 
After our immense and noisy success at Montreal, we were somewhat surprised with the icy welcome of the public at Springfield. We played La Dame aux CamÉlias—in America Camille, why, no one was ever able to tell me. This play, which the public rushed to see in crowds, shocked the over-strained Puritanism of the small American towns. The critics of the large cities discussed this modern Magdalene. But those of the small towns began by throwing stones at her. This stilted reserve on the part of the public, prejudiced against the impurity of Marguerite Gautier, we met with from time to time in the small cities. Springfield at that time had barely thirty thousand inhabitants. During the day I passed at Springfield I called at a gunsmith’s to purchase a rifle. The salesman showed me into a long and very narrow courtyard, where I tried several shots. On turning round I was surprised and confused to see two gentlemen taking an interest in my shooting. I wished to withdraw at once, but one of them came up to me: “Would you like, Madame, to come and fire off a cannon?” I almost fell to the ground with surprise, and did not reply for a second. Then I said, “Yes, I would.” An appointment was made with my strange questioner, who was the director of the Colt gun factory. An hour afterwards I went to the rendezvous. More than thirty people who had been hastily invited were there already. It got on my nerves a trifle. I fired off the newly invented quick-firing cannon. It amused me very much without procuring me any emotion, and that evening, after the icy performance, we left for Baltimore with a vertiginous rush, the play having finished later than the hour fixed for the departure of the train. It was necessary to catch it up at any cost. The three enormous carriages that made up my special train went off under full steam. With two engines, we bounded over the metals and dropped again, thanks to some miracle. We finally succeeded in catching up the express, which knew we were on its track, having been warned by telegram. It made a short stop, just long enough to couple us to it anyhow, and in that way we reached Baltimore, where I stayed four days and gave five performances. Two things struck me in that city: the deadly cold in the hotels and the theatre, and the loveliness of the women. I felt a profound sadness at Baltimore, for I spent the 1st of January far from everything that was dear to me. I wept all night, and underwent that moment of discouragement that makes one wish for death. Our success, however, had been colossal in that charming city, which I left with regret to go to Philadelphia, where we were to remain a week. That handsome city I do not care for. I received an enthusiastic welcome there, in spite of a change of programme the first evening. Two artistes having missed the train, we could not play Adrienne Lecouvreur, and I had to replace it by PhÈdre, the only piece in which the absentees could be replaced. The receipts averaged twenty thousand francs for the seven performances given in six days. My sojourn was saddened by a letter announcing the death of my friend Gustave Flaubert, the writer who had the beauty of our language at heart. From Philadelphia we proceeded to Chicago. At the station I was received by a deputation of Chicago ladies, and a bouquet of rare flowers was handed to me by a delightful young lady, Madame Lily B. Jarrett then led me into one of the rooms of the station, where the French delegates were waiting. A very short but highly emotional speech from our Consul spread confidence and friendly feelings among every one, and after having returned heartfelt thanks, I was preparing to leave the station, when I stopped stupefied—and it seems that my features assumed such an intense expression of suffering that everybody ran towards me to offer assistance. But a sudden anger electrified all my being, and I walked straight towards the horrible vision that had just appeared before me—the whale man! He was alive, that terrible Smith!—enveloped in furs, with diamonds on all of his fingers. He was there with a bouquet in his hand, the wretched brute! I refused the flowers and repulsed him with all my strength, increased tenfold by anger, and a flood of confused words escaped from my pallid lips. But this scene charmed him, for it was repeated and spread about, magnified, and the whale had more visitors than ever. I went to the Palmer House, one of the most magnificent hotels of that day, whose proprietor, Mr. Potter-Palmer, was a perfect gentleman, courteous, kind, and generous, for he filled the immense apartment I occupied with the rarest flowers, and taxed his ingenuity in order to have my meals cooked and served in the French style, a difficult matter in those days. We were to remain a fortnight in Chicago. Our success exceeded all expectations. These two weeks seemed to me the most agreeable days I had had since my arrival in America. First of all, there was the vitality of the city in which men pass each other without ever stopping, with knitted brows, with one thought in mind, “the end to attain.” They move on and on, never turning for a cry or prudent warning. What takes place behind them matters little. They do not wish to know why a cry is raised, and they have no time to be prudent: “the end to attain” awaits them. Women here, as everywhere else in America, do not work, but they do not stroll about the streets, as in other cities: they walk quickly; they also are in a hurry to seek amusement. During the day time I went some distance into the surrounding country in order not to meet the sandwich-men advertising the whale. One day I went to the pigs’ slaughter-house. Ah, what a dreadful and magnificent sight! There were three of us, my sister, myself, and an Englishman, a friend of mine. On arrival we saw hundreds of pigs hurrying, bunched together, grunting and snorting, along a small narrow raised bridge. Our carriage passed under this bridge, and stopped before a group of men who were waiting for us. The manager of the stock-yards received us and led the way to the special slaughter-houses. On entering into the immense shed, which is dimly lighted by windows with greasy and ruddy panes, an abominable smell gets into your throat, a smell that only leaves one several days afterwards. A sanguinary mist rises everywhere, like a light cloud floating on the side of a mountain and lit up by the setting sun. An infernal hubbub drums itself into your brain: the almost human cries of the pigs being slaughtered, the violent strokes of the hatchets lopping off the limbs, the repeated shouts of the “ripper,” who with a superb and sweeping gesture lifts the heavy hatchet, and with one stroke opens from top to bottom the unfortunate, quivering animal hung on a hook. During the terror of the moment one hears the continuous grating of the revolving razor which in one second removes the bristles from the trunk thrown to it by the machine that has cut off the four legs; the whistle of the escaping steam from the hot water in which the head of the animal is scalded; the rippling of the water that is constantly renewed; the cascade of the waste water; the rumbling of the small trains carrying under wide arches trucks loaded with hams, sausages, &c., and the whistling of the engines warning one of the danger of their approach, which in this spot of terrible massacre seems to be the perpetual knell of wretched agonies. Nothing was more Hoffmanesque than this slaughter of pigs at the period I am speaking about, for since then a sentiment of humanity has crept, although still somewhat timidly, into this temple of porcine hecatombs. I returned from this visit quite ill. That evening I played in PhÈdre. I went on to the stage quite unnerved, and trying to do everything to get rid of the horrible vision of the stock-yard. I threw myself heart and soul into my rÔle, so much so that at the end of the fourth act I absolutely fainted on the stage. On the day of my last performance a magnificent collar of camellias in diamonds was handed me on behalf of the ladies of Chicago. I left that city fond of everything in it: its people; its lake, as big as a small inland sea; its audiences, who were so enthusiastic; everything, everything—except its stock-yards. I did not even bear any ill-will towards the Bishop, who also, as had happened in other cities, had denounced my art and French literature. By the violence of his sermons he had, as a matter of fact, advertised us so well that Mr. Abbey, the manager, wrote the following letter to him: “Your Grace ——, Whenever I visit your city, I am accustomed to spend four hundred dollars in advertising. But as you have done the advertising for me, I send you two hundred dollars for your poor. “HENRY ABBEY.” We left Chicago to go to St. Louis, where we arrived after having covered 283 miles in fourteen hours. In the drawing-room of my car, Abbey and Jarrett showed me the statement of the sixty-two performances that had been given since our arrival. The gross receipts were $227,459, that is to say, 1,137,295 francs, an average of 18,343 francs per performance. This gave me great pleasure on Henry Abbey’s account, for he had lost all he had in his previous tour with an admirable troup of opera artistes, and greater pleasure still on my own account, as I was to receive a good share of the takings. We stayed at St. Louis all the week, from January 24 to 31. I must admit that this city, which was specially French, was less to my liking than the other American cities, as it was dirty and the hotels were not very comfortable. Since then St. Louis has made great strides, but it was the Germans who planted there the bulb of progress. At the time of which I speak, the year 1881, the city was repulsively dirty. In those days, alas! we were not great at colonising, and all the cities where French influence preponderated were poor and behind the times. I was bored to death at St. Louis, and I wanted to leave the place at once, after paying an indemnity to the manager, but Jarrett, the upright man, the stern man of duty, the ferocious man, said to me, holding my contract in his hand: “No, Madame; you must stay. You can die of ennui here if you like, but stay you must.” By way of entertaining me he took me to a celebrated grotto where we were to see some millions of fish without eyes. The light had never penetrated into this grotto, and as the first fish who lived there had no use for their eyes, their descendants had no eyes at all. We went to see this grotto. It was a long way off. We went down and groped our way to the grotto very cautiously, on all fours like cats. The road seemed to me interminable, but at last the guide told us that we had arrived at our destination. We were able to stand upright again, as the grotto itself was higher. I could see nothing, but I heard a match being struck, and the guide then lighted a small lantern. Just in front of me, nearly at my feet, was a rather deep natural basin. “You see,” remarked our guide phlegmatically, “that is the pond, but just at present there is no water in it; neither are there any fish. You must come again in three months’ time.” Jarrett made such a fearful grimace that I was seized with an uncontrollable fit of laughter, of that kind of laughter which borders on madness. I was suffocated with it, and I choked and laughed till the tears came. I then went down into the basin of the pond in search of a relic of some kind, a little skeleton of a dead fish, or anything, no matter what. There was nothing to be found, though—absolutely nothing. We had to return on all fours, as we came. I made Jarrett go first, and the sight of his big back in his fur coat and of him walking on hands and feet, grumbling and swearing as he went, gave me such delight that I no longer regretted anything, and I gave ten dollars to the guide for his ineffable surprise. We returned to the hotel, and I was informed that a jeweller had been waiting for me more than two hours. “A jeweller!” I exclaimed; “but I have no intention of buying any jewellery. I have too much as it is.” Jarrett, however, winked at Abbey, who was there as we entered. I saw at once that there was some understanding between the jeweller and my two impresarii. I was told that my ornaments needed cleaning, that the jeweller would undertake to make them look like new, repair them if they required it, and in a word exhibit them. I rebelled, but it was of no use. Jarrett assured me that the ladies of St. Louis were particularly fond of shows of this kind. He said it would be an excellent advertisement; that my jewellery was very much tarnished, that several stones were missing, and that this man would replace them for nothing, “What a saving!” he added. “Just think of it!” I gave up, for discussions of that kind bore me to death, and two days later the ladies of St. Louis went to admire my ornaments in this jeweller’s show-cases under a blaze of light. Poor Madame GuÉrard, who also went to see them, came back horrified. “They have added to your things,” she said, “sixteen pairs of earrings, two necklaces, and thirty rings; a lorgnette studded with diamonds and rubies, a gold cigarette-holder set with turquoises; a small pipe, the amber mouthpiece of which is encircled with diamond stars; sixteen bracelets, a tooth-pick studded with sapphires, a pair of spectacles with gold mounts ending with small acorns of pearls. “They must have been made specially,” said poor GuÉrard, “for there can’t be any one who would wear such glasses, and, on them were written the words, ‘Spectacles which Madame Sarah Bernhardt wears when she is at home.’” I certainly thought that this was exceeding all the limits allowed to advertisement. To make me smoke pipes and wear spectacles was going rather too far, and I got into my carriage and drove at once to the jeweller’s. I arrived just in time to find the place closed. It was five o’clock on Saturday afternoon; the lights were out, and everything was dark and silent. I returned to the hotel, and spoke to Jarrett of my annoyance. “What does it all matter, Madame?” he said tranquilly. “So many girls wear spectacles; and as to the pipe, the jeweller tells me he has received five orders from it, and that it is going to be quite the fashion. Anyhow, it is of no use worrying about the matter, as the exhibition is now over. Your jewellery will be returned tonight, and we leave here the day after to-morrow.” That evening the jeweller returned all the objects I had lent him, and they had been polished and repaired so that they looked quite new. He had included with them a gold cigarette-holder set with turquoises, the very one that had been on view. I simply could not make that man understand anything, and my anger cooled down when confronted by his pleasant manner and his joy. This advertisement, though, came very near costing me my life. Tempted by this huge quantity of jewellery, the greater part of which did not belong to me, a little band of sharpers planned to rob me, believing that they would find all these valuables in the large hand-bag which my steward always carried. On Sunday, January 30, we left St. Louis at eight o’clock in the morning for Cincinnati. I was in my magnificently appointed Pullman car, and I had requested that the car should be put at the end of our special train, so that from the platform I might enjoy the beauty of the landscape, which passes before one like a continually changing living panorama. We had scarcely been more than ten minutes en route when the guard suddenly stooped down and looked over the little balcony. He then drew back quickly, and his face turned pale. Seizing my hand, he said in a very excited tone in English, “Please go inside, Madame!” I understood that we were in danger of some kind. He pulled the alarm signal, made a sign to another guard, and before the train had quite come to a standstill the two men sprang down and disappeared under the train. The guard had fired a revolver in order to attract every one’s attention, and Jarrett, Abbey, and the artistes hurried out into the narrow corridor. I found myself in the midst of them, and to our stupefaction we saw the two guards dragging out from underneath my compartment a man armed to the teeth. With a revolver held to his temple on either side, he decided to confess the truth of the matter. The jeweller’s exhibition had excited the envy of all the gangs of thieves, and this man had been despatched by an organised band at St. Louis to relieve me of my jewellery. He was to unhook my carriage from the rest of the train between St. Louis and Cincinnati, at a certain spot known as the “Little Incline.” As this was to be done during the night, and as my carriage was the last, the thing was comparatively easy, since it was only a question of lifting the enormous hook and drawing it out of the link. The man, a veritable giant, was fastened on to my carriage. We examined his apparatus, and found that it merely consisted of very thick wide straps of leather about half a yard wide By means of these he was secured firmly to the underpart of the train, with his hands perfectly free. The courage and the sang-froid of that man were admirable. He told us that seven armed men were waiting for us at the Little Incline, and that they certainly would not have injured us if we had not attempted to resist, for all they wanted was my jewellery and the money which the secretary carried (two thousand three hundred dollars). Oh, he knew everything; he knew every one’s name, and he gabbled on in bad French, “Oh, as for you, Madame, we should not have done you any harm, in spite of your pretty little revolver. We should even have let you keep it.” And so this man and his gang knew that the secretary slept at my end of the train, and that he was not to be dreaded much (poor Chatterton!); that he had with him two thousand three hundred dollars, and that I had a very prettily chased revolver, ornamented with cats-eyes. The man was firmly bound and taken in charge by the two guards, and the train was then backed into St. Louis; we had only started a quarter of an hour before. The police were informed, and they sent us five detectives. A goods train which should have departed half an hour before us was sent on ahead of us. Eight detectives travelled on this goods train, and received orders to get out at the Little Incline. Our giant was handed over to the police authorities, but I was promised that he should be dealt with mercifully on account of the confession he had made. Later on I learnt that this promise had been kept, as the man was sent back to his native country, Ireland. From this time forth my compartment was always placed between two others every night. In the day-time I was allowed to have my carriage at the end on condition that I would agree to have on the platform an armed detective whom I was to pay, by the way, for his services. Our dinner was very gay, and every one was rather excited. As to the guard who had discovered the giant hidden under the train, Abbey and I had rewarded him so lavishly that he was intoxicated, and kept coming on every occasion to kiss my hand and weep his drunkard’s tears, repeating all the time, “I saved the French lady; I’m a gentleman.” When finally we approached the Little Incline, it was dark. The engine-driver wanted to rush along at full speed, but we had not gone five miles when crackers exploded under the wheels and we were obliged to slacken our pace. We wondered what new danger there was awaiting us, and we began to feel anxious. The women were nervous, and some of them were in tears. We went along slowly, peering into the darkness, trying to make out the form of a man or of several men by the light of each cracker. Abbey suggested going at full speed, because these crackers had been placed along the line by the bandits, who had probably thought of some way of stopping the train in case their giant did not succeed in unhooking the carriage. The engine-driver refused to go more quickly, declaring that these crackers were signals placed there by the railway company, and that he could not risk every one’s life on a mere supposition. The man was quite right, and he was certainly very brave. “We can certainly settle a handful of ruffians,” he said, “but I could not answer for any one’s life if the train went off the lines, clashed into or collided with something, or went over a precipice.” We continued therefore to go slowly. The lights had been turned off in the car, so that we might see as much as possible without being seen ourselves. We had tried to keep the truth from the artistes, except from three men whom I had sent for to my carriage. The artistes really had nothing to fear from the robbers, as I was the only person at whom they were aiming. To avoid all unnecessary questions and evasive answers, we sent the secretary to tell them that as there was some obstruction on the line, the train had to go slowly. They were also told that one of the gas-pipes had to be repaired before we could have the light again. The communication was then cut between my car and the rest of the train. We had been going along like this for ten minutes perhaps when everything was suddenly lighted up by a fire, and we saw a gang of railway-men hastening towards us. It makes me shudder now when I think how nearly these poor fellows escaped being killed. Our nerves had been in such a state of tension for several hours that we imagined at first that these men were the wretched friends of the giant. Some one fired at them, and if it had not been for our plucky engine-driver calling out to them to stop, with the addition of a terrible oath, two or three of these poor men would have been wounded. I too had seized my revolver, but before I could have drawn out the ramrod which serves as a cog to prevent it from going off, any one would have had time to seize me, bind me, and kill me a hundred times over. And still any time I go to a place where I think there is danger, I invariably take my pistol with me, for it is a pistol, and not a revolver. I always call it a revolver, but in reality it is a pistol, and a very old-fashioned make too, with this ramrod and the trigger so hard to pull that I have to use my other hand as well. I am not a bad shot, for a woman, provided that I may take my time, but this is not very easy when one wants to fire at a robber. And yet I always have my pistol with me; it is here on my table, and I can see it as I write. It is in its case, which is rather too narrow, so that it requires a certain amount of strength and patience to pull it out. If an assassin should arrive at this particular moment I should first have to unfasten the case, which is not an easy matter, then to get the pistol out, pull out the ramrod, which is rather too firm, and press the trigger with both hands. And yet, in spite of all this, the human animal is so strange that this ridiculously useless little object here before me seems to me an admirable protection. And nervous and timid as I am, alas! I feel quite safe when I am near to this little friend of mine, who must roar with laughter inside the little case out of which I can scarcely drag it. Well, everything was now explained to us. The goods train which had started before us ran off the line, but no great damage was done, and no one was killed. The St. Louis band of robbers had arranged everything, and had prepared to have this little accident two miles from the Little Incline, in case their comrade crouching under my car had not been able to unhook it. The train had left the rails, but when the wretches rushed forward, believing that it was mine, they found themselves surrounded by the band of detectives. It seems that they fought like demons. One of them was killed on the spot, two more wounded, and the remainder taken prisoners. A few days later the chief of this little band was hanged. He was a Belgian, named Albert Wirbyn, twenty-five years of age. I did all in my power to save him, for it seemed to me that unintentionally I had been the instigator of his evil plan. If Abbey and Jarrett had not been so rabid for advertisement, if they had not added more than six hundred thousand francs’ worth of jewellery to mine, this man, this wretched youth would not perhaps have had the stupid idea of robbing me. Who can say what schemes had floated through the mind of the poor fellow, who was perhaps half-starved, or perhaps excited by a clever, inventive brain? Perhaps when he stopped and looked at the jeweller’s window he said to himself: “There is jewellery there worth a million francs. If it were all mine I would sell it and go back to Belgium. What joy I could give to my poor mother, who is blinding herself with work by gaslight, and I could help my sister to get married.” Or perhaps he was an inventor, and he thought to himself: “Ah, if only I had the money which that jewellery represents I could bring out my invention myself, instead of selling my patent to some highly esteemed rascal, who will buy it from me for a crust of bread. What would it matter to the artiste. Ah, if only I had the money!” Ah, if I had the money!—perhaps the poor fellow cried with rage to think of all this wealth belonging to one person. Perhaps the idea of crime germinated in this way in a mind which had hitherto been pure. Ah, who can tell to what hope may give birth in a young mind? At first it may be only a beautiful dream, but this may end in a mad desire to realise the dream. To steal the goods of another person is certainly not right, but this should not be punished by death—it certainly should not. To kill a man of twenty-five years of age is a much greater crime than to steal jewellery even by force, and a society which bands together in order to wield the sword of Justice is much more cowardly when it kills than the man who robs and kills quite alone, at his own risk and peril. Oh, what tears I wept for that man, whom I did not know at all—who was a rascal or perhaps a hero! He was perhaps a man of weak intellect who had turned thief, but he was only twenty-five years of age, and he had a right to live. How I hate capital punishment! It is a relic of cowardly barbarism, and it is a disgrace for civilised countries still to have their guillotines and scaffolds. Every human being has a moment when his heart is easily touched, when the tears of grief will flow; and those tears may fecundate a generous thought which might lead to repentance. I would not for the whole world be one of those who condemn a man to death. And yet many of them are good, upright men, who when they return to their families are affectionate to their wives, and reprove their children for breaking a doll’s head. I have seen four executions, one in London, one in Spain, and two in Paris. In London the method is hanging, and this seems to me more hideous, more repugnant, more weird than any other death. The victim was a young man of about thirty, with a strong, self-willed looking face. I only saw him a second, and he shrugged his shoulders as he glanced at me, his eyes expressing his contempt for my curiosity. At that moment I felt that individual’s ideas were very much superior to mine, and the condemned man seemed to me greater than all who were there. It was, perhaps, because he was nearer than we all were to the great mystery. I can see him now smile as they covered his face with the hood, while, as for me, I rushed away completely upset. In Madrid I saw a man garrotted, and the barbarity of this torture terrified me for weeks after. He was accused of having killed his mother, but no real proof seemed to have been brought forward against the wretched man. And he cried out, when they were holding him down on his seat before putting the garrotte on him, “Mother, I shall soon be with you, and you will tell them all, in my presence, that they have lied.” These words were uttered in Spanish, in a voice that vibrated with earnestness. They were translated for me by an attachÉ to the British Embassy, with whom I had gone to see the hideous sight. The wretched man cried out in such a sincere, heart-rending tone of voice that it was impossible for him not to have been innocent, and this was the opinion of all those who were with me. The two other executions which I witnessed were at the Place de la Roquette, Paris. The first was that of a young medical student, who with the help of one of his friends had killed an old woman who sold newspapers. It was a stupid, odious crime, but the man was more mad than criminal. He was more than ordinarily intelligent, and had passed his examinations at an earlier age than is usual. He had worked too hard, and it had affected his brain. He ought to have been allowed to rest, to have been treated as an invalid, cured in mind and body, and then returned to his scientific pursuits. He was a young man quite above the average as regards intellect. I can see him now, pale and haggard, with a dreamy, far-away look in his eyes, an expression of infinite sadness. I know, of course, that he had killed a poor, defenceless old woman. That was certainly odious, but he was only twenty-three years old, and his mind was disordered through study and overwork, too much ambition, and the habit of cutting off arms and legs and dissecting the dead bodies of women and children. All this does not excuse the man’s abominable deed, but it had all contributed to unhinge his moral sense, which was perhaps already in a wavering state, thanks to study, poverty, or atavism. I consider that a crime of high treason against humanity was committed in taking the life of a man of intellect, who, when once he had recovered his reason, might have rendered great service to science and to humanity. The last execution at which I was present was that of Vaillant, the anarchist. He was an energetic man, and at the same time mild and gentle, with very advanced ideas, but not much more advanced than those of men who have since risen to power. My theatre at that time was the Renaissance, and he often applied to me for free seats, as he was too poor to pay for the luxuries of art. Ah, poverty, what a sorry counsellor art thou, and how tolerant we ought to be to those who have to endure misery! One day Vaillant came to see me in my dressing-room at the theatre. I was playing Lorenzaccio, and he said to me: “Ah, that Florentine was an anarchist just as I am, but he killed the tyrant and not tyranny. That is not the way I shall go to work.” A few days later he threw a bomb in a public building, the Chamber of Deputies. The poor fellow was not as successful as the Florentine, whom he seemed to despise, for he did not kill any one, and did no real harm except to his own cause. I said I should like to know when he was to be executed, and the night before, a friend of mine came to the theatre and told me that the execution was to take place the following day, Monday, at seven in the morning. I started after the performance, and went to the Rue Merlin, at the corner of the Rue de la Roquette. The streets were still very animated, as that Sunday was Dimanche Gras (Shrove Sunday). People were singing, laughing, and dancing everywhere. I waited all night, and as I was not allowed to enter the prison, I sat on the balcony of a first floor flat which I had engaged. The cold darkness of the night in its immensity seemed to enwrap me in sadness. I did not feel the cold, for my blood was flowing rapidly through my veins. The hours passed slowly, the hours which rang out in the distance, L’heure est morte. Vive l’heure! I heard a vague, muffled sound of footsteps, whispering, and of wood which creaked heavily, but I did not know what these strange, mysterious sounds were until day began to break. I saw that the scaffold was there. A man came to extinguish the lamps on the Place de la Roquette, and an anaemic-looking sky spread its pale light over us. The crowd began to collect gradually, but remained in compact groups, and circulation in the streets was interrupted. Every now and then a man, looking quite indifferent, but evidently in a hurry, pushed aside the crowd, presented a card to a policeman, and then disappeared under the porch of the prison. I counted more than ten of these men: they were journalists. Presently the military guard appeared suddenly on the spot, and took up its position around the melancholy-looking pedestal. The usual number of the guard had been doubled for this occasion, as some anarchist plot was feared. On a given signal swords were drawn and the prison door opened. Vaillant appeared, looking very pale, but energetic and brave. He cried out in a manly voice, with perfect assurance, “Vive l’anarchie!” There was not a single cry in response to his. He was seized and thrown back over the slab. The knife fell with a muffled sound. The body tottered, and in a second the scaffold was taken away, the place swept; the crowds were allowed to move. They rushed forward to the place of execution, gazing down on the ground for a spot of blood which was not to be seen, sniffing in the air for any odour of the drama which had just been enacted. There were women, children, old men, all joking there on the very spot where a man had just expired in the most supreme agony. And that man had made himself the apostle of this populace; that man had claimed for this teeming crowd all kinds of liberties, all kinds of privileges and rights. I was thickly veiled so that I could not be recognised, and accompanied by a friend as escort. I mingled with the crowd, and it made me sick at heart and desperate. There was not a word of gratitude to this man, not a murmur of vengeance nor of revolt. I felt inclined to cry out: “Brutes that you are! Kneel down and kiss the stones that the blood of this poor madman has stained for your sakes, for you, because he believed in you.” But before I had time for this a street urchin was calling out, “Buy the last moments of Vaillant! Buy, buy!” Oh, poor Vaillant! His headless body was then being taken to Clamart, and the crowds for whom he had wept, worked, and died were now going quietly away, indifferent and bored. Poor Vaillant! His ideas were exaggerated ones, but they were generous.
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