both sides of the open space were rows of elm-trees. But being such an obvious route from the palace to Charing Cross it was soon used as a thoroughfare, and after the warrant for "building of the new street of St. James" Charles II. laid out the new mall in the park. The street, when built, was at first called Catherine, in honour of the Queen, but the older name soon returned into favour.

It early became fashionable. Nell Gwynne was one of the first residents. She had a house numbered 79, near the War Office, afterwards, by the irony of fate, occupied by the Society for the Propagation of the Gospel, and since rebuilt. Evelyn records an occasion on which he attended King Charles II. in the park, when he heard "a familiar discourse between the King and Mrs. Nellie as they call an impudent comedian, she looking out of her garden on a terrace at the top of the wall, and the King standing on the green walk under it."

During Wyatt's insurrection in 1554, the mob passed along this road, and the Earl of Pembroke planted artillery on the high ground of Hay Hill and Piccadilly, when a piece of the Queen's ordnance, we are told, "slew three of Wyatt's followers, in a rank, and after carrying off their heads passed through this wall into the park" (Jesse). In 1682 Thynne was murdered at the instigation of Count Konigsmarck in what is now Pall Mall East, because he had married the heiress of the Percys, whom the Count wished to marry himself. The principal was acquitted, but his three accomplices or tools, who had actually committed the murder, were executed, according to the poetic justice of the time, at the scene of their offence, in 1682.

The Star and Garter Hotel, nearly opposite the War Office, was a fashionable tavern in the time of Queen Anne. Here took place the famous duel between the fifth Lord Byron and Mr. Chaworth in 1765. They fought in the house by the light of only a single candle. Byron killed his opponent, and was found guilty of manslaughter by his peers. However, he claimed benefit of a statute of Edward VI., and was discharged. The original dispute was merely as to which gentleman had the larger amount of game on his estate.

Among other famous taverns in this street are mentioned the King's Arms, under the Opera Colonnade in Pall Mall East. Also the Rumpsteak Club, which consisted of five Dukes, one Marquis, fifteen Earls, three Viscounts, and three Barons, all in opposition to Sir Robert Walpole. The King's Head, the George, the Smyrna Coffee-house, Giles' Coffee-house, Hercules Pillars, and the Tree, were among the ancient places of resort in this street—a foreshadowing of the palatial mansions of Clubland.

The north side of the street is the poorer of the two. Beginning at the western end on the south side, we have the New Oxford and Cambridge Club, the Guards, and the Oxford and Cambridge University Clubs. The first of these has a very massive entrance; the house has only a north aspect, the windows at the back being glazed with ground-glass so as not to overlook Marlborough House. A little further on is an old red-brick house with a portico on which is a female figure in bas-relief with palette and brushes. This is in great contrast to its neighbours; it is what remains (centre and west wing) of Schomberg House, built about the middle of the seventeenth century. The first Schomberg came over in the train of William of Orange; he was Count in his own country, bore several French titles, and was created an English Duke. He was killed at the Battle of the Boyne. The house was later occupied by Cumberland of Culloden, George III.'s uncle, and subsequently by Astley the painter. Astley divided it into three parts, reserving the centre for his own use. Among the tenants who succeeded him we find the names of Cosway, Paine the bookseller, and Nathaniel Hone. In the western wing Gainsborough lived, so the building has every right to its distinguishing panel of palette and brushes. During Gainsborough's occupancy everyone of wealth, beauty or fashion in the society of the day resorted here to have their features immortalized. This house is now part of the War Office, which, in a previous stage of its career, was the Ordnance Office.

The entrance to the War Office stands back behind a courtyard in which is a statue of Lord Herbert of Lea. The War Office was originally at the Horse Guards, and since its removal has gradually extended its premises by absorbing one house after another. We now come to a long series of clubs. The Carlton is rich in ornament, with polished granite columns decorating a front of Caen stone. The design was by Sydney Smirke, and is said to be founded on that of a Venetian palace. It contrasts with its neighbour, the Reform, which presents a breadth of plain surface broken only by little pediments over the windows. This was the work of Sir Charles Barry, and was copied from the Farnese Palace at Venice, of which the upper storey was the work of Michael Angelo. It is a dull, heavy-looking piece of work. On part of its site stood the house of Angerstein, a Russian merchant, whose collection of pictures formed the nucleus of our National Gallery.

The Travellers', next door, also the work of Barry, is in an Italian style. One of the rules of this club is that no person shall be eligible for membership who shall not have travelled out of the British Isles at least 500 miles in a direct line from London.

The AthenÆum is one of the most princely of clubs. It was established in 1823, and the present house was built about half a dozen years later. Decimus Burton was the architect, and his work is Grecian, with a frieze copied from the famous procession in the Parthenon. The recently-added storey has been the subject of much criticism. Among those present at the preliminary meeting we find the names of Sir Humphrey Davy, Sir Francis Chantrey, Sir Thomas Lawrence, the Earl of Aberdeen, Sir Walter Scott, Thomas Moore and Faraday. Theodore Hook was one of the most popular members.

At the corner of Pall Mall East and Waterloo Place is the United Service Club built by Nash. It was instituted after the Battle of Waterloo, and was at first at the corner of Charles Street, on the site of the Junior Club of the same name.

The Guards' Monument, in Waterloo Place, was put up in 1859 in memory of the Crimea. Three figures of guardsmen—Grenadier, Coldstream, and Fusilier—in full marching uniform, stand round a granite pedestal, on which are inscribed the names of the famous Crimean battles; a pile of Russian guns actually brought from Sebastopol completes the group.

The Church of St. Philip, on the west side of Lower Regent Street, is a quaint building with Doric portico and curious little cupola, the latter a copy of the Lanthorn of Demosthenes at Athens. It was built in 1820 by Repton, from designs by Sir W. Chambers, and has the merit of being almost continually open for prayer and meditation.

On the east side the most important building is the Junior United Service Club, erected in 1852 by Nelson and James.

Market Street and St. James's Market recall the market held "west of the Haymarket, mid-way between Charles and Jermyn Street." This originated in a fair held in St. James's Fields, before the square was built, and from which Mayfair partly derives its name. This fair was suppressed on account of disorder in 1651, but revived again, and was not finally stopped until the end of Charles II.'s reign. After having been suppressed in the Fields in 1664, it was held in the market. Strype describes this market as "a large place, with a commodious market-house in the midst filled with butchers' shambles; besides the stalls in the market-place for country butchers, higglers and the like, being a market now grown to great account, and much resorted unto as being served with good provisions." In a house at the corner of Market Street lived Hannah Lightfoot, said to have been married to King George III. when Prince of Wales. The market belonged to Lord St. Albans, whose name is preserved in St. Albans Place, which ends in a foot-passage leading into Charles Street.

The Haymarket derives its name from a market for hay and straw which was held here until 1830, and was then transferred to Cumberland Market, Regent's Park, where it still continues. The market naturally involved many taverns in its neighbourhood, and the street was lined with them. The names of some were Black Horse, White Horse, Nag's Head, Cock, Phoenix, Unicorn, and Blue Posts. The theatre and the old opera-house were the most important buildings in the Haymarket. The latter was on the site of Her Majesty's Theatre and the Carlton Hotel. It was called at different times the Queen's Theatre, the King's Theatre, and Her Majesty's Theatre, so the new name is but a revival of the old. The first theatre on this site was begun in 1703 as a theatre for Betterton's famous company, which had been performing in Lincoln's Inn Fields. Operas were subsequently performed here; in fact, nearly all Handel's operas were written for this theatre. Masquerades were held in the opera-house in 1749 and 1766, and were attended by all the rank and fashion of the day, and even by royalty in disguise. In 1789 the theatre was burnt down. It was rebuilt and completed only three years after the catastrophe. This house saw some fine performances of the Italian Opera Company, and in it the names of Grisi, Rubini, Tamburini, Lablache, Mario, and Jenny Lind, first became known to the public. In 1867 it also was burnt down. For about a quarter of a century a third theatre stood here, but had no success, and was pulled down. The present theatre is of great magnificence, and will seat between 1,600 and 1,700 persons. The Haymarket Theatre opposite is dwarfed by the proximity of its gorgeous neighbour. The names of Fielding, Cibber, Macklin, and Foote are connected with various attempts to make the earliest venture on this site pay. Mozart performed here in 1765, when only eight years old. In 1820 the present building was erected by Nash, adjacent to the old theatre. The Haymarket in the last century was a great place for shows and entertainments.

In James's Street was a tennis-court much patronized by Charles II. and the Duke of York.

Whitcomb Street was formerly called Hedge Lane, an appropriate name when it stood in a rural district; now it is a narrow, dirty thoroughfare, bordered by poor dwellings and small shops.