If life was pleasant at Carnarvon Square, it was far more pleasant by the banks of the river. Phillis expanded like a rose in June under the sweet and gracious influences with which Agatha L'Estrange surrounded her. Her straightforward way of speaking remained—the way that reminded one of a very superior schoolboy who had not been made a prig at Rugby—but it was rounded off by something more of what we call maidenly reserve. It should not be called reserve at all; it is an atmosphere with which women have learned to surround themselves, so that they show to the outward world like unto the haloed moon. Its presence was manifested in a hundred little ways—she did not answer quite so readily; she did not look into the face of a stranger quite so frankly; she seemed to be putting herself more upon her guard—strange that the chief charm of women should be a relic of barbarous times, when the stronger sex were to be feared for their strength and the way in which they often used it. Only with Jack Dunquerque there was no change. With him she was still the frank, free-hearted girl, the friend who opened all her heart, the maiden who, alone of womankind, knew not the meaning of love.

Phillis was perfectly at home with Agatha L'Estrange. She carolled about the house like a bird; she played and sang at her sweet will; she made sketches by thousands; and she worked hard at the elements of all knowledge. Heavens, by what arid and thirsty slopes do we climb the hills of Learning! Other young ladies had made the house by the river their temporary home, but none so clever, none so bright, none so entirely lovable as this emancipated cloister-child. She was not subdued, as most young women somehow contrive to become; she dared to have an opinion and to assert it; she did not tremble and hesitate about acting before it had been ascertained that action was correct; she had not the least fear of compromising herself; she hardly knew the meaning of proper and improper; and she who had been a close prisoner all her life was suddenly transformed into a girl as free as any of Diana's nymphs. Her freedom was the result of her ignorance; her courage was the result of her special training, which had not taught her the subjection of the sex; her liberty was not license, because she did not, and could not, use it for those purposes which schoolgirls learn in religious boarding-houses. She could walk with a curate, and often did, without flirting with the holy young man; she could make Jack Dunquerque take her for a row upon the river, and think of nothing but the beauty of the scene, her own exceeding pleasure, and the amiable qualities of her companion.

Of course, Agatha's friends called upon her. Among them were several specimens of the British young lady. Phillis watched them with much curiosity, but she could not get on with them. They seemed mostly to be suffering from feeble circulation of the pulse; they spoke as if they enjoyed nothing; those who were very young kindled into enthusiasm in talking over things which Phillis knew nothing about, such as dancing—Phillis was learning to dance, but did not yet comprehend its fiercer joys—and sports in which the other sex took an equal part. Their interest was small in painting; they cared for nothing very strongly; their minds seemed for the most part as languid as their bodies. This life at low ebb seemed to the girl whose blood coursed freely, and tingled in her veins as it ran, a poor thing; and she mentally rejoiced that her own education was not such as theirs. On the other hand, there were points in which these ladies were clearly in advance of herself. Phillis felt the cold ease of their manner; that was beyond her efforts; a formal and mannered calm was all she could assume to veil the intensity of her interest in things and persons.

"But what do they like, Agatha?" she asked one day, after the departure of two young ladies of the highest type.

"Well, dear, I hardly know. I should say that they have no strong likings in any direction. After all, Phillis dear, those who have the fewest desires enjoy the greatest happiness."

"No, Agatha, I cannot think that. Those who want most things can enjoy the most. Oh, that level line! What can shake them off it?"

"They are happier as they are, dear. You have been brought up so differently that you cannot understand. Some day they will marry. Then the equable temperament in which they have been educated will stand them in good stead with their husbands and their sons."

Phillis was silent, but she was not defeated.

Of course the young ladies did not like her at all.

They were unequal to the exertion of talking to a girl who thought differently from all other girls. Phil to them, as to all people who are weak in the imaginative faculty, was impossible.

But bit by bit the social education was being filled in, and Phillis was rapidly becoming ready for the dÉbut to which Agatha looked forward with so much interest and pride.

There remained another kind of education.

Brought up alone, with only her maid of her own age, and only an old man on whom to pour out her wealth of affection, this girl would, but for her generous nature, have grown up cold and unsympathetic. She did not. The first touch of womanly love which met her in her escape from prison was the kiss which Agatha L'Estrange dropped unthinkingly upon her cheek. It was the first of many kisses, not formal and unmeaning, which were interchanged between these two. It is difficult to explain the great and rapid change the simple caresses of another woman worked in Phillis's mind. She became softer, more careful of what she said, more thoughtful of others. She tried harder to understand people; she wanted to be to them all what Agatha L'Estrange was to her.

One day, Agatha, returning from early church, whither Phillis would not accompany her, heard her voice in the kitchen. She was singing and laughing. Agatha opened the door and looked in.

Phillis was standing in the middle of a group. Her eyes were bright with a sort of rapture; her lips were parted; her long hair was tossing behind her; she was singing, talking, and laughing, all in a breath.

In her arms she held the most wonderful thing to a woman which can be seen on this earth.

A Baby.

The child of the butter-woman. The mother stood before Phillis, her pleased red face beaming with an honest pride. Phillis's maid, Antoinette, and Agatha's three servants, surrounded these two, the principal figures. In the corner, grinning, stood the coachman. And the baby crowed and laughed.

"Oh, the pretty thing! Oh, the pretty thing!" cried Phillis, tossing the little one-year-old, who kicked and laughed and pulled at her hair. "Was there ever such a lovely child? Agatha, come and see, come and see! He talks, he laughs, he dances!"

"Ah, madame!" said Antoinette, wiping away a sympathetic tear. "Dire que ma'amsell n'en a jamais vu? Mais non, mais non—pas memes des poupees!"