When Maurice and Esperance and Genevieve landed, the Duke was still pacing up and down on the terrace. Maurice had jumped lightly on to the shore, and had helped the young girls out, and having taken them to the ChÂteau, rejoined the Duke who was waiting for him.

"You are right. Esperance loves you. My uncle comes to-morrow evening.
He is a man of such uprightness that he will find, no doubt, the best
solution of this most complicated situation. Only I beg you to spare
Albert."

The Duke replied instantly, "I will make every effort to be generous; but this morning he thrust me away from your cousin in a deliberate attempt to insult me. I pretended to blame it on his anxiety, but I may not be able to control myself again, if he drives me so far."

"Alas! I am afraid that you are both of you at the mercy of the first thing that happens. For the love of God, keep cool. And don't forget to come to-morrow at ten for the rehearsal."

And they parted.

Maurice did not sleep a wink. Esperance and Genevieve went to bed very late, after talking for a long time of the future.

"Poor Albert," murmured the little star still as she closed her eyes in the very moment of gliding into the unreal life of dreams.

Mlle. Frahender had some difficulty next morning in waking the two young girls. Another maid waited on them, for the Duke had sent his goddaughter back to her family.

"Let us all three take our chocolate together on this little table. The sun is so gentle this morning, to-day ought to have a beautiful life ahead of it. My parents come at six and we must go to meet them."

She chattered on all through the breakfast, and kissed Genevieve in overflowing happiness.

"I love to see you so, Esperance," said the old Mademoiselle. "You have scarcely seemed yourself lately, even at Penhouet. Now you are truly yourself, you are radiant with your seventeen years. It is a pleasure to look at you and to listen to you."

When the two girls came into the hall the Director, Maurice Renaud, the Marquis Assistant, and the stage-manager, Louis de Marset, were the only others who had arrived. The manufacturer of the paper models was arranging the rock, the dragon, and the headless horse in the middle of the room. He held a brush red with dragon's blood, gave it a touch, and recoiled to admire the effect; then taking the sea weed he had gathered from real rocks, began placing it in little bunches on his pasteboard rock.

"In regard to the half white horse, a magnificent cardboard mount," said Maurice, flatteringly, "we shall not use it. Another tableau has been substituted for that one."

The Assistant came up to Maurice. "Can you tell me, sir, why they will not give the 'Europa and the Bull'?"

"Because Mlle. Darbois has been far from well, and the Duchess has requested that she shall not appear in more than two tableaux. She is to play a very difficult duet, as well, you know, and afterwards she will have to talk to all the people who crowd around her to buy flowers."

Jean was charged with excluding all those who were not in the tableaux. Albert was included in those not admitted, and he certainly would have held it against the Duke, had he still been Director; but Jean explained to him that Maurice had taken this means of making the rehearsal go more quickly. Genevieve, who was also excluded, kept the Count company, and tried to distract him; but he was in a very despondent humour. When he saw the Duke arrive so late, he said, somewhat crossly, "He is delaying the rehearsal."

"Oh! no," said Genevieve, "he does not come on until the second group, and there is no need for him to appear in costume."

When Andromeda was extended upon her rock the Duke took his position.
They were alone in their wooden frame.

"Won't you trust yourself to me?" he breathed.

"I love you with all my soul."

"My life is yours," she replied.

The scene had turned very quickly, the curtain, had fallen. Maurice came up and helped the Duke to unfasten the girl. She was radiant. He was transformed. Maurice guessed that they had spoken together, but he asked nothing.

The second tableau was given immediately. Paris was not in costume. He held the apple to the glorious Aphrodite, the picture turned, the rehearsal was over for Esperance. The Duke still had to take part in two other scenes.

When Esperance was dressed she followed Maurice's advice to go join
Genevieve and Albert.

"What a relief," he exclaimed at sight of her, "I began to think it would never be over."

"Yet we did not lose any time."

"Oh, no! but now it will go more slowly. The Countess de Morgueil will have to make several repetitions of her tableau of the enchantress Melusina."

It was the little de Marset who had spoken. Esperance started. For a
long time it had been rumoured that the very pretty Countess de
Morgueil, widowed two years ago, was violently infatuated with the
Duke de Morlay, who was said not to be indifferent to her affection.

Afraid apparently that his meaning had not been plain, Marset insisted, "she is always circling about the Duke."

"But does he care for her?" asked a young woman with a hard face, who was just going to give herself a dose of morphine, and who was never seen without a cigarette between her lips.

"Who knows?" queried Marset, with a knowing air.

Esperance had grown very pale. Albert was controlling himself with difficulty. He observed Genevieve's constraint, and the trouble of his fiancÉe.

"Shall we walk a little?"

They walked towards the woods and Maurice, in some excitement, soon joined them. He was greatly troubled, and longed to be able to tell Albert how things were going. He was very fond of this fine fellow, and at the same time felt great sympathy for the Duke. He understood perfectly well why Esperance should prefer him to the Count, but at the same time he blamed her a little for causing so many complications. When he saw her so fresh and charming beside Albert, he grew more disturbed. Genevieve quietly drew him aside.

"You are getting excited, Maurice, and I see clearly that you are blaming Esperance, but let me tell you, dear love, that you are unjust. At this moment Esperance is walking in a dream. Nothing real exists for her. For three months she has suffered very much, struggled very much, and felt so much. Events have come very quickly. She finds herself all of a sudden at the fount of the realization of all her fondest hopes; to be loved by the one she loves!… Be patient, Maurice, she is so young and so sensitive…."

"Your heart, dearest Genevieve, is an admirable accountant. It adds the reasons, multiplies the excuses, subtracts the errors, and divides the responsibility. You are adorable and I love you with all my heart. Come with me, it is time for the concert. You go on immediately after Delaunay. The Duchess is unable to contain herself at the idea of hearing you recite her poem."

The Duke passed by, accompanied by the pretty Countess de Morgueil, at whose conversation he was smiling politely and replying vaguely. He seemed not to have seen the others. Like Esperance, he was living in a world of dreams, happy in a realm where there was neither impatience nor jealousy. He knew that he was loved.

After lunch Esperance said that she was going to rest, so as to be fresh for next day. Her father and mother were to come on the Princess's little yacht. She and Mlle. Frahender were to go alone to meet them. That gave her several hours of solitude to think of him, only of him.

Maurice repeated his last orders for the engrossing fÊte, against which he railed ceaselessly, in spite of Genevieve's constant efforts to calm him.

"Oh! of course, it is perfectly evident that I am unreasonable, I know it; but if I break my leg slipping on an orange peel, you would not prevent me from swearing at the person who had peeled the fruit there, would you?"

Genevieve laughed in spite of herself. "Be a good boy, tell your uncle everything as soon as he comes; but say nothing against Esperance, for that would not be right."

Her lovely face was very sad. Maurice looked at her with a world of tenderness, "My darling, forgive me; the truth is that I am so worried. Albert's face is hard and set. He knows nothing, cannot know anything, but he is gifted with the intuition that simple souls often possess. I am very uneasy, I can tell you. Say nothing to Esperance. Come now, let us stroll into this thicket and talk just by ourselves for awhile."

They entered the thicket, holding each other close, in silence. When they came to the clearing they stopped short. The Duke was there, stretched out upon the bench, smoking, dreaming.

He got up, surprised, and apologized.

"I had just come back here to live over an unforgettable moment."

"This corner must be the rendezvous for the slaves of the little god," said Maurice, bowing to the statuette of Love Enchained. "We will leave you."

"No," said the Duke quickly, "Please stay. Your happiness shows me the vision of which I dreamed. Art is the inspiration of the beautiful, and I believe, that artists have a more delicate sense of love than other people.

"I believe, in truth," said Maurice, "that artists, move in a much larger world than that which is inhabited by either the bourgeoisie or the aristocracy."

They talked for a long time, and returned to the ChÂteau together.

Albert was beneath the green oak, talking to the Dowager Duchess, who was telling him how much she admired Genevieve. She had repeated her poem so wonderfully to her alone that morning! They did not see the trio emerge from the thicket, and Maurice was glad of it. He felt more and more constrained. The complicity against the poor fellow's happiness seemed to him a form of treason. He looked at his watch. It was only five o'clock.

"That is impossible. This watch must have stopped."

The Duke went to his room. His man gave him an elegant little note, and as his master threw it down on the table, "They await an answer."

"Very well, I will send one."

The servant withdrew. On the stair he met an English maid waiting the answer.

"Monsieur will send an answer."

"The Countess will be displeased. These French gentlemen are more gallant but less polite than our English lords. She is as much in love as Love itself."

"He also is in love."

"Then it ought to be easy enough, for Madame is a widow."

"But it is not your mistress that he loves."

"Ah! who then?"

"Ah! nothing for nothing." And he held out his hands.

"Ah! shocking!"

"Very well," and he started, as if to return to his master.

She stopped him.

"Monsieur, Gustave you know very well that I am promised."

"Nothing for nothing."

Again he held out his hands. She hesitated a moment, looking up and down, and then let him have her finger tips. With a brutal gesture he caught her to him and kissed her furiously. The little English maid, blushing and rumpled, drew back and announced coldly, "You French are brutes. Now, the information I paid for in advance."

"Very well. He is in love with little Esperance Darbois."

"The actress? But she is engaged to Count Styvens."

"It is the truth I have told you," replied the valet, proud of his own importance, "and if you will meet me in the grove, during dinner, I will tell you some more."

"Thanks, I know enough now," said the maid dryly, leaving him.

She disappeared, but Gustave preened himself, certain of success. As he went downstairs he saw Count Albert, helping the old Mademoiselle and her charge into the carriage. Instinctively, he looked up to see his master's silhouette at the window. Albert was asking to be allowed to go with them, but Esperance had promised herself a quiet and restful drive.

"No, Albert, we shall be four with my father and mother, and this is a small carriage."

"But I will sit with the coachman."

"Look," said the young girl, laughing, "at the size of the seat, and remember that there will be two large bags and a hat box, a very big hat box, to hold a hat for mama, one for Genevieve, and one for me."

Albert sighed sadly and closed the carriage door, after he had kissed his fiancÉe's hand. As the carriage drove away he went up to the room his mother was to occupy when she arrived next day, and looked to see if all was ready.

He took a book and tried to read, but after a couple of minutes he threw it aside and went out of doors again. He stopped a moment on the terrace, considering where to go. A young lady stopped him as he was preparing to go down the steps.

"All alone, Count, and dreaming! Ah! you are thinking of her. Come, let us stroll along together."

And the young Countess de Morgueil took his arm before he had time to answer.

"You were not at the rehearsal this morning. You know that they have given up the tableaux of 'Europa.' Did you insist upon it?"

"No, why should I have made myself so ridiculous?"

"But the Duke pretended…."

"Dear Madame, the Duke could not have pretended anything except that he did not wish to appear without any clothes on, a decision that I heartily approved of."

"They say that he tries to fascinate every woman he meets. What do you think?"

"And what do you?" said the Count, looking her straight in the eye.

"Oh! he would never cause me great palpitation," she returned meaningly.

"Are you making any allusion to Mlle. Darbois?" he asked, stopping abruptly.

"I am engaged to Mlle. Darbois, I believe you know, Madame. You are piqued because you love the Duke de Morlay and he seems to be deserting you to hover near my fiancÉe. Do as I do; have a little patience; to-morrow by this time the fÊte will be over and I shall have left with Mlle. Darbois. Don't be either too nervous or too malicious, it does not agree with your type of beauty. I kiss your hands."

He went towards the ChÂteau, and took up his vigil in the little salon adjoining Esperance's room.

The Countess of Morgueil was confused and mortified. "He is not so stupid as he looks," she thought.

Albert was reading, but listening all the time. Finally a carriage stopped before the ChÂteau. He went down quickly and caught Esperance in his arms so tightly that the young girl gave a little scream.

"Oh! pardon, pardon. It is so long since I have seen you."

He kissed Mme. Darbois's hand and almost crushed the professor's fingers in his nervous grasp. He asked anxiously concerning Penhouet, and expressed his desire to return there immediately. Maurice and Genevieve came running up.

"How happy every one looks here," said Mme. Darbois.

"Don't believe it, my dear aunt; we are standing on a volcano."

"Ah! the cares of the fÊte weigh upon you. It always seems as if everything were going wrong at the last moment."

She laughed, proud of her penetrations. Genevieve tugged at Maurice's vest as he was about to set the dear lady right.

"Ah! well, I leave you to dress. This evening, uncle, I want to have a chat with you as I have something serious to say to you."

The philosopher and his wife looked at each other understandingly.

"Very well, my boy, I shall be entirely at your disposal for as long as you like, for I can guess…."

And he looked at Genevieve. Maurice despaired of ever making him understand.