"To taste the freshness of the morning air."

Phillis retreated to her own room at her accustomed hour of ten. Her nerves were excited; her brain was troubled with the events of this day of emancipation. She was actually in the world, the great world of which her guardian had told her, the world where history was made, where wicked kings, as Mr. Dyson perpetually impressed upon her, made war their play and the people their playthings. She was in the world where all those things were done of which she had only heard as yet. She had seen the streets of London, or some of them—those streets along which had ridden the knights whose pictures she loved to draw, the princesses and queens whose stories Mr. Dyson had taught her; where the business of the world was carried on, and where there flowed up and down the ceaseless stream of those whom necessity spurs to action. As a matter of narrow fact, she had seen nothing but that part of London which lies between Highgate Hill and Carnarvon Square; but to her it seemed the City, the centre of all life, the heart of civilisation. She regretted only that she had not been able to discern the Tower of London. That might be, however, close to Mr. Jagenal's house, and she would look for it in the morning.

What a day! She sat before her fire and tried to picture it all over again. Horses, carriages, carts, and people rushing to and fro; shops filled with the most wonderful exhibition of precious things; eccentric people with pipes, who trundled carts piled with yellow oranges; gentlemen in blue with helmets, who lounged negligently along the streets; boys who ran and whistled; boys who ran and shouted; boys who ran and sold papers; always boys—where were all the girls? Where were they all going? and what were they all wishing to do?

In the evening the world appeared to narrow itself. It consisted of dinner with three elderly gentlemen; one of whom was thoughtful about herself, spoke kindly to her, and asked her about her past life; while the other two—and here she laughed—talked unintelligently about Art and themselves, and sometimes praised each other.

Then she opened her sketch-book and began to draw the portraits of her new friends. And first she produced a faithful effigies of the twins. This took her nearly an hour to draw, but when finished it made a pretty picture. The brethren stood with arms intertwined like two children, with eyes gazing fondly into each other's and heads thrown back, in the attitude of poetic and artistic meditation which they mostly affected. A clever sketch, and she was more than satisfied when she held it up to the light and looked at it, before placing it in her portfolio.

"Mr. Humphrey said I had the eye of an artist," she murmured. "I wonder what he will say when he sees this."

Then she drew the portrait of Joseph. This was easy. She drew him sitting a little forward, playing with his watch-chain, looking at her with deep grave eyes.

Then she closed her eyes and began to recall the endless moving panorama of the London streets. But this she could not draw. There came no image to her mind, only a series of blurred pictures running into each other.

Then she closed her sketch-book, put up her pencils, and went to bed. It was twelve o'clock. Joseph was still thinking over the terms of Mr. Dyson's will and the chapter on the Coping-stone. The twins were taking their third split soda—it was brotherly to divide a bottle, and the mixture was less likely to be unfairly diluted.

Phillis went to bed, but she could not sleep. The steps of the passers-by, the strange room, the excitement of the day kept her awake. She was like some fair yacht suddenly launched from the dock where she had grown slowly to her perfect shape, upon the waters of the harbour, which she takes for the waters of the great ocean.

She looked round her bedroom in Carnarvon Square, and because it was not Highgate, thought it must be the vast, shelterless and unpitying world of which she had so often heard, and at thought of which, brave as she was, she had so often shuddered.

It was nearly three when she fairly slept, and then she had a strange dream. She thought that she was part of the great procession which never ended all day long in the streets, only sometimes a little more crowded and sometimes a little thinner. She pushed and hastened with the rest. She would have liked to stay and examine the glittering things exhibited—the gold and jewelry, the dainty cakes and delicate fruits, the gorgeous dresses in the windows—but she could not. All pushed on, and she with them; there had been no beginning of the rush, and there seemed to be no end. Faces turned round and glared at her—faces which she marked for a moment—they were the same which she had seen in the morning; faces hard and faces hungry; faces cruel and faces forbidding; faces that were bent on doing something desperate—every kind of face except a sweet face. That is a rare thing for a stranger to find in a London street. The soft sweet faces belong to the country. She wondered why they all looked at her so curiously. Perhaps because she was a stranger.

Presently there was a sort of hue and cry and everybody began running, she with them. Oddly enough, they all ran after her. Why? Was that also because she was a stranger? Only the younger men ran, but the rest looked on. The twins, however were both running among the pursuers. The women pointed and flouted at her; the older men nodded, wagged their heads, and laughed. Faster they ran and faster she fled; they distanced, she and her pursuers the crowd behind; they passed beyond the streets and into country fields, where hedges took the place of the brilliant windows; they were somehow back in the old Highgate paddock which had been so long her only outer world. The pursuers were reduced to three or four, among them, by some odd chance, the twin brethren and as one, but who she could not tell, caught up with her and laid his hand upon hers, and she could run no longer and could resist no more, but fell, not with terror at all, but rather a sense of relief and gladness, into a clutch which was like an embrace of a lover for softness and strength, she saw in front of her dead old Abraham Dyson, who clapped his hands and cried, "Well run, well won! The Coping-stone, my Phillis, of your education!"

She woke with a start, and sat up looking round the room. Her dream was so vivid that she saw the group before her very eyes in the twilight—herself, with a figure, dim and undistinguishable in the twilight, leaning over her; and a little distance off old Abraham Dyson himself, standing, as she best remembered him, upright, and with his hands upon his stick. He laughed and wagged his head and nodded it as he said: "Well run, well won, my Phillis; it is the Coping-stone!"

This was a very remarkable dream for a young lady of nineteen. Had she told it to Joseph Jagenal it might have led his thoughts into a new channel.

She rubbed her eyes, and the vision disappeared. Then she laid her head again upon the pillow, just a little frightened at her ghosts, and presently dropped off to sleep.

This time she had no more dreams; but she awoke soon after it was daybreak, being still unquiet in her new surroundings.

And now she remembered everything with a rush. She had left Highgate; she was in Carnarvon Square; she was in Mr. Joseph Jagenal's house; she had been introduced to two gentlemen, one of whom was said to have a child-like nature all aglow with the flame of genius, while the other was described as a great, a noble fellow, to know whom was a Privilege and to converse with whom was an Education.

She laughed when she thought of the pair. Like Nebuchadnezzar, she had forgotten her dream. Unlike that king, she did not care to recall it.

The past was gone. A new life was about to begin. And the April sun was shining full upon her window-blinds.

Phillis sprang from her bed and tore open the curtains with eager hand. Perhaps facing her might be the Tower of London. Perhaps the Thames, the silver Thames, with London Bridge. Perhaps St. Paul's Cathedral, "which Christopher Wren built in place of the old one destroyed by the Great Fire." Phillis's facts in history were short and decisive like the above.

No Tower of London at all. No St. Paul's Cathedral. No silver Thames. Only a great square with houses all round. Carnarvon Square at dawn. Not, perhaps, a fairy piece, but wonderful in its novelty to this newly emancipated cloistered nun, with whom a vivid sense of the beautiful had grown up by degrees in her mind, fed only in the pictures supplied by the imagination. She knew the trees that grew in Lord Manfield's park, beyond the paddock; she could catch in fine days a glimpse of the vast city that stretches itself out from the feet of breezy Highgate; she knew the flowers of her own garden; and for the rest—she imagined it. River, lake, mountain, forest, and field, she knew them only by talk with her guardian. And the mighty ocean she knew because her French maid had crossed it when she quitted fair Normandy, and told her again and again of the horrors encountered by those who go down to the sea in ships.

So that a second garden was a new revelation. Besides it was bright and pretty. There were the first flowers of spring, gay tulips and pretty things, whose name she did not know or could not make out from the window. The shrubs and trees were green with the first sweet chlorine foliage of April, clear and fresh from the broken buds which lay thick upon the ground, the tender leaflets as yet all unsullied by the London smoke.

The pavement was deserted, because it was as yet too early for any one, even a milk-boy, to be out. The only living person to be seen was a gardener, already at work among the plants.

A great yearning came over her to be out in the open air and among the flowers. At Highgate she rose at all hours; worked in the garden; saddled and rode her pony in the field; and amused herself in a thousand ways before the household rose, subject to no restraint or law but one—that she was not to open the front-door, or venture herself in the outer world.

"Mr. Jagenal said I was to do as I liked," she said, hesitating. "It cannot be wrong to go out of the front-door now. Besides," reasoning here like a casuist, "perhaps it is the back-door which leads to that garden."

In a quarter of an hour she was ready. She was not one of those young ladies who, because no one is looking at them, neglect their personal appearance. On the contrary, she always dressed for herself; therefore, she always dressed well.

This morning she wore a morning costume, all one colour, and I think it was gray, but am not quite certain. It was in the graceful fashion of last year, lying in long curved lines, and fitting closely to her slender and tall figure. A black ribbon was tied round her neck, and in her hat—the hats of last year did not suit every kind of face, but they suited the face of Phillis Fleming—she wore one of those bright little birds whose destruction for the purposes of fashion we all deplore. In her hand she carried, as if she were still at Highgate and going to saddle her pony, a small riding-whip. And thus she opened the door, and slid down the stairs of the great silent house as stealthily and almost as fearfully as the Lady Godiva on a certain memorable day. It was a ghostly feeling which came over her when she ran across the broad hall, and listened to the pattering of her own feet upon the oilcloth. The broad daylight streamed through the rÉverbÈre; but yet the place seemed only half lit up. The closed doors on either hand looked as if dreadful things lurked behind them. With something like a shudder she let down the door-chain, unbarred the bolts, and opened the door. As she passed through she was aware of a great rush across the hall behind her. It was CÆsar, the mastiff. Awakened by a noise as of one burgling, he crept swiftly and silently up the kitchen-stairs, with intent to do a desperate deed of valour, and found to his rapturous joy that it was only the young lady, she who came the night before, and that she was going out for an early morning walk—a thing he, for his part, had not been permitted to do for many, many moons, not since he had been brought—a puppy yet, and innocent—to the heart of London.

No one out at all except themselves. What joy! Phillis shut the door very carefully behind her, looked up and down the street, and then running down the steps, seized the happy CÆsar by the paws and danced round and round with him upon the pavement. Then they both ran a race. She ran like Atalanta, but CÆsar led till the finish, when out of a courtesy more than Castilian, he allowed himself to be beaten, and Phillis won by a neck. This result pleased them both, and Phillis discovered that her race had brought her quite to the end of one side of the square. And then, looking about her, she perceived that a gate of the garden was open, and went in, followed by CÆsar, now in the seventh heaven. This was better, better, than leading a pair of twins who sometimes tied knots with their legs. The gate was left open by the under-gardener, who had arisen thus early in the morning with a view to carrying off some of the finer tulips for himself. They raced and chased each other up and down the gravel walks between the lilacs and laburnums bursting into blossom. Presently they came to the under-gardener himself, who was busy potting a selection of the tulips. He stared as if at a ghost. Half-past five in the morning, and a young lady, with a dog, looking at him!

He stiffened his upper lip, and put the spade before the flower-pots.

"Beg pardon, miss. No dogs allowed. On the rules, miss."

"William," she replied—for she was experienced in undergardeners, knew that they always answer to the name of William, also that they are exposed to peculiar temptations in the way of bulb—"William, for whom you are potting those tulips?"

Then, because the poor youth's face was suffused and his countenance was "unto himself for a betrayal," she whistled—actually whistled—to CÆsar, and ran on laughing.

"Here's a rum start," said William. "A young lady as knows my name, what I'm up to and all, coming here at five o clock in the blessed morning when all young ladies as I ever heard of has got their noses in their pillowses—else 'tain't no good being a young lady. Ketches me a disposin' of the toolups. With a dawg, and whistles like a young nobleman."

He began putting back the flowers.

"No knowin' who she mayn't tell, nor what she mayn't say. It's dangerous, William."

By different roads, Montaigne wrote, we arrive at the same end. William's choice of the path of virtue was in this case due to Phillis's early visit.