A brilliant June sun lay sparkling on tree and tower and over the roofs of Wroxton and the downs which rise above the city. The morning might have been ordered, like the wedding-cake, with carte-blanche, and no expense to be spared. The promise of that first day of spring when Jeannie had played golf with her fiancÉ was royally fulfilled, the vigour and glory of the year was at its midmost. A light wind tempered the heat of the morning, and set all the leaves of the trees chattering to each other, and woke innumerable songs in the throats of the lawn-haunting birds. The marriage was to take place at two, and for an hour before people had streamed into the Cathedral. The rows of free seats in nave and transepts were full of the boys and girls of Jeannie’s classes, and the combined length of feather in the girls’ hats would have stretched from Bolton Street to The choir was kept for the invited guests, who had come in enormous numbers. A whole clan of Aveshams and Fortescues were there, and Colonel Raymond felt it was quite a family gathering, and was conscientiously able to congratulate himself on their appearance. The Collingwood party, he considered, lacked that fine air of distinction which marked his race, and the Colonel looked immensely interesting, and quite distinctly caught the eye of a countess no less, who instantly looked away. Among the women present there was only one dark spot of colour. In a seat near the screen was Miss Clara. She was in black. Weddings tend to be like each other. There are the same pieces on the organ, and for the most part the same hymns. There is the same anxiety to see how the bride behaves, and the same disappointment to find that she behaves like most other brides. Jeannie was perhaps a little different; she looked quite radiantly happy, and not self-conscious at all; she said her own word very audibly, and on the way down from the altar she caught sight of Miss Clara, stopped the whole procession to kiss her in the face of the assembled congregation, and all the Avesham contingent said to their neighbours, “Who is that woman in black?” Afterward there was a reunion at Bolton Street, and Collingwoods mixed in a manner which did not suggest chemical affinity with Aveshams, and each found the other just a shade trying. The bridegroom’s mother, for instance, was, to say the least of it, puzzled with Lady Tamar, the bride’s aunt, who smoked a cigarette with the whole of the close looking on, and really did not seem to be aware how unusually she was behaving. It was idle to explain, and Lady Tamar, on her Both bride and bridegroom effaced themselves from the party until their appearance was necessary. They were to leave Wroxton by a train soon after four, and the interval between their mingling with the party and the last possible moment of catching their The family who had taken Merton were in London, and were delighted that the two should spend their honeymoon there. Merton was only a couple of stations from Wroxton, and they arrived soon after five. All about her were the dear familiarities of childhood, by her the crown of her womanhood. Nowhere else, she thought, could Jack have known her as well as here. From tea till dinner-time they wandered about the place; like two children, the one introducing the other to her home. This was the hedge where the long-tailed tit built, and this the copse where wild lilies-of-the-valley flowered in May. There was a reminiscence dear to her, and infinitely dear to him, about every yard of the place. The old boat-house with a leaky punt had given her many a Dinner was over, and they sat on the south of the terrace-fronted house; a full moon moved like a queen bee among the swarming stars, and the world was refashioned out of soft darkness and ivory and pearl. Pearl-coloured was Jeannie’s dress, and she the pearl of pearls. “How strange one’s life goes in acts,” she said. “The act at Wroxton is over now, but what a pleasant one it was. Oh, Jack, I hope this act will be a long one. Do you remember the plank bridge by the mill, and Toby shaking himself?” “Do I remember?” echoed Jack. “Do I remember?” “Only think, it is not a year ago,” she “It does not hurt you to think of that?” said Jack, gently. “No, why should it? Life, love, death, the three great gifts of God. ‘What further can be sought for or declared?’” she quoted. For a long time they sat in silence. The moon, still not yet in zenith, shone with a very clear light across the lake, and made a pathway of silver to the dim farther shore. To the right the nightingale trilled and bubbled, a few lights gleamed from the great house behind. A spell seemed cast over the world, and over the two sitting there a spell was cast. Suddenly Jeannie turned and laid her arm round his neck. “You are happy?” she asked. “You have made no mistake? But in her heart there was no question, but utter conviction. “God knows I am happy!” he said. “And you, Jack, you?” she asked. “Do you know it?” “You know that I know it,” he replied. “Is that not enough?” And they rose and walked softly through the softness of the night back to the house. THE END BOOKS BY E. F. BENSON. Scarlet and Hyssop. 12mo. Cloth, $1.50. Mr. Benson has returned to the field which he developed with such signal success in “Dodo,” and his new novel reveals a brilliancy, social knowledge, and worldly wisdom that show how much the author has grown in force and pungency since the appearance of his first book. The Luck of the Vails. A Romance. 12mo. Cloth, $1.50. “If Mr. Benson continues to write novels as interesting as this latest product from his pen—stories that will hold the attention of the reader as absorbingly as this one is sure to do—he is very likely to win a name among English fiction writers that shall be as lasting as—say, the name of Wilkie Collins.”—Brooklyn Eagle. Mammon & Co. 12mo. Cloth, $1.50. “Mr. Benson writes from intimate knowledge and the inside. He is a part of the very society which he openly censures.... His novel stands out as a strong bit of work in which he is very much at home. 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Cloth, $1.50. This remarkable novel presents an entirely new and a very entertaining feature of American national and social development. Miss Sholl has sought her inspiration in the life and interests of a large University, as that life is felt and known from the faculty and post-graduate standpoints. The author has brought to this fascinating and unfamiliar subject a close personal knowledge and an enthusiastic appreciation of its possibilities for literary purposes. “The book is exceptionally interesting.... 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Her lovers are beings of flesh and blood, not puppets; she faces the problem fully, fearlessly; hence the compelling strength of the story, its exceptional merit as the product of an American pen.”—New York Mail and Express. D. APPLETON AND COMPANY, NEW YORK. A NEW BOOK BY MISS FOWLER. “For months to come the story will be talked about by some millions of the population of the British Islands.” —Literary World, London. Place and Power. By Ellen Thorneycroft Fowler, Author of “Concerning Isabel Carnaby,” “The Farringdons,” etc. Illustrated. 12mo. Cloth, $1.50. The story of an ambitious young man whose most cherished aims are frustrated through retributive justice. The story is full of interest and attractive characterization, the main action of the plot is skilfully hidden until the right moment, and the dialogue is entertaining and clever. “A story as brilliant as it is wholesome. Wit and satire flash in the dialogue, and the love scenes are delightful.”—Evening Sun, New York. “A better book in some respects than the much read ‘Isabel Carnaby.’”—Evening Post, Louisville, Ky. “Keeps up her reputation for epigram, brilliant delineation of character, and social climaxes.”—Courier-Journal, Louisville, Ky. “Full of intellect and brightness.”—Globe-Democrat, St. Louis. “Miss Fowler’s old lightness and cleverness of touch show throughout the book.”—The World, New York. “The same ring of keen insight, understanding of types of human nature, and ability to create brilliant conversations—the faint, whimsical describing of the hearts of her characters, which gives so vivid and lasting a conception of their personalities.”—Pioneer Press, St. Paul. D. APPLETON AND COMPANY, NEW YORK. TWO IMPORTANT WORKS OF FICTION. The Silver Poppy. By Arthur Stringer. 12mo. Cloth, $1.50. This notable story should appeal to a wide public through its originality of plot, its dramatic interest, and the literary charm of its description; while the dialogue never flags from start to finish. The New York of to-day is reproduced in graphic and apt scenes as it has not often been done before, with poetic appreciation for its beauties and a keen eye for its dramatic values. “The story is possessed of much literary merit, full of movement, and shows the author to be a poet as well as a master of fiction.”—Washington Post. “Worth reading for its own sake, on account of its deft and delicate handling of a complicated psychological case.”—New York Mail and Express. “A novel of first-rate dramatic quality in construction and style, and its climaxes are worked up with fine dramatic art and spirited dialogue.”—Brooklyn Eagle. The Career Triumphant. By Henry B. Boone, joint Author of “Eastover Courthouse’ and “The Redfield Succession.” 12mo. Cloth, $1.50. It is always an entertaining subject when the life of the Old Dominion is made the theme for a well-written novel, but Mr. Boone has succeeded in placing in the environment of contemporary Virginia rural life a number of delightful characters set in that environment with absolute fidelity. The social life of the present-day Virginia, with the assured sense of culture and ease that comes of its well-defined social limits, is given with perfect coloring. “Should take a prominent place among the early autumn books.”—Boston Transcript. “As a study of Virginians, Bourbon and reconstructed, it is accurate and entertaining.”—Boston Advertiser. D. APPLETON AND COMPANY, NEW YORK By A. CONAN DOYLE. Uniform edition, 12mo. Cloth, $1.50 per volume. A DUET, WITH AN OCCASIONAL CHORUS. “Charming is the one word to describe this volume adequately. 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B., to his friend and former fellow-student, Herbert Swanborough, of Lowell, Massachusetts, during the years 1881-1884. “Cullingworth, ... a much more interesting creation than Sherlock Holmes, and I pray Dr. Doyle to give us more of him.”—Richard le Gallienne, in the London Star. D. APPLETON AND COMPANY, NEW YORK. By FRANK R. STOCKTON. The Captain’s Toll-Gate. A Complete Posthumous Novel by Frank R. Stockton, Author of “Kate Bonnet,” “The Lady or the Tiger,” etc. With a Memoir by Mrs. Stockton, an Etched Portrait, Views of Mr. Stockton’s Home, and a Bibliography. 12mo. Cloth, $1.50. The scene is partly laid in Washington but mainly in that part of West Virginia where the author spent the last three years of his life. Incidents centering about the “Toll-Gate” and a fashionable country home in the neighborhood are related with the author’s peculiar humor and charm of diction which have endeared him to a host of readers. The heroine who is an embodiment of the healthy vigorous girl of to-day, and her several suitors, together with the mistress of the country house and a meddlesome unmarried woman of the village, combine to present a fascinating and varied picture of social life to the present day. “In the story we have the real Stockton at his best and brightest. The fun, the whimsicality, the queer doings, the very delightful people are such as his readers have been entertained with for so many years. The fertility of invention and ingenuity is as fresh as in the early stories, and perhaps Mr. Stockton never came nearer to success in trying to keep a long story together to the end without digressions or a break in the plot. The heroine is a charming girl, her married hostess still more charming, and there are plenty of others the reader will be glad to meet. “Mrs. Stockton’s sketch of her husband gives us a glimpse of a lovable and delightful personality and shows the author at work just as the readers must have imagined him. Swinging in a hammock under the fir trees, or when winter came, in an easy chair before a big log fire, he dreamed his fancies and dictated them, bit by bit, as they came, to his secretary.”—New York Sun..\ D. APPLETON AND COMPANY, NEW YORK. A New Novel by the Author of “THE SILENCE OF DEAN MAITLAND.” Richard Rosny. By Maxwell Gray. Frontispiece, 12mo. Cloth, $1.50. “Shows masterly and artistic work.”—Buffalo Commercial. “Dignified, earnest, and thoughtfully written.”—Indianapolis News. “The mystery of the plot is the principal charm.—Brooklyn Eagle. “The book is full of action, and it would be hard to find anything dull in the whole story.”—Worcester Spy. “Of more than usual interest and strength, and in the psychological study of character it is very strong.”—St. Paul Despatch. “It is a dramatic and absorbing novel, and one that will be widely read.”—St. Louis Republic. OTHER BOOKS BY THE SAME AUTHOR. Each 12mo. Cloth, $1.00; Paper, 50 cents. The Silence of Dean Maitland. D. APPLETON AND COMPANY, NEW YORK. BOOKS BY MRS. EVERARD COTES The Pool in the Desert, and other stories. 12mo. Cloth, $1.50. The volume comprises love stories, marked by ease of narrative, poetic feeling, and a humor that is very attractive. Those Delightful Americans. 12mo. Cloth, $1.50. “A particularly clever and amusing book,”—New York Sun. “Bubbling over with humorous situations and enjoyable contrasts.”—Chicago News. A Voyage of Consolation. Illustrated. 12mo. Cloth, $1.50. His Honour, and a Lady. Illustrated, 12mo. Cloth, $1.50. The Story of Sonny Sahib. Illustrated, 12mo. Cloth, $1.00. Vernon’s Aunt. With many Illustrations. 12mo. Cloth, $1.25. A Daughter of To-day. 12mo. Cloth, $1.50. A Social Departure: How Orthodocia and I Went Round the World by Ourselves. With 111 Illustrations by F. H. Townsend. 12mo. Cloth, $1.75; paper, 75 cents. An American Girl in London. With 80 Illustrations by F. H. Townsend. 12mo. Cloth, $1.50; paper, 50 cents. The Simple Adventures of a Memsahib. With 37 Illustrations by F. H. Townsend. 12mo. Cloth, $1.50. D. APPLETON AND COMPANY, NEW YORK. RECENT FICTION. ’Twixt God and Mammon. By William Edwards Tirebuck, Author of “Dorrie,” “Miss Grace of All Souls.” With a Memoir of the author by Hall Caine. 12mo. Cloth, $1.50. “There is a manifest sincerity in his writing, and his studies of character are acute and convincing.”—New York World. “Power dominates the book. It is written by a man who felt what he wrote and who had a great reason for writing.”—Chicago Tribune. “The descriptions of country life are excellent, and some of the characters, like the Rev. Corner Deen and Joy, are so much alive as to suggest Trollope or George Eliot.”—New York Evening Sun. The King’s Agent. By Arthur Paterson. Illustrated. 12mo. Cloth, $1.50. “The plot is intricate. Event follows upon event with breathless haste—plot and counterplot for the restoration of the Stuart king, for the life of Marlborough, for the love of Isabel. The atmosphere is one of suspicion, apprehension, fear, unrest, for all concerned.”—Chicago Post. “Teeming with action and incident, and the dialogue is clever.”—Chicago Chronicle. The Housewives of Edenrise. By Florence Popham. 12mo. Cloth, $1.50. “Worth reading for its deft touches of sentiment and humor.”—Rochester Democrat. “The Edenrise ladies, sure of sympathy and comprehension, speak unhesitatingly their thoughts, unaware that among them is one who is so far an outsider as to be capable of drawing their conversational portraits for a delighted world. The temptation to quote is great, but it is dangerous to begin where it would be so easy to be drawn on to great lengths. No inconsiderable part of the amusement in this book is furnished by the children, who are as irresistibly human and lifelike as their parents.”—New York Times Saturday Review. D. APPLETON AND COMPANY, NEW YORK. By MAARTEN MAARTENS. Each, 12mo, cloth, $1.50. Uniform Edition. Some Women I have Known. “Maarten Maartens is one of the best novel writers of this or any day.”—Chicago Times-Herald. “Maarten Maartens stands head and shoulders above the average novelist of the day in intellectual subtlety and imaginative power.”—Boston Beacon. Her Memory. With Photogravure Portrait. “Maarten Maartens took us all by storm some time ago with his fine story christened ‘God’s Fool.’ He established himself at once in our affections as a unique creature who had something to say and knew how to say it in the most fascinating way. He is a serious story writer, who sprang into prominence when he first put his pen to paper, and who has ever since kept his work up to the standard of excellence which he raised in the beginning.”—New York Herald. The Greater Glory. A Story of High Life. “It would take several columns to give any adequate idea of the superb way in which the Dutch novelist has developed his theme and wrought out one of the most impressive stories of the period.... It belongs to the small class of novels which one can not afford to neglect.”—San Francisco Chronicle. 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