V THE BANQUET

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In every large London restaurant, and in many small ones, there is a spacious hall (or several) curtained away from the public, in which every night strange secret things go on. Few suspect, and still fewer realise, the strangeness of these secret things.

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In the richly decorated interior (sometimes marked with mystic signs), at a table which in space reaches from everlasting to everlasting, and has the form of a grill or a currycomb or the end of a rake—at such a table sit fifty or five hundred males. They are all dressed exactly alike, in black and white; but occasionally they display a coloured flower, and each man bears exactly the same species and tint and size of flower, so that you think of regiments of flowers trained throughout their lives in barracks to the end of shining for a night in unison on the black and white bosoms of these males. Although there is not even a buffet in the great room, and no sign of the apparatus of a restaurant, all these males are eating a dinner, and it is the same dinner. They do not wish to choose; they accept, reading the menu like a decree of fate. They do not inquire upon the machinery; a slave, unglanced at, places a certain quantity of a dish in front of them—and lo! the same quantity of the same dish is in front of all of them; they do not ask whence nor how it came; they eat, with industry, knowing that at a given moment, whether they have finished or not, a hand will steal round from behind them, and the plate will vanish into limbo. Thus the repast continues, ruthlessly, under the aquiline gaze of a slave who is also a commander-in-chief, manoeuvring his men silently, manoeuvring them with naught but a glance. With one glance he causes to disappear five hundred salad-plates, and with another he conjures from behind a screen five hundred ices, each duly below zero, and each calculated to impede the digesting of a salad. The service of the dinner is a miracle, but the diners, absorbed in the expectancy of rites to come, reck not; they assume the service as they assume the rising of the sun. Only a few remember the old, old days, in the ’eighties (before a cabal of international Jews had put their heads together and inaugurated a new age of miracles), when these solemn repasts were a scramble and a guerilla, after which one half of the combatants went home starving, and the other half went home glutted and drenched. Nowadays these repasts are the most perfectly democratic in England; and anybody who has ever assisted at one knows by a morsel of experience what life would be if the imaginative Tory’s nightmare of Socialism were to become a reality. But each person has enough, and has it promptly.


The ceremonial begins with a meal, because it would be impossible on an empty stomach. Its object is ostensibly either to celebrate the memory of some deed or some dead man, or to signalise the triumph of some living contemporary. Clubs and societies exist throughout London in hundreds expressly for the execution of these purposes, and each! of them is a remunerative client of a large restaurant. Societies even exist solely in order to watch for the triumphs of contemporaries, and to gather in the triumphant to a repast and inform them positively that they are great. So much so that it is difficult to accomplish anything unusual, such as the discovery of one pole or another, or the successful defence of a libel action, without submitting to the ordeal of these societies one after the other in a chain, and emerging therefrom with modesty ruined and the brazen conceit of a star actor. But the ostensible object is merely a cover for the real object, the unadmitted and often unsuspected object: which is, to indulge in a debauch of universal mutual admiration. When the physical appetite is assuaged, then the appetite for praise and sentimentality is whetted, and the design of the mighty institution of the banquet is to minister, in a manner majestic and unexceptionable, to this base appetite, whose one excuse is its naÏvetÉ.

A pleasurable and even voluptuous thrill of anticipation runs through the assemblage when the chairman rises to open the orgy. Everybody screws himself up, as a fiddler screwing the pegs of a fiddle, to what he deems the correct pitch of appreciativeness; and almost the breath is held. And the chairman says: “Whatever differences may divide us upon other subjects, I am absolutely convinced, and I do not hesitate to state my conviction in the clearest possible way, that we are enthusiastically and completely agreed upon one point,” the point being that such and such a person or such and such a work is the greatest person or the greatest work of the kind in the whole history of the human race. And although the point is one utterly inadmissible upon an empty stomach, although it is indeed a glaring falsity, everybody at once feverishly endorses it, either with shrill articulate cries, or with deep inarticulate booming, or with noises produced by the shock of flesh on flesh, or ivory on wood, or steel on crystal. The uproar is enormous. The chairman grows into a sacramental priest, or a philosopher of amazing insight and courage. And everybody says to himself: “I had not screwed myself up quite high enough,” and proceeds to a further screwing. And in every heart is the thought: “This is grand! This is worth living for! This alone is the true reward of endeavour!” And the corporate soul muses ecstatically: “This work, or this man, is ours, by reason of our appreciation and our enthusiasm. And he, or it, is ours exclusively.” And, since the soul and the body are locked together in the closest sympathetic intimacy, all those cautious dyspeptic ones who have hitherto shirked danger, immediately put on courage like a splendid garment, and order the strongest drinks and the longest cigars that the establishment can offer. The real world fades into unreality; the morrow is lost in eternity; the moment and the illusion alone are real.


The key of the mood is to be sought less in the speeches as they succeed each other than in the applause. For the applauders are not influenced by a sense of responsibility, or made self-conscious by publicity. They can be natural, and they are. What fear can prevent them from translating instantly their emotions into sound? By the applause, if you are a slave and non-participator, you may correct your too kindly estimate of men in the mass. Note how the most outrageous exaggeration, the grossest flattery, the most banal platitude, the most fatuous optimism, gain the loudest approval. Note how any reservation produces a fall of temperature. Note how the smallest jokes are seized on ravenously, as a worm by a young bird. And note always the girlish sentimentality, ever gushing forth, of these strong, hard-headed males whose habit is to proverbialise the sentimentality of women.

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The emotional crisis arrives. Feeling transcends the vehicle of speech, and escapes in song. And one guest, honoured either; for some special deed of his own or because his name has been “coupled” with some historic deed or movement, remains sitting, in the most exquisite self-consciousness that human ingenuity ever brought about, while all the rest fling hoarsely at him the fifteen sacred words of a refrain which in its incredible vulgarity surpasses even the National Anthem.

The reaction is now not far off. But owing to several reasons it is postponed yet awhile. The honoured guest’s response is one of the chief attractions of the night. Very many diners have been drawn to the banquet by the desire to inspect the honoured guest at their leisure, to see his antics, to divine his human weaknesses and his ridiculous side. And, moreover, the honoured guest must give praise for praise, and lie for lie. He is bound by the strictest conventions of social intercourse to say in so many words: “Gentlemen, you are the most enlightened body of men that I ever had the good fortune to meet; and your hospitality is the greatest compliment that I have ever had, or ever shall have, or could conceive. Each of you is a prince of the earth. And I am a worm.” And then there are the minor speeches, finishing off in detail the vast embroidery of laudation which was begun by the Chairman. Everybody is more or less enfolded in that immense mantle. And everybody is satisfied and sated, save those who have sat through the night awaiting the sweet mention of their own names, and who have been disappointed. At every banquet there are such. And it is they who, by their impatience, definitely cause the reaction at last. The speakers who terminate the affair fight against the reaction in vain. The applause at the close is perfunctory—how different from the fever of the commencement and the hysteria of the middle! The illusion is over. The emotional debauch is finished. The adult and bearded boys have played the delicious make-believe of being truly great, and the game is at an end; and each boy, looking within, perceives without too much surprise that he is after all only himself. A cohort “of the best,” foregathered in the cloakroom, say to each other, “Delightful evening! Splendid! Ripping!” And then one says, ironically leering, in a low voice, and a tone heavy with realistic disesteem: “Well, what do you think of—?” Naming the lion of the night.



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