NOTES TO THE INTRODUCTION

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[1] For a survey of all Lloyd’s work see Cecil J. L. Price, A Man of Genius and a Welch Man (University of Swansea, Wales, 1963). Lloyd is the subject of an unpublished dissertation, The Moral Beau, by Paul E. Parnell (New York University, 1956). Two short passages from The Methodist are included in The Penguin Book of Satirical Verse, ed. Edward Lucie-Smith (Baltimore, 1967).

[2] Most recently, Albert M. Lyles, Methodism Mocked (London, 1960).

[3] Journal, 8 February 1753, quoted by A. R. Humphreys, The Augustan World (New York, 1963), p. 20.

[4] The pseudonymous author, Peter Paragraph, is identified by Halkett and Laing, Dictionary of Anonymous and Pseudonymous English Literature, as James Makittrick Adair. Adair did write some works under that pseudonym but probably did not write The Methodist and Mimic. Lyles, op. cit., p. 129n., suggests that the author may be Samuel Foote, in whose play, The Orators, a character, Peter Paragraph, appears, probably representing George Faulkner. Robert Lloyd, in “The Cobbler of Cripplegate’s Letter,” hints that Peter Paragraph may be Bonnel Thornton.

[5] The Critical Review, XXIII (1766), pp. 75-77.

[6] The Power of Satire (Princeton, 1960), p. 222 and passim.

[7] The Methodist was reviewed by The Monthly Review, XXV (1766), pp. 319-321, and Gentleman’s Magazine, XXXVI (1766), p. 335. Conversation was reviewed more favorably by The Monthly Review, XXXVII (1767), p. 394, and by The Critical Review XXIV (1767), pp. 341-343. The Critical Review compared him with Swift.


                                                                                                                                                                                                                                                                                                           

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