'You now know, Will,' said Jenny, when I called next day, 'why I have been interested in you, since I first saw you. Not on account of your good looks, Sir, though I confess you are a very pretty fellow: nor on account of your playing, which is spirited and true; but because you are my first cousin by marriage.'

She received me, sitting in the small room on the left of the Hall. The great house was quite empty, save for the servants, who were always clearing away the remains of one fÊte and arranging for another. Their footsteps resounded in the vacant corridors and their voices echoed in the vacant chambers.

'Jenny, I have been able to think of nothing else. I could not sleep for thinking of it. I am more and more amazed.'

'I knew you would be. Well, Will, I wanted to have a long talk with you. I have a great deal to say. First, I shall give you some tea—believe me, it is far better for clearing the head after a night such as last night, than Madeira. I have a great deal to tell you—I fear you will despise me—but I will hide nothing. I am resolved to hide nothing from you.'

Meantime the words kept ringing in my ears. 'Matthew a gambler! The religious Matthew! To whom music was a snare of the Devil and the musician a servant of the Devil! The steady Matthew! The irreproachable Matthew!'

Yet, since I had always known him to be a violator of truth; a slanderer and a backbiter, why not, also, a gambler? Why not also a murderer—a forger—anything? I was to find out before long that he was quite ready to become the former of these also, upon temptation. Yet the thing was wonderful, even after I had actually seen it and proved it. And again, Matthew married! Not to a sober and godly citizen's daughter, but to an actress of Drury Lane Theatre! Matthew, to whom the theatre was as the mouth of the Bottomless Pit! Who could believe such a thing?

As for what follows, Jenny did not tell me the whole in this one afternoon. I have put together, as if it was all one conversation, what took several days or perhaps several weeks.

'You think it so wonderful, Will,' Jenny said, reading my thoughts in my face. 'For my own part it is never wonderful that a man should gamble, or drink, or throw himself away upon an unworthy mistress. Every man may go mad: it is part of man's nature: women, never, save for love and jealousy and the like. Men are so made: madness seizes them: down they go to ruin and the grave. It is strong drink with some: and avarice with some: and gaming with some. Your cousin Matthew is as mad as an Abram man.'

She was silent for a while. Then she went on again. I have written it down much as if all that follows was a single speech. It was broken up by my interruptions and by her pauses and movements. For she was too quick and restless to sit down while she was speaking. She would spring from her chair and walk about the room; she would stand at the window, and drum at the panes of glass: she would stand over the fireplace; she would look in the round mirror hanging on the wall. She had a thousand restless ways. Sometimes she stood behind me and laid a hand on my shoulder as if she was ashamed for me to look upon her.

It was a wonderful tale she told me: more wonderful that a woman who had gone through that companionship should come out of it, filled through and through, like a sponge, with the knowledge of wickedness and found in childhood with those who practise wickedness, yet should be herself so free from all apparent stain or taint of it. Surely, unless the face, the eyes, the voice, the language, the thoughts, can all lie together, this woman was one of the purest and most innocent of Heaven's creatures.

It is not always the knowledge of evil that makes a woman wicked. Else, if you think of it, there would be no good woman at all among us. Consider: it is only a question of degree. A child born in the Mint; or in Fullwood's Rents; or in St. Giles's: or in Turnmill Street learns, one would think, everything that is vile. But children do not always inquire into the meaning of what they hear: most things that they see or hear may pass off them like water from a duck's back. Their best safe-guard is their want of curiosity. Besides, it is not only in St. Giles's that children hear things that are kept from them: in the respectable part of the city, in Cheapside itself, they can hear the low language and the vile sayings and the blasphemous oaths of the common sort. Children are absorbed by their own pursuits and thoughts. The grown-up world: the working world, does not belong to them; they see and see not; they hear and hear not; they cannot choose, but see and hear: yet they inquire not into the meaning.

'Will,' she said, 'I would I had never heard your name. It has been an unlucky name to me—and perhaps it will be more unlucky still.' I know not if she was here foretelling what certainly happened, afterwards. 'Your cousin, Matthew, is no common player, who carries a few guineas in his pocket and watches them depart with a certain interest and even anxiety and then goes away. This man is a fierce, thirsty, insatiable gambler. There is a play called 'The Gamester' in which the hero is such an one. He plays like this hero with a thirst that cannot be assuaged. He plays every night: he has, I believe, already ruined himself: yet he cannot stop: he would play away the whole world and then would stake his soul, unless he had first sold his soul for money to play with. Soul? If he has any soul—but I know not.'

'You amaze me, Jenny. Indeed, I am overwhelmed with amazement. I cannot get the words out of my head, "Matthew a gambler! Matthew a gambler!"'

'Yes—Matthew a gambler. He has been a gambler in a small way for many years. When he got possession of your father's money and the management of that House, he became a gambler in a large way. I say that I believe he is already well-nigh ruined. You have seen him on one night, Will; he is at the same game every night. I have had him watched—I know. His luck is such as the luck of men like that always is—against him continually. He never wins: or if ever, then only small sums as will serve to encourage him. There is no evening in the week, not even Sunday, when he does not play. I have reason to know—I will tell you why, presently—that he has already lost a great fortune.'

'The fortune that my father left to him. It should have been mine.'

'Then, my poor Will, it never will be yours. For it is gone. I learned, six months ago, that his business is impaired: the credit of the House is shaken. Worse than this, Will'—she laid her hand on my arm—'he had then, already, borrowed large sums of Mr. Probus, and as he could not pay he was borrowing more. There is the danger for you!'

'What danger?'

'You musicians live in the clouds. Why does Matthew continue to borrow money? He pretends that he wants to put it into the business. Really, he gambles with it. Why does Probus continue to lend him money? Probus does not suspect the truth. In the hope that he will presently have such a hold over Matthew that he will get possession of the business, become a partner and turn out Matthew and your uncle. It looks splendid. All these ships: the wharf covered with goods: but the ships are mortgaged and their cargoes are mortgaged: and the interest on Probus's loans can only be paid by borrowing more. In a very short time, Will, the bubble will burst. The situation is already dangerous; it will then become full of peril.'

'Why dangerous to me? I have borrowed no money.'

'You are a very simple person, Will. They put you into the King's Bench. Yet you don't understand. I do. Matthew wanted to borrow money on the security of that succession. Probus would have lent him money on that security. Probus would have had another finger in the pie. He did not know, then, what he will very soon find out, that all the money he has already advanced to his rich client is lost. Then it was a mere temptation to Matthew to put you under pressure: now it will become a necessity to make you submit: a necessity for both, and they are a pair of equal villains.'

'Last night you warned Matthew. Jenny, your words seemed to be no common warning. You know something or you would not have pronounced that solemn warning.'

'Every woman is a prophetess,' she replied, gravely. 'Oh! I can sometimes foretell things. Not always: not when I wish: not as I wish. The prophecy comes to me. I know not how it comes: and I cannot expect it or wait for it. Last night, suddenly, I saw a vision of villainy, I know not what. It was directed against you and Alice—and the villains—among them was Matthew—were driven back with whips. They fled howling. Will, this Vision makes me speak.'

This kind of talk was new to me: I confess it made me uneasy.

'Well, you now know the truth. Your cousin has defamed and slandered you: without relenting and without ceasing. So long as it was possible to do you a mischief with your father he did it: he has robbed you of your inheritance: well: you can now, if you please, revenge yourself.'

'Revenge myself? How?'

'You will not only revenge yourself: you may make it impossible for your cousin to do you any further injury.'

'Does he wish to do me any further injury?'

'Will, I suppose that you are a fool because you are a musician. Wish? A man like that who has injured you as much as he could and as often as he could will go on: it is the nature of such a man to injure others: his delight and his nature: he craves for mischief almost as he craves for gambling.'

'You are bitter against—your husband, Jenny.'

'I am very bitter against him. I have reason.'

'But about the revenge. Of what kind is it?'

'You may do this. His father, the Alderman, has withdrawn from any active partnership in the business, which is conducted entirely by Matthew. He passes now an idle life beside Clapham Common, with his gardens and his greenhouses. Go to this poor gentleman: tell him the truth. Let him learn that his son is a gambler: that he is wasting all that is left to waste: that his losses have been very heavy already: and that the end is certain bankruptcy. You can tell your uncle that you saw yourself with your own eyes Matthew losing a hundred and fifty-five guineas in the card-room of a Masquerade: this will terrify him, though at first he will not believe it: then he will cause the affairs of the House to be examined, and he will find out, if accountants are any use, how much has been already wasted. Mind, Will, I invent nothing. All this I know. The House is well-nigh ruined.'

'How do you know all this, Jenny?'

'Not by visions, certainly. I know it from information. It is, I assure you, the bare truth. The House is already well-nigh ruined.'

'I fear I cannot tell my uncle these things.'

'It would be a kindness to him in the end, Will. Let him learn the truth before the worst happens.'

I shook my head. Revenge is not a pleasing task. To go to my uncle with such a tale seemed a mean way of returning Matthew's injuries.

'I do not counsel revenge, then,' she went on, again divining my thoughts. 'Call it your safety. When you have alarmed your uncle into calling for an explanation, go and see the man Probus.'

'See Probus? Why?'

'I would separate Probus from his client. Go and tell the man—go and tell him without reference to his past villainies that his client Matthew is an incurable gambler, and that all the money Probus has lent to him has been lost over the gaming table.'

'Tell Probus?' The thought of speaking to Probus except as to a viper was not pleasant.

'I have made inquiries about Probus,' She knew everything, this woman! 'He is of the tribe they call blood-suckers: they fasten upon their victim, and they never let go till such time as there is no more blood to suck. There is some blood left. Probus will never think of you while he is saving what he can of his own. Tell the money-lender this, I say, and what with Probus on the one hand, maddened by his loss, and his own father on the other, well-nigh terrified to death, Matthew will have enough to do.'

'Would you like me to do this, Jenny?'

'I should like it done,' she replied, turning away her face.

'Would you like to do it yourself, Jenny?'

'I am a woman. Women must not do violent things.'

'Jenny, there is more revenge than precaution in this.'

'There may be some revenge, but there is also a good deal of prudence.'

'I cannot do it, Jenny.'

'Are you afraid, Will? To be sure, a musician is not a sold—so—no—Will, forgive me. You are not afraid. Forgive me.'

'I shall leave them to work out their destruction in their own way, whatever way that may be.'

'But that way may be hurtful to you, my poor Will—even fatal to you,'

'I shall leave them alone: their punishment will surely fall upon them, they will dig a trap to their own undoing.'

'Will, I have heard that kind of talk before. I have used those words myself upon the stage.' She threw herself into an attitude and declaimed with fire.

'That is your position, Will. For my own part, if I were you, I should prefer safety, and I should not object to revenge.'

'It is true, Jenny.'

'Perhaps. For my own part, I have known a monstrous number of wicked people on whom no lightnings fell, and for whom the earth did never gape. Nothing has happened to them so long as they were gentlemen. With the baser sort, of course, there is Tyburn, and I dare say that feels at the end like the gaping of the earth and the flash of lightning and the roar of the thunder, all together. Even with them some escape.'

I would have quoted the Psalmist, but refrained, because by this time I had made the singular discovery that Jenny seemed to have no knowledge of religion at all. If one spoke in the common way of man's dependence she looked as if she understood nothing: or she said she had heard words to that effect on the stage: if one spoke indirectly of the Christian scheme she showed no response: had I mentioned the Psalmist she would have asked perhaps who the Psalmist was, or where his pieces were played. She never went to church: she never read any books except her own parts. She was sharp and clever in the conduct of affairs: she was not to be taken in by rogues: how could such a woman, considering our mode of education and the general acknowledgment of Christianity, even in an atheistical age, that prevails in our books, escape some knowledge, or tincture, of religion?

'Do not call it revenge,' she insisted. 'In your own safety you should strike: and without delay. I repeat it: I cannot put it too strongly before you. There is a great danger threatening. When Probus finds that the money is really gone, he will become desperate: he will stick at nothing.'

'Since he knows, now, that nothing will persuade me to sell that chance of succession, he will perhaps desist.'

'He will never desist. If you were dead! The thought lies in both their minds. If you were dead! Then that money would be Matthew's.'

'Do you think Mr. Probus will murder me?'

'Not with his own hands. Still—do you think, Will, that when two villains are continually brooding over the same thought, villainy will not follow? If I were you I would take this tale to the Alderman first, and to Probus next, and I should then keep out of the way for six months at least.'

'No.' I said. 'They shall be left to themselves.'

Perhaps I was wrong. Had I told my uncle all, the bankruptcy would have been precipitated and Probus's claim would have been treated with all the others, and even if that large sum had fallen it would have been added to the general estate and divided accordingly.

It was in the afternoon: the sun was sinking westward: it shone through the window upon Jenny as she restlessly moved about the room—disquieted by all she had to tell me. I remember how she was dressed: in a frock of light blue silk, with a petticoat to match: her hair hung in its natural curls, covered with a kerchief—the soft evening sunlight wrapped her in a blaze of light and colour. And oh! the pity of it! To think that this divine creature was thrown away upon my wretched cousin! The pity of it!

'Tell me, Jenny,' I said, 'how you became his wife?'

'Yes, Will, I will tell you,' she replied humbly. 'Don't think that I ever loved him—nor could I endure his caresses—but he never offered any—the only man who never wanted to caress me was my husband—to be sure he did not love me—or anyone else—he is incapable of love. He is a worm. His hand is slimy and cold: his face is slimy: his voice is slimy. But I thought I could live with him, perhaps. If not, I could always leave him.'

She paused a little as if to collect herself.

'Every actress,' she went on, 'has troops of lovers. There are the gentlemen first who would fain make her their mistress for a month: those who would make her their mistress for a year: and those who desire only the honour and glory of pretending that she is their mistress: and then there are the men who would like nothing better than to marry the actress and to live upon her salary—believe me, of all these there are plenty. Lastly, there is the gentleman who would really marry the actress, all for love of her, and for no other consideration. I thought, at first, that your cousin Matthew was one of these.'

'How did you know him?'

'He was brought into the Green Room one night by some gambling acquaintance. I remarked his long serious face, I thought he was a man who might be trusted. He asked permission to wait upon me——'

'Well?' For she stopped.

'I thought, I say, that he was a man to be trusted. He did not look like one who drank: he did not follow other actresses about with his eyes: I say, Will, that I thought I could trust him. He came to my lodging. He told me that he was a rich City merchant: he asked me what I should like if I would marry him and he promised to give it to me—that—and anything else——'

'If you did not love him—Jenny——'

'I did not love him. I will tell you. I wanted to get away from the man I did love; and so I wanted, above all, to be taken away from London and the Theatre into the country, never to hear anything more about the stage. Had he done what he promised, Will, I would have made a good wife to him, although he is a slimy worm. But he did not. He broke his word on the very morning when we came out of church——'

'How?'

'He began by saying that he had a little explanation to offer. He said that when he told me he was a rich merchant—that, indeed, was his reputation: but his position was embarrassed: he wanted money: he wished not to borrow any: he therefore thought that if he married an actress—that class of persons being notorious for having no honour—his very words to me, actually, his very words an hour after leaving the church—he intended to open a gaming-house at which I was to be the decoy. Now you understand why I call him a villain, and a wretch, and a slimy worm.'

'Jenny!'

'I left him on the spot after telling him what he was—I left him—I left the Theatre as well. I had a friend who found me the money to take this place under another name. I have seen the man many times here—last night—and once I called upon him and I made him give me the money to get you out of the Prison, Will.'

'Matthew found that money?'

'Of course, he did. I had none—I went to him and reminded him that he had contributed nothing to the maintenance of his wife, and that he must give me whatever the sum was. He was obliged to give it, otherwise I should have informed the clerks of the Counting-house who I was.'

I laughed. 'Well, but Jenny, there was another man——'

'You are persistent, Sir. Why should I tell you? Well, I will confess. This man protested a great deal less than the others. He was a noble Lord, if that matters. He was quite different from all the rest: he never came to the Green Room drunk: he never cursed and swore: he never shook his cane in the face of footman or chairman: he was a gentle creature—and he loved me and would have married me: well—I told him who and what I was—I will tell you presently—that mattered nothing. He would carry me away from them all. I would have married him, Will: and we should have been happy: but his sister came to see me and she went on her knees crying and imploring me to refuse him because in the history of their family there had never been any such alliance as that with an actress of no family. Would I bring disgrace into a noble family? If I refused, he would forget me, and she would do all in her power for me, if ever I wanted a friend. It was for his sake—if I loved him I would not injure him. And so she went on: and she persuaded me, Will—because, you see, when people pride themselves about their families it is a pity to bring the gutter into it—with Newgate and Tyburn, isn't it?'

'Jenny, what has Newgate got to do with it?'

'Wait and I will tell you. I gave way. It cost me a great deal, Will—more than you would believe—because I had never loved anyone before—and when a woman does love a man——' The tears rose in her eyes,—'and then it was that your cousin came to the Theatre.'

Poor Jenny! And she always seemed so cheerful, so lively, so happy! Her face might have been drawn to illustrate Milton's 'L'Allegra.' How could she look so happy when she had this unhappy love story and this unhappy marriage to think upon?'

'Will,' she cried passionately, 'I am the most unhappy woman in the world.'

I made no reply. Indeed I knew not what there was to say. Matthew was a villain: there can be few worse villains: Jenny was in truth a most injured and a most unhappy woman.

It was growing twilight. What followed was told, or most of it, because I have set down the result of two or three conversations in one, by the light of the fire, in a low voice, a low musical voice—that seemed to rob the naked truth of much of its horrors.

'I told my Lord, Will,' she said, 'what I am going to tell you because I would not have him ignorant of anything, or find out anything—afterwards—but there was no afterwards—which he might think I should have told him before. He has a pretty gift of drawing: he makes pictures of things and people with a pencil and a box of water-colours. I made him take certain sketches for me. He did so, wondering what they might mean.' Here she rose, opened a drawer in a cabinet and took out a little packet tied up with a ribbon. 'First I begged him to sketch me one of the little girls who run about the streets in Soho. There are hundreds of them: they are bare-footed: bare-headed: dressed in a sack, in a flannel petticoat: in anything: they have no schooling: they are not taught anything at all: their parents and their brothers and sisters and their cousins and their grandparents are all thieves and rogues together: what can they become? What hope is there for them? See,' she took one of the pictures out and gave it to me. By the firelight I made out a little girl standing in the street. In her carriage there was something of the freedom of a gipsy in the woods: her hair blew loose in the wind, her scanty petticoat clung to her little figure: she was bare-legged, bare-footed, bare-headed. 'Can you see it, Will? Well—when I had got all the pictures together, I asked the artist to sit down, as I have asked you to-day. And when he was sat down, I had the bundle of pictures in my hand, and I said to him, "My Lord, this is a very pretty sketch—I like it all the better because it shows what I was like at that age." "You, Jenny?" "Yes, my Lord, I myself. That little girl is myself." "Well!" he cried out on the impossibility of the thing. But I assured him of the truth of what I said. Then I took up the next picture. It represented the entrance of a court in Soho. Round this entrance were gathered a collection of men and women with the most evil faces possible. "These, my Lord," I said, "are the people who were once my companions when they and I were young together." "But not now?" he asked. "Not now," I told him, "save that they all remember me and consider me as one of themselves and come to the Theatre in order to applaud me: the highwaymen going to the pit; the petty thieves and pickpockets and footpads to the gallery." Well, at first he looked serious. Then he cleared up and kissed my hand: he loved me for myself, he said, and as regards the highwaymen and such fellows, he would very soon take me out of their way.'

'But, Jenny——'

'Will, I am telling you what I told his Lordship. Believe me, it does not cost me to tell you half as much as it did to tell that noble heart. For he loved me, Will, and I loved him.' Again her eyes glistened by the red light of the fire.

She took up a third picture. It represented a public-house. Over the door swung the sign of a Black Jack: the first story projected over the ground-floor, and the second story over the first: beside the public-house stood a tall church.

'This,' I told my Lord, 'is the Black Jack tavern. It is the House of Call for most of the rogues and thieves of Soho. The church is St. Giles's Church. As for my own interest in the house, I was born there: my mother and sister still keep the place between them: it is in good repute among the gentry who frequent it for its kitchen, where there is always a fire for those who cook their own suppers, and for the drinks, which are excellent, if not cheap. What is the use of keeping cheap things for thieves? Lightly got, lightly spent. There is nothing cheap at that House. My mother enjoys a reputation for being a Receiver of Stolen Goods—a reputation well deserved, as I have reason to believe. The Goods are all stowed away in a stone vault or cellar once belonging to some kind of house—I know not what.'

I groaned.

'That is how my Lord behaved. Then he kissed my hand again. "Jenny," he said, "it is not the landlady of the Black Jack that I am marrying, but Jenny Wilmot." He asked me to tell him more. Will you hear more?'

'I will hear all you desire to tell me, Jenny.'

'Once I had a father. He was a gipsy, but since he had fair hair and blue eyes, he was not a proper gipsy. I do not know how he got into the caravan with the gipsies. Perhaps he was stolen in infancy: or picked up on a doorstep. However, I do not remember him. My mother speaks of him with pride, but I do not know why. By profession he was a footpad and—and'—she faltered for a moment—'he met the fate that belongs to that calling. See!' She showed me a drawing representing the Triumphal March to Tyburn. 'My mother speaks of it as if it was the fitting end of a noble career. I have never been quite able to think so too, and Will, if I must confess, I would rather that my father had not been——'

'Not formed the leading figure in that procession,' I interposed. 'But go on, Jenny.'

She took up another picture and handed it to me. It was a spirited sketch representing a small crowd; a pump; and a boy held under the pump.

'I had two brothers. This was one. He was a pickpocket. What could be expected? He was caught in the act and held under a pump. But they kept him so long that it brought on a chill and he died. The other brother is now in the Plantations of Jamaica.'

She produced another picture. It represented an Orange Girl at Drury Lane. She carried her basket of oranges on her arm: she had a white kerchief over her neck and shoulders and another over her head: her face was full of impudence, cleverness and wit.

'That, Will, is the first step upwards of your cousin's wife. From the gutter to the pit of Drury Lane as an Orange girl. There was a step for me! Yes. I looked like that: I behaved like that: I was as shameless as that: I used to talk to the men in the Pit as they talk—you know the kind of talk. And now, Will, confess: you are heartily ashamed of me.'

'Jenny!' Like the noble Lord, I kissed her fingers. 'Believe me, I am not in the least ashamed of you.'

'The next step was to the stage. That, Will, was pure luck. The Manager heard me imitating the actors and actresses—and himself. He saw me dancing to please the other girls—I used to dance to please the people in the Black Jack. He took a fancy in his head that I was clever. He took me from among the other girls: he gave me instruction: and presently a speaking part. That is the whole history. I have told you all—I never told these things to Matthew—why should I? But to my Lord, I told all——'

'Yes—and he was not ashamed.'

'No—but he did not like the applause of the rogues, and the orange girls. While the highwaymen applauded in the pit and the pickpockets in the Gallery, the Orange Girls were telling all the people that once I was one of them with my basket of oranges like the rest—and so it was agreed that I was to leave the stage and go away into the country out of the way of all the old set.'

'And then.'

'Then I could no longer oblige my Lord. I left it to oblige myself and to marry Matthew.'

She sat down and buried her face in her hands. 'But I loved my Lord,' she said. 'I loved my Lord.'