"Is it possible?" they repeated, gazing each upon each in the triangular fashion.

Every incident in life is a coincident. That is to say, nothing happens as one expects. The reason is that no one considers the outside forces, which are unseen; very few, indeed, take into consideration the inside forces, which are obvious. The trade of prophet has fallen into decay, because we no longer believe in him; we know that he cannot really prophesy the coincidence: to him, as to us, the future is the unexpected. Wise folk, therefore, go about prepared for anything: they carry an umbrella in July; they build more ships when peace is most profound. The unexpected, the coincidence, gives to life its chief charm: it relieves the monotony; it breaks the week, so to speak. Formerly it might take the form of invasion, a descent upon the coast: dwellers by the seaside enjoyed, therefore, the most exciting lives possible. To-day it comes by telegraph, by post, by postal express. The philosopher of tears says that the unexpected is always disagreeable; he of smiles says that, on the whole, he has received more good gifts unexpectedly than thwacks. Mostly however, the opinion of the multitude, which is always right, is summed up in the words of the itinerant merchant—the man with the barrow and the oranges. "We expex a shilling," he says, "and we gits tuppence."

"Is it possible?"

These three people had arisen and gone forth that morning expecting nothing, and lo! a miracle! For they were enriched, suddenly, and without the least expectation, by the discovery that they were all three of common kin. Imagine the boundless possibilities of newly recovered cousinship! No one knows what may come out of it—an augmentation of family pride, an increase of family griefs, the addition of sympathy with the lowly, the shame and honour of ancient scandals, more money perhaps, more influence perhaps. It may be a most fortunate event. On the other hand—— But for the moment, these three had not begun to consider the other side.

"Is it possible?" Well, it is sometimes best to answer a question by repeating it. The place was a country churchyard; the time, a forenoon in July. In the churchyard was a group of four. They were all young, and two of them were of one sex, and two were of the other.

The girls were the first to arrive. They entered by a gate opening into the churchyard from a small coppice on the north side.

One of the girls, evidently the leader, had in her face, her form, her carriage, something of Pallas AthÊnÊ. She was grave—the goddess, I believe, seldom laughed; she was one of those girls who can smile readily and pleasantly, but are not anxious to hear good stories, like the frivolous man at his club, and really saw very little to laugh at even in the unexpectedness of men—nothing, of course, in the ways of women. Her seriousness was sweet in the eyes of those who loved her—that is to say, of all who had the privilege of knowing her. Her head was large and shapely—a shapely head is a very lovely thing in woman. Her figure matched her head in being large and full. Her features were regular, her cheek was ample, like that of a certain bronze Venus in the Museum. Her hair was light in colour, and abundant, not of the feathery kind, but heavy, and easily coiled in classical fashion. Her eyes were of that dark blue which is wickedly said to accompany a deceitful nature. If this is ever true, it certainly was not true of Hilarie Woodroffe. She was dressed in white, as becomes a girl on a summer morning, with a rose at her throat for a touch of colour. As a child of her generation, she was naturally tall; and being, as she was, a girl of the highest refinement and culture after such an education as girls can now command, and being, moreover, much occupied with the difficulties and problems of the age, she bore upon her brow an undoubted stamp of intellectual endeavour. Twenty years ago, such a girl would have been impossible. If you are still, happily, so young that you can doubt this assertion, read the novels—the best and the worst—of that time.

Her companion showed in her face and her appearance more of Aphrodite than the sister goddess. She looked as sprightly as L'Allegra herself; of slighter figure than the other, she was one of those fortunate girls who attract by their manner more than by their beauty. Indeed, no one could call her beautiful; but many called her charming. Her grey eyes danced and sparkled; her lips were always smiling; her head was never still; her face was made for laughing and her eyes for joy; her hair was of the very commonest brown colour—every other kind of girl has that kind of hair, yet upon her it looked distinguished. The dress she wore—she had designed and made it herself—seemed craftily intended to set off her figure and her face and her eyes. In a word, she was one of those girls—a large class—who seem born especially for the delight and happiness of the male world. They are acting girls, singing girls, dancing girls, even stay-at-home girls; but always they delight their people or the public with their vivacity, and their cheerfulness, and their sympathy. By the side of the other girl she looked like an attendant nymph. I have always thought that it would be a pleasing thing to detach from Diana's train one of those attendant nymphs, whose undeveloped mind knew nothing but the narrow round of duty; to run breathlessly after the huntress, or to bathe with her in a cold mountain stream. I would take her away, and teach her other things, and make her separate and individual. But the fear of Dian has hitherto prevented me. Ladies-in-waiting, in other words, must have a dull time of it.

Both girls, of course, were strong, healthy, and vigorous: they thought nothing of twenty miles on a bicycle; they could row; they could ride; they could play lawn tennis; they would have climbed the Matterhorn if it had been within reach. They were such girls as we have, somehow, without knowing how, without expecting it, presented to modern youth, athletic and vigorous, of the last decade of the nineteenth century.

"This is my churchyard, Molly," said Hilarie. "You have seen the house—this place belongs to the house—and the whole of it belongs to the family history."

"It must be very nice to have a pedigree," said Molly—"ancestors who wore laced coats and swords, like the characters on the stage. My people, I suppose, wore smock-frocks. I gather the fact because my father never mentioned his father. Smocks go with silence."

"One would rather, I suppose, have a pedigree than not."

"Small shops, also, go with silence. I wonder why one would rather have a grandfather in a smock than in a small shop."

"I will tell you something of the family history. Let us sit down on this tombstone. I always sit here because you can see the church, and the alms-houses, and the school, if you like to take them together. So. Once there was a man named Woodroffe, who lived in this village, seised of a manor, as they say. He was a small country gentleman, an Armiger; I will show you his tomb presently, with his coat of arms. This man—it was five hundred years ago—had four sons. One of them stayed at home, and carried on the family descent; the second son was educated by the Bishop, and rose to the most splendid distinction. He actually became Archbishop of Canterbury and Lord Chancellor of England. Now, the father of these lads had friends or cousins—they came from the next village, where their descendants are living still—in the City of London. So the two younger sons were sent up to town and apprenticed, one to a mercer, and the other to a draper; and one of these became Lord Mayor—think of that!—and the other, Sheriff. There was a wonderful success for you! The effort seems to have exhausted the family, for no one else has ever distinguished himself. Stay; there was an Indian civilian of that name, who died some time ago, but I don't know if he belonged to the family. My own branch has always remained hopelessly undistinguished—squires, and plain gentlemen, and Justices of the Peace. They hunted, flogged vagabonds, and drank port. And, of course, after all these years, one does not know what has become of the citizens' descendants."

"Still, Archbishop, Lord Mayor, and Sheriff—that ought to last a long time."

"It has lasted a long time. Well, when they became old, these men resolved to show their grateful sense of the wonderful success which had been accorded to them. So they came back to their native village, and they replaced the little church by a beautiful and spacious church—there it is!"

Truly it was a great and noble church, of proportions quite beyond the needs of a small village; its tower and spire standing high above all the country round, its recessed porch a marvel of precious work. The windows and the clerestory and the roof may be seen figured in all the books on ecclesiastical architecture as the finest specimens of their style.

"Yes, this church was built by these brothers. They walled the churchyard—this is their old grey wall, with the wallflowers; they built the lych-gate—there it is—in the churchyard; they founded a school for the young—there it is"—she pointed to a small stone hall standing in the north-west corner of the churchyard. It was of the same period and of the same architecture as the church; the windows had the same tracery; the buttresses were covered with yellow lichen: a beautiful and venerable structure. From the building there came a confused murmur of voices. "And on the other side of the church they built an almshouse for the old—there it is"—she pointed to a long low building, also of the same architecture. "So, you see, they provided, in the same enclosure, a place of worship for the living, a place of burial for the dead, a school for the young, and a haven of rest for the old."

The sentiment of the history touched her companion, who looked about her, and murmured—

"It seems a peaceful place."

"Everything in the place seems to belong to those four brothers: the old house behind those trees, the broken cross at the gate, the ruined college in the village, the very cottages, all seem to me to be monuments of those four brothers."

"It is a beautiful thing owning such a house and such a place," said the other. "But I prefer your gardens to your churchyard, Hilarie, I confess."

Just then a young man, in a hired victoria, drove up to the gate and descended, and looked about him with an indolent kind of curiosity. He wore a brown velvet coat, had a crimson scarf with a white waistcoat, carried a pince-nez on his nose, had sharp and somewhat delicate features, carried his head high, and was tall enough to convey by that attitude, which was clearly habitual, the assumption of superiority, if not of disdain. And there was in him something of the artist. His face was pale and clean shaven; his lips were thin; his hair was light, with a touch of yellow in it; his eyes, when you could make them out, were of a light blue, and cold. His figure was thin, and not ungraceful. In a word, a young man of some distinction in appearance; of an individuality certainly marked, perhaps self-contained, perhaps selfish.

He walked slowly up the path. When he drew near the girls he raised his hat.

"Am I right," he asked, "in thinking this to be Woodroffe Church?"

"Yes. It is Woodroffe Church."

"The church built by the Archbishop and his brothers?"

"This is their church. That is their school. That is their almshouse. Would you like to go into the church? I have the key with me, and am going in at once."

At this moment they were joined by another young man, whose entrance to the churchyard was not noticed. He had been walking with light elastic step along the middle of the road. A small bag was slung from his shoulder by a strap; he carried a violin-case. His broad felt hat, his brown tweed suit, his brown shoes, were all white with the dust of the road. He passed the church without observing it; then he remembered something, stopped, came back, and turned into the churchyard.

He was quite a young man. His face was clean shaven—a mobile face, with thin lips and quick blue eyes. His hair, as he lifted his hat, was a light brown with a trace of yellow in it, growing in an arch over his forehead. His step was springy, his carriage free. His hair—longer than most men wear it,—the blue scarf at his throat, his long fingers, made one think of art in some shape or other. Probably a musician.

In the churchyard he looked about him curiously.

Then he turned to the group of three, and put exactly the same question as that proposed by the first young man.

"May I ask," he said, "if this is Woodroffe Church?"

The attendant nymph jumped up. "Oh!" she cried. "It's Dick!"

"You here, Molly?" he asked. "I never expected——"

"Hilarie," said the girl, "this is my old friend Dick. We were children together."

Hilarie bowed graciously. "I am pleased to know your friend," she said. "I was just telling this other gentleman that this is Woodroffe Church. We are going into the church: would you like to come too?"

Hilarie led the way, and opened the door of the south porch. Within, restorers had been at work. The seats which replaced the old oaken pews were machine-made, and new; they wanted the mellowing touch of two hundred years, and even then they would be machine-made still. The rood screen, as old as the Archbishop, was so polished and scraped, that it looked almost as much machine-made as the seats. Even the roof, after its scraping and painting, looked brand new. Yet they had not destroyed all the antiquity of the church: there were still the grey arches, the grey pillars, the grey walls and the monuments. There were many monuments in the church; two or three tablets in memory of former vicars; all the rest, shields, busts, and sculptured tombs, in memory of bygone Woodroffes. A low recessed arch in the north wall contained the figure of a Crusader. "He is one of the Woodroffes," said the guide. A recent tablet commemorated one who fell at the Alma. "He was another of them," said the guide. "You are walking over the graves of a whole family; they have been buried here from time immemorial. Every slab in the aisle, and every stone in the chancel, covers one of them."

In the north transept there stood a long low altar-tomb, with carvings on the sides, and a slab of grey granite on the top. Formerly it had been surrounded and covered by a white marble tabernacle richly carved; this was now broken away and destroyed, except a few fragments in the wall. The tomb itself was dilapidated; the granite slab was broken in two, yet the inscription remained perfectly legible. It was as follows:—

"Hic jacent
Robertus Woodroffe, Armiger,
et
Hilaris, Uxor Ejus,
Qui Robertus obiit Sep. 2, A.D. MCCCCXXXIX."

In the right-hand corner of the slab were the arms of the deceased.

"This tomb," said the guide, "was erected by the Archbishop, to the memory of his father."

On the opposite side of the south transept one of the common Elizabethan monuments was affixed to the wall. It represented figures in relief, and painted. The husband and wife, both in high ruffs, knelt before a desk, face to face. Below them was a procession of boys and girls, six in number. Over their heads was a shield with a coat-of-arms—the same arms as on the other tomb. The monument was sacred to the memory of Robert Woodroffe, Knight, and Johanna his wife. Beneath the figures was a scroll on which the local poet had been allowed to do his worst.

"They made him a knight," said the guide, "against his will. James the First insisted on his assuming the dignity. It was the only honour ever attained by any of this branch. They all stayed at home, contented to make no noise in the world at all. Well, I think I have shown you all the monuments."

"This is my ancestor," said the man with the violin-case, pointing to the first tomb. "Not this one at all."

"Why, the elder Robert is my ancestor also!" said the first young man, wondering.

"Good gracious! He is my ancestor as well!" cried Hilarie, in amazement. "All these Woodroffes belong to me, and I to them."

"Your ancestor? Is it possible?" she added, turning from one to the other.

"Is it possible?" the two men repeated.

"The Archbishop's elder brother is my direct ancestor," said Hilarie. "He is buried here beneath this stone."

"Mine was Lord Mayor Woodroffe," said the first young man. "He was buried in the Church of All Hallows the Less, where his tomb was destroyed in the Fire."

"And mine was the Sheriff," said the second young man. "He was buried in St. Helen's, where you may see his tomb to this day."

"Oh, it is wonderful!" Hilarie looked at her new cousins with some anxiety. The first young man seemed altogether "quite:" well-dressed, well-spoken, well-mannered, well-looking, of goodly stature, a proper youth. In fact, proper in the modern sense. His turn-out was faultless, and of the very day's—not yesterday's—mode. She turned to the other. Circumstances, perhaps, were against him: the dust with which he was covered; the shabby old bag hanging round his neck; his violin-case. A gentleman does not travel on foot, carrying a violin. Besides, his face was not the kind of face which comes out of Eton and Trinity. It was a humorous face; there was a twinkle, or the fag end of a smile, upon it. Such a girl as Hilarie would not at first take readily to such a face. However, he looked quiet, and he looked good-natured; his eyes, realizing the oddness of the situation, were luminous with suppressed laughter.

"Molly," he said, "please tell this lady—your friend—who I am."

"Hilarie, this is Dick Woodroffe. I suppose you have never heard of him. I never thought of his name being the same as yours. Dick is an actor. He sings and plays, and writes comediettas; he is awfully clever."

"Thank you, Molly. Add that I am now on tramp."

He looked with some contempt on the other young man.

"Since you are my cousin, Mr. Woodroffe, I hope we shall be friends."

Hilarie shook hands with him. "My name is Hilarie Woodroffe, and I am descended from the eldest brother. The old house, which I will show you presently, has remained with us. And you—are you really another cousin?"

She turned to the first comer.

"I hope so. My name is Humphrey Woodroffe."

"Oh, this is delightful! May I ask what your branch has been doing all these years?"

"I have a genealogy at home. We have had no more Lord Mayors or Archbishops. A buccaneer or two; a captain under Charles the First; a judge under William the Third; and an Anglo-Indian, my father, now dead, of some distinction."

"Your branch has done more creditably than mine. And yours, Cousin Dick?"

He laughed. "We went down in the world, and stayed there. Some of us assisted in colonizing Virginia, in the last century, by going out in the transports. There is a tradition of highwaymen; some of us had quarters permanently in the King's Bench. I am a musician, and a mime, and a small dramatist. Yet we have always kept up the memory of the Sheriff."

"Never mind, Dick," said Molly; "you shall raise your branch again."

He shook his head. "There is not so much staying power," he said, "in a Sheriff as in a Lord Mayor."

Hilarie observed him curiously. "Why," she said, "you two are strangely alike. Do you observe the resemblance, Molly?"

"Yes. Oh yes!"—after a little consideration. "Mr. Humphrey is taller and bigger. But they certainly are alike."

"Good Heavens! It is wonderful. The same coloured hair, growing in the same manner; the same eyes. It is the most extraordinary instance of the survival of a type."

The young men looked at each other with a kind of jealousy. They resented this charge of resemblance.

"Like that bounder?" said the look of the young man of clubs. "Like this Piccadilly masher?" was the expression on the speaking countenance of the man on tramp.

"After five hundred years." Hilarie pondered over this strange coincidence. "Let us go back to the churchyard."

At the porch she paused, and bade them look round. "Tell me," she said, "if you have ever seen a place more beautiful or more peaceful?"

The amplitude of the churchyard was in harmony with the stateliness of the church. An ancient yew stood in one corner; the place was surrounded by trees; the steps of the old Cross were hollowed by the feet of many generations; beyond the quiet mounds the dark trees with their heavy foliage made a fitting background; two or three of the bedesmen stood at their door, blinking in the sunshine.

"The almshouse is a reading-room now," said Hilarie. "The old people have quarters more commodious for sleeping, but they come here all day long to read and rest."

They stood in silence for a while.

The swifts flew about the tower and the spire; the lark was singing in the sky, the blackbird in the coppice. The air was full of soft calls, whispers-twitters of birds, the humming of insects, and the rustle of leaves. From the schoolroom came the continuous murmur of children's voices. Another old man passed slowly along the path among the graves towards the almshouse: it seemed as if he were choosing his own bed for a long sleep. Everything spoke of life, happy, serene, and peaceful.

"I am glad you came here," said Hilarie. "It is your own. When you know it you will love everything in it—the church and the churchyard, the trees and the birds, the old men and the children, the living and the dead."

Her eyes filled with tears. Those of the man with the violin-case softened, and he listened and looked round. Those of the other showed no response—they were resting with admiration upon the other girl.

"Come"—Hilarie returned to the duty of hostess,—"let me show you the house—the old, old house—where your ancestors lived."

She led the way to the gate by which she had entered. She conducted them along a path under the trees into a small park. In the middle of the park were buildings evidently of great age. They were surrounded by a moat, now dry, with a bridge over it, and beyond the bridge a little timbered cottage which had taken the place of gate tower and drawbridge. Within was a garden, with flowers, fruit, and vegetables, all together. And beyond the garden was the house. And surely there is no other house like unto it in the whole country. In the middle was a high-roofed hall; at either end were later buildings; beyond these buildings, at one end, was a low broad tower, embattled. The windows of the hall were the same as those of the church, the school, and the almshouse.

"You cannot wonder," said the girl, "that I love to call this house my own—my very own. There is nothing in the world that I would take in exchange for this house. Come in, Cousin Humphrey," she said hospitably. "And—and—my other cousin, Cousin Dick. Besides, you are a friend of Molly's. Come in. You are both welcome."

She opened the door. Within, the great hall had a stone bench running all round; the high-pitched roof was composed of thick beams, black with age; the floor was boarded; the daÏs stood raised three or four inches for the high table; the circular space was still preserved beneath the lantern, where the fire was formerly made.

"Here lived Robert," said the chatelaine, "with his four sons. There was no floor to the hall then. The servants took their meals with the master, but below him. The men slept on the floor. This was the common living-room." She led the way to the north end. "Here was the kitchen, built out beyond the hall"—there were signs of women-servants—"and above it"—she led the way up a rude stair—"the solar of three or four rooms, where the lord and lady slept, and the daughters, and the women-servants. At the other end"—she led them to the south end of the hall—"was the lady's bower, where the lady with her maids sat at their work all day. And beyond is the tower, where the men-at-arms, our garrison, lay."

These rooms were furnished. "They are our sitting-rooms." Three or four girls now rose as Hilarie entered the room. She presented her cousins to them. "My friends," she said, simply. "Here we live; we take our meals in the hall. Our servants sleep in the gate-house; we in the solar. Confess, now, my newly-found cousins, is it not a noble house?"

She showed them the tower and the dungeon and the guard-room, all belonging to the Wars of the Roses. And then she led them back to the hall, where a dainty luncheon was spread on a sideboard. The high table was laid for about a dozen. The girls, to whom the cousins had been presented, trooped in after them. At the lower table stood the servants, the coachman and grooms, the gardener and his staff, the women-servants, the wives and children of the men. All sat down together at their table, which ran along the middle of the hall. Before Hilarie's chair, in the middle of the high table, stood an ancient ship in silver; ready for her use was a silver-gilt cup, also ancient; silver cups stood for each of her guests.

"We all dine together," she said—"my friends and I at our table, my servants below; we are one family. My ancestors"—her cousins sat on each side of her—"dined in this fashion. There is something in humanity which makes those friends who break bread together."

"It is like a picnic five hundred years back," said Humphrey. "I have heard talk, all my life, about this place. My father always intended to visit it, but at last grew too old."

Hilarie watched her two guests. The taller, Humphrey, had the manners of society; he seemed to be what the world, justly jealous, allows to be a gentleman. Yet he had a certain coldness of manner, and he accepted the beauty of this ancient place without surprise or enthusiasm.

"What are you by profession, Cousin Humphrey?" she asked.

"Nothing, as yet; I have been travelling since I left Cambridge." He laid his card before her—"Sir Humphrey Woodroffe."

"You have the title from your father. I hope you will create new distinctions for yourself."

"I suppose," he said coldly, "that I shall go into the House. My people seem to want it. There are too many cads in the House, but it seems that we cannot get through the world without encountering cads." He looked through his hostess, so to speak, and upon the third cousin, perhaps accidentally.

"You certainly cannot," observed the third. "For instance, I am sitting with you at luncheon."

"You will play something presently, Dick, won't you?"

Molly, sitting on the other side of the table, saw a quick flush upon her friend's cheek, and hastened to avert further danger. One may be a cad, but some cads are sensitive to an openly avowed contempt for cads.

Dick laughed. "All right, Molly. What shall I play? Something serious, befitting the place? Luncheon is over—I will play now, if you like." He looked down the hall. "That, I suppose, is the musicians' loft?"

"That is the musicians' gallery. It is a late addition—Elizabethan, I believe."

"The musicians' gallery? Well, Miss Woodroffe, I am the music. Let me play you something in return for the fine ancestors you have given me, and for your gracious hospitality."

He took up his violin-case, to which he had clung with fidelity, marched down the hall, climbed up into the gallery, and began to tune his fiddle.

"Hilarie," Molly said, "Dick plays in the most lovely way possible. He carries you quite out of yourself. That is why everybody loves him so."

However, the artist, standing up alone in the gallery, struck a chord, and began to play.

I suppose that the magic belonged to the fiddle itself. It is astonishing what magical powers a fiddle may possess. This was the most sympathetic instrument possible. It was a thought leader or inspirer. The moment it began, all the listeners, including the servants below the salt, sat upright, their eyes fixed upon the gallery, rapt out of themselves.

Hilarie, for her part, saw in a vision, but with a clearness and distinctness most marvellous, her ancestor Robert with Hilarie his wife. They were both well-stricken in years; they were standing in the porch with their eldest son, his wife and children, to receive their visitors. And first, across the drawbridge, rode the great Lord Archbishop and Lord Chancellor, followed by his retinue. When the Archbishop dismounted, the old man and his wife, and the son, and his wife, and his children went on their knees; but the Archbishop bade them rise, and kissed his parents lovingly. Meantime, the pages and the varlets were unloading pack-horses and pack-mules, because the Archbishop would not lay upon his father so great a charge as the entertainment of his following. And she saw next how the Lord Mayor and the Sheriff, his brother, rode up side by side, the Sheriff a little behind the Mayor, and how they dismounted and knelt for their father's blessing; and so all into the hall together, to take counsel for the great things they were minded to do for their native village.

Hilarie turned to her cousin on the right. "Cousin," she said, still in her dream, "we must think of our forefathers, and of what they did. We must ask what the Archbishop would have done in our place."

But her cousin made no reply. He was looking with a kind of wonder at Molly. Had the man never seen an attractive girl before? He had; but out of a thousand attractive girls a man may be attracted by one only.

And the music went on. What was it that the musician played? Indeed, I know not; things that awakened the imagination and touched the heart.

"No one knows," said Molly, "what he plays; only he makes one lost to everything."

As for herself, she had a delicious dream of going on the tramp with Dick, he and she alone—he to play, and she—— But when she was about to tell this dream, she would not confess her part in the tramp.

The music was over; the fiddle was replaced in its case; the musician was going away.

In the porch stood Hilarie. "Cousin," she said, "do you go on tramp for pleasure or for necessity?"

"For both. I must needs go on tramp from time to time. There is a restlessness in me. I suppose it is in the blood. Perhaps there was a gipsy once among my ancestors."

"But do you really—live—by playing to people?"

"He needn't," said Molly; "but he must. He leaves his money at home, and carries his fiddle. Oh, heavenly!"

"Why not? I fiddle on village greens and in rustic inns. I camp among the gipsies; I walk with the tramps and casuals. There is no more pleasant life, believe me!"

He began to sing in a light, musical tenor—

"You are a strange man," said Hilarie. "Come and see me again."

"I am a vagabond," he replied, "and my name is Autolycus."

Dick took off his hat and bowed low, not in Piccadilly style at all; he waved his hand to Molly; he glared defiance at Humphrey, who loftily bent his head; and then, catching up his violin-case, he started off with a step light and elastic.

Humphrey, the other cousin, half an hour later, stood beside his carriage.

"I must congratulate myself," he said, "on the good fortune which has presented me to the head of my family."

"To two cousins, say."

"Oh! I fancy we shall not see much of Autolycus. Meanwhile, since you kindly grant me permission, I hope to call upon you again."

"I shall be very pleased."

As he drove away, his last look was not on Hilarie, but on the girl beside her—the girl called Molly—the nymph attendant. Some, the goddess charms; but more, the nymph attendant.

"What was she doing with all those girls?" he asked. "Making a home for them, or some such beastly nonsense, I suppose."