IN 1873 my father was appointed Chancellor of Lincoln, and the move there was made in the summer of that year, during July and August. We four younger children, Nellie, Maggie, myself and Hugh went with Beth to stay with my grandmother at Rugby while it was in progress. That visit was memorable for several reasons: in the first place I celebrated a birthday there, and great-Aunt Henrietta had no idea that I was long past fairies, for on the morning of that day she met me in the hall, and said she would go out to see if there were any fairies about, for she fancied she had heard them singing. Accordingly she went out of the front door, closing it after her, and leaving me in the hall. Sure enough from the other side of the door there instantly came a crooning kind of noise, which I knew was Aunt Henrietta singing, and there was a rattle in the letter-box in the door of something dropped into it. Aunt Henrietta then returned in considerable excitement, and asked me if I hadn’t heard the fairies singing, and of course I said I had. One had come right on to the doorstep, she continued, while she stood there, and had dropped something for me into the letter-box. And there was a velvet purse with a brass clasp, and inside five shillings. This was an opulence hitherto undreamed of. Aunt Henrietta was remarkable in other ways besides generosity: One day there came a moment which still ranks in my mind as an experience of transcendent happiness. It had been a delicious day already, for not only had my mother arrived, but the ceiling of the dining-room was being white-washed, and we had our meals in my grandmother’s sitting-room, which gave something of the thrill of a picnic. That evening we were playing in the garden when Beth came out to tell us it was time to go to bed. She took me along the path, and there close to an open window my mother and grandmother were having dinner. We stopped a moment, and I asked if I might not have ten minutes more in the garden. That was granted, and, as if that was not enough, my grandmother gave me three grapes from a bunch on the table. As I ate them a breeze brought across me the warm scent of a lilac bush, and the combination of these things made me touch a new apex of happiness. Something, the joy of the level sunlight, of the three grapes, of the lilac scent, of having ten minutes more to play in, rushed simultaneously over me, and at that moment some new consciousness of the world and its exquisiteness was unsealed in me. And I doubt if I have ever been so happy since, or if anything, owing to that moment, will ever smell so sweet to me as lilac. Whatever that unsealing was, the wax was broken for Instantly, so it seems to me now, we began playing the most blood-curdling games in that floor of attics; people hid there and groaned and jumped out on you with maniacal screams. A short steep flight of steps led down from it to the nursery floor, and how often, giddy with pleasing terror, have I tumbled down those steps, because somebody (who ought to have been a sister, but might easily have become a goblin) was yelling behind me. One’s mind, the sensible part of it much in abeyance, knew quite well that it was Nellie or Maggie, but My sisters were now of an age to sleep together in a large apartment somewhere at the top of the stone stairs, while I still slept in the night nursery, in a bed near the window. Beth occupied another bed, and in a corner was Hugh’s crib with high sides, where he—being now about two years old—was stowed away before the day was over for me. Next door to the nursery was a room smaller than any room I have ever seen, and this was officially known as “My Room.” It had a tiny window, was quite uninhabitable, for it was always shrouded in a deadly gloom and piled up with boxes, but the fact that it was my room, though I lived in the day nursery by day, and slept in the night nursery by night, gave me a sense of pomp and dignity, and I resented the fact that presently my father had the wing of the house which lay above the stone staircase connected with the night The rest of the house was not particularly interesting; it consisted of sitting-rooms and dining-room, and schoolroom and lobbies, the sort of thing that you naturally supposed would be there. But one day my father presented my sisters and me with a room at the top of the stone stairs, with which we were allowed to deal precisely as we wished. We instantly called it “The Museum,” and put in it any unusual objects that we obtained. One day Maggie found a piece of sheep’s wool stuck in a hedge, so that of course was brought home, washed white and carefully combed and put in a cardboard box with a glass lid. Then (to anticipate as regards the Museum) we spent a summer holiday at Torquay, and collected various attractive pebbles, and madrepores, and shells. These were dedicated to the Museum, and a large earthenware bread-bowl was lined with them, and filled up with water to the top, so that they gleamed deliciously through the liquid. Then there came a memorable day when my mother killed a hornet on her window; she gave us the squalid corpse, and after consultation we put it in the water of the bowl, lined with spa and madrepore, in order to preserve it. It floated about there and was supposed to be in process of preservation. An addled swan’s egg joined the collection, which, very prudently, we decided not to blow. But it began to smell so terribly even through the shell that with great reluctance we scrapped it. My father gave us a case of butterflies, collected by his father, in which, without doubt were two “large cop Indeed that was a good house for children with its attics and its winding-stairs, and its multitude of pas Gardens, in like manner, must be judged by their serviceableness in the pursuit of games, and here again we were fortunate. Adjacent to the house itself was a big lawn, levelled and sown afresh, which was the arena of cricket and rounders. Behind that was an asphalted yard with a stable, a coach-house and a woodshed, erected no doubt in order that we might play fives against them: a covered passage led to the kitchen garden. There was sufficient space here for a lawn-tennis court, the lines of which were laid down with tape secured by hairpins. Occasionally the foot caught in the tape; “zp, zp, zp,” went most of the hairpins and the shape of the A flight of some twenty high stone steps led up to a chamber in the tower, which was roofless and ivy-clad. They lay against the wall with a turn half-way up, and up to that point had no protection whatever on one side, At first my mother taught us entirely, and the sight of the schoolroom when lessons were going on would certainly have conveyed a very false impression to a stranger, for close to my mother’s hand lay a silver-mounted riding-whip of plaited horsehair. But it was not for purposes of correction: its use was that if as we were writing our exercises and copies she saw we were not sitting upright, her hand would stealthily take up the whip and bring it down with a sounding thwack on to the table, startling us into erect attitudes again. To these instructions there was soon added Latin, and I remember the charm of new words just because they were new. It was also interesting In between these curricula we had a temporary governess who seemed to us all the most admirable and enviable person who ever lived. This was Miss Bramston, a great personal friend of my mother’s, whose brother, beloved subsequently by generation after generation of Wykehamists, had been a master at Wellington under my father. Never was there so delightful an instructress; by dint of her being so pleasant when we disobeyed her, we soon got to obey her not out of discipline, of which she had not the faintest notion, but out of affection, of which she had a great deal. She wrote us a play in rhymed verse, all out of her own head, which we acted one Christmas, rather like Hamlet, with rhymes thrown in, and ending much more comfortably than that tragedy. There was a king on a throne, only he wasn’t the right king and when alone he soliloquized, saying: and I wish I could remember more of it. She painted not in water-colour only but in oils, and could make any canvas of hers recognizable. For instance, you knew at once that this was the Cathedral. But not only to us was she not a usurper but a swell; she was a Public Authoress, and wrote stories, printed and published, which she gave us to read. The S.P.C.K. published them, and the whole world could buy them, and she got paid for writing them. One of her early works was Elly’s Choice; there was a poor good girl called Elly, and a rather nasty rich cousin called Cordelia, a boy called Alick, and everybody who mattered was about nine years old. A piece of stained glass was broken in the “Octagon Room,” and Cordelia let Elly be punished for it though Cordelia had broken it, and then Elly received apologies from Grandmamma Farmer, and Cordelia learned a lesson, and all got wonderfully happy again. The extreme vividness with which I remember it, surely shows that the book fulfilled its purpose, that is, of interesting children. Later Miss Bramston spread larger pinions, and I do not think she did so well. To our intense joy she came back to us at Truro a year or two later, and was as lovable as ever. It was in those few years at Lincoln that my father began to be individual, instead of being part of the landscape, and as I got to know him, I, like the rest of us, also got to fear him. For many years we were none of us at our ease with him, as we always were with my mother, and it is tragic that it was so, for I know that he regarded us all with the tenderest love. Often and often his glorious vitality, keener and more splendid than any I have ever come across, enchanted us, and the sunlight of him was of a midsummer radiance. But he had no idea how blighting his displeasure was to small children, and for fear of incurring it we went delicately like Agag, at Below our lovely Museum, and opening out of the winding stone stairs, there was a room fitted up as a chapel. There was stained glass in the windows, Arundel prints on the walls, and a quite unique harmonium that cost five pounds. The keyboard was only of three octaves, extending from [Image of musical notation unavailable.] to [Image of musical notation unavailable.] which, as it was used if not designed to be as an instrument to accompany hymns, seems to me to be a truly remarkable compass, since in order to accompany hymns on it at all, you had to leave out the bass, or transfer the whole tune to the higher octave. When fully extended for purposes of melody, it stood about two and a half feet high, but on its black japanned front were two steel catches which, if pressed, caused it to subside into itself, the foot-bellows becoming flat, and the harmonium itself so small that a man could put it under his arm. Sometimes when playing it (as I was presently to do) a too vigorous knee, in the movement of blowing, would touch these catches, and it collapsed in the middle of the hymn on to the feet of the organist, dealing them a severe blow, and necessitating its readjustment before the hymn proceeded. It had two stops, one of which allowed the air Sunday, in fact, began in the chapel for us children after the early service for our elders in the Cathedral. There was a hymn, my father read certain Sunday prayers, and then came breakfast. The collection of hymns which we used in chapel was Bishop Wordsworth’s “Holy Year.” There are many admirable hymns in it, others not so good. For instance, the one for the feast of St. Philip and St. James began: Let us emulate the names Of St. Philip and St. James. We children, therefore, could hardly help making up another hymn for the feast of St. Simon and St. Jude beginning (and then stopping): Let us try to be as good As St. Simon and St. Jude. Matins at the Cathedral was at half-past ten, so we often bore a crude sausage there, as Juvenal would have said. The service was fully choral, and the piÈce de rÉsistance, as far as I was concerned, was the Litany, chanted by two lay-clerks at a desk in the middle of the The choir then repeated it in harmony, and the same simple musical material furnished the whole of the subsequent responses. Sung thus very slowly the Litany took a full quarter of an hour, but when that was over, I was at liberty to find my hat and steal out. I used to put my hat, a round soft felt hat with elastic under the chin, in an aperture at the corner of our seat below the stalls, which had in it an opening for ventilation. Sometimes my hat slipped down this, and after an excited groping for it, it came up covered with the dust of ages. The service had already lasted an hour or more, and I made my jaded way back to the Chancery, while my mother and sisters, and in the holidays, my two elder brothers, remained for the rest of the service. Martin and Arthur occupied stalls near my father and were still dim figures to me, at home only for a comparatively few weeks in the year, and having a sitting-room of their own. I used to be rather glad when they went to school, because my mother invented for me the title of “The Eldest Son at Home,” which could only be used in their absence. In the afternoon there was a family walk, and then Cathedral service again. Then came a reading of Sunday books, or a reading of the Bible with my father, and we went utterly fatigued to bed. It was not so much I cannot chronologize the events in our life at Lincoln, which only lasted for three and a half years, and I do not quite know when the Cathedral services began to wear a perfectly new complexion for me. The reason of this was that I was violently attracted by a choir-boy, or rather a chorister, one of four, who instead of wearing a surplice like the common choir-boy, wore a long dark blue coat down to the knees faced with white. A similar experience, I fancy, is almost universal: the first romantic affection a girl is conscious of is nearly always towards a girl, and in the same way, a small boy, when first his physical nature begins to grope, still quite blindly and innocently, in the misty country of emotion, is pretty certain to take as his idol for secret romantic worship, one “O God, let me enter into Lincoln Cathedral choir, and abide there in happiness evermore with Thee!” Who “Thee” was I cannot determine: I believe it to have been a mixture of God and the chorister, and, I think, chiefly the chorister. This quickening of emotion gave rise to a sort of waking vision in which I used then consciously to indulge, promising myself as I undressed for bed a night of Holy Convocation. Two minutes of Holy Convocation were about the duration of it, and then I went to sleep. There was a hymn in the “Holy Year” in which there were lines To Holy Convocations The silver trumpets call, and with that and the chorister as yeast, there used to bubble out, when I had gone to bed, this curious waking vision. I would not be asleep at all, but with open eyes I distinctly saw against the blackness of the night nursery a line of golden rails, very ornamental, before which I knelt. There was the sound of silver trumpets in my ears, there was the sound of the chorister, anthems in the The Cathedral had, apart from the chorister and the services, certain pains and pleasures of its own. Occasionally assizes were held in Lincoln, and then on Sunday the judges would attend in robes of majesty with full wigs falling on to their shoulders. They walked in procession up the choir, and, reaching their seats, turned round awful pink clean-shaven faces of eternal calm, awful mouths that pronounced death-sentences. Once to my knowledge there was a murder-trial at Lincoln and a man condemned to death and the judge on that occasion became more terrible than death itself, and I slunk out after the Litany with apprehension that I should be called back, and hear some appalling sentence pronounced on me. Again, one day, a canon of the Cathedral stepped backwards through a skylight and was killed and Great Tom, the big bell in the central tower, tolled for the funeral. But the whole circumstances of that were so interesting that, though terror was mingled with them, they were more exciting than terrible. Wholly delightful on the other hand was a scientific demonstration that took place in the nave. A long cord was hung from one of the arches, to the end of which depended a heavy lead weight. On the pavement beneath it there was marked out a circle in white chalk, and this pendulum was then set swinging. As the hours passed, it swung in a different direction from that in which it was started, and instead of oscillating up and down the nave it moved along the |