Reggie and the Babe got into chapel just after the voluntary had begun, and slow soft notes came floating drowsily down from the echoes in the roof. The chapel and ante-chapel were both full, and from the door in the dim, mellow half-darkness, a sea of heads stretched up to the black wooden screen, through which streamed the light from the chapel itself. In the roof one could just see the delicate fan-shaped lines of vaulting springing across like lotus leaves from wall to wall, and the windows on the south side gleamed with dark, rich colour from the sky already turning red with the southwestern setting sun. As they went up the ante-chapel the Babe saw a seat still unoccupied, and preferred stopping there to going into the chapel.

Reggie’s seat was just east of the choir opposite to the window representing Christ standing in the garden after the resurrection. To the right kneels Mary Magdalene gaudily dressed, just having turned and seeing that he was not, as she supposed, only the gardener. To the left rises a green hill, on the top of which, below a row of brown, ragged rocks, stands the empty tomb, with the women round it. By a quaint but curiously felicitous idea of the artist, the figure of Christ is holding a spade in his hand, as if to give colour to Mary’s mistake. His face is Divine, but graciously human, and he waits for the recognition.

The whole place had an air of tranquil repose, of remoteness from worldliness, hurry, and unprofitable strivings that perhaps has a certain value, which is not necessarily diminished because it is impossible to account for it statistically or categorically. There is something in spacious grey buildings and perfect Gothic architecture, shared too by broad grass lawns and studious, quiet places and uneventful lives, that cannot be altogether left out of the reckoning when one adds up the total value of a University as compared with a modern endowed plan of education, or the admirable schemes of University extension.

And the choir which walked slowly up the aisle into their places, though composed of ordinary little boys, lay clerks, and undergraduates, somehow brought themselves into harmony with it. On week days the little boys no doubt were entirely human, and probably concealed surreptitious sweet stuff in their pockets; the lay clerks wore bowler hats and tail coats, and belonged to the most unprepossessing class which England produces, and the undergraduates were only undergraduates. But for the time they were part of a wonderful idea, and were performing the office set apart for them by a royal founder.

The last echo from the roof died away, and the service began, and though Reggie was not conscious of attending very closely to it, he was still aware of the good and kindly atmosphere about him, an atmosphere which soothed and quieted, and drove the thoughts inward. He had often felt it before, on other winter afternoons in chapel, and as far as he knew, for he did not consciously think about it, it had made no difference to him. But as no impression is without its effects, we must presume that it had made a difference to him, though he had not been aware of it.

Not long before, the organ had been repaired, and in great part renewed, and it was worthy of its surroundings and its appearance. Golden sheaves of pipes gleamed out between the dark wooden case, and on top of the two turrets looking west, stood two great angels with brazen trumpets to their mouths, and when the “tuba” speaks, one cannot help imagining that it is their trumpets which are sounding. To-day “The Lord thundered out of heaven,” and one could think that the air for a moment grew thick with sound, which increased till it shattered the growing darkness, splitting it with lightning made audible.

By the end of the Psalms it had grown quite dark outside, and the windows showed black between the delicate tracery. From the lectern came the story of Nebuchadnezzar’s dream, “of the watcher and the Holy One,” and afterwards of the Holy One who watched alone among the olives in the Garden of Gethsemane, a king, not of Babylon, but of the whole earth, who had not where to lay his head.

The stalls and sub-stalls were all full of members of the college, in surplices, but the black crowd beyond stretched up to the steps of the altar, and when the three bars of introduction to the solo began, every one stood up. Mendelssohn, so often only correct, so often ruined by his fatal prettiness, has here struck the right note, full and firm. Even Reggie ceased to think of the evasiveness of the watchman, and only listened, till the repeated call of the minor died away into a long pause before the soprano answered, and the choir took up the full chorus.

Outside in the ante-chapel, though only for a little while, the Babe ceased from his customary futility of thought, and the slow opening of the carved wooden doors in the screen, and the drawing of the crimson curtain, at the end of service, still found him meditative.

As the choir came out, framed in a long shaft of light, the organ was played quietly, and then paused for a moment, while a great pedal note made the air shake and quiver in sensation rather than sound. Then the full organ burst out with the Occasional Overture, as the congregation from the chapel streamed out after the members of the college. The first movement marched, and marching marshalled whole armies of sound, which stood waiting while the second rippled and laughed and sang with all the breezes of heaven behind it, and the third dwelt dreamily on what had gone, and thought of what was to come.

Then in the last movement, battalion after battalion of major chords, from choir and swell and great organ, grew and multiplied in all their forces, the flutes and piccolos, the twelfths and fifteenths as flying squadrons on the wings, and the diapasons the lords of sound in the centre, an exceeding great army. Then at the second repeat the “tuba” woke in the “huge house of sounds,” and the thing was complete, a fixed star for ever in the heavens of harmony.