It is when one comes to survey with a fresh eye the amusements of the English race that one realises the incomprehensibility of existence. Here is the most serious people on earth—the only people, assuredly, with a genuine grasp of the principles of political wisdom—amusing itself untiringly with a play-ball. The ball may be large and soft, as in football, or small and hard, as in golf, or small and very hard, as in billiards, or neither one thing nor the other, as in cricket—it is always a ball.. Abolish the sphere, and the flower of English manhood would perish from ennui. The fact is, speaking broadly, there is only one amusement worth mentioning in England. Football dwarfs all the others. It has outrun cricket. This is a hard saying, but a true one. Football arouses more interest, passion, heat; it attracts far vaster crowds; it sheds more blood. Having beheld England, after absence, in the North and in the South, I seem to see my native country as an immense football ground, with a net across the Isle of Wight and another in the neighbourhood of John o’ Groat’s, and the entire population stamping their feet on the cold, cold ground and hoarsely roaring at the bounces of a gigantic football. It is a great game, but watching it is a mysterious and peculiar amusement, full of contradictions. The physical conditions of getting into a football ground, of keeping life in one’s veins while there, and of getting away from it, appear at first sight to preclude the possibility of amusement. They remind one of the Crimean War or the passage of the Beresina. A man will freeze to within half a degree of death on a football ground, and the same man will haughtily refuse to sit on anything less soft than plush at a music-hall. Such is the inexplicable virtue of football.
Further, a man will safely carry his sense of fair play past the gate of a cricket field, but he will leave it outside the turnstiles of a football ground. I refer to the relentless refusal of the man amusing himself at a football match to see any virtue in the other side. I refer to the howl of execration which can only be heard on a football ground. English public life is a series of pretences. And the greatest pretence of all is that football matches are eleven a side. Football matches are usually a battle between eleven men and ten thousand and eleven; that is why the home team so seldom loses. The football crowd is religious, stern, grim, terrible, magnificent. It is prepared to sacrifice everything to an ideal. And even when its ideal gets tumbled out of the First League into the Second, it will not part with a single illusion. There are greater things than justice (which, after all, is a human invention, and unknown to nature), and this ferocious idealism is greater than justice. The explanation is that football is the oldest English game—far older than cricket, and it “throws back” to the true, deep sources of the English character. It is a weekly return to the beneficent and heroic simplicity of nature’s methods. Another phenomenon of the chief English amusement goes to show the religious sentiment that underlies it. A leading Spanish toreador will earn twenty thousand pounds a year. A leading English jockey will make as much. A music-hall star can lay hands on several hundreds a week. A good tea-taster receives a thousand a year, and a cloakroom attendant at a fashionable hotel can always retire at the age of forty. Now, on the same scale, a great half-back, or a miraculous goalkeeper with the indispensable gift of being in two places at once, ought to earn about half a million a year. He is the idol of innumerable multitudes of enthusiasts; he can rouse them into heavenly ecstasy, or render them homicidal, with a turn of his foot. He is the theme of hundreds of newspapers. One town will cheerfully pay another a thousand pounds for the mere privilege of his citizenship. But his total personal income would not keep a stockbroker’s wife in hats! His uniform is the shabbiest uniform ever donned by a military genius, and he is taught to look forward to the tenancy of a tied public-house as an ultimate paradise! To the unimpassioned observer, nothing in English national life seems more anomalous than this. It can be explained solely by stern religious sentiment. Call it pagan if you will, but even pagan religions were religious. The truth is that so foul a thing as money does not enter into the question. A footballer is treated like a sort of priest. “You have this rare and incommunicable gift,” says the public to him in effect. “You can, for instance, do things with your head that the profane cannot do with their hands. It is no credit to you. You were born so. Yet a few years, and the gift will leave you I Then we shall cast you aside and forget you. But, in the meantime, you are like unto a precious vase. Keep yourself, therefore, holy and uncracked. There is no money in the career, no luxury, no soft cushions, nothing but sprained ankles, broken legs, abstinence, suspensions, and a pittance, followed by ingratitude and neglect. But you have the rare and incommunicable gift I And that is your exceeding reward.” In view of such an attitude, to offer the salary of a County Court judge to a footballer would be an insult.
After indulging in the spectacle and the vocal gymnastics of a football match, the British public goes home to its wife, hurries her out, and they stand in the open street at a closed door for an hour, or it may be two hours, stolidly, grimly, fiercely, with obstinate chins, on pleasure bent. They are determined to see that door open, no matter what the weather. Let it rain, let it freeze, they will stand there till the door opens. At last it does open, and they are so superbly eager to see what they shall see that they tumble over each other in order to arrive at the seats of delight. That which they long to witness with such an ardent longing is usually a scene of destruction. Let an artiste come forward and simply guarantee to smash a thousand plates in a quarter of an hour, and he will fill with enraptured souls the largest music-hall in England. Next to splendid destruction the British public is most amused by knockabout comedians, so called because they knock each other about in a manner which would be fatally tragic to any ordinary persons. Though this freshly-obtained impression of the amusements of the folk is perfectly sincere and fair, it is fair also to assert that the folk shine far more brightly at work and at propaganda than at play. The island folk, being utterly serious, have not yet given adequate attention to the amusement of the better part of themselves. But far up in the empyrean, where culture floats, the directors of the Stage Society and Miss Horniman are devoting their lives to the question.
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